...History project Topic: Popular Cultural in HongKong(Film) Un Cheuk Lam 4C35 The Cinema of Hong Kong has consider as the pioneer of Chinese language movie. Hong Kong was the third largest motion picture industry in the world (after Hollywood and India cinema) and the second largest exporter. Hong Kong film has retained much of its distinctive identity and continues to play a prominent part on the world cinema stage. In the West, Hong Kong's vigorous pop cinema (especially Hong Kong action cinema) has long had a strong cult following, which is now arguably a part of the cultural mainstream, widely available and imitated. Especially between the 1970's - 1990's, most of movie fans will be familiar with names like Bruce Lee, Jackie Chan from Hong Kong cinema. The reason why these movie star become so popular because they produce a lot of martial art film during that time. And then these martial art film brought to the western audiences. In fact, A lot of english speaking country or european start to aware of Asian movie in that time. Back to Hong Kong cinema, The cinema of Hong Kong is one of the major movie industry in the Chinese language speaking cinema. Before 1997, Hong Kong was a colony of Britain and therefore Hong Kong had a greater freedom on economic and political than mainland China. Even in film industry, The censorship system in Mainland China have a very strict rule. " Hong Kong filmmakers either steered away from criticzing China or did so in oblique ways "...
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...Film and Cinema Checkpoint Art 101 Kristal Gardner 6, October 2010 The distinction of film and popular cinema can be found in the reasons that each was “created.” Both can be used for documenting what one sees and feels however there is a difference in the way that people chose to use the different aspects. Film has been widely used as a documentation of events; wars, economic crisis, natural disasters, etc. Film has also been used over dramatize cinematic movies, such as Alfred Hitchcock’s Psycho. This was done by Douglas Gordon in his 1993, 24 Hour Psycho where he drew out the original scenes to span only two frames per second, thus causing the movie to span an entire 24 hours. The Battleship Potemkin was a montage, a sequencing of disparate images used to create a multi faceted image, which was created to shock the audience by sequencing many different shots per frame. There were many new technologies developed in film to help intrigue the audience, the flashback (which is used in many movies with regularity), cross-cutting, where the director moves back and forth between two events in the film, and continues to do so in shorter and shorter sequences until the back and forth becomes furiously paced. Film may be considered by many to be more artistic than popular cinema. Popular cinema is used for entertainment purposes. Popular cinema movies will have a story to unfold before them so that they may be caught up in what is happening to the characters...
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...Cinema is a changed of expression and communication. It was invented by Edison, an American scientists. The cinema plays on important role in the social, moral, political and economic life. D.G. Phalke produced the first Indian silent film, Raja Harishchandra in 1913. The era of talkie films started in 1931 with the producing of Alam Ara. India is the largest producer of feature films in the world. The films are certified by the Central Board of Film Certification. Cinema is a source of entertainment, knowledge and employment. However, the sex and violence portrayed contaminate the minds of the people. The objective of films should be to educate, modify and to bring unity and harmony among the people. Cinema is a film i.e... a story etc. recorded as set of moving pictures to be shown on screen of a theatre house and television. It is a channel of expression and communication. The cinemas one of the most important inventions of modern science. It was invented by Dison, An American scientist. It is a medium of instruction as well as recreation. The cinema plays an important role in the social, political, educational and moral life. The history of Indian cinema began with the production of Pundalik by R.G. Torney and N.G. Chitre in 1912. This was followed by the production of Raja Harishchandra by Dhundiraj Govind Phalke in 1913. The latter is the first Indian silent film. D.G. Phalke is considered the father of Indian cinema. Women at that time were not allowed to perform in...
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...HS-404 Homosexuality in Popular Hindi Cinema Abstract:India is a country with vibrant popular culture. Nowhere is the collective consciousness of the nation probably better essayed than in the cinema, which is viewed with passionate enthusiasm. Taking Popular Hindi Cinema as a mainstay of Indian culture, this article tries to create a link between the depiction of homosexuality in Popular Hindi Cinema and the society. Different viewpoints are looked from and observed in Indian popular culture, such as the non – acceptance of homosexuality by some quarters, the crude stereotyping and the slowly emerging new wave of thought that treats the subject with a compassionate eye, and gives it a humane treatment. Submitted by : Vivek Maheshwary 0800206 INTRODUCTION : Many Bollywood movies have explored various social issues such as child marriage, polygamy, dowry system, casteism and terrorism. However, homosexuality, a taboo subject in Indian society and religion, has yet not been fully explored in Bollywood. “Homosexuality refers to sexual behaviour with or attraction to people of the same sex or to a homosexual orientation.” Gay refers to male homosexuality whereas lesbian refers to female homosexuality. Jab pyaar kiya to darna kya, Jab pyaar kiya to darna kya, Pyaar kiya koi chori nahi ki, Chhup chhup aahein bharna kya.. The above song is from the movie Mughal-E-Azam can be translated as ‘What is there to be afraid of if you have loved? You have only loved someone and not...
