...The Easter Rising In Ireland 1916, there was an event known as The Easter Rising. The roots of the Rising lie in the ‘new nationalism’ which emerged in Ireland from the 1890s. Its most significant outcome was the rejuvenation of the Irish Republican Brotherhood (IRB). This small, underground, revolutionary body planned and directed the insurrection in 1916. The truly dynamic element was a tiny minority within this organization; they were acting on the old republican principle: ‘England’s difficulty is Ireland’s opportunity’. In August 1915, this group formed the IRB Military Council. It was eventually composed of seven members – Thomas Clarke, Sean MacDermott, Patrick Pearse, Eamonn Ceannt, Joseph Plunkett, James Connolly, and Thomas MacDonagh. All seven approved and signed the Proclamation, and together they declared themselves to be the ‘Provisional Government’ of the Irish Republic when the Rising began. They were aided throughout by an Irish-American organization, Clan na Gael, which shared their aims and provided virtually the only channel of contact between the insurgents and Germany, from whom they hoped to receive military backing. The IRB was too small in number and covert in operation to precipitate a full-scale rising. For this purpose, it hoped to use the Irish Volunteer Force (IVF). This organization had been formed in 1913 by moderate nationalists, impressed by the impact of the Ulster Volunteer Force and frustrated by the delay in Britain granting...
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...This essay will examine the centenary commemoration of the 1916 rising with particular focus placed on the RTE television series Rebellion.1 An analysis of this drama will allow this essay to examine the manner in which the anniversary of the rising contributes to contemporary Irish identity. The Easter Rising is a rebellion which took place between the 24th and 30th of April 1916 and resulted in 450 deaths including the execution of the fifteen leaders of the rebellion. The rising itself consisted of members of the Irish Citizens Army, the Irish Volunteers and the women's group, Cuman na mBan. The events which led up to the rising and the storming of the GPO began in 1913 with the denial of home rule and the Lockout which sought to protect...
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...Analysis: Essays from "Leaders and Men of the Easter Rising" Leaders and Men of the Easter Rising is a compilation of essays that were originally part of the Thomas Davis lecture series broadcasted on Radio Telefis Eirann (Irish Public Radio) in 1965. The lectures have been edited for print by F.X. Martin, who also produced the original radio series. In the editor’s words, “The contributions are intended to cover as many aspects as possible of the events of Easter Week, 1916.” Martin considers his compilation “…the first attempt at a cool appraisal of the Easter Rising in the context of the Ireland of its time.” The essays are organized loosely by topic. The first few chapters review Ireland’s governmental structure of the time, how its current leaders came to be, and how their predecessors had ruled Ireland. It goes on to the members of parliament and their history, and then the remainder of the book details the movements of the men and their followers who started Ireland on the path to independence from England The essays do cover many aspects of the events leading up to the rebellion, so in that way the book accomplishes what it sets out to. However, the lectures do not convert well to print, and tend to be repetitive, making the timeline somewhat confusing. Also, since the lectures are meant for an Irish audience, some details are left unexplained. For example, the editor assumes I know what Radio Telefis Eirann is . . . I have to guess that it’s Irish Public Radio...
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...How far do the sources suggest that the British authorities responded to the 1916 Easter rising with excessive force? Source 1 portrays the view of George Bernard Shaw, through the form of a letter written to the Daily News within this he shows his dislike towards the British Government for not raising their ‘voice’ at the punishments handed to the leaders of the rising. He shows that he feels the force was excessive when explaining that the ‘Government shot first’ and ‘told the public second’ voicing his anger that they had no time to protest against the punishment that was to be handed to them. He further goes on to portray the force as excessive by explain that he believed them to be ‘prisoners of war’ and therefore he believed it was incorrect to slaughter them’ which further supports the view that it was an excessive use of force. This view although not entirely voiced is also supported in source 3. The Source however does not state that the use of force was excessive however implies it, ‘stating that Asquith went to Dublin to prevent further risings’. It is surprising that the source does not condemn the actions of the government as it quite clearly states that there was ‘bitterness’ surrounding it. Also considering the letter was sent by an Irish Nationalist MP, you would assume that his opinion on the matter would be outrage as the country they are fighting to break union with has murdered some of his own. Although they don’t come from the same party they share the...
