...The Great Gatsby: The Corruption of the American Dream through Materialism The American dream is an ideal that has been present since American literature’s onset. Typically, the dreamer aspires to rise from rags to riches, while accumulating such things as love, high status, wealth, and power on his way to the top. The dream has had variations throughout different time periods, although it is generally based on ideas of freedom, self-reliance, and a desire for something greater. The early settlers’ dream of traveling out West to find land and start a family has gradually transformed into a materialistic vision of having a big house, a nice car, and a life of ease. In the past century, the American dream has increasingly focused on material items as an indication of attaining success. In The Great Gatsby, Jay Gatsby is a self-made man who started out with no money—only a plan for achieving his dream. He is so blinded by his luxurious possessions that he does not see that money cannot buy love or happiness. Fitzgerald demonstrates how a dream can become corrupted by one’s focus on acquiring wealth, power, and expensive things. Gatsby’s dream “is a naïve dream based on the fallacious assumption that material possessions are synonymous with happiness, harmony, and beauty” (Fahey 70). His American dream has become corrupted by the culture of wealth and opulence that surrounds him. Gatsby is a “nouveau riche,” and his romantic view of wealth has not prepared him for the self-interested...
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...anything you need. Take for example Gatsby and his lavish, extravagant parties. At one point in the story Nick comments that he might be one of the few guests that were actually invited to the party and didn’t just show up. The first party that Nick actually attends does indeed seem like a sort of piece of theatre that is happening around him and Gatsby. The guests are in a flurry of increasingly drunken activity around him and he seems to become somewhat of a spectator to the whole activity. For Gatsby, the reason for throwing the party is only to attract Daisy his true love. Gatsby’s home is a manifestation of his wealth, and however many priceless items he buys to show off with he is still living in a fantasy. Looking at Gatsby’s library that Nick stumbles into during one of his parties, some of the guests were very shocked to find out that the books were actually real and that the pages were not just blank. Although the books were real they are merely a facade; the only purpose is displaying Gatsby’s wealth, the reason for almost all of Gatsby’s actions. East and West Egg are two different worlds, completely separate from reality. The inhabitants of these two worlds are caught up in thinking that reality is based on money and wealth. The fact is that Nick is the only character that is able to realize that the lives that they are all living is fantasy and not real. Just underneath the surface of their physical wealth is a world of infidelity and lies, the reality in all...
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...Because they are treated like objects, the women from The Great Gatsby by F. Scott Fitzgerald wield little power over their own lives, are abused, and are regarded as men’s trophies. Daisy, Jordan, and Myrtle exemplify the struggles of the women of the 1920’s. Whether they are abused, treated like property, or being controlled, the women of The Great Gatsby have difficult lives no matter how they may appear. Daisy Buchanan’s life may seem perfect on the outside, but in reality she has a dysfunctional marriage and other adverse struggles she hides by being oblivious. Daisy is aware of her husband’s unfaithfulness, but uses ignorance to disguise it. She also knows that her daughter could have the same fate, and says, “‘I’m glad it’s a girl. And I hope she’ll be a fool—that’s the best thing a girl can be in this world, a beautiful little fool.’” (Fitzgerald 17) In addition to cheating on his wife, Daisy’s husband, Tom,...
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...reckless things, stupid things they might later regret, though the point of it all is in not regretting. For the idea of the party's youth”. In the 1920s women’s roles change drastically. Not only were women given the right to vote, but job opportunities increased. During the film, Chicago and the novel, The Great Gatsby, two women, Daisy Buchanan and Roxie Hart, faced many obstacles when it came to gender roles because women were seen as less dominant compared to men. Daisy was this beautiful woman who was solely dependent on her husband, Tom Buchanan, who remotely cheated on her, on a number of occasions. Roxie was this average, dream chaser...
