...Gods words to Noah on a fateful night long ago. A flood was the only way to cleanse the earth. The thought process of the Gods in The Epic of Gilgamesh was very similar; they also felt the need to rid the earth of humans. The biblical story of the flood was influenced by The Epic of Gilgamesh because the Gods had similar incentives, both characters were told to do related tasks, and both had kindred outcomes. The gods in The Epic of Gilgamesh were disgusted by what they saw from human beings. The sheer wickedness of their souls was unbearable. In “The Story of The Flood” God saw how his earth had become sin stricken. In both stories the Gods...
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...politically, socially, religiously, and culturally. For example, The Epic of Gilgamesh (ca. 2700 B.C.E.-2500 B.C.E.) can help historians know what life was like for Mesopotamian peoples during that time. According to the text, there is a king named Gilgamesh. The king knows all, and he even possesses secret wisdom. His perfect physical features were endowed to him by the gods and his beauty surpasses all others. The father of the gods gave Gilgamesh ultimate power and supremacy over neighboring kingdoms. Gilgamesh is two-thirds god and one-third man, and he is the center...
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...The Epic of Gilgamesh depicts the relationship between humans and gods as a dependent relationship. This relationship helps us understand what it means to be human by establishing the limits of humanity and the duties of the Gods. Humanity is defined by the inevitable cycle of favors between humans and the gods. The Epic of Gilgamesh establishes a profound sense of interdependence between humans and God. Gilgamesh, king of Uruk, embarks on a journey that exemplifies the intricate connection between mortals and deities. Although he possesses immense physical strength, he is depicted as vulnerable and subject to the divine. His quest for immortality explores the dynamic between humanity and the divine realm. Gilgamesh journeys to the Cedar Forest...
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...There will always be evil in the world. In my favorite Television series Agents of S.H.I.E.L.D. the evil hydra agents always resurfaces no matter what happens to get rid of them. In a book I can’t remember the name of, a man named Hercules had fought Hydra the creature, but until he crushed it i wouldn’t stop. Another example is the flood after the flood evil resurfaced. In every culture, people believe evil will always resurface. In most early flood stories, the culture’s god is displeased by the evil abounding. In the epic poem, Gilgamesh, the flood story the war god Ea was displeased with Anu. In the Hebrew version of the flood, In the Hebrew and Islamic versions evil was abounding, God was displeased about all the evil on the earth. In the Islamic version of the flood, Allah was displeased about the evil that roamed the earth and destroy all evil. Clearly humans are concerned with the evil in the world regardless of where they come from....
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...12/10/12 Research paper The City of Babylon The city of Babylon was the capital of the ancient land of Babylonia in southern Mesopotamia. The tremendous wealth and power of this city, along with its extraordinary size and appearance, were certainly considered a Biblical myth, that is, until its foundations were brought to the public eye and its riches grew physically and mentally stronger during the 19th century. Archaeologists stood in awe as their discoveries revealed that certain stories in the Bible were an actual situation that had happened in time. Babylon is Akkadian which means "the Gate of God(s)" and it became the capital of the land of Babylonia. There is evidence that man has lived in this area of Mesopotamia since the beginning of civilization. The first records indicate that Babylon was established as a city around the 23rd century BC.Babylonia was an ancient empire that existed in the Near East in southern Mesopotamia between the Tigris and the Euphrates Rivers. In 587 BC, the Babylonians destroyed Jerusalem and carried the leading citizens of the Kingdom of Judah as prisoners to Babylon.Throughout the long period of Babylonia history, the Babylonians achieved a high level of civilization that made an impact on the whole known world. Sumerian culture was its basis, which later Babylonians regarded as traditional. In the area of religion, the Sumerians already had a system of gods, each with a main temple in each city.Babylonian religion was temple-centered...
