...Fahrenheit 451 Censorship Censorship has a major role in the book Fahrenheit 451. Ray Bradbury criticizes the censorship of the early 1950's by displaying these same themes in a futuristic dystopian novel called Fahrenheit 451. In the early 1950's Ray Bradbury writes this novel as an extended version of "The Fireman", a short story which first appears in Galaxy magazine. He tries to show the readers how terrible censorship and mindless conformity is by writing about this in his novel. Bradbury develops the theme of censorship by gradually introducing the ways in which society chose to neglect literature and the government's reasons for censoring intellectual thought.Initially, Bradbury describes how the government decided to censure knowledge by destroying books. As the novel progresses, Captain Beatty explains to Montag how society's wish for immediate entertainment and the population's distaste for criticism led to the censorship of books. Essentially, the dystopian society sought to eliminate any type. Ray Bradbury wrote "It didn't come from the Government down. Beatty explains that the censorship did not come from the government, it came from the people. People...
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...Fire with Fire (Fahrenheit 451 Essay) The book "Fahrenheit 451" is an interesting, fearful and full of suspense kind of novel. The author is Ray Bradbury. Ray Bradbury introduces the theme of fear in "Fahrenheit 451." The theme is censorship. Ray Bradbury uses literary devices, negative historical symbols, and positive historical spokesman in so many ways to inform the background or other ways as the title, author, and the short summary. Emotional Tones Ray Bradbury uses a lot of literary devices in "Excerpt #1" by stating the "special pleasure" also "blackened and changed" when they saw the burns the fire left. Including the "great python" letting the "venomous kerosene upon the world." This might come back to "Fahrenheit 451' because it is little important parts from the novel. However, in the next excerpt Montag changes by starting to realize how much kerosene he used and what...
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...Books, envelopes of information that come in many different styles, forms, and languages, have been a significant source of knowledge and learning for centuries. In her essay “Happy Objects,” Sarah Ahmed explains how “happiness functions as a promise that directs us toward certain objects, which then circulate as social goods” (Ahmed 29). These social goods, in this case books, preserve the connection between ideas, values, and the objects that develop the attributes of our culture. Ahmed’s description of this connection as being “sticky” provides meaning to the positive or negative effects that objects acquire over time. In his novel Fahrenheit 451, Ray Bradbury uses a dystopian society deprived of books and literature to critique the hypocritical mass media transition and conformist...
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...to the way in which censorship is portrayed as limiting individuality. The setting of the novel itself is in a post-apocalyptic, futuristic United States. In the novel, books contain opinions and ideas that the society simply does not understand. Therefore in order not cause conflict and turmoil among citizens, they began to burn books as said on page 58 by Beatty, Montag’s boss, “‘Authors, full of evil thoughts, lock up your typewriters. They did. Magazines became a nice blend of vanilla tapioca...there was no longer need of firemen for the old purposes. They were given the new job, as custodians of our peace of mind, official censors, judges, and executors’”. The burning of the books was for the good of the people, to keep them sane with singular ideologies such as obedience and compliance; doing anything that was out of the ordinary in any capacity is looked down upon. This leads to all of the citizens having a common mindset that is easy to control and influence by the government. The restriction of diversity in the material and content of the books made it so that citizens of the society were not able to come to...
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...Fahrenheit 451 by Ray Bradbury is an amazing book. It gives you a look into a terrible world where being different and having your own thoughts is banned. In the book the main character is named Montag. He is a fireman but different from the ones today, he does the complete opposite and starts the fires. Montag's job is to burn any book he sees or any house that contains books. The main theme of this book is censorship, the society in this book is censored by their government. This is why they burn books so know one reads and everything is uniform. The book begins with a character named Montag. He is fireman and has been for 10 years, he never questioned his job till he met a young girl named Clarisse. She asks him this question on page 7 "Are you happy?" This question really effects his and he thinks about it a...