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...Fitzgerald’s novel, The Great Gatsby. The novel begins when the main character Nick Caraway moves to a town in long island call west egg. He lives in modest home amongst extravagant mansions. His neighbor, Jay Gatsby, throws lavish parties almost every night. His cousin Daisy, and her husband tom, also lives in the west egg community. Once nick get an invite to one of Gatsby’s parties he become thirsted into the wealthy lifestyle of the people around him. In his novel, The Great Gatsby, F. Scott Fitzgerald used the colors of white and cream, the color yellow, and the green light to illustrate the theme that desire facilitates moral decay and is therefore a destructive emotion. The colors white and cream capture the characters external innocence and purity, but since it is false beyond the skin, it is just a disguise covering the desire and moral decay. The white room shows how Daisy and Jordan can appear pure and lovely from the outside. When nick arrives at Daisy and Tom’s home he notices, “ The windows were ajar and gleaming white against the fresh grass outside that seemed to grow a little way into the house,”(8). At the start of the book we are introduced to Daisy and Jordan, the author used the white color of the room to illustrate how pure the characters appear from Nick’s first impression. It is a simple reminder of how people can fool one in the presence of their image. Myrtle changes into a cream colored dress, which signifies her infidelity. Once arrived at the apartment...
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...Gatsby’s Archetypal Quest for Daisy, the Monetary Prize In The Great Gatsby, the characterizations of Daisy Buchanan and Jay Gatsby, particularly in the flashback of when they first met in Chapter VIII, expose the absence of love that lies beneath the glitz and glamour of wealthy living. When seen through an archetypal lens, Gatsby’s pursuit of Daisy can be seen as an Archetypal quest where the “golden girl” is a treasure, rather than a love interest (Fitzgerald, 120) (Delahoyde, 1). To Jay Gatsby, Daisy is materialistically the ultimate peak of wealth to be obtained, a metaphor best illustrated in F. Scott Fitzgerald’s choice of descriptive words that portray her in the same way that money might be defined. Daisy is a princess “high in a white palace the king’s daughter”, beautiful and comfortably assured a life of ease due to her wealthy place in society (Fitzgerald, 120). In this novel she is more a material, a monetary symbol, than a person, and this best proved in Chapter VIII (Delahoyde, 1). In a flashback of Gatsby’s to when he first knew and loved Daisy, his descriptions paint a picture of her “gleaming like silver, safe and proud above the hot struggles of the poor” (Fitzgerald, 150). In this glowing portrayal that showcases Daisy’s beauty and power, (both things that she was born with, that she did not earn) her appearance and social class is all that is focused on, she is merely an outward image. From the point of view of a man that supposedly loves her, there...
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...soon to follow. In F. Scott Fitzgerald’s novel, The Great Gatsby, Daisy proves herself to be incapable of being fulfilled in her life; leeching off of the success and emotions of others to get what she wants. Daisy Buchanan is an incredible example of how wrong everything can go when we don’t respect the feelings of others, nor take our own into consideration. In The Great Gatsby, Daisy proves herself to be a manipulative and irresponsible person and fails to take responsibility for her actions on multiple occasions. Whether it’s taking care of her daughter, staying...
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...The Great Gatsby Essay Karema Williams December 12, 2013 The Great Gatsby based in the 1920’s written by F. Scott Fitzgerald. A Victorian story centered on wealth and power. During the 1920’s many people were born into wealth, money that’s been in the family for generations. Although, some inherited their wealth others were forced to work extremely hard for minimum pay, start a business or engage in illegal activities in order to secure wealth. The social stigma in the 1920’s was predicated on wealth. If you weren’t privileged to be born with wealth you weren’t socially accepted. Those who became wealthy by working or illegal activity still weren’t allowed to shake hands with high society; leaving the privileged in a league of their own. This novel remains a timeless piece do to the human behaviors in the 1920’s that can be seen almost 100 years later. For example social drinking, smoking, partying, infidelity, a division amongst economic backgrounds, lies, love, betrayal and death (Fitzgerald, 1925.) During the 1920’s which has been referred to as the jazz years, during an era when women were encouraged to marry men of power and wealth. Many became obsessed with money, material processions and the glamorous lifestyle in hopes to maintain a spot in high society. High socially partied and socially gathered with the likes of their own, invitation only affairs. Throwing expensive parties and dressing to impress; catering the best food possible, serving illegal alcohol throughout...