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...Research Paper The Babylonian Empire and the Old Testament Submitted to Dr. Curtis Fitzgerald, Ph.D, In partial fulfillment of the requirements for the completion of the course OBST 520 LUO (Summer 2014) Old Testament Orientation II Liberty Baptist Theological Seminary Marcus Banks-Bey_L2444950 June 29, 2014 Thesis Statement This research paper will discuss, and review the history of the Babylion Empire, its rulers, and the Empire’s influential relationship upon some of the major events which developed within Old Testament literature. Introduction Through my research, it is my intent to identify significant points within the history of the Babylion Empire, including its origins, development, expansion, eventual decline, and why it became a focal point of many of the major events of the Old Testament. From the Great Empire of Akkad, Babylon became a major seat of learning, culture, and technology. More than simply a city-state of defiance, and sinful practices, Babylon’s influence, very often viewed through a negative scholarly lens, shaped the history of Asia Minor, Northern Africa, and the world when approached from a biblical standpoint. As such, Babylon remains a critical, powerful nation in relation to its nation-state of Israel, and Old Testament history. Nimrod The Cushite The first nation-state identified within contemporary Biblical literature is the land that is “Ethiopia”, as mentioned...
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...Law and the Humanities Online Dr. Hugo Walter Spring 2014 Email: HGW@BerkeleyCollege.edu HUM360 Online 4 Credit Hours Office Hours: Online every day, seven days a week (Sunday through Saturday). Please always feel free to email me with any questions. I will also designate an hour each week when I will be available on Blackboard IM to answer your questions. COURSE DESCRIPTION This course examines the treatment of legal themes in literature, music, film and other visual arts as part of a broader consideration of the relationship between the humanities and the law. Students will explore the ways that the humanities utilize different perspectives and aesthetic styles in the discussion of such legal themes as morality, justice, equality and authority. COURSE GOALS At the conclusion of the course, students will be able to: Articulate the contribution made by law and the humanities as a field of study. Articulate the ways that imaginative portrayals of law often convey concerns about the process and practice of law with greater persuasive force than factual texts. Identify recurring themes that are investigated in law and the humanities, such as the difference between legal and moral codes, the role of custom in establishing legal norms, the role of punishment, the imperfect functioning of the legal process, unfairness in the criminal justice system, bias against minorities and the poor. Understand the...
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...HUM 2210: Humanities: The Foundations, Ref # 425943, Online- Fall 2016/A16 Welcome! Welcome, students! Welcome and thank you for enrolling in this course! I hope you will enjoy the course and take what you learn with you as world citizens. For some, this may be your first online course. If you are not a computer whiz, I think you will find that everything is simple to use and easy to navigate. There are also ways to get help if you have a problem.* Please take a few minutes to read the syllabus in its entirety. Exploring all the topics in this syllabus and related links will help you succeed in this course, so use the syllabus to keep yourself organized and informed of course requirements. I look forward to working with each and every one of you! Professor Information Professor: Jenny Ohayon Virtual Office Hours: By appointment only Office Location: Online only using Skype. My Skype address is: prof_o. Virtual Contact Methods: The best way to contact me is in the question forum in our Discussion Board. You may also make a Skype appointment by emailing me to establish a day and time to meet online. If it is a personal matter, or confidential, email me at the following address. Professor Email: johayon@fscj.edu Instructor Response You can anticipate responses to inquiries and questions during week-days within 24 - 48 hours of receipt. Campus Information This online course is offered by the Florida State College at Jacksonville...
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...Quezon City Polytechnic University Batasan Satellite Campus Batasan Hills, Quezon City Research Paper in Symbolic Logic HOMOSEXUALITIES Submitted by Joann E. Buenavente Submitted to Prof. Fabian Avila I. Introduction Homosexuality Homosexuality is romantic or sexual attraction or behavior between members of the same sex or gender. As an orientation, homosexuality refers to "an enduring pattern of or disposition to experience sexual, affectionate, or romantic attractions" primarily or exclusively to people of the same sex; "it also refers to an individual's sense of personal and social identity based on those attractions, behaviors expressing them, and membership in a community of others who share them." Homosexuality is one of the three main categories of sexual orientation, along with bisexuality and heterosexuality, within the heterosexual-homosexual continuum (with asexuality sometimes considered a fourth). Scientific and medical understanding is that sexual orientation is not a choice, but rather a complex interplay of biological and environmental factors,[1][3] especially with regard to early uterine environment. While there are those who still hold the view that homosexual activity is "unnatural" or "dysfunctional", research has shown that homosexuality is an example of natural variation in human sexuality and is not in and of itself a source of negative psychological effects. Prejudice and discrimination against homosexual and bisexual people...
