...Omar Khayyam Omar Khayyam Omar Khayyam was one of the major mathematicians and astronomers of the medieval period. He was acknowledged as the author of the most important treatise on algebra before modern times. This is reflected in his Treatise on Demonstration of Problems of Algebra giving a geometric method for solving cubic equations by intersecting a hyperbola with a circle. His significance as a philosopher and teacher, and his few remaining philosophical works, has not received the same attention as his scientific and poetic writings. Early life and Career: Omar Khayyam was born on the 18th of May, 1048 in Iran. Omar Khayyam’s full name was Ghiyath al-Din Abu’l-Fath Umar Ibn Ibrahim Al-Nisaburi al-Khayyami. He was born into a family of tent makers. He spent part of his childhood in the town of Balkh, northern Afghanistan, studying under Sheik Muhammad Mansuri. Later on, he studied under Imam Mowaffaq Nishapuri, who was considered one of the greatest teachers of the Khorassan region. Khayyam had notable works in geometry, particularly on the theory of proportions. He was a Persian polymath, mathematician, philosopher, astronomer, physician, and poet. He wrote treatises on mechanics, geography, and music. The treatise of Khayyam can be considered as the first treatment of parallels axiom which is not based on petition principle but on more intuitive postulate. Khayyam refutes the previous attempts by other Greek and Persian mathematicians to prove the proposition...
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...How does the comic banter of the porter (II/iii/lines 1-37) and the comic banter between Lady Macduff and Ross and her son (IV/ii/lines 1-61) enhance the plays theatricality and reinforce the central ideas of the play? Shakespeare has included comic banter in the porter scene and Lady Macduff, Ross and her son’s scene in order to enhance the play’s theatricality through comic relief in between intense, suspenseful scenes and reinforce the central ideas of the play of evil and the supernatural, ambition, reality masked by appearances underlining the dissimulated society and inversion of values and desire and achievement. The comic banter of the porter in Act 2 Scene 3, lines 1-37 produces comic relief and therefore enhances the plays theatricality and underlines the main ideas of the play by releasing the tension the audience has built up in the previous, contrastive scene. The change from high drama to low comedy creates black humour and irony through the metaphor “porter of hell-gate” given the recent horrific events within the castle. Moreover, the imagery of ‘hell’ is continued in the porter’s prose: “Who’s there I’th’name of Beelzebub?” the analogy hell becomes imperturbably strongly as instead of receiving a welcome to Macbeth’s castle, guests are cautioned as they put themselves in the devil’s land. The porter is unlike all the characters of noble birth and this is portrayed through his speech in prose and not iambic verse. Despite his casual banter, the porter ironically...
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...lectures, we were introduced to the ideas of Plato and Machiavelli. In Republic, Plato says, “A leader should be in possession of ethos, pathos, and locos.” Translated to modern English, a leader should have moral accountability, should be likeable, and be intelligent. On the flip side of that coin, Machiavelli argued in his book The Prince, that above all things, a good leader should be a superb liar. While these two views are clearly opposing or contrasting, the one common ground they have is they relate to leaders. As we all know, all great leaders are viewed as honorable and those who lie are certainly not generally perceived as worthy of honor. Macduff’s son states, “Then the liars and swearers are fools; for there are liars and swearers enow to beat the honest men and hang them up.” Again on the theme of honor, we see that even a child knows there are less honorable men in the world then there are dishonorable men. Also as the child has pointed out, Macbeth, the Machiavellian character, has done away with the more honorable Platonic characters such as Banquo and Duncan. Clearly, the themes of honor, flight, and manhood are pronounced throughout the play and combined in a single act, that being act two of scene four. The theme of honor is shown by the way that Macduff has conducted himself prior to this scene, and the way we realize Macbeth operates as his murderers’ kill Lady Macduff and her son in the castle. The theme of flight is present in almost every line spoken by Lady...