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...Дневник читателя READER’S JOURNAL Ernest Hemingway. The Old Man and the Sea (1952). Joseph Heller. Catch-22 (1961). Tennessee Williams. A Streetcar Named Desire (1959). Iris Murdoch. The Black Prince (1973). Jerome David Salinger. The Catcher in the Rye (1951). Michael Ondaatje. The English Patient (1992). Ray Bradbury. Fahrenheit 451 (1953). Ken Kesey. One Flew Over the Cuckoo’s Nest (1962). Edward Albee. Who’s Afraid of Virginia Woolf? (1962). Arthur Miller. Death of a Salesman (1949). ------------------------------------------------- ------------------------------------------------- Ernest Hemingway. The Old Man and the Sea (1952). ------------------------------------------------- ------------------------------------------------- FULL TITLE · The Old Man and the Sea ------------------------------------------------- ------------------------------------------------- AUTHOR · Ernest Hemingway ------------------------------------------------- ------------------------------------------------- TYPE OF WORK · Novella ------------------------------------------------- ------------------------------------------------- GENRE · Parable; tragedy ------------------------------------------------- ------------------------------------------------- LANGUAGE · English ------------------------------------------------- ------------------------------------------------- TIME AND PLACE WRITTEN · 1951, Cuba ------------------------------------------------- ...
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...FAHRENHEIT 451 by Ray Bradbury This one, with gratitude, is for DON CONGDON. FAHRENHEIT 451: The temperature at which book-paper catches fire and burns PART I IT WAS A PLEASURE TO BURN IT was a special pleasure to see things eaten, to see things blackened and changed. With the brass nozzle in his fists, with this great python spitting its venomous kerosene upon the world, the blood pounded in his head, and his hands were the hands of some amazing conductor playing all the symphonies of blazing and burning to bring down the tatters and charcoal ruins of history. With his symbolic helmet numbered 451 on his stolid head, and his eyes all orange flame with the thought of what came next, he flicked the igniter and the house jumped up in a gorging fire that burned the evening sky red and yellow and black. He strode in a swarm of fireflies. He wanted above all, like the old joke, to shove a marshmallow on a stick in the furnace, while the flapping pigeon-winged books died on the porch and lawn of the house. While the books went up in sparkling whirls and blew away on a wind turned dark with burning. Montag grinned the fierce grin of all men singed and driven back by flame. He knew that when he returned to the firehouse, he might wink at himself, a minstrel man, burntcorked, in the mirror. Later, going to sleep, he would feel the fiery smile still gripped by his face muscles, in the dark. It never went away, that. smile, it never ever went away, as long as he remembered...
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...The Wealth of Networks The Wealth of Networks How Social Production Transforms Markets and Freedom Yochai Benkler Yale University Press New Haven and London Copyright _ 2006 by Yochai Benkler. All rights reserved. Subject to the exception immediately following, this book may not be reproduced, in whole or in part, including illustrations, in any form (beyond that copying permitted by Sections 107 and 108 of the U.S. Copyright Law and except by reviewers for the public press), without written permission from the publishers. The author has made an online version of the book available under a Creative Commons Noncommercial Sharealike license; it can be accessed through the author’s website at http://www.benkler.org. Printed in the United States of America. Library of Congress Cataloging-in-Publication Data Benkler, Yochai. The wealth of networks : how social production transforms markets and freedom / Yochai Benkler. p. cm. Includes bibliographical references and index. ISBN-13: 978-0-300-11056-2 (alk. paper) ISBN-10: 0-300-11056-1 (alk. paper) 1. Information society. 2. Information networks. 3. Computer networks—Social aspects. 4. Computer networks—Economic aspects. I. Title. HM851.B457 2006 303.48'33—dc22 2005028316 A catalogue record for this book is available from the British Library. The paper in this book meets the guidelines for permanence and durability of the Committee on Production Guidelines for Book Longevity of the Council on Library Resources. 10 9 8 7 6 5 4 3 2 1...
