...representation of the nature of death and all that it entails. This is no less true in southern gothic writing and in the writings of William Faulkner. Published on April 30, 1930 in a major magazine at the time, Faulkner’s “A Rose for Emily” showcases the life of Ms. Emily Grierson, a local townswoman, and is captured in a mysterious and eventually horrific context that allows the reader to understand the sadness and morbid side of death. The story is a set in a southern context that Faulkner knew all too well and contains implications of contrasts between northern and southern society. Faulkner uses many different elements in this work to portray death in its entire grotesque and horrifying splendor. Particularly, Faulkner uses two certain elements to accomplish this task. Faulkner successfully conveys the theme of the power of death in “A Rose for Emily” by incorporating the use of the literary elements of foreshadowing and narrative voice. Faulkner’s use of foreshadowing works to reveal the theme of death in this work rather well. The story is divided into five different passages, each detailing a progression towards death – the end of Emily Grierson’s life. Just by listening to Faulkner’s tone in the first sentence and throughout the rest of the work, the reader can easily determine there is a definite presence of foreshadowing: “When Miss Emily Grierson died, our whole town went to her funeral: the men through a sort of respectful affection for a fallen monument, the...
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...My nomination for best short story will be “A Rose for Emily” by William Faulkner. The reason I selected this is my interest in the Civil War era. This short story is intriguing by the use of changing the chronological order to hold the reader’s attention. The story is broken into five sections and each section has the reader wondering what Ms. Emily Grierson has done. The use of Homer Barron schemes the reader into believing that the two had fallen in love with each other, even though in the end, Homer was poisoned by Emily. The setting of the short story is the historical Mississippi southern town after the civil war. Emily is the protagonist of the story, while Homer is the antagonist. Homer is a northerner or outsider and is seen in the town as someone trying to take over the town. The third element is the point of view, which is the ghostly view of the narrator of the story (Klien, 2007). The use of the characters, historical setting and point of view provide the reader interest of what the plot will...
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...Has anyone ever looked at an old plantation home and thought, oh that’s creepy? Miss Emily Griersons home in William Faulkner’s “A Rose for Emily” fits the description of an old creepy home. Living in the town of Jefferson, after her father’s death, Miss Emily was left with nothing else but his home. By her actions portrayed in the book, she refuses to move on to a new generation and she wishes to live just the way she always has. Because she is well known in the town, it makes her the center of gossip amongst the townspeople. Her life she is living in the home is an astonishing mystery. The townspeople are sad for her as they make assumptions that she would take her own life, and then happy for her as they assume she has married the love of...
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...Faulkner’s Creative Use of Time in A Rose for Emily William Faulkner must have not believed in writing in chronological order when he portrayed the events in A Rose for Emily, and in good reason. The story begins at, if written in chronological order, what would be right before the end. He then continues the story jumping backwards and moving forwards. A key part is skipped in the retelling of Miss Emily Grierson’s life, which is told at the end of the storyline, and it is perhaps the most interesting part of the story. The story starts off at Miss Emily Geirson’s funeral. Emily is the main character in the story, and Faulkner has her dead in the first sentence. It should be noted that neither Faulkner, nor Emily are the narrator for the story, and instead the narrator is the viewpoint of the general townspeople that knew, or thought they knew, Emily Grierson. Faulkner then has the narrator explain Emily’s house, which plays a mysterious role in the story. It was said for the women that attended her funeral, “mostly out of curiosity to see the inside of her house.” (Faulkner 91) The story then goes on to tell the origin of Miss Emily’s tax evasion, a settlement she got away with, until the newer generation of mayors and aldermen came in to power. It goes on to tell the time before her death where a deputation from the Board of Alderman visited Emily to settle the dispute of the taxes. When Emily answered the door, it gives an external glimpse of Emily’s life at the time...
