...The film Miss Representation is a documentary directed by Jennifer Siebel Newsom about media and how the media portrays and influences the image of women in the United States. The film begins by describing how the media negatively influences young girls drastically (Newsom 2011). This often leads many young girls to become self-conscious about they way they look, causing many to fall into a depression. The film also states that only 17% of congress is made up of women (Newsom 2011). The United States is not a good world leader when it comes to having women in leadership positions. That is mainly due to the idea that politics and leadership are considered for men as the film by Newsom states (2011). Women tend to harsher on other women, which creates...
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...Analysis of Miss Representation Miss Representation, a documentary directed by Jennifer Siebel Newsom, addresses one of the most pressing issues in today’s society: the representation - or, as implied by the title, misrepresentation - of women by the media. In the documentary, Newsom discusses the effect the portrayal of women in the media has on every aspect of the lives of women in America - from women’s perceptions of their bodies to their ability to participate in government. She uses quantitative data, her own story and the stories of other women, famous and not, and various aspects of the visual track to successfully communicate her message that the media’s portrayal and treatment of women is harmful and must be changed in order for...
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...Biographical Films Jenna Nelson December 12, 2014 JASS 248 Professor Erik Marshall Analysis Essay-The Five Heartbeats; The Film Genre of Biopics The Five Heartbeats (1991), directed by Robert Townsend, is a movie that I know all too well. This film effectively portrays the highs and the lows of the music industry and how it affects the members of a group. In this essay, I will analyze the cinematography, mis-en-scéne and the importance of music in films such as this one. I will also expound upon the genre of biographical films and how they contribute to society. Biographical films, or “biopics” represents the life history of an actual person or group. Unlike documentary film, biopics employ actors to play the roles of these individuals: they are dramatized, fictional films. Biopics are often marketed as being “inspired by” or “based on” the lives of famous people including entertainers, royalty, scientists and even criminals. Dennis Bingham conducted a study on biographical films and discusses and history of the biography. He also looks at the various forms of the biopic, including theatrical releases, made-for-television movies and short films. Bingham argues that biopics of women are structured so differently from male biopics as to constitute their own genre. The conventions of the female biopic have proven much more intractable than the male biopic. This is due to society’s difficulty with the very issue of women in the public sphere. The difficulty kept...
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...Student’s Name Instructor’s Name English 120 September 10, 2013 Recognizing Hybrid-Genre: A study of film posters. Abstract This report focuses on the use of Hybrid-Genre technique for films. For this purpose, I have chosen three film posters as tools to show how hybrid-genre films look like. Films chosen for poster analysis are Slumdog Millionaire, Twilight and Bride and Prejudice. Each poster is thoroughly scrutinized in order to see how posters inform the viewers of what to expect in the film. It is also highlighted that a good film poster comes up to the expectations of the audience of the film by representing all the genres incorporated. Introduction Film itself being a genre of performing art has its own multiple sub-genres. Hybrid-genre, also commonly known as cross-genre, is a practice of blending two or more genres. In the film posters selected for this report, I have tried to highlight this genre-blend by critically analyzing the posters. For a single genre type film, it is comparatively easy to analyze the posters since each and every element of the poster is contributing to one genre that the film is based on. Hybrid-genre film posters, on the other hand, are trickier to analyze. Not only their audience can miss some of the information present in the posters but there are also chances of the posters failing to project what actually is the sole purpose of the posters, or some posters may be intentionally designed so as to focus one dominant genre and leave...
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...American Culture…………………24 Chapter 3: Disney Animation and (Gender) Commodification…………………………………………..55 Conclusion…………………………………………………………...73 Bibliography…………………………………………………………78 Introduction Among the various aspects which define contemporary life, popular culture – and in particular, American popular culture – is undoubtedly one of the most ubiquitous and long-lasting. Throughout the twentieth century, people around the world have enjoyed film, music, animation, and written works by various authors and artists. One of the most famous and significant American entertainers of the lot has been Walt Disney, introducing millions of children and adults to his world of limitless (or so is widely believed) imagination and magic, from the earliest short cartoons produced in the 1920s, to full-length feature animations such as Snow White and the Seven Dwarfs, to the numerous animations and live-actions films as well as Disneyland theme parks, all kept alive by the thriving Disney Company decades after the death of its founder. Disney’s legacy lives on in a variety of entertainment and consumer-oriented products, enthralling audiences the world over. Nevertheless, one type of art often precedes another, and among the most well known, classic...