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...Khabie Gham (KKKG), a Bollywood blockbuster marketed to the masses as “all about the family”. Released in 2001, following the path of director Karan Johar’s first movie, KKKG tells a multi-faceted story that is depicted over a long time period. The film centers around a family-driven drama where we track the storyline across 3 different generations. Amitabh Bachchan plays a wealthy businessman and the patriarch of the Raichand family with 2 sons – the elder Rahul, who is revealed early on to be adopted, and the younger Rohan. The crux of the film’s drama is drawn from the eldest son’s marriage to a woman from a lower socio-economic background, against the wishes of his father. Following the marriage, the father disowns Rahul and he leaves with his bride to London. The latter half of the movie is centered on Rohan’s storyline with his love interest, Pooja, and his attempts to bring Rahul and his family back into the family home in India. On the surface it seems we have entered yet another Bollywood film on family drama but KKKG goes beyond that. From the first few lines we can already witness the beginnings of a gender discourse – why is one gender like this and the other so different? In this review, I will elaborate on how the film establishes itself away from its predecessors and peers by creating diversified gendered identities for its female characters – specifically on the issue of gender roles in families and gender roles in the Diaspora. Gender Roles in Families The...
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...Beginning and Evolution of film industry in sub-continent Introduction:- Film is a term that encompasses motion pictures as individual projects, as well as the field in general. The origin of the name comes from the fact that photographic film has historically been the primary medium for recording and displaying motion pictures. Many other terms exist for an individual motion picture, including picture, picture show, and most commonly, movie. Additional terms for the field in general include the big screen, the silver screen, the cinema and the movies. Films are produced by recording actual people and objects with cameras, or by creating them using animation techniques and/or special effects. They comprise a series of individual frames, but when these images are shown rapidly in succession, the illusion of motion is given to the viewer. Flickering between frames is not seen due to an effect known as persistence of vision, whereby the eye retains a visual image for a fraction of a second after the source has been removed. Film-A true art-form:- Film is considered by many to be an important art form; films entertain, educate, enlighten and inspire audiences. The visual elements of cinema need no translation, giving the motion picture a universal power of communication. Any film can become a worldwide attraction, especially with the addition of dubbing or subtitles that translate the dialogue. Films are also artifacts created by specific cultures, which reflect...
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...Q. What is the role of films in the nation building in India? Has it been successfully portraying social development? A: Models of communication are conceptual models used to explain the human communication process. In today’s world where new media is very prevalent, films, music and television shows also act in influencing the masses. Cinema has truly played a major role in changing our society. Patriotic movies make us remember to love our nation. Good comedic movies have treated many patients through laugh therapy. Adventure movies have given us a sense of adventure to explore new possibilities. There are many more! In our society there are many practices and traditions which are based on ignorance and which have withheld the progress of our society. Rigidity of caste system, untouchability, dowry system and purdah system have done enormous harm to our society. Cinema films can do a lot to eradicate these evils. They can be used for promoting national integration, Prohibition, inter-caste marriages, family planning, eradication of illiteracy, etc. Such themes can help the transformation of our society. The cinema to guide them along the right path. It can help in removing ignorance from our society. Not only this, several much needed social reforms can be introduced and brought about with the help of the cinema. The cinema exercises a great influence on the mind of the people. It has a great educative value. It can achieve splendid results in the field of expansion of education...
