...Aylin Sipahi CMLT C110 Final Essay for Epic of Gilgamesh February 19, 2013 The Epic of Gilgamesh serves as a great looking glass into a long lost culture in which most artifacts are lost. The story centers on Gilgamesh, a ruthless king who is two thirds god and one third man. As king, he does not meet his potentials of leadership as he is often self-centered and sometimes depicted as inhumane. When his dear friend Enkidu dies, he sets off to find immortality. He eventually fails, but during his journey, he came to terms with his mortality and became a more compassionate person. Even though the main characters are men, the women play small but vital roles along his journey. The women in this epic reveal that they are solely responsible for the civilization of Gilgamesh and Enkidu by means of dream interpretation, sex, and motherly instincts, because the men of this epic do not have the ability to do them on their own. As king, Gilgamesh does things of his own accord and with his own judgment. He terrifies his city with his ruthless behavior, and even upsets the gods. He takes away sons from families, and has his way with newly wedded brides on their honeymoon before the grooms. As Gilgamesh sees women as merely sex objects, it’s difficult to imagine that when he needs direction he goes to his mother, Ninsun “who is well-beloved and wise (page 66).” It is interesting to see that Gilgamesh sees every other woman as a sex object, except his mother. Some theories to support...
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...Epic of Gilgamesh The Epic of Gilgamesh is epic poetry from Mesopotamia and is among the earliest known works of literature. Scholars believe that it originated as a series of Sumerian legends and poems about the protagonist of the story,Gilgamesh, which were fashioned into a longer Akkadian epic much later. The most complete version existing today is preserved on 12 clay tablets from the library collection of 7th-century BC Assyrian king Ashurbanipal. It was originally titled He who Saw the Deep (Sha naqba īmuru) or Surpassing All Other Kings (Shūtur eli sharrī). The story revolves around a relationship between Gilgamesh (probably a real ruler in the late Early Dynastic II period ca. 27th century BC)[1] and his close companion, Enkidu. Enkidu is a wild man created by the gods as Gilgamesh's equal to distract him from oppressing the citizens of Uruk. Together they undertake dangerous quests that incur the displeasure of the gods. Firstly, they journey to the Cedar Mountain to defeat Humbaba, its monstrous guardian. Later they kill the Bull of Heaven that the goddess Ishtar has sent to punish Gilgamesh for spurning her advances. The latter part of the epic focuses on Gilgamesh's distressed reaction to Enkidu's death, which takes the form of a quest for immortality. Gilgamesh attempts to learn the secret of eternal life by undertaking a long and perilous journey to meet the immortal flood hero, Utnapishtim. Ultimately the poignant words addressed to Gilgamesh in the midst...
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...The Epic of Gilgamesh is an epic poem from ancient Mesopotamia. Dating from the Third Dynasty of Ur (circa 2100 BC), it is often regarded as the first great work of literature. The literary history of Gilgamesh begins with five Sumerian poems about 'Bilgamesh' (Sumerian for 'Gilgamesh'), king of Uruk. These independent stories were later used as source material for a combined epic. The first surviving version of this combined epic, known as the "Old Babylonian" version, dates to the 18th century BC and is titled after its incipit, Shūtur eli sharrī ("Surpassing All Other Kings"). Only a few tablets of it have survived. The later "Standard" version dates from the 13th to the 10th centuries BC and bears the incipit Sha naqba īmuru ("He who Saw the Deep", in modern terms: "He who Sees the Unknown"). Approximately two thirds of this longer, twelve-tablet version have been recovered. Some of the best copies were discovered in the library ruins of the 7th-century BC Assyrian king Ashurbanipal. The first half of the story discusses Gilgamesh, king of Uruk, and Enkidu, a wild man created by the gods to stop Gilgamesh from oppressing the people of Uruk. After an initial fight, Gilgamesh and Enkidu become close friends. Together, they journey to the Cedar Mountain and defeat Humbaba, its monstrous guardian. Later they kill the Bull of Heaven, which the goddess Ishtar sends to punish Gilgamesh for spurning her advances. As a punishment for these actions, the gods sentence Enkidu to death...