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...The Rubaiyat of Omar Khayyam: Summary & Analysis The Rubaiyat of Omar Khayyam presents an interesting challenge to any reader trying to sort through its heavy symbolism and not-so-obvious theme. Not only does the poem provide us with a compelling surface story, but a second look at the text can reveal a rich collection of seperate meanings hidden in the poem’s objective descriptions and sprawling narrative-which in the space of a few pages includes such disparate characters as the Moon, God, the Snake (and his traditional Christian neighborhood, Paradise), the “Balm of Life”, not to mention nearly every animal and sexual symbol the human mind can come up with. Obviously, on one level, the poem can present itself in a fairly straightforward manner in the vein of CARPE DIEM. In the third stanza, theauthor writes, “‘Open then the Door!/ You know how little while we have to stay,/ And, once departed, may return no more.” There’s several refrains to this throughout the poem, first in the seventh stanza: “Come, fill the cup. . ./ The Bird of Time has but a little way/ To flutter-and the bird is on the Wing.” The entire ninth stanza describes the summer month “that brings the Rose” taking “Jamshyd and Kaikobad away”, and so forth and so on ad nauseum. Again, in the fifty-third stanza: “You gaze To-Day, while You are You-how then/ Tomorrow, You when shall be You no more?” The poet seems to be in an incredible hurry to get this life going before some cosmic deadline comes due, and...
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...Search Enoch Arden by Lord Alfred Tennyson Published 1864 Long lines of cliff breaking have left a chasm; And in the chasm are foam and yellow sands; Beyond, red roofs about a narrow wharf In cluster; then a moulder'd church; and higher A long street climbs to one tall-tower'd mill; And high in heaven behind it a gray down With Danish barrows; and a hazelwood, By autumn nutters haunted, flourishes Green in a cuplike hollow of the down. Here on this beach a hundred years ago, Three children of three houses, Annie Lee, The prettiest little damsel in the port, And Philip Ray the miller's only son, And Enoch Arden, a rough sailor's lad Made orphan by a winter shipwreck, play'd Among the waste and lumber of the shore, Hard coils of cordage, swarthy fishing-nets, Anchors of rusty fluke, and boats updrawn, And built their castles of dissolving sand To watch them overflow'd, or following up And flying the white breaker, daily left The little footprint daily wash'd away. A narrow cave ran in beneath the cliff: In this the children play'd at keeping house. Enoch was host one day, Philip the next, While Annie still was mistress; but at times Enoch would hold possession for a week: `This is my house and this my little wife.' `Mine too' said Philip `turn and turn about:' When, if they quarrell'd, Enoch stronger-made Was master: then would Philip, his blue eyes All flooded with the helpless wrath of tears, Shriek out `I hate you...
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...The Merchant of Venice ACT I SCENE I. Venice. A street. Enter ANTONIO, SALARINO, and SALANIO ANTONIO In sooth, I know not why I am so sad: It wearies me; you say it wearies you; But how I caught it, found it, or came by it, What stuff 'tis made of, whereof it is born, I am to learn; And such a want-wit sadness makes of me, That I have much ado to know myself. SALARINO Your mind is tossing on the ocean; There, where your argosies with portly sail, Like signiors and rich burghers on the flood, Or, as it were, the pageants of the sea, Do overpeer the petty traffickers, That curtsy to them, do them reverence, As they fly by them with their woven wings. SALANIO Believe me, sir, had I such venture forth, The better part of my affections would Be with my hopes abroad. I should be still Plucking the grass, to know where sits the wind, Peering in maps for ports and piers and roads; And every object that might make me fear Misfortune to my ventures, out of doubt Would make me sad. SALARINO My wind cooling my broth Would blow me to an ague, when I thought What harm a wind too great at sea might do. I should not see the sandy hour-glass run, But I should think of shallows and of flats, And see my wealthy Andrew dock'd in sand, Vailing her high-top lower than her ribs To kiss her burial. Should I go to church And see the holy edifice of stone, And not bethink me straight of dangerous rocks, Which touching but my gentle vessel's side, Would scatter...
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...The Tragical History of Doctor Faustus by Christopher Marlowe From the Quarto of 1604 Edited by Rev. Alexander Dyce THE TRAGICALL HISTORY OF D. FAUSTUS. AS IT HATH BENE ACTED BY THE RIGHT HONORABLE THE EARLE OF NOTTINGHAM HIS SERUANTS. WRITTEN BY CH. MARL. 2 In reprinting this edition, I have here and there amended the text by means of the later 4tos,--1616, 1624, 1631.—Of 4to 1663, which contains various comparatively modern alterations and additions, I have made no use. DRAMATIS PERSONAE. THE POPE. CARDINAL OF LORRAIN. THE EMPEROR OF GERMANY. DUKE OF VANHOLT. FAUSTUS. VALDES, ] friends to FAUSTUS. CORNELIUS, ] WAGNER, servant to FAUSTUS. Clown. ROBIN. RALPH. Vintner. Horse-courser. A Knight. An Old Man. Scholars, Friars, and Attendants. DUCHESS OF VANHOLT LUCIFER. BELZEBUB. MEPHISTOPHILIS. Good Angel. Evil Angel. The Seven Deadly Sins. Devils. Spirits in the shapes of ALEXANDER THE GREAT, of his Paramour and of HELEN. Chorus. Dr. Faustus Christopher Marlowe 3 Enter CHORUS. CHORUS. NOT MARCHING Mars did mate the Carthaginians; NOW in fields of Thrasymene, Where Nor sporting in the dalliance of love, In courts of kings where state is overturn’d; Nor in the pomp of proud audacious deeds, Intends our Muse to vaunt her heavenly verse: Only this, gentlemen,--we must perform The form of Faustus’ fortunes, good or bad: To patient judgments we appeal our plaud, And speak for Faustus in his infancy. Now is he born, his parents base of stock, In Germany...