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...Bangladeshi Films: Mainstream Films vs. Alternative Cinemas Submitted to: Ariful Islam Lecturer, Department of English East West University Submitted By: MD. Zaidul Haque ID: 2013-1-10-149 Department of BBA East West University Date of Submission: June 20, 2013 Bangladeshi Films: Bangladesh is varies cultural country. The establishment of film theatres began here in the 1910s, but the production of theatrical features started as late as the 1950s. On April 24, 1898, the Bengali weekly Dhaka Prakash reported that films were shown in Dhaka by the Bradford Bioscope Company, at the Crown Theatre, in Patuatuli, near Sadarghat. The show included news items and other short features. The first permanent cinema in Dhaka, named Picture House, began operation during 1913–1914. This cinema was renamed to New Picture House and then again to Shabistan. By 1947 there were around 80 cinemas in what is now Bangladesh. After the partition of India in 1947, the first film made in East Pakistan was a newsreel about the visit of Mohammad Ali Jinnah, produced in 1948 by the radio broadcaster Nazir Ahmed. The first full-length feature film with sound made in East Pakistan was Mukh O Mukhosh, which was produced by Abdul Jabbar Khan and released on August 3, 1956. Editing, printing and all other film processing for this movie was done in Lahore, Pakistan There was no film industry...
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...The Italian American Cinema ! ! The crucial and influential part of the American Cinema represents the Italian American Cinema. The Italian American Cinema can be defined as films made by Italian Americans about relationships between Italians and Americans in the United States (Moliterno 2002:433). The Italian cinema has been appreciated and adored in the United Stated from its beginnings. Especially valued were its artistic and cultural quality, as well as the ability to transmit the values of the European history into films (Brunetta 2009:9). The reciprocal influences between Italian and American cinema date back to 1912 and have a Polish accent: in that year George Kleine, a film distributor from Chicago, purchased distribution rights to the film Quo vadis? based on the novel written by Henryk Sienkiewicz. After 1912 numerous Italian films flooded America: frequently used motives were Napoleonic campaigns and Homeric battles. Popular titles of movies from that period include Cajus Julius Caesar, Gli ultimi giorni di Pompei (The Last Days of Pompei), Spartacus among many others. Historicalmythological films became inspirational for such directors as David Llewelyn Wark „D.W.” Griffith and Cecil B. DeMille. After World War I popularity in the United States of America gained stars of the early Italian cinema: Francesca Bertini, Lyda Borelli and Pina Menichelli (Brunetta 2009:10). Another crucial moment in the relationship of American and Italian film industry was the emergence...
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...10 | Abstract: Basically, before the 20th century, the study of the politics was shaped by history, ethics, philosophy, and law, but from the late 19th century onwards, scientific approach to study politics gradually emerged. Comparative politics, in my view, do not study and analyze big issues of politics only. It also provides us the stage to study and analyze the political, social and economic situation of a particular society or state from the lens of art, literature, cinema, dramas, etc. Not only that, art and literature are the mirror of the society, so to understand particular society and political system, studying and analyzing art, literature is important. Being a student of comparative politics, here I have a good opportunity to study and compare three distinct images of a particular society. In this term paper, I am going to study three distinct pillars of Indian art and literature, which represent three different images and ideas. Satyajit Ray, MF Husain, and Arundhati Roy are an Indian film director, painter, and writer respectively which represents the postcolonial Indian society. Introduction: India is the country with the world's ancient civilization; however the modern political history of India was shaped only after the India's independence from the British Raj. On one hand, India is the home of the world's second largest population and on the other hand, based on the number of an electorate, India is also...
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...Indian Cinema The field of Entertainment has evolved significantly over the years. Earlier pictures didn’t have sounds they just had movements from Actors. These movies were called silent motion pictures. With the invention in technology the movies started talking and were called ‘Talkies’. Soon these movies became popular and were a major source of entertainment. There was a section of people who were apprehensive about the possibility that movies will overshadow the theatre or the art of stage acting. But all these fears proved to be untrue as theatre is still very popular amongst certain section of society. Theatre creates a direct emotional bonding with the audience. Over the decades movies have become a very popular source of entertainment. The medium of Movies has been used as a medium to depict stories and culture of the society. It has been responsible in shaping up the society and getting public co-operation for nation building. The Indian Film industry recently completed its 100 years of existence making it one of the oldest and largest movie industries in the world. The first Indian movie was Raja Harishchandra and it was released in 1913, directed by Dadasaheb Phalke. In that era it was considered derogatory for females to work in movies. In 1930’s a new era was started with the introduction of “studio system”. It’s most successful early film “Devdas” (1935) was the product of the studio system with P.C. Barua as the main lead. Prabhat Film Company, founded by...
