The last few decades have witnessed the reign of mass media on a global scale, allowing many international entertainment companies to expand their market to every corner of the world. However, this widespread fame and uniformity have given way for numerous concerns to afoot, as the imperialism of the foreign film industries, in their heyday, are threatening to thwart the survival of local companies. The reason for this, in my perspectives, is inextricably linked to some deep-rooted factors.

First of all, it is the high quality of external movies that set them above the ranks of locally produced ones. Their investors are mostly giants who are renowned for their financial backgrounds, therefore, they are eager to pour huge sum of money into creating mesmerizing effects, say, the visual and sound features of the films, or taking the film sets to far-flung areas for optimal productivity. All of these factors will, inarguably, foretell the birth of a masterpiece. Indeed, hardly in a regional production can you have the chance to feast your eyes with stunningly hair-raising action scenes, costly yet thrilling explosion, or engross your mind in the “out of this world” beauties of sceneries yet to be touched by the force of human. Vested by these privileges, foreign motion materials have succeeded in captivating the imagination of global audience and leaving them gasping for more excitement. Moreover, the cooperation of high-profiled directors and well-known casts should guarantee a blockbuster that will not fail to glue the tiny eyes of the audience to the screen. This also reflects the general liking and preference of the public as the majority of customers seems to be more biased toward productions featuring talented and famous celebrities whose names are constantly making the headlines. For such heavy-weight competitors, local movies are extremely outshone and