...Name ENG 106 Professor 13 June 2011 The Linkage between “Teddy” and “A Perfect Day for Bananafish” J.D. Salinger’s stories “Teddy” and “A Perfect Day for Bananafish” share similarities between the main characters, the tragic fate of the main characters, and the author’s continued theme of the shallowness that existed in American culture in the 1950’s. In another of Salinger’s stories “Seymour: an Introduction,” it is mentioned that Seymour’s brother Buddy wrote “Teddy,” and described Teddy as having Seymour’s eyes (Kaufman 132). Buddy also says the people tell him his stories are all about Seymour, which further suggests a link between the two characters (Kaufman 132). Seymour and Teddy are both outcasts that share their lives with people that they are emotionally disconnected from. They are unable to assimilate into the world around them and therefore their stories come to a similar conclusion. Seymour and Teddy share many similarities that lead the reader to assume Salinger was attempting to provide a linkage between the stories. Seymour appears to be mild mannered though it is obvious he is disturbed mentally. He lives in isolation from his wife and from others in his social circle. Even doctors that are treating him cannot understand or help him recover. His wife dismisses Seymour’s mental stability in her conversation with her mother, and is more concerned with talking about the psychiatrist’s drinking habits and his wife’s ugly dress, than to ask him questions...
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...that surrounds the main character as well. The continual turmoil and conflict that the protagonist undergoes contrast the underlying theme (the path to enlightenment) of the novel and remains consistent from beginning to end. There is no question that the author’s effectiveness in delivering the elements of fiction in her novel Anshu: Dark Sorrow creates in the reader’s mind a vivid portrait of the time and place the main character Hi-Chan was living in. By effectively conveying the setting of the novel, the persistent use of conflict with the protagonist, establishing a first person point of view, and the use of effective characterization, Juliet Kono is able to paint within the readers mind the thoughts and emotions within Hi-Chan as well as the world around her. By descriptively establishing the setting in Hawaii at the beginning of the novel, Juliet Kono allows the reader to assume a more peaceful and serene time when Hi-Chan was youthful and care-free on an island of abundant beauty, freedom, and most importantly food. In contrast, the setting changes completely as Hi-Chan arrives to Japan by ship describing it as “filled with diesel fuel, rotting sewage, decaying fish, and seaweed” (48). The extreme difference in the change of settings seems to foreshadow what is to come for Hi-Chan and her new future in Japan. The importance of establishing an effective setting is noted here: “Careful...
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...Oh the Humanity Darwin once said that those who could best survive in the environment around them would influence the next generation of a given species. Nowhere in this idea did he talk about external forces acting on populations that change the survivability of a species. Darwin was well aware of the food chain, but he never discussed how human elitism could affect the food chain. As a result of mass production, human ignorance towards other forms of life proves their elitism. Humans believe that they are the top of the food chain, and therefore, they value their own life far above any other life. They have a biological elitism. With their biological elitism, humans begin developing a superiority complex, which, in result lends them to believe they are a step above “top of the food chain”. Finally, humans can get pleasure from watching the destruction of other life because the destruction reassures humans of their superiority complex. Although each has a unique setting, Super Sad True Love Story, “The People Pound”, and Heathers are all connected in their inherent values of life, each providing a satirical approach to biological elitism and proving the sadism of humanity. Biological elitism starts with the devaluing of other, inferior life forms, which leads to the construction of a biological dictatorship. In Hunter Breckonridge’s story, “The People Pound”, she satirizes the lack of value humans place on animals by paralleling animals with disabled humans, calling disabled...
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...Crimson Shadow Laura Jones English 102-92 12 June 2010 Loving the Untamed Artist Norman Maclean was a well-established English professor at the University of Chicago for many years before writing an account of his life in the western Rocky Mountains during the early 1900’s titled A River Runs Through It. Maclean focuses much of this account on the experiences of his brother, Paul, and himself. These experiences further centralize around the brothers’ primitive pastime, fly fishing. The plot twists through childhood memories and growing pains to unveil his life’s disappointments, risks, and losses. A few habitual values surface from within these pages. Through the relationship of two brothers, Norman Maclean’s A River Runs Through It depicts the values of unconditional love, self-control, and appreciation for art. Expressed with acute emotional detail, A River Runs Through It combines positive and negative experiences to give a clear meaning to unconditional love. Maclean does not waste many pages before giving himself a conscientious loving-brother image. The first negative circumstance which would hinder Norman’s perception of his younger brother, Paul, occurs early in the story. Norman reacts to this situation by “[standing] still until [he can] again see the woman in bib overalls marveling at his shadow casting” (Maclean 37). He thinks back to a positive memory of his brother before approaching his holding cell to take him home. Norman reinforces his character with honesty...