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...experience. A considerable part of his pieces tackle questions regarding social status, rise to power and how they correlate to love and “The Great Gatsby” is one of them. This particular novel takes place in the year 1922 in New York and the fictional villages of East and West Egg and is seen through the eyes of Nick Carraway, a writer and not particularly successful bonds salesman. It tells the story of the affair (and the events preceding it) of Daisy Buchanan and Jay Gatsby but also includes...
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...The Great Gatsby F. Scott Fitzgerald F. Scott Fitzgerald’s The Great Gatsby (published on April 10, 1925) is one novel that anyone would regret not reading. It has gone down in history as one of the most important works in American literature — and, to many, the great American novel. Fitzgerald has succeeded in offering up commentary on a variety of themes — justice, power, greed, betrayal, the American dream and so on through Nick as a narrator. There are two most impressive symbols in the novel. The green light at the end of Daisy’s dock and the eyes of Doctor T. J. Eckleburg remains obsessing in readers’ minds. The first is a perfect example of the manner in which characters The Great Gatsby. Situated at the end of Daisy’s East Egg dock and barely visible from Gatsby’s West Egg lawn, the green light represents Gatsby’s hopes and dreams. Gatsby associates it with Daisy, to whom “ he bought house to be near her, he threw all those parties hoping she would wander in one night”. In Chapter 1 he reaches toward the green light on the other side of the river, in the darkness as a guiding light to lead him to his goal. Gatsby’s quest for Daisy is broadly associated with the American dream: “all man are created equal and that they are endowed with certain unalienable rights, among which are life, liberty and pursuit of happiness”, the green light also symbolizes that more generalized ideal. Though, The Great Gatsby illustrates the downgrade value of American Dream, instead of...
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...materialistic vision of a big house, nice car, and living the easy life. As represented in the novel The Great Gatsby and Baz Luhrmann’s, The Great Gatsby, the American Dream was more focused on instant gratification of material things and needing material things as an indication of success. In F. Scott Fitzgerald’s, The Great Gatsby and Baz Luhrmann’s, The Great Gatsby, Jay Gatsby is a renaissance man; a man who has it all but started out with nothing. His plan was to achieve his dream. He was so blinded by his possessions, in front of him, that he could not see that money could not buy love or happiness. Fitzgerald demonstrated how a dream can be corrupted by one’s focus on accruing wealth, power, and expensive things. Gatsby’s dream was “ambiguous, contradictory, romantic in nature, and undeniably beautiful while at the same time grotesquely flawed” (Hearne 189). His American Dream had become tarnished and corrupted by the culture of money and opulence that surrounded him. Gatsby was ‘new money’, and his romantic view of the wealthy did not prepare him for the self- absorbed, snobbish, group of people he was about to associate himself with. He threw lavish parties every night, yet he had no real friends to surround himself with. Gatsby bought expensive things and entertained a lot of people, but he was hoping for something more. Nick Caraway realized that Gatsby was involved in a few...
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...The One Who Wears the Pants Throughout history and in different cultures, strength can be defined in different ways. Before the 1920s, in America, women were considered weak and vulnerable while men were strong and capable. However, during the 1920s, the women’s movement to dismantle the gender norms of the Victorian Era to gain freedom and equality, helped redefine strength within the nation. F. Scott Fitzgerald uses his romance novel, The Great Gatsby, to show how a woman can be just as strong, or stronger than a man. Set in the 1920s in New York, a bondsman named Nick Carraway narrates the story of a wealthy man named Jay Gatsby, who attempts to rekindle his love with a beautiful married woman named Daisy Buchanan by using his status and...
