A SONIC INTERVENTION - EXERGESIS
Islam’s ‘theology of rape’

The sound file aims intervene the discourse of Islamic religion through accounting for the recent but continuing exploitation of Islamic women, in particular, the religious minority group of Yaziti. Foucoult argues that discourse is ‘often rooted in organisaions which both control and are structured by distinct disciplinary knowledge’ (Frow, 2004) regulating the conduct of others (Hall 1997). Such as groups and members of ISIS, representing the Islamic state of Iraq which are regulated by it’s religious discourse. The discourse itself, formulated and produced objects within subjects of our knowledge (Barker. C and Galaniski, D 2001), such as texts like the Qu’ran, a central religious text of Islam, providing strict principles and ethics, encoding a way of behavior that is practiced globally. Acts such as prayer can be understood as a certain tradition or behavior that is governed by religious belief. Throughout the soundscape, I have shown how customs, like this are often exploited through acts of sex and sexual slavery towards the women of Iraq. Evidently, social order is constituted by discourses of power (Barker, C. & Galasinski, D. 2001), thus I chose to highlight the power of the ISIS and regulation of it’s religious discourse through audio reports of women suffering from rape to connote the authority of the ISIS. Hall argues that nothing has any meaning outside it’s discourse’ (Hall.S 1997, pg 45), evidently the file is sequenced to open on a popular theme song of ‘Allahu Akbar’, the national anthem of Lybia, a globally recognised song amongst the Muslim community, it translates to ‘god is greater’, and acts as an index of religious code triggered amongst the listeners, which can only be understood within it’s discourse.

I chose to inject with a voice over of speech made by famous leader