...ethnic chiefs controlled tribes and extracted resources that were only within their territories. More land was unoccupied thus attracting other foreign immigrants who, moved in search of better resources and experiences. It is in the spirit of discovery and colonization, this article puts into perspective the development of a new state of Virginia in America. Precisely at Jamestown, as it is told through a film called “The New World”, directed by Terrence Mallick, and a story book called “The General History of Virginia, New England, and The Summer Isles”, by Smith (pg.57-69). This article analyses the two sources, the film and the book as their stories are related by both explaining the discovery and development of Jamestown and Virginia. This region has been captured in these two sources as a new territory that was conquered by the actor, John Smith as a captain of a ship and navy that sailed to Virginia in the 17th century (pg.57-69). The book “The General History of Virginia, New-England, and the Summer Isles”, by Mr. John Smith. John Smith himself writes this book, where he reveals all the developments of the story in the third-person language. The book...
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...throughout the industry, achieving the kind of fame and universal recognition typically reserved for more commercially successful talents. A tireless supporter of film preservation, "Scorsese has worked to bridge the gap between cinema's history and future like no other director." (Rottentomatoes.com) Channeling the lessons of his inspirations primarily classic Hollywood, the French New Wave, and the New York underground movement of the early nineteen sixties into an extraordinarily personal and singular vision, he has remained perennially positioned at the vanguard of the medium, always pushing the envelope of the film experience with an intensity and courage unmatched by any of his contemporaries. The films of his I am most interested in are: Hugo, The Departed, Raging Bull and Goodfellas. Besides the charming tale of Hugo, all of these films have something in common, extreme violence. Scorsese seems to have worked largely in the medium of violence for most of his career. However, unlike a blockbuster director such as Michael Bay, he doesn't use violence to draw crowds in with explosions. Scorsese uses violence to portray cultural feelings and to show the hardships of many of the characters in his movies. He uses themes such as Roman Catholic guilt, machismo and gang violence. I believe what drives Scorsese and his films is the want to show how violence exists. He wants to show the emotions and complicated scenarios...
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...dogs): the #1 The Rules of the Game September-October 2006 FILM COMMENT 33 Sunrise PREFACE THE BOOK I DIDN’T WRITE I n march 2003 i was having dinner in london with Faber and Faber’s editor of film books, Walter Donohue, and several others when the conversation turned to the current state of film criticism and lack of knowledge of film history in general. I remarked on a former assistant who, when told to look up Montgomery Clift, returned some minutes later asking, “Where is that?” I replied that I thought it was in the Hollywood Hills, and he returned to his search engine. Yes, we agreed, there are too many films, too much history, for today’s student to master. “Someone should write a film version of Harold Bloom’s The Western Canon,” a writer from The Independent suggested, and “the person who should write it,” he said, looking at me, “is you.” I looked to Walter, who replied, “If you write it, I’ll publish it.” And the die was cast. Faber offered a contract, and I set to work. Following the Bloom model I decided it should be an elitist canon, not populist, raising the bar so high that only a handful of films would pass over. I proceeded to compile a list of essential films, attempting, as best I could, to separate personal favorites from those movies that artistically defined film history. Compiling was the easy part—then came the first dilemma: why was I selecting these films? What were my criteria? What is a canon? It is, by definition, based...
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...later uses, a photocopy or reproduction for purposes in excess of "fair use," that user may be liable for copyright infringement. xxiII ACKNOWLEDGMENTS write has to pass beneath the critical· eye and flashing red pen of my long-time partner in life and work, Sylvie Hampe. \Vhen-. ever she announces, "This doesn't make sense," I've leamednot to argue, but to rewrite. Over the years she and I have learned how to give and receive criticism and' still remain best friends. Thanks, love. PA R T I MAKING ANALOGS OF REALITY I used to think that the documentary films I was making were real. But as I looked at what I was doing, I saw I was making analogs-I was making models of the situation I was filming. -Bob Young, documentary filmmaker, 118th SMPTE Technical Conference 4 . MAKING DOCUMENTARY FILMS AND REALITY VIDEOS IT TAKES MORE Making a successful documentary film or video requires much more, It starts the camera. You have to have good footage-visual evidence that sets forth the statement of the documentary in vi- sual terms. Tornado footage is good, but it is not sufficient .. In their VolcanoScapes documentaries about· the destruction of the lovely Hawaii coastal town of Kalapana by Kilauea Volcano, Artemis and Mick Kalber had incredible footage of homes destroyed by a slow-moving river of lava. But they...