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...Area of Study: Belonging * ‘As You Like It’ written by William Shakespeare * ‘Towelhead’ directed by Alan Ball in * ‘The Surfer’ written by Judith Wright | As You Like It | Towelhead | The Surfer | Language Form and Structure | * ‘As You Like It’ is a stage play in the form of a comedy * It also qualifies as a pastoral romance * Shakespeare wrote the lines of the play in both verse and prose | * ‘Towelhead’ is a film | * Poem * 3 stanzas * Free verse | Personal, cultural, historical and social context | * Written during the reign of Elizabeth I and ironically, both Rosalind and Celia would have been played by men * Appealing nature to both lower and higher classes * Used as a model of social critique | * Set in Houston, Texas during the 1990s * Occurred during the Gulf War * Follows the sexual awakening of Jasira (an American-Lebanese girl) | * Set in Australia | Identity One’s sense of belonging is built upon their exploration of self and the confidence they establish through their own identity. | Identity is explored most obviously with Rosalind’s disguise as Ganymede. This concealment of her true identity allows Rosalind to discover whether Orlando truly loves her. It also allows Rosalind to gain a deeper understanding of herself. This is seen through the use of dramatic irony, this enhances the audience’s connection with the characters and adds to the humour of the play. “Nay, you must call me Rosalind”. Ultimately, it...
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...critical theory today critical theory today A Us e r - F r i e n d l y G u i d e S E C O N D E D I T I O N L O I S T Y S O N New York London Routledge is an imprint of the Taylor & Francis Group, an informa business Routledge Taylor & Francis Group 270 Madison Avenue New York, NY 10016 Routledge Taylor & Francis Group 2 Park Square Milton Park, Abingdon Oxon OX14 4RN © 2006 by Lois Tyson Routledge is an imprint of Taylor & Francis Group, an Informa business Printed in the United States of America on acid‑free paper 10 9 8 7 6 5 4 3 2 1 International Standard Book Number‑10: 0‑415‑97410‑0 (Softcover) 0‑415‑97409‑7 (Hardcover) International Standard Book Number‑13: 978‑0‑415‑97410‑3 (Softcover) 978‑0‑415‑97409‑7 (Hardcover) No part of this book may be reprinted, reproduced, transmitted, or utilized in any form by any electronic, mechanical, or other means, now known or hereafter invented, including photocopying, microfilming, and recording, or in any information storage or retrieval system, without written permission from the publishers. Trademark Notice: Product or corporate names may be trademarks or registered trademarks, and are used only for identification and explanation without intent to infringe. Library of Congress Cataloging‑in‑Publication Data Tyson, Lois, 1950‑ Critical theory today : a user‑friendly guide / Lois Tyson.‑‑ 2nd ed. p. cm. Includes bibliographical references and index. ISBN 0‑415‑97409‑7 (hb) ‑‑ ISBN 0‑415‑97410‑0 (pb) 1. Criticism...
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...The Write Approach: English Language Arts Research and Writing Guide Student Name: John Burroughs High School Burbank, CA The Write Approach Table of Contents Glossary of Terms The Writing Process Thinking Maps The Six Types of Writing Prompts Jane Shaffer Writing Terms Writing a Thesis Statement Writer’s Signal Words 1 4 5 6 7 8 11 Things NEVER to Do in an Essay 12 MLA Guidelines and Style Sheet Sample Essay Formatting Guide to Formatting Essays Using MS Word Revising and Proofreading Essays JBHS Proofreading Symbols Proofreading/Editing Worksheet MLA Quoting and Citation Guide Quote Integration FAQs Work Cited Page Why Did I Get This Grade? JBHS Academic Honesty Policy List of Resources and References Academic Honesty Contract 14 15 © JBHS English Department 2009 19 27 28 30 32 33 35 38 40 43 44 Glossary of Writing and Research Terms Annotated Bibliography: Includes a summary and/or evaluation of each of the sources used for researching a topic. Audience: Those whom you want your writing to reach. A writer needs to choose the appropriate words and style for his or her intended audience. Body Paragraph: Makes up most of an essay and has three main parts: a topic sentence, concrete detail/commentary, and a concluding sentence. Citation: [also known as parenthetical or in-text citation] Names a source and page number for text which quotes from, uses specific details from, or paraphrases source/research...
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