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...Significance of the Study Beauty pageants take place everywhere around the world, and as the researcher observed, they never fail to draw various sectors of audiences. As Cohen (1996a) described it, beauty pageants, as diverse as they are in their cultural and historical contexts, they do something similar wherein they establish an ideal of beauty that best represents the locality. Indeed, Filipinos have been always fond of beauty pageants that it has become a significant part of their lives. No town fiesta or festival can be called as they are if there was no beauty pageant held. And beauty queens and even beauty contestants are always admired and considered as one of the beautiful icons in the country. But as the Philippine culture easily being influenced by the American society, this research hopes to emphasize the distinction of Philippine beauty pageants from American beauty pageants for it is in beauty pageants that the epitome of a Filipino is being showcased around the world. With that in the mind, this research also hopes to discover and unravel the purposes behind the staging of beauty pageants in both American and Philippine society. Background of the Study The researcher, who is not a stranger in the world of beauty contests in her school, has been asked by a judge on what she thinks is the purpose of beauty pageants in the society and whether its purpose is still prevalent. Intrigued, the researcher decided to do a research on beauty pageants. The TLC TV series...
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...FILM 3759G Dr. Christopher J Mitchell Chengdong Hu Analysis of Cultural Denotation and Humanity in Ang Lee’s Films Ang Lee’s film works, not only in the business, but in artistic level won the world audience recognition. He grew up in a traditional Chinese family and study in the United States. The differences between eastern and western culture took a sharp collision in his heart, and it revealed without hiding in his movie and finally become his own unique aesthetic features. This article try to read Lee’s creative thought and artistic style through analysis and research of Lee’s special culture background master’s creative ideas, and learn more about the human temperament of the director which is full glory of human nature. First, this article will introduce about Ang Lee’s growing environment and studying experiences, in order to analysis the formation of his Chinese and Western characteristics. Secondly, through multiple films, the article would analysis of the impact of the East-West cultural collision and merger. Furthermore, a comprehensive interpretation of Ang’s unique film elements and the traits would be expounded. Abstract Ang Lee, Taiwan filmmaker, however, doesn’t have the same characteristics with other Taiwan film makers. He is like a movie ranger, with no specific cultural identity, however, simultaneously, it could be find a certain kind of familiar cultural identity on him, especially in his...
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...Name Professor’s Name Course Date Analysis of Eugenia “Skeeter” Phelan in ‘The Help” (2011) This paper is set to take a detailed look at Skeeter in the film known as ‘The Help’. In the movie Skeeter is presented as a 22 year old white lady who has recently graduated from Ole Miss College. In addition, she is a fortunate daughter of a large scale cotton farmer at Jackson in Mississippi. Her nickname, Skeeter is given to her by her older brother due to size at birth. He thought she took after a skeeter. Upon her return from school, she realizes a degree of modifications based on the issue of racism. To be precise, she has a changed perception on the relationship between the members of the white households and afro American maids. She wonders why her society adopts a double standard notion at looking at individuals. For instance, she is surprised at the fact that the whites would not let their maids use the same lavatories as them, yet entrusting them (black maids) with the care of their children. Her attitude is heavily attributed to the absence of her favorite maid. She feels it was unfair for Constantine to leave without informing her. As a result, she suspects that something awful must have compelled her to part ways with her family. She later realizes that Constantine had been relieved off her duties upon her act of reuniting with her daughter, Lullabelle Bates. Another change worth noting in Skeeter revolves around the nexus between education...