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...The Walt Disney Company Since its founding in 1923, The Walt Disney Company and its affiliated companies have remained faithful to their commitment to produce unparalleled entertainment experiences based on the rich legacy of quality creative content and exceptional storytelling. The Walt Disney Company, together with its subsidiaries and affiliates, is a leading diversified international family entertainment and media enterprise with four business segments: media networks, parks and resorts, studio entertainment and consumer products. Parks & Resorts Disney's Parks and Resorts is not just home to Disney's beloved characters but the place "Where Dreams Come True." The segment traces its roots to 1952, when Walt Disney formed what is today known as Walt Disney Imagineering to build Disneyland Park in Anaheim, California. Since then, Parks and Resorts has grown to encompass the world-class Disney Cruise Line, eight Disney Vacation Club resorts (with more than 100,000 members), Adventures by Disney (immersive Disney-guided travel around the world), and five resort locations (encompassing 11 theme parks, including some owned or co-owned by independent entities) on three continents: Disneyland Resort, Anaheim, California Walt Disney World Resort, Lake Buena Vista, Florida Tokyo Disney Resort, Urayasu, Chiba Disneyland Resort Paris, Marne La Valle, France Hong Kong Disneyland, Penny's Bay, Lantau Island Wherever the Guest experience takes place in our parks, on the high...
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...xxii + 457 pp. (Paperback) ISBN-13: 978 978087. This book holds within its covers a collection of intensely engaging essays of an interdisciplinary character, on developments in the Nigerian film industry today. It is a significant and valuable contribution to the growing body of literature devoted to the discourse on Nollywood for several reasons. One of these is that for the very first time we have an assemblage of articles offering varied critical approaches to the reading of a single film text, which makes it not only refreshing but also unique. Using Kunle Afolayan’s The Figurine, it engages the concept of neo-Nollywood...
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...INTERPRETATIONS OF THE CIVIL WAR IN EARLY FILM One Film To Rule Them All In 1915, the blockbuster film, The Birth of a Nation swept the nation. In a pivotal scene, the attractive daughter of a former slave owner, whose cotton business had been ruined by the war, is stalked by a menacing looking black soldier, named Gus. He is shown with his shirt wide open and bare-chested. Flora, the stereotypical southern belle, notices the voyeur and is visibly shaken. Flora tries to hide from Gus, but Gus corners her and tells her that he wants her and that he is not married. Since the end of the Civil War, Flora has noticed several black soldiers in the area in the past few months harassing her family and other upstanding families. Gus forces Flora closer and tries to kiss her. In a panic, Flora slaps him and pushes him away. Flora flees into the woods. The ensuing pursuit shows Gus as a sex-crazed maniacal troll chasing down the seemingly innocent virginal fairy. Gus follows her absorbedly intent on raping her. Flora winds up on a cliff overlooking a series of jagged rocks. She stares at Gus and motions for him to leave her alone. In a silent ultimatum, she gesticulates that if he doesn’t leave then she’ll leap from the cliff to the rocks below. Gus is exposed as a beast, sweating and pulsating lustful desires. He moves closer to Flora to stop her from leaping. Unwilling to give herself to a black man and death being the only alternative, Flora jumps from the...