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...GMAT GRADUATE MANAGEMENT ADMISSION TEST McGraw-Hill’s 2008 Edition James Hasik Stacey Rudnick Ryan Hackney New York | Chicago | San Francisco | Lisbon London | Madrid | Mexico City | Milan | New Delhi San Juan | Seoul | Singapore | Sydney | Toronto Copyright © 2007 by The McGraw-Hill Companies, Inc. All rights reserved. Manufactured in the United States of America. Except as permitted under the United States Copyright Act of 1976, no part of this publication may be reproduced or distributed in any form or by any means, or stored in a database or retrieval system, without the prior written permission of the publisher. 0-07-151120-2 The material in this eBook also appears in the print version of this title: 0-07-149340-9. All trademarks are trademarks of their respective owners. Rather than put a trademark symbol after every occurrence of a trademarked name, we use names in an editorial fashion only, and to the benefit of the trademark owner, with no intention of infringement of the trademark. Where such designations appear in this book, they have been printed with initial caps. McGraw-Hill eBooks are available at special quantity discounts to use as premiums and sales promotions, or for use in corporate training programs. For more information, please contact George Hoare, Special Sales, at george_hoare@mcgraw-hill.com or (212) 904-4069. TERMS OF USE This is a copyrighted work and The McGraw-Hill Companies, Inc. (“McGraw-Hill”) and its licensors reserve all rights...
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...updated: April 26, 2016 Logical Reasoning Bradley H. Dowden Philosophy Department California State University Sacramento Sacramento, CA 95819 USA ii iii Preface Copyright © 2011-14 by Bradley H. Dowden This book Logical Reasoning by Bradley H. Dowden is licensed under a Creative Commons AttributionNonCommercial-NoDerivs 3.0 Unported License. That is, you are free to share, copy, distribute, store, and transmit all or any part of the work under the following conditions: (1) Attribution You must attribute the work in the manner specified by the author, namely by citing his name, the book title, and the relevant page numbers (but not in any way that suggests that the book Logical Reasoning or its author endorse you or your use of the work). (2) Noncommercial You may not use this work for commercial purposes (for example, by inserting passages into a book that is sold to students). (3) No Derivative Works You may not alter, transform, or build upon this work. An earlier version of the book was published by Wadsworth Publishing Company, Belmont, California USA in 1993 with ISBN number 0-534-17688-7. When Wadsworth decided no longer to print the book, they returned their publishing rights to the original author, Bradley Dowden. The current version has been significantly revised. If you would like to suggest changes to the text, the author would appreciate your writing to him at dowden@csus.edu. iv Praise Comments on the earlier 1993 edition...
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...C O D E C ODE v e r s i o n 2 . 0 L A W R E N C E L E S S I G A Member of the Perseus Books Group New York Copyright © 2006 by Lawrence Lessig CC Attribution-ShareAlike Published by Basic Books A Member of the Perseus Books Group Printed in the United States of America. For information, address Basic Books, 387 Park Avenue South, New York, NY 10016–8810. Books published by Basic Books are available at special discounts for bulk purchases in the United States by corporations, institutions, and other organizations. For more information, please contact the Special Markets Department at the Perseus Books Group, 11 Cambridge Center, Cambridge MA 02142, or call (617) 252-5298, (800) 255-1514 or e-mail special.markets@perseusbooks.com. CIP catalog record for this book is available from the Library of Congress. ISBN-10: 0–465–03914–6 ISBN-13: 978–0–465–03914–2 06 07 08 09 / 10 9 8 7 6 5 4 3 2 1 Code version 1.0 FOR CHARLIE NESSON, WHOSE EVERY IDEA SEEMS CRAZY FOR ABOUT A YEAR. Code version 2.0 TO WIKIPEDIA, THE ONE SURPRISE THAT TEACHES MORE THAN EVERYTHING HERE. C O N T E N T S Preface to the Second Edition Preface to the First Edition Chapter 1. Code Is Law Chapter 2. Four Puzzles from Cyberspace PART I: “REGULABILITY” ix xiii 1 9 Chapter 3. Is-Ism: Is the Way It Is the Way It Must Be? Chapter 4. Architectures of Control Chapter 5. Regulating Code PART II: REGULATION BY CODE 31 38 61 Chapter 6. Cyberspaces Chapter 7. What Things Regulate...
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