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Femininity In The Awakening

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Independence and equal rights for women has been a major issue around the world for over a century. The societal structure of the Victorian Era decreed that a woman was fit to be only a wife and mother (Schmoop). In Kate Chopin's The Awakening, Edna Pontellier rebels against societal expectations in order to find her true identity. Chopin shows that there’s a difference between society’s definition of femininity and some women’s inherent needs for independence, and that the path to that independence is a difficult one. Chopin uses a character juxtaposition of Adele Ratignolle and Edna Pontellier to illustrate two sides of femininity. Adele is described as having “flaming and apparent [beauty]” (Chopin 8) as well as being “the embodiment of every womanly grace and charm” (Chopin 8), while Edna is described as “rather handsome than beautiful” (Chopin 4) and “not a mother-woman” (Chopin 8). Adele is a woman created in this society’s image. She takes care of herself, sews, respects her husband, and her beauty is beyond compare. Edna, on the other hand, …show more content…
Although she seems to love the children she ultimately “would not give [herself]” for her children (Chopin 40) . Adele does not understand how this is possible, furthering the juxtaposition of the two women. In the end, thoughts of her children are what leads Edna to suicide (Sparknotes), but when she visits them at their grandparents house she “[weeps] for pleasure” at the sight of them (Chopin 78). Part of her conforms to society's definition of a mother, in the sense that she loves her children very much, but she also can’t fathom not being independent from them. She even believes that the children”[seek] to drag her into the soul’s slavery” (Chopin 94). This inner conflict and confusion only pushes Edna farther from

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