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...What Repression Can Do to a Woman Since the beginning of time women have been treated as second class citizens. Women were repressed and were forced to face many problems. At that time women were mainly controlled by their husbands and could not freely do things without the consent of their husband. This paper shows how this is evident in the "Story of an Hour" by Kate Chopin and "A Rose for Emily" by William Faulkner. In both stories, the use of literary elements such as foreshadowing, symbolism, and significant meaning of the titles are essential in bringing the reader to an unexpected and ironic conclusion. The similarities begin with both of the authors being raised in the south. We can presume that is one way they could described the situations that they faced so accurately; situations like political and social presumptions problems especially for women at that time. Chopin writes how “women are to be seen and not heard”. That was the standard for women in those days. Women had no basic rights like voting and generally lived under their husband’s rule. Chopin's stories seemed very modern even though it was written over 120 years ago. Chopin stretched boundaries with her writing. The late eighteen hundreds were a rough time for women and there were not the options like divorce that is available now. Through Mrs. Mallard, we could see the social repression that women felt at that time. Therefore, in this story there is so much domination, Chopin said "They were...
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...Writing about Literature COM1102 10 October 2015 "A ROSE FOR EMILY" Visual vs. Reading William Faulkner's "A Rose for Emily" is a short gothic horror story that has also been adapted into a short film. Both story and film have been largely debated, with a plethora of opinions. Faulkner’s lack of normal chronology and situation-triggered memories generates a story that has many interpretations among its readers, but surprises everyone at the end. When asked about the title of his story, Faulkner said," [The title] was an allegorical title; the meaning was, here was a woman who had had a tragedy, an irrevocable tragedy and nothing could be done about it, and I pitied her and this was a salute . . . to a woman you would hand a rose." (Faulkner, William 1966 ;) He gave a humble explanation, for such a complex story. The film portrays the story straight forward, and leaves nothing left to the imagination. Death and transformation are the main theme in Faulkner’s short story, being a sign of the crumbling of the Old South after their military defeat by the North, as Emily’s suggested necrophilia echoes the desire to hang on to the past and its traditions. Through flashbacks and foreshadowing, Faulkner addresses the struggle of traditional versus progress in the city of Jefferson. The south being a region bound by history and tradition, class and social influence, Emily represents, to generations before and after her, old...
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...Virac, Catanduanes Reaction Paper A Rose for Emily Submitted by: Sheila Mae T. Tapar BSN 3A Submitted to: Mrs. Victoria Gianan Professor I. Summary/Synopsis A Rose for Emily" is a short story by American author William Faulkner first published in the April 30, 1930 issue of Forum. This story takes place in Faulkner's fictional city, Jefferson, Mississippi, in the fictional county of Yoknapatawpha County. It was Faulkner's first short story published in a national magazine. Faulkner explained the reason for his choice of the title as: [The title] was an allegorical title; the meaning was, here was a woman who has had a tragedy, an irrevocable tragedy and nothing could be done about it, and I pitied her and this was a salute ... to a woman you would hand a rose. The story is told in nonlinear narrative and begins at the huge funeral for Miss Emily Grierson. Nobody has been to her house in ten years, except for her black servant. Her house is old, but was once the best house around. The town had a special relationship with Miss Emily ever since it decided to stop billing her for taxes in 1894. But, the "newer generation" wasn't happy with this arrangement, and so they paid a visit to Miss Emily and tried to get her to pay the debt. She refused to acknowledge that the old arrangement might not work anymore, and flatly refused to pay. Thirty years before, the tax collecting townspeople had a strange encounter with Miss Emily about a bad smell at her place. This was...
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...Revised Essay #1 People live in denial every day and some people live in a state of denial every day of their lives. One fictional character that lives in such denial is Emily Grierson in William Faulkner’s short story, “A Rose for Emily.” With Emily, Faulkner provides us with a woman unable and unwilling to accept the changing of time and the dangers involved with such behavior. Emily’s denial can be seen in the fact that she lives in a town that is progressing while she still lives in an era before the Civil War. Emily is also a product of her environment, which depends heavily on her father and how he relates to her. In a sense, he is the primary reason that she becomes a woman of solitude. While her father may be a large part of why Emily is the way she is, Emily cannot escape blame. She lives in complete denial of her father’s death for three days. In addition, she lives in denial of Homer’s true feelings for her entire life. Emily is a woman that cannot accept change and would rather deny the real world around her than face the truth. Emily proves that denial can be a strong force in anyone’s life. By looking at Emily Grierson's past and comparing it to her present, we can understand that she did not change with the times. This is important because I believe Faulkner’s biggest emphasis was Emily’s state of denial. One important technique Faulkner utilizes to emphasize Emily’s denial to accept change is the narrator’s shift between past and present. The present...