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...Strategies for Tuberculosis Control from Experiences in Manila: The Role of Public-Private Collaboration and of Intermittent Therapy INAUGURALDISSERTATION zur Erlangung der Würde eines Doktors der Philosophie vorgelegt der Philosophisch-Naturwissenschaftlichen Fakultät der Universität Basel von Christian Auer aus Bottmingen (BL) Basel, Mai 2003 Genehmigt von der Philosophisch-Naturwissenschaftlichen Fakultät der Universität Basel auf Antrag von Herrn Prof. Dr. Marcel Tanner und Herrn Professor Dr. Klaus M. Leisinger Basel, den 6. Mai 2003 Prof. Dr. Marcel Tanner Dekan DEDICATION In memory of Aling Tess and Mang Tony, former neighbours of mine, victims of tuberculosis, the unrestrained killer that terminates daily the lives of 5000 people. With the sincere hope and plea that some findings and thoughts of this dissertation will contribute to reducing tuberculosis and poverty. “The appalling global burden of tuberculosis at the turn of the millennium, despite the availability of effective control measures, is a blot on the conscience of humankind. For developing countries, the situation has become desperate and the "cursed duet" of tuberculosis and AIDS is having a devastating impact on large sections of the global community. The vital question is, can despair be turned to hope early in the next millennium?” John Grange and Almuddin Zumla, 1999 TABLE OF CONTENTS Acknowledgements Summary Zusammenfassung Abbreviations i iii vii...
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...www.it-ebooks.info For your convenience Apress has placed some of the front matter material after the index. Please use the Bookmarks and Contents at a Glance links to access them. www.it-ebooks.info Contents at a Glance About the Author.................................................................................................. xiv About the Technical Reviewer .............................................................................. xv Acknowledgments ............................................................................................... xvi Introduction ........................................................................................................ xvii Chapter 1: Welcome to Silverlight 5 .......................................................................1 Chapter 2: Introduction to Visual Studio 2010......................................................11 Chapter 3: Layout Management in Silverlight ......................................................29 Chapter 4: Silverlight Controls..............................................................................59 Chapter 5: Data Binding and Silverlight List Controls ..........................................89 Chapter 6: Silverlight Toolkit ..............................................................................129 Chapter 7: Data Access and Networking ............................................................157 Chapter 8: Navigation Framework .......
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...книг выложен группой vk.com/create_your_english The Project Gutenberg EBook of Ivanhoe, by Walter Scott This eBook is for the use of anyone anywhere at no cost and with almost no restrictions whatsoever. You may copy it, give it away or re-use it under the terms of the Project Gutenberg License included with this eBook or online at www.gutenberg.org Title: Ivanhoe A Romance Author: Walter Scott Release Date: June 25, 2008 [EBook #82] Last Updated: November 6, 2012 Language: English *** START OF THIS PROJECT GUTENBERG EBOOK IVANHOE *** Produced by John P. Roberts, Jr. and David Widger IVANHOE книг выложен группой vk.com/create_your_english A ROMANCE книг выложен группой vk.com/create_your_english By Sir Walter Scott Now fitted the halter, now traversed the cart, And often took leave,—but seemed loath to depart! 1 —Prior. CONTENTS INTRODUCTION TO IVANHOE. DEDICATORY EPISTLE IVANHOE. CHAPTER I CHAPTER II CHAPTER III CHAPTER IV CHAPTER V CHAPTER VI CHAPTER VII CHAPTER VIII CHAPTER IX CHAPTER X CHAPTER XI CHAPTER XII CHAPTER XIII CHAPTER XIV CHAPTER XV CHAPTER XVI CHAPTER XVII CHAPTER XVIII CHAPTER XIX CHAPTER XX CHAPTER XXI CHAPTER XXII CHAPTER XXIII CHAPTER XXIV CHAPTER XXV CHAPTER XXVI CHAPTER XXVII CHAPTER XXVIII CHAPTER XXIX CHAPTER XXX CHAPTER XXXI CHAPTER XXXII. CHAPTER XXXIII CHAPTER XXXIV CHAPTER XXXV CHAPTER XXXVI CHAPTER XXXVII CHAPTER XXXVIII CHAPTER XXXIX CHAPTER XL CHAPTER XLI ...