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...Homosexuality From Wikipedia, the free encyclopedia This article is about homosexuality in humans. For homosexuality in other animals, see Homosexual behavior in animals. Sexual orientation Male and female symbols overlaid Sexual orientations Asexual Bisexual Heterosexual Homosexual Non-binary categories Androphilia and gynephilia Non-heterosexual Pansexuality Polysexuality Queer Research Biological Human female sexuality Human male sexuality Demographics Environment Hetero/homosexual continuum Kinsey scale Klein Grid Neuroscientific Queer studies Sexology Timeline of sexual orientation and medicine Non-human animals Animal sexual behaviour Non-reproductive sexual behavior in animals Homosexual behavior in animals (list) Category Category v t e Part of a series on Lesbian, gay, bisexual, and transgender (LGBT) people LGBT flag Sexual orientation Homosexuality Demographics Biology Environment History LGBT history Timeline Social movements Culture LGBT community Coming out Pride Slang Symbols Gay village Rights Laws around the world Marriage Union Adoption LGBT parenting Military service Legal aspects of transgenderism Intersex human rights Social attitudes Heteronormativity LGBT stereotypes Queer Religion and homosexuality Religion and transgender Prejudice / Violence AIDS stigma Anti-intersex Biphobia Genderism Heterosexism Homophobia Lesbophobia Binarism Sexualism Suicide among LGBT youth Transphobia Violence against LGBT people LGBT trafficking ...
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...Proceeding for the School of Visual Arts Eighteenth Annual National Conference on Liberal Arts and the Education of Artists: Art and Story CONTENTS SECTION ONE: Marcel’s Studio Visit with Elstir……………………………………………………….. David Carrier SECTION TWO: Film and Video Narrative Brief Narrative on Film-The Case of John Updike……………………………………. Thomas P. Adler With a Pen of Light …………………………………………………………………… Michael Fink Media and the Message: Does Media Shape or Serve the Story: Visual Storytelling and New Media ……………………………………………………. June Bisantz Evans Visual Literacy: The Language of Cultural Signifiers…………………………………. Tammy Knipp SECTION THREE: Narrative and Fine Art Beyond Illustration: Visual Narrative Strategies in Picasso’s Celestina Prints………… Susan J. Baker and William Novak Narrative, Allegory, and Commentary in Emil Nolde’s Legend: St. Mary of Egypt…… William B. Sieger A Narrative of Belonging: The Art of Beauford Delaney and Glenn Ligon…………… Catherine St. John Art and Narrative Under the Third Reich ……………………………………………… Ashley Labrie 28 15 1 22 25 27 36 43 51 Hopper Stories in an Imaginary Museum……………………………………………. Joseph Stanton SECTION FOUR: Photography and Narrative Black & White: Two Worlds/Two Distinct Stories……………………………………….. Elaine A. King Relinquishing His Own Story: Abandonment and Appropriation in the Edward Weston Narrative………………………………………………………………………….. David Peeler Narrative Stretegies in the Worlds of Jean Le Gac and Sophe Calle…………………….. Stefanie Rentsch...