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...Life of Pi Theme of Religion At times, Life of Pi reads like a defense of religion. Has science proved religion wrong? Here's a protagonist who believes passionately in both zoology and religion. What about the fact of multiple faiths? Don't these faiths contradict each other, cause wars, and other problems? Here's a protagonist who is Muslim, Christian, and Hindu – all at the same time. The book defends not only the common spirit behind these three religions, but the rituals and ceremonies of each. It's as if all three religions find harmonious common ground in this character. Seems unlikely, but then again, the protagonist argues passionately that the miraculous happens in our darkest moments. Quote #1But I don't insist. I don't mean to defend zoos. Close them all down if you want (and let us hope that what wildlife remains can survive in what is left of the natural world). I know zoos are no longer in people's good graces. Religion faces the same problem. Certain illusions about freedom plague them both. (1.4.14) | Do zoos incarcerate animals in confined spaces and make them miserable? Pi doesn't think so: "Certain illusions about freedom" tempt us to this conclusion. In actuality, an animal's life in the wild is more circumscribed than "a knight on a chessboard" (1.4.8). Predator-prey relationships restrict the animal's movement. A zoo enclosure is actually more like a hearth for an animal: a place of comfort and rest. Likewise, most people think of religion as a restrictive...
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...never a time I that I can recall my mother, father, brothers, or myself not having one or more books that each of us were reading. My mother’s favorite author was (and is) Stephen King. There was something that intrigued me about this, though I was not allowed to read most of his works for the longest time; of course my mother was concerned that they would be inappropriate for me to read. This only made the intrigue of the author that much more. Once I was old enough to begin discovering his works, I started to understand the attraction. He’s book were like mental train wrecks; there were times when all you wanted to do was put the book down, but couldn’t seem to do so. Even though I have known what a phenomenal author Stephen King is, I feel as though I have always had the burning question, what is it that inspires and drives him? He was the first thing to cross my mind when...
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...stolen child by William Butler Yeats. The four poetries that appeared in the 20th Century, From the beginning of 20th Century like William Butler Yeats till the middle of 20th Century like Ted Hughes and Philip Larkin. As we know that William Butler Yeats’s poetries existed in the First World War at that time, poets did a lot of experiments in writing their literary works. They concentrated more on technique in writing their literary works. Meanwhile, Philip Larkin and Ted Hughes created poem the World War II, whereas nowadays, poets, do not focus on confusing technique but more at content and meaning that is easier to be understood by the readers. Now, I want to analyze symbol in the poem related with the issue that happens to the real fact or the real situation at that time. Now, I want to analyze a poem titled “The Seven Sorrows” written by Ted Hughes. We can see from the first stanza namely, the word “autumn”, this word symbolizes sadness, probably sadness that is felt by the writer. In that stanza, I found a phrase “a brown poppy head”. This phrase symbolizes something that long drawn out that has not disappointed from its feeling. In the second stanza, “empty feet” the feet there symbolized, step that means useless step. Then in the next line, “the woodland gold”, the word gold symbolizes wealth, prosperity, swanky. The sentence in the third line of this stanza, strengthen by these two phrases under this sentence “is folded in feathers” and” with its head in a...
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...1 The Turing Triage Test Dr. Robert Sparrow Centre for Human Bioethics Faculty of Arts Monash University Victoria 3800 Australia. This paper appeared in print in: Ethics and Information Technology 6(4): 203-213. 2004. Please cite that version. 2 The Turing Triage Test Abstract If, as a number of writers have predicted, the computers of the future will possess intelligence and capacities that exceed our own then it seems as though they will be worthy of a moral respect at least equal to, and perhaps greater than, human beings. In this paper I propose a test to determine when we have reached that point. Inspired by Alan Turing’s (1950) original ‘Turing test’, which argued that we would be justified in conceding that machines could think if they could fill the role of a person in a conversation, I propose a test for when computers have achieved moral standing by asking when a computer might take the place of a human being in a moral dilemma, such as a ‘triage’ situation in which a choice must be made as to which of two human lives to save. We will know that machines have achieved moral standing comparable to a human when the replacement of one of these people with an artificial intelligence leaves the character of the dilemma intact. That is, when we might sometimes judge that it is reasonable to preserve the continuing existence of a machine over the life of a human being. This is the ‘Turing Triage Test’. I argue that if personhood is understood as a matter of possessing...
