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Droning in Modern Rock

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Droning in Modern Rock The song being analyzed in this assignment is titled, “Slip to the Void” by the Orlando based rock band Alter Bridge. The song was the opening track in the band’s third album titled, “AB III”, which was released on November 9, 2010 (“Alter Bridge – Music”). The song was composed by Myles Kennedy (the band’s vocalist and rhythm guitarist), Mark Tremonti (the lead guitarist), Brian Marshall (bassist) and Scott Phillips (drummer/percussionist). The song’s lyrical content deals with making poor decisions and slipping into a useless state. The technique of droning can be traced back to the Near East. In music, drones are described as sound effects where a note or chord is continuously sounded throughout most or the entire piece. It is usually achieved through a sustained sound or through repetition of a musical note. Though the song being discussed above doesn’t use a drone instrument to sustain the pitch, it achieves a similar effect by the repetition of the same note/chords. The song opens with this repeated harmony, which is played by a clean rhythm guitar. The same chords are repeated in this note and a sustained sound is produced over which the vocalist sings the entire first verse. This combination of unchanged chords borrows from the ancient drones as it involves a sustained sound which serves as a monotonous baseline over which the vocalist sings, which is similar (not same) to the Near-eastern technique.
The repeated harmony can be heard till the end of the first verse, after which the lead guitars and the drums kick in and the second verse is initiated. Unlike in the first verse in which the same riff was repeated without any chord changes, this verse has noticeable chord changes in it. The chorus starts after the second verse which has more frequent chord changes. The rest of the song, besides the outro, has frequent chord changes and no repeated riffs. In the outro the repeated note heard earlier reappears for a few seconds.
This song takes the band’s sound to a new direction by relying more on the vocals than the lead guitars. The vocalist Kennedy states in an interview, “I’ve always been a big fan of Robert Johnson, Sunhouse, a lot of the delta blues…” (“Interview with Myles…”). These influences have also shaped the band’s new sound and this song serves as evidence as it consists of repeated notes (intro) and end repetition (second chorus), which were common musical techniques in delta blues. Works Cited "Alter Bridge - Music." Alter Bridge. Web. 04 Apr. 2011.
<http://www.alterbridge.com/music.aspx>.
"Interview with Myles Kennedy of Alter Bridge." Music Equals Life. 16 Nov. 2007. Web. 04
Apr. 2011. <http://www.musicequalslife.com/index.php?option=com_content&view=article&id=14:interview-with-myles-kennedy-of-alter-bridge&catid=1:interviews&Itemid=6>.

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