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...Frankenstein by Mary Shelley Key facts full title · Frankenstein: or, The Modern Prometheus author · Mary Wollstonecraft Shelley type of work · Novel genre · Gothic science fiction language · English time and place written · Switzerland, 1816, and London, 1816–1817 date of first publication · January 1, 1818 publisher · Lackington, Hughes, Harding, Mavor, & Jones narrator · The primary narrator is Robert Walton, who, in his letters, quotes Victor Frankenstein’s first-person narrative at length; Victor, in turn, quotes the monster’s first-person narrative; in addition, the lesser characters Elizabeth Lavenza and Alphonse Frankenstein narrate parts of the story through their letters to Victor. climax · The murder of Elizabeth Lavenza on the night of her wedding to Victor Frankenstein in Chapter 23 protagonist · Victor Frankenstein antagonist · Frankenstein’s monster setting (time) · Eighteenth century setting (place) · Geneva; the Swiss Alps; Ingolstadt; England and Scotland; the northern ice point of view · The point of view shifts with the narration, from Robert Walton to Victor Frankenstein to Frankenstein’s monster, then back to Walton, with a few digressions in the form of letters from Elizabeth Lavenza and Alphonse Frankenstein. falling action · After the murder of Elizabeth Lavenza, when Victor Frankenstein chases the monster to the northern ice, is rescued by Robert Walton, narrates his story, and dies tense · Past foreshadowing · Ubiquitous—throughout...
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...The Gospel ACCORDING TO FEMIGOD He who has ears, let him hear The author and publisher have provided this e-book to you without Digital Rights Management software (DRM) applied so that you can enjoy reading it on your personal devices. THE GOSPEL ACCORDING TO FEMIGOD Copyright © 2013 by Femigod Ltd. Published by Femigod Ltd. www.femigod.com Femigod® is a registered trademark of Femigod Ltd. ISBN: 9780992642600 For my darling sister, Pero. I love you dearly. No matter what you want, it’s yours. Beyond money and weapons. Contents Introduction ............................................................................................................................................... 1 Book One: Understanding Mainstream and Organised Religion.............................................................. 5 Christianity ............................................................................................................................................ 6 Islam ...................................................................................................................................................... 9 Hinduism.............................................................................................................................................. 12 Buddhism ........................................................................................................................................... 155 Chinese traditional religions ...........
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...www.randomhouse.co.uk Published by Vintage 2010 2 4 6 8 10 9 7 5 3 1 Copyright © Isaac Marion 2010 Chapter heading illustrations from Gray’s Anatomy modified by author © Isaac Marion 2010 ‘Heart rose’ illustration on title page © Isaac Marion 2010 Isaac Marion has asserted his right under the Copyright, Designs and Patents Act 1988 to be identified as the author of this work This book is sold subject to the condition that it shall not, by way of trade or otherwise, be lent, resold, hired out, or otherwise circulated without the publisher’s prior consent in any form of binding or cover other than that in which it is published and without a similar condition including this condition being imposed on the subsequent purchaser Excerpt from GILGAMESH: A Verse Narrative by Herbert Mason. Copyright © 1970, and renewed 1998 by Herbert Mason. Reprinted by permission of Houghton Mifflin Harcourt Publishing Company. All rights reserved. Last Night When We Were Young Lyrics by E.Y “Yip” Harburg, Music by Harold Arlen...
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...Hogarth Blake Presents: Wonderful Ethiopians Of The Ancient Cushite Empire By Drusilla Dunjee Houston First published in 1926 This e-book was edited by Hogarth Blake Ltd Download this book and many more for FREE at: hh-bb.com hogarthblake@gmail.com ‘Wonderful Ethiopians Of The Ancient Cushite Empire’ by Drusilla Dunjee Houston Reproduction & duplication of this work for FREE is permitted. Refer to the terms & conditions page for more details. Terms & Conditions Scanned at sacred-texts.com, October, 2004. John Bruno Hare, redactor. This text is in the public domain in the United States because it was not renewed at the US Copyright Office in a timely fashion as required by law at the time. These files may be used for any non-commercial purpose, provided this notice of attribution is left intact in all copies and subject to the sacred texts Terms of Service at http://www.sacred-texts.com/tos.htm Hogarth Blake presents this e-book FREE of charge; it may be used for whatever purpose you see fit. The only limitations are that you may not decompile, disassemble, reverse engineer, modify, create derivative works based upon, sell, publish, license or sub-license the work or any part of it without the express written consent of Hogarth Blake Ltd. The work is provided as is. Hogarth Blake Ltd. makes no guarantees or warranties as to the accuracy, adequacy or completeness of or results to be obtained from using the work via hyperlink or otherwise, and expressly...
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