...As Scott F. Fitzgerald invites the reader to see the perspective of the 1920’s from an “honest” and “nonjudgmental” man named Nick Carraway, the views of the rich and ugly collide together, making The Great Gatsby a novel with a twisted and complicated plot. The main character Nick Carraway, is from the west and moves to the overpopulated city of New York. He settles in the “West Egg” of Long Island and meets his mysterious neighbor who goes by the name of Jay Gatsby. Nick visits his cousin Daisy, who lives in the “East Egg” and soon becomes somewhat engaged within the fast, upbeat, party life. (Fitzgerald) Although he is not fully involved, he disentangles himself from the whole scene near the ending due to his observant behavior and disgusted attitude towards the whole outlook. However, his attraction towards Gatsby is a main focus. Readers are captivated by Gatsby’s admirable perseverance and determination in working towards achieving his goal of winning Daisy’s heart and beyond that, the American dream, yet his greatness predicts his downfall. Gatsby’s desire of becoming wealthy and dedication to this goal reflects how admirable he is because created himself out of nothing; he “sprang from his Platonic conception of himself; he was a son of God-.” (Fitzgerald, 104) He “reinvented” himself, using his imagination and being “faithful to the end” until he was the prosperous man he wanted to become. But this accomplished goal of becoming wealthy was only a small step...
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...F. Scott Fitzgerald Though there have been many great authors in history, F. Scott Fitzgerald is one of the most admirable for his works. During F. Scott Fitzgerald’s life, many things that were “in the air” influenced him. He lived through the roaring twenties, also known as the Jazz Age, and continued on his career into the Great Depression. On September 24th, 1896, Mary McQuillan gave birth to her child, Francis Scott Fitzgerald. He was born in the apartment that was rented by his parents. The man who fathered Fitzgerald was Edward Fitzgerald. Three months before Fitzgerald was born, his mother had lost her two daughters. F. Scott Fitzgerald began his school career at Miss Goodyear’s School in September of 1902. At Miss Goodyear’s School, Fitzgerald had become a very avid reader. Since F. Scott Fitzgerald’s father transferred jobs a lot, he attended many schools during his childhood. When his father transferred to Buffalo, New York, Fitzgerald went to Miss Narden’s school. During the time while he attended Miss Narden’s School, he got involved with the Catholic Church. The Fitzgeralds moved back to Minnesota after Edward Fitzgerald was fired, and F. Scott Fitzgerald began attending St. Paul’s School. While he was enrolled in St. Paul’s School, Fitzgerald wrote his first short stories. He was expelled from St. Paul’s School due to his grades, though, and soon after the Fitzgeralds got transferred to Hackensack, New Jersey, where F. Scott Fitzgerald was enrolled...
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...One of the greatest debates in F. Scott Fitzgerald’s The Great Gatsby is whether or not the titular character, Jay Gatsby, is indeed great. At the heart of this debate is whether or not he is a romantic man whose rags-to-riches rise is to be admired or a dishonest conman and criminal. Other people may not like him because of the way he got his money. The main things that shows that Gatsby is a good man is how he is ambitions, humble, romantic relationship with Daisy. One of Gatsby’s most admirable traits is his ambition, which led him to rise from poverty to spectacular wealth. Gatsby grew up poor in rural North Dakota, but he was determined from his youth to transcend his humble beginnings. One example of this early determination is seen when...
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...wealthy through hard work and determination, over the course of time. In F. Scott Fitzgerald’s The Great Gatsby, Jay Gatsby is a classic example of a rags to riches man, but learns the hard way that money and materialistic things cannot fill one’s need for happiness. Not only that, but F. Scott Fitzgerald also portrays the corruption of an individual's American Dream through their foolish pursuit of wealth and physical...
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...From Jay Gatsby to Don Draper, the self-made man is a staple of American fiction. It is not very difficult to understand why. They speak to a central aspect of the American creation myth: the idea that no matter where you are from, no matter who you are, America is the land of opportunity. There is certainly a significant measure of skepticism towards this notion in F. Scott Fitzgerald’s contemporary take on the Jazz Age, but there nevertheless exists a widely held romantic view of these characters, and of the myth they represent, even if it’s not encouraged by the creators of these fictions. In Malcolm Gladwell’s inspiring novel Outlier illustrates the many ways in which society’s most successful people benefit from hidden advantages, and offers some compelling thoughts on how to level the playing field. Gladwell’s central argument, that no one rises to the pinnacle of their profession without many advantages, seems at first hardly controversial....