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...Garcia Marquez two famous works “One Hundred Years of Solitude” and “Love in the Time of Cholera”. Gabriel García Márquez was born in 1928, in the small town of Aracataca, Colombia. He started his career as a journalist. When One Hundred Years of Solitude was published in his native Spanish in 1967, as Cien años de soledad, García Márquez achieved true international fame; he went on to receive the Nobel Prize for Literature in 1982. One Hundred Years of Solitude is perhaps the most important, and the most widely read, text to emerge from that period. It is also a central and pioneering work in the movement that has become known as magical realism, which was characterized by the dreamlike and fantastic elements woven into the fabric of its fiction. Even as it draws from García Márquez’s provincial experiences, One Hundred Years of Solitude also reflects political ideas that apply to Latin America as a whole. Latin America once had a thriving population of native Aztecs and Incas (of the many complex civilizations to arise in the ancient Americas, the Aztecs, the last ancient Mexican civilization, known for their huge city-on-a-lake of Tenochtitlan and for the practice of mass human sacrifice; and the Incas of Peru, whose rigid state structure and many golden treasures so amazed the Spanish invaders.) but, slowly, as European explorers arrived, the native population had to adjust to the technology and capitalism that the outsiders brought with them. In addition to mirroring this early...
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...Ministry of Education of the Republic of Moldova State Pedagogical University “Ion Creangă” Foreign Languages and Literature Faculty English Philology Department DIPLOMA PAPER Figurative Language, Language Shaped by Imagination in Katherine Mansfield’s Short Stories Submitted by: the 4th year student Paşcaneanu Mariana Group 404 Scientific adviser: Tataru Nina Senior Lecturer Chişinău 2012 Contents INTRODUCTION 2 CHAPTER I: SHORT STORY AS A FORM OF FICTION 5 I.1.Common Characteristics of a Short Story as a Form of Fiction. Its Plot and Structure. 5 I.2. Figurative Language. Definition. Function. 9 I.3. Imagery – Language that Appeals to the Senses 11 I.3.1. Simile, Metaphor and Personification. 13 1.3.2. Symbol and Symbolism. 26 I.3.3 Allegory. 30 CHAPTER II: LANGUAGE SHAPED BY IMAGINATION IN K. MANSFIELD’S SHORT STORIES 36 II.1. Figurative Language, Symbolism and Theme in "Her First Ball": 37 II.2. Katherine Mansfield – Techniques and Effects in A Cup of Tea. 41 II.3. Literary Colloquial Style in “Miss Brill” by K. Mansfield. 49 II.3.1. Lexical features—Vague Words and Expressions 49 II.3.2 Syntactical and Morphological Features 52 II.3.3 Phonological Schemes of the Figures of Speech 55 II.4. Simplifying Figurative Language in K.Mansfield’s Short Stories 60 CONCLUSION 64 BIBLIOGRAPHY 66 APPENDIX 70 INTRODUCTION Figurative Language is the use of words that...
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...In society today, one barely has any time to take care of one’s children. They are left alone and uncared for which often causes them to either react badly in every day life or to become accustomed to their solitude and learn to fend for themselves. Such realities can also be portrayed in works of fiction such as The Hunger Games and Lord of the Flies, two stories that may seem very different in content, but are based on very similar ideas. In these two stories, The Hunger Games by Suzanne Collins and Lord of the Flies by William Golding, there are two main characters by the names of Katniss and Ralph who both go through their life journeys isolated from society and in each story, their situations becomes a disadvantage for them. Lord of the Flies and The Hunger Games are novels that portray an abuse of power as a result of leadership roles in society, an absence of identity used as camouflage, and finally, a loss of innocence among the characters as a result of living in a corrupted and chaotic environment. In both stories, there is an abuse of power, which destroys the main characters’ lives. In Golding’s Lord of the Flies, once Jack had decided to run the island the way he sees fit, things started to go downhill for Ralph. When Ralph was chief of the island, the children tried to stay as civilized as they could, and even started establishing rules and tasks for each person to accomplish. When Jack started to take control of the island, however, everything was completely ruined...