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...related knowledge are either provided/strengthened. * Hotel Tour – where the employee gains knowledge by observing the procedures practiced in Hotel. * Employee training expenses (both onsite and offsite) will be fully borne by the Hotel. * Each employee will be subject to training according to needs arising from: * Competencies required during the annual Performance Appraisal. * Training stated in the Personal development plan during the counseling sessions. * Competencies required for Promotion. * Competencies required for Succession Planning. * Competencies required for the Departments objectives (Business requirements). TRAINING NEED ANALYSIS Today's work environment requires employees to be skilled in performing complex tasks in an efficient, cost-effective, and safe manner. Training (a performance...
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...Film Critique / The Sixth Sense For my final project, I decided to critique and analyze various features of the movie, The Sixth Sense. I will use a structural approach to examine the film’s edifice and explain how the productions of scenes and shots tell the overall story (Goodykoontz & Jacobs, 2011). I will demonstrate how the genre and the rating of the movie do not appropriately fit its criteria, and how the motion picture evaluation system failed by revealing horrific scenes to teens by assigning the PG-13 rating. In addition to that, I will illuminate inconsistent and unexplained actions with continuity glitches throughout the movie. Regardless of its mistakes, the film became a great success, because the plot of the movie allowed the audience to explore a different side of life after death and the grief that comes with it. Ultimately, the movie The Sixth Sense can be perceived as a therapy, because it gives us tools on how to deal with fear and helps us learn about the ways on how to come with terms of loss. It also explains the importance of communication between a doctor and the patient, a husband and a wife, a mother and a son, and of course, between our society and ourselves. Two unalike families contribute to the story’s plot. Two separate lives of Cole (played by Haley Joel Osment) and his mother Lynn (played by Toni Collette), and a psychologist Malcolm Crowe (Bruce Willis) with his wife Anna (played by Olivia Williams). The story begins with an ordinary psychologist...
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...refs.html >> Version of Record - Nov 18, 2013 OnlineFirst Version of Record - Aug 30, 2013 What is This? Downloaded from tou.sagepub.com at The Hong Kong Polytechnic University on January 5, 2014 498164 2013 TOU13310.1177/1468797613498164Tourist StudiesDung and Reijnders ts Article Paris offscreen: Chinese tourists in cinematic Paris Yun-An Olivia Dung Stijn Reijnders Erasmus University Rotterdam, The Netherlands Tourist Studies 13(3) 287–303 © The Author(s) 2013 Reprints and permissions: sagepub.co.uk/journalsPermissions.nav DOI: 10.1177/1468797613498164 tou.sagepub.com Leiden University, The Netherlands Abstract This article examines from a European-Asian perspective the relationship between media representations and the tourist’s imagination. We use the case of Chinese tourists in Paris to investigate how these non-European tourists imagine Europe and how these imaginations are being realized, challenged and modified during concrete tourist experiences. Drawing on semistructured interviews with tourists and field observations, this article shows how the Chinese tourist imagination of Europe is strongly influenced by popular...
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...Post-modernism in Baz Luhrmann’s film adaptation of William Shakespeare’s play Romeo and Juliet: a comparison of two creative works from two different periods. In 1996, Baz Luhrmann directed “Romeo + Juliet”, a modern twist on the famous tragedy play Romeo and Juliet by William Shakespeare in 1597, in which the main characters Romeo Montague and Juliet Capulet where portrayed by Leonardo DiCaprio and Claire Danes. While some praise the strange interpretation of the old tale, there are also those who condemn the rendition as destructive and disrespectful to the great work of Shakespeare. There will always be two sides to every story and this study will take that into consideration as well as comparing the two different yet similar works to see how post modernism has played a role in Luhrmann’s version of Romeo and Juliet. Postmodernism has been given many definitions. Some say it’s simply the outlook that the generation of late twenty first century has on life which entails the mistrust and dismissal of theories that existed before such as religion, ethics and law. According to these youths, the difference between right and wrong or what the meaning of life is based solely on that individual’s perspective. In film, the idea of postmodernism is somewhat similar as it’s an artist medium in which to undermine social norms and present one’s individual belief. The difference lies in that postmodernism in film concerns bringing in many aspects of popular culture to produce something...
