8A i) To sing or play from memory the lowest part of a short three-part phrase played twice by the examiner. The key-chord and starting note will first be sounded and named, and the pulse indicated. A second attempt will be allowed if necessary. (The lowest part, to be sung or played, is bracketed_________.) ii) To identify the cadence at the end of a further (following) phrase, played twice by the examiner, as perfect, imperfect, interrupted or plagal. The key-chord will first be sounded. iii) To identify up to four chords in the above cadential progression, played twice by the examiner, as tonic (root position, first or second inversions), supertonic (root position or first inversion), subdominant (root position), dominant (root position, first or second inversions), dominant seventh (root position), or submediant (root position). Candidates may alternatively use the equivalent roman notation. The key-chord will first be sounded. [The chords to be identified are marked*.]

- Perfect (5—1) [Subdominant, Supertonic root, Dominant root, Tonic root] - Imperfect (—5) [Tonic root, Supertonic root, Subdominant, Dominant root] - Interrupted (—6) [Subdominant, Tonic root, Dominant root, Submediant] - Plagal

Tonic (I) [root position, first/second inversions]
Supertonic (ii) [root position/first inversion]
Subdominant (IV) [root position]
Dominant (V) [root position, first/second inversions]
Dominant seventh [root position]
Submediant [root position]

8C
Identify two modulations (played once)

Major—major 4,5 minor2,6
Minor—minor 4,5 major 3

8B
To sing a short melody from score, accompanied by a higher part played by the examiner, in any major or minor key up to four sharps or flats. The key-chord and starting note will first be sounded and the pulse indicated. Candidates may choose to sing the test from the treble or bass clef. A second attempt will be allowed if necessary.

Texture (Appeggios, scale, equal note, dotted note, single note, ornament, broken chord, polyphonic, chromaticism, rest)melody then 伴奏 (the flowing melody in the top or bottom part)

Form (Dance form, binary form, tirary phrase structure)

Style and Period (Baroque, Classical, Romantic and 20 Century) (Bach, Beethoven, Chopin, Bartok) (Sad , happy, fast, slow lyrical)

Tonality (change? Minor or major)

Rhythm 節奏
Tempo 速度

Structure (Counter point)對位

Dynamics 力 (change of dynamics usually gradual or sudden) (when phrases were repeated, was the second time louder or softer)

Shape of phrases (the melody normally move by step or leap

Remain the same throughout