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Elements of Short Story

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Essential Elements of the Short Story

There are a few key elements essential to any successful or engaging story. But a well-crafted short story should have two central characteristics. Firstly, it must have a strong, albeit condensed, narrative. A novel can indulge in slow plot development but the short story must immediately delve into the drama. The short story needs to progress quickly from conflict or crisis, to climax and subsequent resolution. Secondly, the short story must have an affable or at least relatable protagonist as the primary character. If the reader can recognize the ‘hero’, empathize with their plight, or emotionally connect with their journey, the short story remains intriguing. This essay, using examples from two classic short stories, illustrates how narrative and character development is intrinsic to a good short story.
James Baldwin’s short story, “Sonny’s Blues”, begins with “I read it in the paper, in the subway, on my way to work. I read it, and I couldn’t believe it, and I read it again” (37). The mystery of what the narrator read immediately draws the reader in and an engrossing plot unfolds quickly. A series of recollections and flashbacks reveal the internal conflict of the narrator as he struggles with his family obligation to his drug-addicted brother. An argument between the brothers is the climactic moment as angst gives way to anger and frustration. There is almost a moment of suspense before the narrator hears Sonny play at the club for the first time. The conclusion of the short story implies a resolution of the conflict, as the narrator seems to finally understand his brother through his music. This short story is engaging because Baldwin’s narrative is complex and layered, rife with subtext, yet extremely compact and conventional.
It is easy to instantly connect with Rose, the protagonist of Alice Munro’s “ Royal

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