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...heard enough about the film to be unsure whether it would be worth the time, effort and petroleum to see it. People’s comments about the film ranged from praise for its groundbreaking 3D animation; to criticism of its racist portrayal of the indigenous; to disappointment with the overly predictable storytelling; to appreciation for its critique of colonization and civilization. I even heard complaints from fellow peace church Mennonites about its overwhelming use of redemptive violence. After seeing the film through my Christian anti-civilization (anti-civ) anarchist vegan antiracist woman of color lenses, my sense is that Avatar is more complex than many of its detractors or advocates acknowledge. Set on the planet Pandora, Avatar is a sci-fi story of a mercenary-backed corporation’s attempt to confiscate and mine the land inhabited by humanoid aliens known as the Na’vi. Enter Jake Sully, the paraplegic U.S. marine protagonist who joins the science and anthropology wing of the operation as a substitute navigator for his deceased twin brother’s avatar. Early in the film, we discover that the avatar is an expensive high-tech clone that allows its user to temporarily experience and subsequently infiltrate the Na’vi community. After a series of unexpected events during his first avatar excursion, Jake finds himself living amongst the Na’vi clan known as the Omaticaya where he becomes an apprentice to the female tribe member Neytiri. From that point, the film revolves around the internal...
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...TITLE PAGE TRENDS OF NEGATIVE THEMES IN NIGERIAN HOME MOVIES (A STUDY OF FOUR HOME MOVIES) BY OGBONNIA CHINAZA. C MC/2006/118 A PROJECT PRESENTED TO THE DEPARTMENT OF MASS COMMUNICATION, CARITAS UNIVERSITY, AMORJI-NIKE, ENUGU. IN PARTIAL FULFILLMENT OF THE REQUIREMENT FOR THE AWARD OF BACHELOR OF SCIENCE DEGREE IN MASS COMMUNICATION JULY, 201 DEDICATION I dedicate this work to God Almighty for his unfettered love. He is the only guide to my life and studies and he dispenses his grace freely. Also to my parents Mr. and Mrs. Joseph Ogbodo Ogbonnia and my brothers Arinze, Nnamaka, Chukwunonyerum, I remain grateful for their moral and financial support. ACKNOWLEDGEMENT I wish to acknowledge and appreciate all who fired the flame in one way or the other. First, I thank God, the almighty father who has given me life, knowledge, wisdom and strength to accomplish my work. My special gratitude goes to my head of Department, Damian. U. Agboeze who despite his crowded daily programme as the HOD would readily attend to his students and his fatherly advice. My immense gratitude also goes to my supervisor Justina Obi who devoted her time to supervise, correct and criticize this research work to make it a reality. I can never forget the service of my lecturer, Ferdinand Obasi, who made things...
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...spectators differently. The divergent (emotional) reactions towards both films are the effect of different rhetorical strategies: the first can be seen a typical example of baroque discourse and the latter as a specimen of mannerist discourse. The reference to the terms melodrama, mannerism and baroque does not imply that these films are just formal repetitions of historical periods or that they thematically and structurally refer to historical styles, but that they are characterized by opposing discursive strategies which came to the foreground in a specific historical time and constellation. Because these discursive strategies return in other historical periods and socialpolitical circumstances in different guises and with different aims, they can be compared to what Aby Warburg calls Pathosformeln (pathos formula). The expressive forms, gestures and discursive modes of melodrama, baroque and mannerism can thus be understood as transhistorical (gestural) languages of pathos that recur in history. Résumé Bien que All that heaven allows (1954) par Douglas Sirk et Far from heaven (2002) par Todd Haynes se caractérisent nettement comme un mélodrame, les deux films adressent leur public de manière fondamentalement différente. La divergence au niveau des réactions (émotionnelles) envers ces deux films, résultent d’une différence au niveau des stratégies rhétoriques auxquelles ils font appel : alors que le film de Sirk semble être un exemple type du discours baroque, l’autre...
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