...Fitzgerald’s satirical portrait of modern society using Gatsby’s parties as support “The Great Gatsby,” a novel by F. Scott Fitzgerald, depicts life in the 1920’s. “The Roaring Twenties,” a nickname given to the decade which was loaded with money and industry. It was a time where the rich people in society only had so much to do, and so much money to spend in many ways. Jay Gatsby, one of the “newly” rich people, chooses to spend his money recklessly; throwing large, extravagant parties every weekend of the summer. Fitzgerald paints a picture of modern society by writing about these crazy parties that Gatsby hosts; and using wealth to impress, lack of morals in modern society and The American Dream. All factors of how Gatsby uses parties for support and how the American Dream can be portrayed in the “Roaring Twenties.” Gatsby’s parties were huge, they brought great numbers of people from all over New York, the people who came were all unknown to each other, not many people were actually invited, and they just came, not knowing Gatsby, they did not care about him. When Nick Carraway describes what he has seen before Gatsby’s party, “At least once a fortnight a corps of caterers came down....On the buffet tables, garnished with glistening hors d’ oeuvre, spiced baked hams crowded against salads of harlequin designs and pastry pigs...In the main hall a bar with a real brass rail....By seven o’clock the orchestra...
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...works. These literary works include F. Scott Fitzgerald’s famous novel The Great Gatsby and Langston Hughes’s poem “Harlem.” Although Hughes’s work covers more about the racism faced by African Americans, the two aforementioned works both include the theme of hope and prosperity, a concept that Jazz has inspired people to feel. Like many cultural movements that have occurred in history, there are famous influential leaders who took part in the Harlem Renaissance. For Jazz music, one of these influential people was Louis “Satchmo” Armstrong. He would play his instrument in an daring style during live performances— a way that no one has ever done before: a long, extended solo. He had “revolutionized the world of music,” where, eventually, many musicians would mimic this style of Armstrong’s ("About Louis Armstrong"). What had seemed to be an eccentric music and playing style soon formed to what society ultimately considered as the norm. Despite Jazz music’s extensive role in New York’s culture, it was not always considered socially acceptable. During the time when Jazz music was first introduced in New York, it was a culture shock. While Jazz music was gaining popularity, many white people feared the dangerous influences that it would have on listeners, such as “[losing] their ability to control [themselves]” and being “susceptible to immoral behavior.” The distinct sound of it would offend people and thus, Jazz music had gained its nickname of “The Devil’s Music.” Communities...
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...critical theory today critical theory today A Us e r - F r i e n d l y G u i d e S E C O N D E D I T I O N L O I S T Y S O N New York London Routledge is an imprint of the Taylor & Francis Group, an informa business Routledge Taylor & Francis Group 270 Madison Avenue New York, NY 10016 Routledge Taylor & Francis Group 2 Park Square Milton Park, Abingdon Oxon OX14 4RN © 2006 by Lois Tyson Routledge is an imprint of Taylor & Francis Group, an Informa business Printed in the United States of America on acid‑free paper 10 9 8 7 6 5 4 3 2 1 International Standard Book Number‑10: 0‑415‑97410‑0 (Softcover) 0‑415‑97409‑7 (Hardcover) International Standard Book Number‑13: 978‑0‑415‑97410‑3 (Softcover) 978‑0‑415‑97409‑7 (Hardcover) No part of this book may be reprinted, reproduced, transmitted, or utilized in any form by any electronic, mechanical, or other means, now known or hereafter invented, including photocopying, microfilming, and recording, or in any information storage or retrieval system, without written permission from the publishers. Trademark Notice: Product or corporate names may be trademarks or registered trademarks, and are used only for identification and explanation without intent to infringe. Library of Congress Cataloging‑in‑Publication Data Tyson, Lois, 1950‑ Critical theory today : a user‑friendly guide / Lois Tyson.‑‑ 2nd ed. p. cm. Includes bibliographical references and index. ISBN 0‑415‑97409‑7 (hb) ‑‑ ISBN 0‑415‑97410‑0 (pb) 1. Criticism...
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...FROM THE AUTHOR OF THE BESTSELLING BIOGRAPHIES OF BENJAMIN FRANKLIN AND ALBERT EINSTEIN, THIS IS THE EXCLUSIVE BIOGRAPHY OF STEVE JOBS. Based on more than forty interviews with Jobs conducted over two years—as well as interviews with more than a hundred family members, friends, adversaries, competitors, and colleagues—Walter Isaacson has written a riveting story of the roller-coaster life and searingly intense personality of a creative entrepreneur whose passion for perfection and ferocious drive revolutionized six industries: personal computers, animated movies, music, phones, tablet computing, and digital publishing. At a time when America is seeking ways to sustain its innovative edge, Jobs stands as the ultimate icon of inventiveness and applied imagination. He knew that the best way to create value in the twenty-first century was to connect creativity with technology. He built a company where leaps of the imagination were combined with remarkable feats of engineering. Although Jobs cooperated with this book, he asked for no control over what was written nor even the right to read it before it was published. He put nothing offlimits. He encouraged the people he knew to speak honestly. And Jobs speaks candidly, sometimes brutally so, about the people he worked with and competed against. His friends, foes, and colleagues provide an unvarnished view of the passions, perfectionism, obsessions, artistry, devilry, and compulsion for control that shaped his approach to business and...
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...Reading the Novel in English 1950–2000 i RTNA01 1 13/6/05, 5:28 PM READING THE NOVEL General Editor: Daniel R. Schwarz The aim of this series is to provide practical introductions to reading the novel in both the British and Irish, and the American traditions. Published Reading the Modern British and Irish Novel 1890–1930 Reading the Novel in English 1950–2000 Daniel R. Schwarz Brian W. Shaffer Forthcoming Reading the Eighteenth-Century Novel Paula R. Backscheider Reading the Nineteenth-Century Novel Harry E. Shaw and Alison Case Reading the American Novel 1780–1865 Shirley Samuels Reading the American Novel 1865–1914 G. R. Thompson Reading the Twentieth-Century American Novel James Phelan ii RTNA01 2 13/6/05, 5:28 PM Reading the Novel in English 1950–2000 Brian W. Shaffer iii RTNA01 3 13/6/05, 5:28 PM © 2006 by Brian W. Shaffer BLACKWELL PUBLISHING 350 Main Street, Malden, MA 02148-5020, USA 9600 Garsington Road, Oxford OX4 2DQ, UK 550 Swanston Street, Carlton, Victoria 3053, Australia The right of Brian W. Shaffer to be identified as the Author of this Work has been asserted in accordance with the UK Copyright, Designs, and Patents Act 1988. All rights reserved. No part of this publication may be reproduced, stored in a retrieval system, or transmitted, in any form or by any means, electronic, mechanical, photocopying, recording or otherwise, except as permitted by the UK Copyright, Designs, and...
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