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...Antagonist A character or force against which another character struggles. Creon is Antigone's antagonist in Sophocles' play Antigone; Teiresias is the antagonist of Oedipus in Sophocles' Oedipus the King. Assonance The repetition of similar vowel sounds in a sentence or a line of poetry or prose, as in "I rose and told him of my woe." Whitman's "When I Heard the Learn'd Astronomer" contains assonantal "I's" in the following lines: "How soon unaccountable I became tired and sick, / Till rising and gliding out I wander'd off by myself." Character An imaginary person that inhabits a literary work. Literary characters may be major or minor, static (unchanging) or dynamic (capable of change). In Shakespeare's Othello, Desdemona is a major character, but one who is static, like the minor character Bianca. Othello is a major character who is dynamic, exhibiting an ability to change. Characterization The means by which writers present and reveal character. Although techniques of characterization are complex, writers typically reveal characters through their speech, dress, manner, and actions. Readers come to understand the character Miss Emily in Faulkner's story "A Rose for Emily" through what she...
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...Dorie Love-Ashby P. Elmore Composition II 1302-7420 5/25/11 FAULKNER Faulkner was born in 1897, to a genteel southern family. His father, Murry Cuthbert Falkner, was a railroad worker, owner of a cottonseed oil and ice plant, livery stable operator, hardware store employee, and secretary and business manager at University of Mississippi. His mother was Maud Butler Falkner. Falkner grew up and spent most of his life, off and on, in Oxford, Mississippi. He trained for the Royal Air Force in Canada, and later the British Royal Air Force during World War I, but the war was over before he saw action. After the war he briefly attended the University of Mississippi. He married Lida Estelle Oldham Franklin, June 20, 1929. The Faulkner works were greatly influenced by his family history. The area in which he lived had a great deal to do with his sense of the doleful position of Black and WhiteAmericans. This also influenced his sense of humor and is said to be the legacy of earlier writers like Mark Twain. Faulkner was best known for his novels, but he also wrote short stories, poetry and occasional screenplays.. Film versions have been made of several of his works: Sanctuary (1961), Intruder in the Dust (1949), The Sound and the Fury(1959), The Reivers (1969), and Pylon (1957; or Tarnished Angels). Others (Requiem for a Nun, 1951, and "Barn Burning") have been filmed for television. (Pierce, Constance, and Heller) Faulkner received the 1949 Nobel Prize for Literature for "his...
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...Drew Burgelin Mr. Campbell AP LIT 12 April 2014 The Significance of Death and Change in “A Rose for Emily” In “A Rose for Emily,” by William Faulkner, Emily Grierson’s strange actions and macabre, mysterious character qualities convey the story’s central themes of death, despair, and change. Faulkner’s modernist style and use of detail, flashbacks, and time shifts capture the reader as the narrator jumps from Emily’s death in the “present” to specific scenes of her past. The story depicts death as the powerful aspect that controls Emily’s actions in order to show the profound potential that death has to change people’s lives cataclysmically. At the same time, the story also evokes change through Emily’s refusal to give up her old-fashioned ways in order to show that the only way to avoid radical change is to be isolated, and even in the end, that cannot stand in the way of modernization. The thematic potential of death is introduced by the speaker’s recurring references to death throughout Emily’s life in order to explain Emily’s odd, mysterious nature. The speaker firsts introduces the reader to Faulkner’s fictional Jefferson, MI in Yoknapatawpha County where Emily Grierson’s funeral is being held at her home, which no one in the entire town had been inside for “at least ten years.” Then, the speaker goes back in time and describes that Emily’s taxes were “remitted” by Colonel Sartorisas as a result of her father’s death, which further isolated her from the community...
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...out the author’s choices and attempt to explain their significance. Another way to look at a literary analysis is to consider a piece of literature from your own perspective. Rather than thinking about the author’s intentions, you can develop an argument based on any single term (or combination of terms) listed below. You’ll just need to use the original text to defend and explain your argument to the reader. Allegory - narrative form in which the characters are representative of some larger humanistic trait (i.e. greed, vanity, or bravery) and attempt to convey some larger lesson or meaning to life. Although allegory was originally and traditionally character based, modern allegories tend to parallel story and theme. William Faulkner’s A Rose for Emily- the decline of the Old South Robert Louis Stevenson’s Strange Case of Dr. Jekyll and Mr. Hyde- man’s struggle to contain his inner primal instincts District 9- South African Apartheid X Men- the evils of prejudice Harry Potter- the dangers of seeking “racial purity” Character - representation of a person, place, or thing performing traditionally human activities or functions in a work of fiction Protagonist - The character the story revolves around. Antagonist - A character or force that opposes the protagonist. Minor character - Often provides support and illuminates the protagonist. Static character - A character that remains the same. Dynamic character - A character that changes in some important way. Characterization...
