...and coping with change is coexistent within the migrant experience, the persona struggling to reconcile Polish and Australian life and to regulate emotional and cultural incongruities. Skrzynecki harnesses a dichotomy within ‘Feliks Skrzynecki’; that of identification and disunited belonging. The persona faces the emotional challenge of adhering to his Polish connection whilst adjusting to Australian values, and this is directly contrasted to his father’s stoicism in confronting adversity and synthesising both cultures to a medial platform of contentment. Evidence of this is divulged in the exclusive tone of ‘With his dog… happy as I have never been’. This illuminates the sense of disconnection and grief the persona experiences when reflecting on his father’s life. Feliks’ bliss...
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...belonging. Belonging can emerge from the connections made with people, groups or community. It is something we all feel whether we mean to or not. This belonging gives us an attachment to other people or things and we can gain other certain feelings such as security, happiness, pride, sense of value and acceptance by others as social human beings. It gives us an awareness of identity and builds our self-confidence and self-esteem as we feel part of something bigger. There are also implications for not belonging, our inability to connect can lead to isolation, alienation, vulnerability and dislocated from society. These universal experiences are explored through the poetry of Peter Skrzynecki’s “Immigrant Chronicle”, in particular, Migrant Hostel where barriers limited the migrant’s experience of belonging and Feliks Skrzynecki which portrays the father and son’s contrasting experiences to belonging in a new land. Sean Penn’s 2007 film Into the Wild also examines a person’s quest for a sense of...
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