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...MY HERO: James Connolly was an Irish republican and socialist leader, He was born in Edinburgh, Scotland, to Irish immigrant parents. He left school at the age of 11 to Work out of Family necessity. He enlisted in the British Army at the age of 14, giving a false age and giving a fake name ‘Reid’, as his brother John had done. He worked with the British Army in Ireland for nearly seven years. It was a very bad time in Ireland. He developed a deep hatred for the British Army that lasted his entire life. When he heard the regiment was being transferred to India, he deserted the army. Connolly met a young woman called Lillie Reynolds in Dublin. They moved back to Edinburgh Scotland & married in April 1890. He became strongly active with the socialist movement and he prioritized this over his own work. Connolly became involved with the Independent Labour Party. By 1892 he was involved in the Scottish Socialist Federation acting as its secretary from 1895. Two months after the birth of his third daughter, word came to Connolly that the Dublin Socialist Club was looking for a full-time secretary, a job that offered a salary of a pound a week. Connolly and his family moved to Dublin, where he took up the position. At his instigation, the club quickly evolved into the Irish Socialist Republican Party (ISRP). The ISRP is regarded by many Irish historians as a party of pivotal importance in the early history of Irish socialism and republicanism. In 1913, in response to...
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...British rule, and remove all aspects of it from the island. But the British would not be willing to go along with this, the independence would have to be fought for, hence the armed uprising. The Easter Rising was suppressed by the British Army after just six days, however, it was the most significant Irish uprising since the rebellion of 1789. Fifteen men were identified as leaders; to some these men were traitors and to others national heroes. Why would they risk their lives to go against what was at the time one of the world’s most powerful force ….? From the time of the Great Famine Irish people lost faith in British government. They felt like the government simply did not care about them, their complaints, and also...
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...Rule but in the shorter term it was also the catalyst for the expression of other nationalist feelings, some of which took on a greater constitutional outlook. The high point of cultural nationalism came with the splitting of the Irish Parliamentary Party (IPP) and the formation of the Gaelic Athletic Association (GAA) in 1884. This growth of cultural nationalism was expressed by a growing interest in Irish history; its language, sport, and folklore. The fomenting of militant nationalism stemmed from increasing disillusionment with the IPP and its continuing failure to achieve Home Rule. In turn this impacted on the renaissance of the Irish Republican Brotherhood (IRB) and the birth of Sinn Féin. Militant nationalism culminated in the Easter Rising...
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...Boko HaramI thin Jon my opinion IRA are a very dangerous organisation (terrorist) but for a reason to protect there country IRA don't kill there own people but protect them I know this because I'm Irish I'm from Dublin I'm very into all the 1916 rising Michael Collins IRB and by far any Irish person except Northern Ireland because there on British but all republicans understand why IRA was created and did what they did and IRA are not cowards they were set up to fight and only reason they fought with bombs is because there things British couldn't figure out to make by them selves :P well and because the majority of British to people in IRA was far unfair even our own Irish people fought against the people trying to free our country well that didn't matter cause we still got Britain to give us our republic and only reason IRA took it is because Michael Collins made the short choice and there was nothing else he could do at that time he could have fought back for the rest but was shot by the IRA his own people because they wanted all of Ireland but other than that IRA is a very powerful and smart organisation and fights for freedom and I'm glad IRA exist proud to be Irish thumbs upthumbs down +10 The IRA are by far the greatest and most intelligent terrorist group in the 20th century who started off fighting against the evil British army who treated the people of Ireland cruelly. In later years the IRA fought on behalf of the poor Roman Catholics of Belfast who were...
