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Exploration Notes for a Dolls House

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A Doll’s House Exploration Notes

Henrik Ibsen wrote A Doll’s House (ADH) in the romantic era, premiered in 1879. His ideas towards marriage and women were unusual for the time- wanted to differ from other writers to make an impact- mainly because he thought men and women should live as equals. Firstly, we experimented with how to play Nora and Torvald together in a scene. The interpretation of Nora being a vein doll and Torvald being a predator worked in Act 3 page 57, as it made their relationship seem more alive and normal, perhaps enhancing Darwin’s ideas. In Act 1 page 25 however, this didn’t work, a withdrawn Nora and bully Torvald worked as their relationship became more typical of the time, Nora was doing all the house work and shouldn’t be seen by the husband. Furthermore, we created adverts for what Torvald wanted in a perfect wife. In my group we decided to do a version of “Take Me Out” where each girl had an influence on Ibsen, for example Mary showed Freudian theory, she inherited her mothers intelligence, Liri showed Darwins theory of survival of the fittest - she wouldn’t live long enough to provide a family-, Anoa showed the attitudes towards women in that she would be a house wife and provide a healthy family, Bonnie however tried to show all of these as well as romanticism which Torvald ended up choosing as he looked for adventure. This activity allowed us to explore how finding the perfect wife in the Victorian era was difficult to find, Nora has her flaws which brings her marriage to an abrupt end, even if she did have to face societies consequences, but Ibsen had to change this ending as it created a large amount of hysteria.

Katie Mitchell had the idea that by creating the off stage world, the actor would be able to understand the characters life in more depth by not once detaching from the role whilst performing, which is a

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