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...Introduction The epic poem dubbed the Epic of Gilgamesh is perhaps the earliest surviving literature on the face of the planet. The poem came from Mesopotamia in its original cuneiform script comprising 12 tablets. The Epic of Gilgamesh is a chronicle detailing the classic adventures of Gilgamesh, a historic king of Uruk. Over the years, historians have eliminated the 12th tablet for alleged inconsistencies. The poem depicts a wide range of themes such as the inevitability of death, which is portrayed when Gilgamesh’s struggle to be young backfires. Other themes include the struggle between humanity and divine power, necessity of friendship, oppression, and the enduring struggle for power along with the conflict between the rulers and the ruled. Relationship between the Ruler and the Ruled The conflict between rulers and their subjects is perhaps the most enduring historical trend known to humanity. As Machiavelli, Hobbes, Karl Marx and other realist theorist of power politics concur, this longstanding conflict manifests itself in terms of oppression and suppression where the ruling class seeks to dominate the masses financially, socially and politically. This trend is no more today as it was then. It is a reflection of survival for the fittest as envisioned in Darwin’s evolution theory (Foster 45). Looking at the epic of Gilgamesh, which was created at around 2500 BC, oppression emerges as one of the mainstream themes. This is portrayed in the eminence of the king...
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...the mountain, which was the father of the gods that decreed the destiny of Gilgamesh. Enlil gave Gilgamesh the power to bind and to loose, to be the darkness and the light of mankind. 2. What understanding of the afterlife does the epic suggest? The Epic of Gilgamesh states, “I saw the kings of the earth, their crowns put away for ever; rulers and princes, all those who once wore kingly crowns and ruled the world in the days of old…now like servants to fetch baked meats in the house of dust, to carry cooked meat and cold water from the water-skin.” The epic suggests that no matter you economic and class status everyone was going to be in the same predicament. It shows that even the gods weren’t privileged especially since it sates those who had stood in the place of the gods like Anu and Enlil are not servants. 3. What philosophy of life comes across in the Gilgamesh story? The Epic states, “Gilgamesh, fill your belly with good things; day and night, night and day, dance be merry, feast and rejoice. Let your clothes be fresh, bathe yourself in water, cherish the little child that holds your hand, and make your wife happy in your embrace; for this too is the lot of man.” Siduri, the tavern keeper, was trying to remind Gilgamesh not to look for immortality and enjoy the life he has now. 4. How does the Epic of Gilgamesh portray the gods and their relationship to humankind? The Epic of Gilgamesh portrays the relationship between the gods and humans like the gods have all...
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...04/27/12 ENGL 175 Major influence Although the narrative or story of Noah and the flood is one of the great stories in the Bible, many question its originality. The biblical version of the flood in Genesis 6-10 is “quite close in many respects to the Mesopotamian flood stories” (The New Oxford Annotated Bible pg 19), which were written beforehand. As much as they are similar, there are significant differences that distinguish the two tales and their reliability. The epic of Gilgamesh, written by the Sumerians between 2700 B.C. and 600 B.C., is the most famous parallel to the story of Noah in the bible. It focuses on the king of Uruk Gilgamesh, and his quest for immortality after the death of his friend. This quest leads him to Utnapishtim, (character equivalent to the biblical Noah) who is the “immortal flood hero” (Wikipedia). Utnapishtim then recounts to Gilgamesh the story of how he survived the flood. There are seven main similarities between the flood in the epic of Gilgamesh and that of Genesis. The foremost and obvious is that both of the characters were warned to build a boat to escape a flood. Secondly families of both Noah and Utnapishtim were saved along with the sampling of animals they were instructed to gather. Third, both floods are believed to have occurred on or in the Mesopotamian plain. Next come the fact that both boats were sealed with tar, and during the flood both men sent out a dove and raven to determine the conditions of the flood...
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...The Sumerian tale of Gilgamesh is the oldest to have survived into the modern era. Thus the greatest value of Gilgamesh is that it opens a window for modern readers into their collective past. The tale’s content reveals much about humanity’s earliest social and religious concerns, while its form reveals equivalent insights about the relationship between instruction and entertainment in an oral culture. The story of Gilgamesh reveals both a desire to commemorate the hero’s greatness and an obligation to learn from his flaws. The first thing the audience learns from the story is that Gilgamesh builds protective walls around the city, a great gift to his society. When the audience next learns that the king has been abusive to the young men of the city and has deflowered young maidens, their disapproval of these acts is tempered by their initial approval of his great accomplishment. Overall, the early portions of the story demonstrate that the abiding criterion for judgment is not the happiness of the individual, even if that individual is the king, but the good of society as a whole. When Gilgamesh exercises the kingly privilege in deflowering maidens, his actions may be legal, but they fail to provide any benefit for Uruk and are therefore condemned. Thus does the audience learn that greatness entails responsibility, not just strength. Crucial to the lesson of the story is Gilgamesh’s status as two-thirds god, one-third human. Kings are more than human and therefore are revered;...