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...“The Great Gatsby”, written by F. Scott Fitzgerald, portrays a world filled with rich societal happenings, love affairs, and corruption. Nick Carraway is the engaged narrator of the book, a curious choice considering that he is in a different class and almost in a different world than Gatsby and the other characters. Nick relates the plot of the story to the reader as a member of Gatsby’s circle. He has ambivalent feelings towards Gatsby, despising his personality and corrupted dream but feeling drawn to Gatsby’s magnificent capacity to hope. Using Nick as a moral guide, Fitzgerald attempts to guide readers on a journey through the novel to illustrate the corruption and failure of the American Dream. To achieve this, Nick’s credentials as a reliable narrator are carefully established and reinforced throughout the story. The American Dream is a sensitive and beloved topic in American culture. Discussing its failure and corruption needs to be done gently and morally. Fitzgerald understood this, and therefore acknowledged the need of a kind and cordial narrator within a materialistic society. Enter Nick Carraway, who on the first page lets readers know “In consequence, I’m inclined to reserve all judgments” pg 7. This statement already serves to set Nick up as a decent and honest man that can be trusted. To back up this statement Fitzgerald included a short section regarding Nick’s family and background. The Carraway’s claim themselves to be loyal Americans. However, when...
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...How does Fitzgerald establish characters and themes in the first two chapter of the novel? F. Scott Fitzgerald creates characters who all have strong personalities. The first character the readers are introduced to is Nick Carraway, the narrator of The Great Gatsby. Although, he does not play a huge role in the novel, Nick is the catalyst as he observes the events of the main plot, without being instrumental in any of the action. Nick is a college man, he graduated from Yale, however he doesn’t really brag about his educational background. Nick says “I graduated from New Haven”, he doesn’t boast about the fact he went to Fitzgerald establishes him as a humble person. Additionally, Nick explains that his father gave him some advice: “whenever you feel like criticizing anyone… just remember that all the people in this world haven’t had the advantages that you’ve had.” By Nick telling the readers about his father’s advice and that he is “inclined to reserve all judgments”, the implications are really strong. Nick comes from at least a middle class family that value a sense of moral justice. In this way, the readers are encouraged to trust Nick and to believe in his impartiality and good judgment, a biased narrator will make the narrative reactionary, not honest, so stressing his good judgment is crucial. This establishes Nick as a trustworthy character and friend. However, throughout the novel, the readers witness Nick’s rude and snide comments. For example, Fitzgerald writes:...
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...critical theory today critical theory today A Us e r - F r i e n d l y G u i d e S E C O N D E D I T I O N L O I S T Y S O N New York London Routledge is an imprint of the Taylor & Francis Group, an informa business Routledge Taylor & Francis Group 270 Madison Avenue New York, NY 10016 Routledge Taylor & Francis Group 2 Park Square Milton Park, Abingdon Oxon OX14 4RN © 2006 by Lois Tyson Routledge is an imprint of Taylor & Francis Group, an Informa business Printed in the United States of America on acid‑free paper 10 9 8 7 6 5 4 3 2 1 International Standard Book Number‑10: 0‑415‑97410‑0 (Softcover) 0‑415‑97409‑7 (Hardcover) International Standard Book Number‑13: 978‑0‑415‑97410‑3 (Softcover) 978‑0‑415‑97409‑7 (Hardcover) No part of this book may be reprinted, reproduced, transmitted, or utilized in any form by any electronic, mechanical, or other means, now known or hereafter invented, including photocopying, microfilming, and recording, or in any information storage or retrieval system, without written permission from the publishers. Trademark Notice: Product or corporate names may be trademarks or registered trademarks, and are used only for identification and explanation without intent to infringe. Library of Congress Cataloging‑in‑Publication Data Tyson, Lois, 1950‑ Critical theory today : a user‑friendly guide / Lois Tyson.‑‑ 2nd ed. p. cm. Includes bibliographical references and index. ISBN 0‑415‑97409‑7 (hb) ‑‑ ISBN 0‑415‑97410‑0 (pb) 1. Criticism...