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...Life of Pi is an interesting journey through life and faith in an extraordinary experience. Pi Patel is a man who speaks of his loss, his gain, and a Bengal tiger named Richard Parker. Pi Patel is a Christian Hindu who underwent a series of unfortunate events. Troubles about his own name, chaotic exposure to different religious beliefs, his proximity to his family, his ultimate loss against natural causes, his strive to survive and the adequacy of his whole experience. Imagining how his life could be so surreal, there’s no part in the story that is not interesting enough to not tell. He involved everyone who made a difference in his life. His uncle, who taught him how to swim; the one who swam in the clearest of waters in a French hotel, gave the idea of his name to his own father. The name he dare corrected to his peers and professors. By memorizing every number in the equation of pi, he proved that he is pi. Complicated as it were, no matter how different your name is, challenging your belief of anything brings you closer into harnessing the essence of it. In his quotes, lines as it were, he emphasized that religion should be challenged in order for your faith to grow stronger as climbing through the metaphorical ladder to God. As Pi grew, so did his religious beliefs. Meeting or being introduced, discovering three different religions made him see that there is one god and many gods to believe in. He met Christ as his older brother dared him to drink from the...
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...Дневник читателя READER’S JOURNAL Ernest Hemingway. The Old Man and the Sea (1952). Joseph Heller. Catch-22 (1961). Tennessee Williams. A Streetcar Named Desire (1959). Iris Murdoch. The Black Prince (1973). Jerome David Salinger. The Catcher in the Rye (1951). Michael Ondaatje. The English Patient (1992). Ray Bradbury. Fahrenheit 451 (1953). Ken Kesey. One Flew Over the Cuckoo’s Nest (1962). Edward Albee. Who’s Afraid of Virginia Woolf? (1962). Arthur Miller. Death of a Salesman (1949). ------------------------------------------------- ------------------------------------------------- Ernest Hemingway. The Old Man and the Sea (1952). ------------------------------------------------- ------------------------------------------------- FULL TITLE · The Old Man and the Sea ------------------------------------------------- ------------------------------------------------- AUTHOR · Ernest Hemingway ------------------------------------------------- ------------------------------------------------- TYPE OF WORK · Novella ------------------------------------------------- ------------------------------------------------- GENRE · Parable; tragedy ------------------------------------------------- ------------------------------------------------- LANGUAGE · English ------------------------------------------------- ------------------------------------------------- TIME AND PLACE WRITTEN · 1951, Cuba ------------------------------------------------- ...
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...speak about women and fiction--what, has that got to do with a room of one's own? I will try to explain. When you asked me to speak about women and fiction I sat down on the banks of a river and began to wonder what the words meant. They might mean simply a few remarks about Fanny Burney; a few more about Jane Austen; a tribute to the Brontës and a sketch of Haworth Parsonage under snow; some witticisms if possible about Miss Mitford; a respectful allusion to George Eliot; a reference to Mrs Gaskell and one would have done. But at second sight the words seemed not so simple. The title women and fiction might mean, and you may have meant it to mean, women and what they are like, or it might mean women and the fiction that they write; or it might mean women and the fiction that is written about them, or it might mean that somehow all three are inextricably mixed together and you want me to consider them in that light. But when I began to consider the subject in this last way, which seemed the most interesting, I soon saw that it had one fatal drawback. I should never be able to come to a conclusion. I should never be able to fulfil what is, I understand, the first duty of a lecturer to hand you after an hour's discourse a nugget of pure truth to wrap up between the pages of your notebooks and keep on the mantelpiece for ever. All I could do was to offer you an opinion upon one minor point--a woman must have money and a room of her own if she is to write fiction; and that, as you will...
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...noteworthy ancestors, among which I take to be Robinson Crusoe, Gulliver's Travels, the Ancient Mariner, Moby Dick and Pincher Martin, it's a tale of disaster at sea coupled with miraculous survival—a boys' adventure for grownups." —Margaret Atwood, The Sunday Times (London) "A fabulous romp through an imagination by turns ecstatic, cunning, despairing and resilient, this novel is an impressive achievement. . . . Martel displays the clever voice and tremendous storytelling skills of an emerging master." —Publisher's Weekly (starred review) "[Life of Pi] has a buoyant, exotic, insistence reminiscent of Edgar Allen Poe's most Gothic fiction. . . . Oddities abound and the storytelling is first-rate. Yann Martel has written a novel full of grisly reality, outlandish plot, inventive setting and thought-provoking questions about the value and purpose of fiction." —The Edmonton journal "Martel's ceaselessly clever writing . . . [and] artful, occasionally hilarious, internal dialogue . . . make a fine argument for the divinity of good art." —The Gazette "Astounding and beautiful. . . . The book is a pleasure not only for the subtleties of its philosophy but also for its ingenious and surprising story. Martel is a confident, heartfelt artist, and his imagination is cared for in a writing style that is both unmistakable and marvelously reserved. The ending of Life of Pi... is a show of such sophisticated genius that I could scarcely keep my eyes in my head as I read it." —The Vancouver Sun...
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