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...The Epic Tale Of Gilgamesh Gilgamesh is presented as the heroic, yet cruel, figure responsible for creating the city of Uruk. Seemingly invincible to mortals, Gilgamesh is presented as a powerful leader who is known to rape women at will and rule his kingdom with violent, cruel power. He is unchallenged until the creation of Enkidu, a being almost as powerful in strength as Gilgamesh. After engaging in violent combat with one another, Gilgamesh and Enkidu form a friendship that sets them apart from ordinary mortals. I suppose that this relationship is typical of their strength, showing them both as equals, and is used to praise and escalate their characters in the poem to show them as heroic figures in the tale that are capable of doing more than just the regular mortal has power to do. In this tale, Gilgamesh feels the need to be the first to have sex with a bride after she is married and take their virginity before the groom even gets a chance to do anything of the sort, which further shows Gilgamesh’s lust for not only women, but also power; however, it is important to note that Gilgamesh is not picky with the women that he sleeps with, but rather, is open to sleeping with everyone out there, showing that he doesn’t really care for the women. Enkidu Comes into the story and at first is disgusted with Gilgamesh’s actions with these women. Enkidu eventually ends up challenging Gilgamesh after hearing about his unpleasant activities, but just hardly loses the battle. They...
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...Within the two readings of “The Flood” from the “Epic of Gilgamesh” and excerpts from Genesis 6:5-9:17: “The Flood”, one has distinguished several differences between both articles. The first major difference between the two readings is that the “Epic of Gilgamesh” has a council of gods who sends the flood while one God sends a flood in Genesis. The name of the man in the “Epic of Gilgamesh” was Utnapishtim and the man in Genesis was Noah. Ea told Utnapishtim to build a boat while God told Noah to build the ark. The size of the ark/boat in both stories were different. The boat in the “Epic of Gilgamesh” was a square while the ark in Genesis was a rectangle. In the “Epic of Gilgamesh”, the gods gave loaves of bread and wheat to the man while God told Noah to collect his own food for the ark in Genesis....
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...Gods words to Noah on a fateful night long ago. A flood was the only way to cleanse the earth. The thought process of the Gods in The Epic of Gilgamesh was very similar; they also felt the need to rid the earth of humans. The biblical story of the flood was influenced by The Epic of Gilgamesh because the Gods had similar incentives, both characters were told to do related tasks, and both had kindred outcomes. The gods in The Epic of Gilgamesh were disgusted by what they saw from human beings. The sheer wickedness of their souls was unbearable. In “The Story of The Flood” God saw how his earth had become sin stricken. In both stories the Gods...
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...politically, socially, religiously, and culturally. For example, The Epic of Gilgamesh (ca. 2700 B.C.E.-2500 B.C.E.) can help historians know what life was like for Mesopotamian peoples during that time. According to the text, there is a king named Gilgamesh. The king knows all, and he even possesses secret wisdom. His perfect physical features were endowed to him by the gods and his beauty surpasses all others. The father of the gods gave Gilgamesh ultimate power and supremacy over neighboring kingdoms. Gilgamesh is two-thirds god and one-third man, and he is the center...
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...from one story, or that there really was a great flood that covered the earth. The first and oldest story documented is the Epic of Gilgamesh. The flood in this story was...
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...seems to emphasize the power and reverence the civilization who wrote Gilgamesh had for nature. This reverence seems to have a negative connotation, however. Just as in the Judeo-Christian tradition, most are taught to fear God, the same is true for the civilization who wrote Gilgamesh, although in a different manner. Many of the deities within the Epic are commanders of some form of nature or another. Hadad, for example, God of the storm, or Shamash the sun god, or even Humbaba, the guardian of the forest, a great terror to human beings. This seems to show that many of...
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...happened with Gilgamesh, the hero of the legendary Mesopotamian tale, “The Epic of Gilgamesh.” Although at first, he is described as “two-thirds divine and one-third human,” later episodes of his life turn his qualities into those of an ordinary human. (Tablet I, 50) This has been very well depicted throughout this ancient piece of art. The beginning verses of the poem explain the main character of the story. It is said that being two-thirds divine gave Gilgamesh, the “heroic offspring of Uruk,” powers that made him the...
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...The story of Noah’s ark and the flood in the Christian bible could have influenced the story of the food in The Epic of Gilgamesh. You can see this relation by what both characters were told to do and what followed after. In The Bible, God said, “I am going to put an end to all people, for the earth is filled with violence because of them. I am surely going to destroy both them and the earth. So make yourself an ark of cypress wood; make rooms in it and coat it with pitch inside and out. This is how you are to build it: The ark is to be three hundred cubits long, fifty cubits wide and thirty cubits high. Make a roof for it, leaving below the roof an opening one cubit high all around. Put a door in the side of the ark and make lower, middle...
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