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...seen it all. Bollywood, the Hindi-language industry in Mumbai is considered by many to be the heart of the Indian film industry. Although the format of Bollywood films has changed over the years, a typical film is melodramatic; long (three to four hours); filled with song and dance numbers, elaborate sets, and brightly colored costumes; and based on traditional values such as family and religion. India is the largest producer of films in the world and very old film industry in the world which originated around about 103 years ago. In 2009 India produced a total of 2,961 films on celluloid that includes a staggering figure of 1,288 feature films. Indian film industry is multi-lingual and the largest in the world in terms of ticket sales and number of films produced. However, due to high taxes and low prices, It ranks 5th largest in terms of revenue. The industry is supported mainly by a vast film-going Indian public, and Indian films have been gaining increasing popularity in the rest of the world—notably in countries with large numbers of expatriate Indians. For Indian film makers, reaching out to audiences outside of India seemed to be a lucrative route to take. Going global could translate into greater sales, higher profit margins and added visibility. However, globalization did not come without its problems. Many wondered how much of the content of Indian films would need to be changed if they were to...
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...INTRODUCTION TO FILM HISTORY FLM 100: INTRODUCTION TO FILM HISTORY Author Note This paper was prepared for FLM 100: INTRODUCTION TO FILM HISTORY, MODULE 1, taught by MARC THOMSON. Directions: Using word processing software to save and submit your work, please answer the following short answer questions. All responses to questions should be one to two paragraphs, composed of five to seven sentences, in length. Your responses should include examples from the reading assignments. 1. Explain the role of the Kinetoscope during the period of cinema's invention. How did the Kinetoscope modify the capabilities of earlier camera and projection systems? The Kinetoscope was designed to show moving photographs by Edison and his assistant Dickson, who did much of the work. Dickson used Eastman film that he sliced 1 inch wide. He spliced them from end to end, with four holes on either side of the frames in order for toothed gears to pull the film through. The Kinetoscope was activated by viewers putting a coin in the slot. The viewers viewed the short film through a peep hole. 2. What steps did France's Lumière brothers take to make cinema a commercially viable enterprise? What kinds of Lumière movies were the most popular? How did the Lumières' activities influence the development of world cinema? The Lumiere brothers invented a projection system which helped make cinema a commercially viable enterprise. The most popular Lumiere...
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...turned to violent conflict in developing Third World nations. Responding to all of this, cinema became politicized on a scale not seen since World War II. The Third World was at the forefront of revolutionary cinema as filmmakers in those countries treated cinema as a tool of social change and a weapon of political liberation. This use of film as a social and political force emerged first in Latin America and spread to Africa and China, while also emerging in the First World countries including the U.S.S.R. and United States. The counterculture and the New Left were examples of an international politics of youth that focused on opposition to American involvement in Vietnam, critique of post-World War II capitalist society, and social-protest movements focused on equality of diverse groups. Eventually, radical leftism declined in the mid-1970s, but engaged filmmaking remained central to the micropolitics of the era. A June 1979 alternative-cinema conference in New York assembled over 400 political activists working in film and video in the United States. In some countries, government liberalization led to funding for militant film. The new Labour government in Britain assisted Liberation Film and Cinema Action, while the regional Maisons de la Culture allotted money for local media groups in France. Some parallel distribution and exhibition circuits proved successful in promoting films about nuclear power, day care, ethnic rights, and similar issues. In the United States...
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...The American Film Industry - A Model of Oligopoly Kim R. Williamsbernard Virginia College, Online The American Film Industry - A Model of Oligopoly Introduction The American Film Industry or Hollywood refers to the successful oligopoly economy of the major Hollywood studios in the 1920s to the 1940s. The term implies that it studios, so the production of films constituted the decisive factor in the economic system. But the concept of system refers here to large companies, production, film distribution / sales and film screening at this time controlled. Vertical Integration The actual switching was indeed for most firms in New York City, but the company has production facilities in Hollywood grew up to be enormous. Mergers and acquisitions, was formed in 1920 out gradually a powerful oligopoly. The competition in the film industry in Europe has been weakened by the First World War and so many American studios took advantage of the opportunity, the demand for new films to cover most of themselves. The weakness of Edison's monopoly (MPPC) was the insufficient integration of the functional areas of the value chain. This is precisely what the new rendered large companies. Their economic power stemmed from the fact that they took over the production of films, the distribution and the distribution of films and the Exhibition or the operating theater itself, so the functional areas vertically integrated (Balio, 1985). The Oligopoly The oligopoly...
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