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...Wuthering Heights Emily Bronte This eBook is designed and published by Planet PDF. For more free eBooks visit our Web site at http://www.planetpdf.com/. Wuthering Heights Chapter I 1801. - I have just returned from a visit to my landlord - the solitary neighbour that I shall be troubled with. This is certainly a beautiful country! In all England, I do not believe that I could have fixed on a situation so completely removed from the stir of society. A perfect misanthropist’s heaven: and Mr. Heathcliff and I are such a suitable pair to divide the desolation between us. A capital fellow! He little imagined how my heart warmed towards him when I beheld his black eyes withdraw so suspiciously under their brows, as I rode up, and when his fingers sheltered themselves, with a jealous resolution, still further in his waistcoat, as I announced my name. ’Mr. Heathcliff?’ I said. A nod was the answer. ’Mr. Lockwood, your new tenant, sir. I do myself the honour of calling as soon as possible after my arrival, to express the hope that I have not inconvenienced you by my perseverance in soliciting the occupation of Thrushcross Grange: I heard yesterday you had had some thoughts - ‘ 2 of 540 Wuthering Heights ’Thrushcross Grange is my own, sir,’ he interrupted, wincing. ‘I should not allow any one to inconvenience me, if I could hinder it - walk in!’ The ‘walk in’ was uttered with closed teeth, and expressed the sentiment, ‘Go to the Deuce:’ even the gate over which he...
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...1 CHAPTER I CHAPTER II CHAPTER III CHAPTER IV CHAPTER V CHAPTER VI CHAPTER VII CHAPTER VIII CHAPTER IX CHAPTER X CHAPTER XI CHAPTER XII CHAPTER XIII CHAPTER XIV CHAPTER XV CHAPTER XVI Chapter XVIII CHAPTER XVII CHAPTER XVIII CHAPTER XIX CHAPTER XX CHAPTER XXI CHAPTER XXII CHAPTER XXIII CHAPTER XXIV CHAPTER XXV CHAPTER XXVI CHAPTER XXVII CHAPTER XXVIII CHAPTER XXIX CHAPTER XXX CHAPTER XXXI The Art of Public Speaking BY 2 The Art of Public Speaking BY J. BERG ESENWEIN AUTHOR OF "HOW TO ATTRACT AND HOLD AN AUDIENCE," "WRITING THE SHORT-STORY," "WRITING THE PHOTOPLAY," ETC., ETC., AND DALE CARNAGEY PROFESSOR OF PUBLIC SPEAKING, BALTIMORE SCHOOL OF COMMERCE AND FINANCE; INSTRUCTOR IN PUBLIC SPEAKING, Y.M.C.A. SCHOOLS, NEW YORK, BROOKLYN, BALTIMORE, AND PHILADELPHIA, AND THE NEW YORK CITY CHAPTER, AMERICAN INSTITUTE OF BANKING THE WRITER'S LIBRARY EDITED BY J. BERG ESENWEIN THE HOME CORRESPONDENCE SCHOOL SPRINGFIELD, MASS. PUBLISHERS Copyright 1915 THE HOME CORRESPONDENCE SCHOOL ALL RIGHTS RESERVED TO F. ARTHUR METCALF FELLOW-WORKER AND FRIEND Table of Contents THINGS TO THINK OF FIRST--A FOREWORD * CHAPTER I--ACQUIRING CONFIDENCE BEFORE AN AUDIENCE * CHAPTER II--THE SIN OF MONOTONY DALE CARNAGEY * CHAPTER III--EFFICIENCY THROUGH EMPHASIS AND SUBORDINATION * CHAPTER IV--EFFICIENCY THROUGH CHANGE OF PITCH * CHAPTER V--EFFICIENCY THROUGH CHANGE OF PACE * CHAPTER VI--PAUSE AND POWER * CHAPTER VII--EFFICIENCY THROUGH INFLECTION * CHAPTER VIII--CONCENTRATION IN DELIVERY...
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