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...Background and the Rising: William Butler Yeats was an Irish author, who participated in the Irish freedom´s movement. He is considered to be one of the most important authors of the seen victoria time. He studied poetry in both Dublin and London. Around 1916 the nationalism was widespread in Ireland, because England settled Ireland with dominance and made them to one of their many colonies. A lot of Yeats poetry was about the complicated present or uncertain future, as well as freedom form oppression and social division. We see in Yeats poetry “Easter, 1916” how he has captured the conflict of a nation with a social and political poem. It expresses Yeats’ feelings for the War of Irish Independence, through imagery, symbols and themes. – This should be a part of your analysis, as you are, in fact, analyzing. In The Rising, the Irish people aim at creating a home rule parliament, as a kind of an even regime. I august 1914 the war begins, the nationalist leaders by Ireland, John Redmond and hos colleagues in the Irish party, encouraged their supports to follow them in the war of effort. A lot of people join, more than 200.000 and upon 50.000 lost their life, but in effort to challenge the British imperium’s regime in Ireland. On Easter Monday 1916, they capture buildings, and declared an independent Irish Republic. The rebels stood in 6 days before they surrendered to the British army, because they were considerably superior them. After the restlessness, the leaders...
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...How selective did Irish nationalists have to be to establish continuity with the national past? PLAN Introduction: what is the national past? What was the aim and beliefs of the Irish nationalists? Discuss Hobsbawm’s, Inventing traditions What was the Gaelic league? How did this effect the continuity of the national past? What was the Easter rising? What was the Irish nationalist’s part in this, and how selective did they have to be to ensure continuity of the Irish past? What do sources suggest? How the Irish past was reinvented? How did people’s perspective of the Irish national past differ through the years? What was remembered selectively and what was easily forgotten to suit a certain set of beliefs at that time? What rules, regulations, rituals, practises were used to ensure continuity of the national past? Conclusion – What have we learned from sources regarding Irish Nationalism and the continuity? Compare evidence, and conclude. I am going to discuss how selective Irish nationalists had to be to establish continuity. Firstly the Irish Nationalists are a broad group who assert the view that the rule of the London government was the damage of Irish tradition. One very important factor is the invention of tradition, throughout this essay I will be discussing ways in which Irish nationalists used this to ensure certain parts of past history were remembered by inaccurate telling’s and how these traditions were passed down throughout generations, I will...
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...People in the play; Ghost of Bernard Shaw Ghost of William Butler Yeats Set in a Dáil chamber in Leinster house, Dublin. The ghosts of Shaw and Yeats find themselves in present day Ireland. They are seated in the public gallery to the right of the Ceann Comhairle. As they are ghosts, they are unseen and unheard by both the politicians and the general public. The Taoiseach, Enda Kenny, is giving a lively speech promoting the abolition of the Seanad Eireann. Shaw: William my friend, I must admit to being wrong. As you know, I have always held a strong disbelief in God and heaven. But to witness these cowards at what they entitle “work”, I must confess that we have found ourselves to be seated at the fiery gates of hell itself. To spend eternity here would be comparable to Dante’s “Inferno” (Alighieri, 1314). Yeats: I could not agree more Mr. Shaw. But perhaps for very different reasons. As you know I have long been an advocate of Irish nationalism. Be that as it may, this is far removed from the vision I had claimed to support. Where is the nobility of spirit of “Cathleen Ní Houlihan” (Yeats, 1798) which I feel that I stood for, for all those years. These people do not appear to care for their country. They seem to be in this job for the money and nothing else. Shaw: [Smiling mockingly] As you appropriately put it yourself in that spirited poem of yours, what was it? Ah yes, “September 1913” (Yeats, 1913). You say “Romantic Ireland’s dead and gone/ It’s with...