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...The Gift of the Magi Themes Love "Gift of the Magi" is the story of a poor, young couple whose love for each other is the most important thing in their lives. Such is their love that they're led to sacrifice their most valuable possessions to find Christmas gifts for each other. The warm home they make together contrasts with the drabness of their poverty and the dreary world outside. Their love seems to know no bounds, though Della (the wife) worries about how her sacrifice will affect her husband because of how it affects her looks. If ever there were a story with the message that all you need to be happy is love, this is it. Sacrifice The two main characters in "Gift of the Magi" are a husband and wife who give up their most precious possessions to be able to afford gifts for each other on Christmas Eve. The story seems to be all about sacrifice. We watch Della go through the process of deciding to make the sacrifice and going through with it, only to discover that her husband has made the same sacrifice. The story's narrator assures us that in their willingness to give up all they have, they have proven themselves the wisest of all gift-givers. It might remain unclear, though, exactly what their sacrifice has accomplished, or how it has affected them. Wealth In many ways, "Gift of the Magi" is a story about what it means for something to be valuable. Does something's value lie in how much money it is worth? Or are other things more valuable than money? The main characters...
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...Narrative A narrative is a sequence of events that a narrator tells in story form. A narrator is a storyteller of any kind, whether the authorial voice in a novel or a friend telling you about last night’s party. Point of View The point of view is the perspective that a narrative takes toward the events it describes. First-person narration: A narrative in which the narrator tells the story from his/her own point of view and refers to him/herself as “I.” The narrator may be an active participant in the story or just an observer. When the point of view represented is specifically the author’s, and not a fictional narrator’s, the story is autobiographical and may be nonfictional (see Common Literary Forms and Genres below). Third-person narration: The narrator remains outside the story and describes the characters in the story using proper names and the third-person pronouns “he,” “she,” “it,” and “they.” • Omniscient narration: The narrator knows all of the actions, feelings, and motivations of all of the characters. For example, the narrator of Leo Tolstoy’s Anna Karenina seems to know everything about all the characters and events in the story. • Limited omniscient narration: The narrator knows the actions, feelings, and motivations of only one or a handful of characters. For example, the narrator of Lewis Carroll’s Alice’s Adventures in Wonderland has full knowledge of only Alice. • Free indirect discourse: The narrator conveys a character’s inner thoughts...
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...CALIFORNIA CALIFORNIA An Interpretive History TENTH EDITION James J. Rawls Instructor of History Diablo Valley College Walton Bean Late Professor of History University of California, Berkeley TM TM CALIFORNIA: AN INTERPRETIVE HISTORY, TENTH EDITION Published by McGraw-Hill, a business unit of The McGraw-Hill Companies, Inc., 1221 Avenue of the Americas, New York, NY 10020. Copyright © 2012 by The McGraw-Hill Companies, Inc. All rights reserved. Previous editions © 2008, 2003, and 1998. No part of this publication may be reproduced or distributed in any form or by any means, or stored in a database or retrieval system, without the prior written consent of The McGraw-Hill Companies, Inc., including, but not limited to, in any network or other electronic storage or transmission, or broadcast for distance learning. Some ancillaries, including electronic and print components, may not be available to customers outside the United States. This book is printed on acid-free paper. 1234567890 QFR/QFR 10987654321 ISBN: 978-0-07-340696-1 MHID: 0-07-340696-1 Vice President & Editor-in-Chief: Michael Ryan Vice President EDP/Central Publishing Services: Kimberly Meriwether David Publisher: Christopher Freitag Sponsoring Editor: Matthew Busbridge Executive Marketing Manager: Pamela S. Cooper Editorial Coordinator: Nikki Weissman Project Manager: Erin Melloy Design Coordinator: Margarite Reynolds Cover Designer: Carole Lawson Cover Image: Albert Bierstadt, American (born...
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