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...TRADE JURNAL Leisure Arts in Bookstore Push Milliot, Jim. Publishers Weekly255.41 (Oct 13, 2008): n/a. 1. ------------------------------------------------- Full text 2. ------------------------------------------------- Abstract/Details Turn on hit highlighting for speaking browsers by selecting the Enter button Hide highlighting Abstract TranslateAbstract Craft book publisher Leisure Arts has signed on with Midpoint Trade Books as part of its effort to expand its presence among booksellers. Throughout its history, Leisure Arts has focused its sales operation on crafts stores. Details Subject Book industry; Bookstores; Distributors; Agreements; Distribution channels Company / organization Name: Leisure Arts NAICS: 511120; Name: Midpoint Trade Books Inc NAICS: 422920, 511130 Title Leisure Arts in Bookstore Push Author Milliot, Jim Publication title Publishers Weekly Volume 255 Issue 41 Pages n/a Number of pages 1 Publication year 2008 Publication date Oct 13, 2008 Year 2008 Section Foreword; New Channel Publisher PWxyz, LLC Place of publication New York Country of publication United States Publication subject Publishing And Book Trade, Library And Information Sciences ISSN 00000019 CODEN PWEEAD Source type Trade Journals Language of publication English Document type News ProQuest document ID 197101688 Document URL http://search.proquest.com.ezaccess.library.uitm.edu.my/docview/197101688?accountid=42518 ...
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...Beginning theory An introduction to literary and cultural theory Second edition Peter Barry © Peter Barry 1995, 2002 ISBN: 0719062683 Contents Acknowledgements - page x Preface to the second edition - xii Introduction - 1 About this book - 1 Approaching theory - 6 Slop and think: reviewing your study of literature to date - 8 My own 'stock-taking' - 9 1 Theory before 'theory' - liberal humanism - 11 The history of English studies - 11 Stop and think - 11 Ten tenets of liberal humanism - 16 Literary theorising from Aristotle to Leavis some key moments - 21 Liberal humanism in practice - 31 The transition to 'theory' - 32 Some recurrent ideas in critical theory - 34 Selected reading - 36 2 Structuralism - 39 Structuralist chickens and liberal humanist eggs Signs of the fathers - Saussure - 41 Stop and think - 45 The scope of structuralism - 46 What structuralist critics do - 49 Structuralist criticism: examples - 50 Stop and think - 53 Stop and think - 55 39 Stop and think - 57 Selected reading - 60 3 Post-structuralism and deconstruction - 61 Some theoretical differences between structuralism and post-structuralism - 61 Post-structuralism - life on a decentred planet - 65 Stop and think - 68 Structuralism and post-structuralism - some practical differences - 70 What post-structuralist critics do - 73 Deconstruction: an example - 73 Selected reading - 79 4 Postmodernism - 81 What is postmodernism? What was modernism? -...
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...Reading the Novel in English 1950–2000 i RTNA01 1 13/6/05, 5:28 PM READING THE NOVEL General Editor: Daniel R. Schwarz The aim of this series is to provide practical introductions to reading the novel in both the British and Irish, and the American traditions. Published Reading the Modern British and Irish Novel 1890–1930 Reading the Novel in English 1950–2000 Daniel R. Schwarz Brian W. Shaffer Forthcoming Reading the Eighteenth-Century Novel Paula R. Backscheider Reading the Nineteenth-Century Novel Harry E. Shaw and Alison Case Reading the American Novel 1780–1865 Shirley Samuels Reading the American Novel 1865–1914 G. R. Thompson Reading the Twentieth-Century American Novel James Phelan ii RTNA01 2 13/6/05, 5:28 PM Reading the Novel in English 1950–2000 Brian W. Shaffer iii RTNA01 3 13/6/05, 5:28 PM © 2006 by Brian W. Shaffer BLACKWELL PUBLISHING 350 Main Street, Malden, MA 02148-5020, USA 9600 Garsington Road, Oxford OX4 2DQ, UK 550 Swanston Street, Carlton, Victoria 3053, Australia The right of Brian W. Shaffer to be identified as the Author of this Work has been asserted in accordance with the UK Copyright, Designs, and Patents Act 1988. All rights reserved. No part of this publication may be reproduced, stored in a retrieval system, or transmitted, in any form or by any means, electronic, mechanical, photocopying, recording or otherwise, except as permitted by the UK Copyright, Designs, and...
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