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...The Mission- A Review History of Christian Missions CHHI657 B01 201220 The Mission a film directed by Roland Joffe, recounts the tales of the Guarani Indians of Paraguay. In the paragraphs that follow we will look through the lens of the film and reflect on missions in the context of the colonial expansion that was taking place. Secondly the mission strategy of the Jesuits will be un-wrapped. Lastly it will be noted the attention to culture and the challenges of the work which goes hand in hand with the over all strategy. The film brings this time in history to life and paints a beautiful picture in the mind of the viewer of what took place. The whole encounter with the Guarani Indians was set in motion long before anyone outside of Paraguay knew they existed. The Spanish and Portuguese sought new lands in Central and South America. As they quested after these lands three things took place conquest, settlement, and evangelization[1]. The peoples of these lands were then subjects under the dominion of Christian Kings to whom the Pope had given sovereignty. Columbus took his first voyage in 1492, and by1515 the occupation of the West Indies was complete. With every expedition or quest and conquest came friars and priests. A good portion of the work was done by the Franciscans and the Dominicans, and later the Jesuits. The most notable for the Jesuits was Paraguay. In the beginning the work of the Jesuits suffered a lot from the hostility of the colonists. The colonists...
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...City University of New York, NY Ph.D. in military history; minor in American history (2001) Dissertation: "A Winter Campaign: General Philip H. Sheridan's Operations on the Southern Plains, 1868-69" Advisor: Dr. David Syrett Drew University, Madison, NJ B.A. in History, English minor (1980) College of St. Elizabeth, Madison, NJ Education 251: Psychology of Learning -- Adolescent; Education 252: Human Intercultural Problems in Education (1977-1978) TEACHING EXPERIENCE Hunter College, New York, NY U.S. History to 1877; U.S. History from 1865; The Civil War (2001 to date) Fashion Institute of Technology, New York, NY U.S. History from 1865 (2004-2005) John Jay College of Criminal Justice, New York, NY World Civilization I: prehistory - A.D. 1500; World Civilization: from A.D. 1500 (1998-2004) Saint Peter's College, Jersey City, NJ The Civil War; World Perspectives in History II (2003-2004, 2006) New Jersey City University, Jersey City, NJ Civilizations I (2003) Baruch College, New York, NY Senior Coordinator, Peer Tutoring Program, History Department (1996-1997) Themes in American History: The Frontier (2000) Touro College, New York, NY (Men's and Women's Divisions) U.S. History from 1865 (2001) Modern History I: Renaissance to 1815; Modern History II: 1815 to present (1994-1995) New York City Technical College, Brooklyn, NY U.S. History to 1877; U.S. History from 1865; State and Local Government (1995-1996) PROFESSIONAL AFFILIATIONS Board of Directors, New York Military Affairs...
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...Rana Yiğitbaşı Mr. Christensen L3C – IB Film 27 October 2010 The Legend Hababam Sınıfı Name a movie that is watched and known and adored by the all of the citizens in its country. Name a movie that has music so good that makes your heart beat faster. Name a movie whose audience reactions are the same even after being watched for thirty years. There can only be one answer: “Hababam Sınıfı”. It was firstly an idea, then a collection of short stories, then a book, then a script, then a play and then a series of movie. It never lost its freshness nor its humor after all these years. But why Hababam Sınıfı, and not other books or movies? Why did it become a well-known movie which has never been forgotten? Was it the actors whom the audiences loved to watch or the idea of it? Or was it just the events that took place in the story? For this project I searched about the book of poetry Sınıf, the author Rıfat Ilgaz’s life, how the book Hababam Sınıfı was created, why it was made into plays and movies, and why it has continued to be popular among Turkish audiences. Are you ready to learn a great deal about this legendary book and the movie? Because you are going to find out that you didn’t know even the half of it. As a teacher, Rıfat Ilgaz gives voice to his love for children, and his belief in humanity in his two books about school; Sınıf and Hababam Sınıfı. However, before telling how the book Hababam Sınıfı was created, I would like to explain why and how...