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...an elected member of Sinn Fein. Many people believe Collins was the best man available for the task in hand of leading Ireland in the quest for independence, ‘One day he'll be a great man. He'll do great work for Ireland’ was a quote from Michael Collins’ father on his deathbed. Collins was first active during the Easter rising of 1916 fighting alongside Patrick Pearse as part of the Irish Republican Brotherhood occupying the General Post Office for several days before surrendering. The rising was a military failure but left a legacy and sense of national pride which Collins was willing to utilise. ‘The greatest result of the rising is the complete and revival of Irish nationality. WE have been...now we have awakened to the knowledge that we really are a separate nation. ‘ That quote is an extract from Moira Reagan’s story in the New York Times, September 1916. I believe the source to be reliable as the story was published in a trustworthy newspaper at the time and the women who told the story lived in the period and understood the mood and patriotism of the Irish population. The majority of the leaders of the rising were executed, many members of the rising joined the nationalist party Sinn Fein and Collins quickly rose through the ranks of the organisation thanks to his intellect and self-confidence. A Dublin surgeon summed Collins up by saying Michael possessed ‘the quickest intellect and nerve that Ireland bred’ which allowed him to rise to the positions that he held...
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...Collins is played by Liam Neeson, while Alan Rickman is Eamon De Valera. The two leaders are both members of the Irish republican brotherhood, Valera is the president, Collins is head of several important sectors of the organization. for instance, he carries the title of Adjutant General of the IRA, and Director of Organization and Arms Procurement for the IRA. Both Valera and Collins are powerful men, and the main conflict of the movie, is the conflict between Valera and Collins. The conflict evolves around, Valera’s perception of Collins. He sees Collins as a threat, to his seat of power, and as Collins power in the film continues to grow, De Valera’s hostility toward Collins do so. In 1916 when Collins where defeated in the Easter rising, he realized that the Irish had to fight another way, if they were to defeat the British. So he starts innovating the fighting style of the armed forces, he isn’t going to play by their “rules” as he says in a conversation with Harry after he is released from prison. Collins changes his way of fighting for the Irish independence, in two ways. He starts the IRA with around a dozen men, that he teaches to fight with tactics similar to the ones used by modern urban guerrilla militias. "you engage the enemy on...
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...Activity 1, page 108 Understanding poetry a) In the first stanza, the author describes a school in Collegelands, an area in Armagh. It’s about a boy called Joseph Mary Plunkett Ward that was often absent. His name stood for an Irish Nationalist who was executed after the Easter Rising. The teacher teased the boy behind his back, and mocked his background. The teacher calls him our little Ward-of-court, which means a child that’s not emancipated. In the second stanza, the author tells that he remembers an episode where Ward returns to school after he had been absent for a while. The teacher sent him out and then started to beat Ward. No one ever told. The third stanza, the narrator tells about when Ward is grown up, and describes a meeting with ward and the speaker of the poem. Ward lived now in a secret camp on the other side of the border. And no he was called Joe Ward, and is a commander now. And every morning he makes the Irish people raise their hand and call out the world “Anseo” to show that they are present. b) The poem was set in the 60? And I don’t think that a teacher would beat up a students in our school these days, but if a teacher could easily mock a student by his looks, religions or background. c) The impression it gives me is bad, really bad. That one teacher that’s supposed to be a grown up you can trust on, lays a hand on an innocent boy is really bad. But its comforts me that its some years ago, and I know it’s was common those days, but...
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...Consider how the ideas of liberation (in terms of labour and nation) are explored in The Plough and the Stars. Sean O’Casey has long been feted as one of Irelands great literary playwrights. This has not always been the case however, as he endured severe criticism of his works particularly The Plough and the Stars, which sparked a riot when staged in the Abbey theatre in 1926, because of it’s “representation of the 1916 rebels as cowards principally motivated by vanity and self-love” (Pilkington 2001 P101). Within this play, the final in a trilogy of plays, O’Casey explores many areas of interest to the people of Dublin at the time of its setting in around the Easter 1916 rising. Within the play certain themes are explored: poverty, religion, class, sex, morality, as well as the themes of nationhood and social identity. There is a recurring topic of the struggle for liberation, portrayed through the nationalistic Jack and of the labour struggle through the ‘learned’ Covey. This essay hopes to further explore the idea of liberation found within the play with emphasis on the nationalism and socialism themes. O’Casey began life in a Northside Dublin tenement, a last son of a large Protestant lower middle class Unionist family. O’Casey suffered much during his childhood years, particularly with his eyes, which stalled his learning process as he had to spend much time away from school. However he had a thirst for knowledge and taught himself to read by the age of thirteen....
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