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...were able to witness a deeper and more expound explanation of the history related to Jesus. It was a video executed by BBC entitled “The Last Gospel”. It was a really long video but it had really interesting insights into it. It was explained in the documentary that there is more to the theological aspect of life in the history other than what we know and what had been taught to us. Ever since I was a child, teachers and parents would tell and advise us to read the bible as it would strengthen our faith in the Lord, but unfortunately, no matter how we read the bible, we never knew of the true meaning embedded in the essence of the texts that we are ignorantly scanning through. I had the same impression and understanding of the bible until I took the Tredtri class. I believe that through this Tredri class is where I was able to develop my maturity and proper mindset on how to treat the bible. I guess there’s just so much to learn about the bible than what is outside the premises of the usual definition of it. The film was able to trigger the viewer’s curiosity, so much, that it grabbed fully the attention of everybody. It talked about the gospels of Thomas, Philippe, Peter and Mary Magdalene. This video talks about the nature of life itself. There were also insights that it was not peter that was supposed to be the first pope but rather should be Mary Magdalene. There were actually countless of books that were not considered or were not able to be included in the bible...
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...characters in the film, which increases the range of action, the dialogue (how do you spread 10 pages into 2 hours of film anyway?), and the complexity of the plot—but it costs the movie its focus (McCann).” The adding of characters by filmmakers detracts a good portion of what actually happened in the book of Esther, which raises a level of concern for the Christian audience. Next, throughout the time period and story of the book of Esther, the Persian Empire and culture was a dominant force that could not be ignored. Herodotus, a famous ancient Greek historian, was born in Persian territory as a Greek. He created a history of the war between the Greeks and the Persian Empire, as he was influenced after living under Persian rule as a Greek. Herodotus stated in his writing, Histories, the facts about...
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...From Literature to Film Film adaptation is transferring the written work, such as novel, short story comic books and etc., into a film as a whole. The most common form being used to make a film adaptation is the novel. According to George, “between 1994 and 2013, 58% of the top grossing films in the world were adaptations. (Bluestone, George)” According to Linda Cahir, there are three types of adaptations. The first one is “literal”, “which reproduces the plot and all its attending details as closely as possible to the letter of the book. (Linda, Cahir, p16) The second one is traditional, which maintains the overall traits of the book (its plots, settings, and stylistic convention) but revamps particular details in those particular ways that the filmmakers see as necessary and fitting. The third one is radical, which reshapes the book in extreme and revolutionary ways both as a means of interpreting the literature and of making the film a more fully independent work. (Linda Cahir, p17) Traditional adaptation and radical adaptation are considered to be the top two types of film adaptations to discuss since traditional adaptation and radical adaptation are mostly seen in films. In order to examine the effectiveness of both traditional adaptation and radical adaptation in films, Pride and Prejudice (both novel and film), Heart of Darkness (novella) and the film adaptation of this novella Apocalypse Now are going to be discussed here. According to Linda Cahir, “Traditional adaptation...
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...a number of fascinating similarities and differences emerge. Though elements of the characters and settings of Burton’s film borrow heavily from Irving’s text, the overall structuring of the film is significantly different, and representations of various elements are crucially re-imagined. Tim Burton’s “Sleepy Hollow” was released on November 19, 1999, a few months before the new millennium. Set in 1799, Burton’s film modifies the 1790 date that Irving’s text is set in, showing an acute concern with living out anxieties surrounding millennial change in the ‘safe’ formats of film and of established folk legend. Irving’s tale, written in 1820, also works with antiquity, but in a different manner: it lives out colonial cultural anxieties of Irving’s present, as he seems to be concerned with constructing archetypes of folk and with placing folk culture in the new American literary landscape. Examining the two versions of the tale, then, provides a fascinating peek into the transformation of concerns and values in America from Irving’s nineteenth century landscape to Burton’s twentieth (on the verge of twenty-first) century. Burton makes several significant moves that modify the basics of Irving’s tale, frequently at the cost of the folk elements of Irving’s version. The frame narrative of Irving’s story—the tale, part of a series titled “The Sketch Book,” begins with the preface “Found among the papers of the Late Diedrich Knickerbocker—is completely done away with (Irving...
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...filmmaker Georges Méliès made Le voyage dans la lune (A Trip To The Moon) in 1902 it was considered to be the first science fiction film ever created. The next tremendously influential and landmark film came from Fritz Lang’s Metropolis in 1927, an impressive and visually stunning motion picture full of German Expressionism. Born from the pages of novels and pulp magazines, intrepid filmmakers and screenwriters of the 1930s and 1940s would venture into the...
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