...Frankenstein; or, The Modern Prometheus is a novel written by Mary Shelley about a creature produced by an unorthodox scientific experiment. Shelley started writing the story when she was nineteen, and the novel was published when she was twenty-one. The first edition was published anonymously in London in 1818. Shelley's name appears on the second edition, published in France in 1823. Shelley had travelled in the region of Geneva, where much of the story takes place, and the topics of galvanism and other similar occult ideas were themes of conversation among her companions, particularly her future husband, Percy Shelley. The storyline emerged from a dream. Mary, Percy, Lord Byron, and John Polidori decided to have a competition to see who could write the best horror story. After thinking for weeks about what her possible storyline could be, Shelley dreamt about a scientist who created life and was horrified by what he had made. She then wrote Frankenstein. Frankenstein is infused with some elements of the Gothic novel and the Romantic movement and is also considered to be one of the earliest examples of science fiction. Brian Aldiss has argued that it should be considered the first true science fiction story, because unlike in previous stories with fantastical elements resembling those of later science fiction, the central character "makes a deliberate decision" and "turns to modern experiments in the laboratory" to achieve fantastic results.[1] It has had a considerable...
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...Allusions in Mary Shelley’s Frankenstein Throughout the novel, Frankenstein, written by Mary Shelley, allusions to famous pieces to literature, including parts of mythology and the Bible, are often used to foreshadow events from another story to Frankenstein, and to connect stories for better understanding to what the point of the particular part of the book is. Pieces of literature including Prometheus, The Rime of the Ancient Mariner, the Inferno, the Bible and Paradise Lost are often referred to throughout the book, especially Prometheus, the sub title of the book is The Modern Prometheus, Shelley is obviously alluding to the myth of Prometheus. Shelley would have never put the subtitle of the book as The Modern Prometheus if she didn’t want her audience to consider it while reading Frankenstein. In the myth Prometheus, Prometheus created man out of clay, as well stole fire from the sun, and gave to man. The actions of Prometheus made Zeus very angry, and he was condemned for his said actions, his punishment was to be bound to a rock for eternity while an eagle pecked at his liver. In Frankenstein, no one was condemned to have their liver pecked at, but Frankenstein was condemned by having his whole family murdered by the monster. He wanted to play God, and create something, and just like in Prometheus, a new creation was made, and because someone else wanted to play God, they were punished. On page 45, Shelley clearly alludes to Prometheus with the creation of man by clay...
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...nature, monsters have forever played upon the curiosity and fear of humans. As ‘creatures’ who have appeared as the antagonists in our books, movies, histories, and cultural imaginations in more general terms what truly defines a monster? Is it the abhorrent appearance or the inhumane characteristics that has caused them to be the object of nightmares and interest? If so, are they truly what should be feared? One of the most iconic monster novels of the early modern period, published at a time when technological innovation was becoming immensely prominent is Frankenstein. Contrary to popular belief, the titular character, Frankenstein, is the name of Victor Frankenstein, the doctor who...
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...Jacob McKinnis Professor Bess Fox Major Women Writers 3 November 2015 Romanticism in Frankenstein Mary Shelley’s novel, Frankenstein, is well known throughout the world as a classic piece of gothic literature with elements of disturbing and macabre imagery. It is easy then to overlook the many ways in which Frankenstein is a primary example of Romanticism due to the characteristics of the way it was written and the time period in which Mary Shelley lived. Shelley’s Frankenstein is not meant to be looked at as a purely gothic piece of literature but rather a literary work of Romanticism that masquerades as a horror story. To start with, the monster created by Frankenstein is paramount to the representation of Romanticism in the novel. The monster is a Romantic hero because of the rejection it must bear from normal society. Wherever he goes, the monster is chased away because of its hideous appearance and its huge size. Shelley makes an effort explaining how often that people in conventional society reject that which is out of the ordinary or that which is unnerving and disfigured treading on the borders of our society. It’s hard to blame the monster for what happens to him, and Shelley provokes from the reader a sympathetic response for a creature that has been established as a misunderstood and lost soul in a world it was never meant to live in. The monster tries to fit into a regular community, but because it is grotesque to look at and does not know the social norms...
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...Introduction: Frankenstein or (the Modern Prometheus) known as the first science-fiction novel written by Mary Wollstonecraft Shelley, at the age of 21, the widely famous novel was published in 1818. Although serving as the basis for the Western horror story and the inspiration for numerous movies in the 20th century, the book Frankenstein is much more than pop fiction. The story explores philosophical themes and challenges Romantic ideals about the beauty and goodness of nature. But what’s the difference between Frankenstein the story and the film? About the novel (Frankenstein): This novel functions on symbolic many levels such as Frankenstein’s monster symbolize the coming of industrialization to Europe also the destruction and the death...
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...Does anyone have an intimation why Frankenstein is called the modern Prometheus? See after reading voluminous kinds of the monster/book named Frankenstein, I believe that sundry people essentially believe Victor is and why called the modern Prometheus, because the enchanting what should be solitary the veracious of God, to give supplementary creatures or human beings life. It’s like a sequence second in mandate, you must remember, when studying Frankenstein’s creation that he was not unfluctuating close to being evil when he was first created he became motivated very hastily even towards his dark ends by the rejection and torments at the hands of human beings. He was not evil by nature but he was made to. A lot of people look down on Frankenstein but doesn’t realize what he has gone though they should look down on the creator of the monster, why Frankenstein rejected the...
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...Gianna Luna Mr. Jackson Literature in Modern Media P.2 April 5th, 2017 Isolation and Alienation The idea of alienation and isolation is the sense of not belonging to a community of to oneself. Throughout the novel Frankenstein, both Victor and Frankenstein experience isolation and alienation through society, family, and work to a point where it leads to being violent and antisocial. Throughout the story Shelley so different examples of isolation but the one we notice the most is the isolation and alienation of the monster, Frankenstein. He was created through isolation and alienation, being so different and not like the rest of society, Frankenstein kept to himself and hide away to be isolated. In the story Frankenstein and Victors paths...
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...Frankenstein by Mary Shelley Key facts full title · Frankenstein: or, The Modern Prometheus author · Mary Wollstonecraft Shelley type of work · Novel genre · Gothic science fiction language · English time and place written · Switzerland, 1816, and London, 1816–1817 date of first publication · January 1, 1818 publisher · Lackington, Hughes, Harding, Mavor, & Jones narrator · The primary narrator is Robert Walton, who, in his letters, quotes Victor Frankenstein’s first-person narrative at length; Victor, in turn, quotes the monster’s first-person narrative; in addition, the lesser characters Elizabeth Lavenza and Alphonse Frankenstein narrate parts of the story through their letters to Victor. climax · The murder of Elizabeth Lavenza on the night of her wedding to Victor Frankenstein in Chapter 23 protagonist · Victor Frankenstein antagonist · Frankenstein’s monster setting (time) · Eighteenth century setting (place) · Geneva; the Swiss Alps; Ingolstadt; England and Scotland; the northern ice point of view · The point of view shifts with the narration, from Robert Walton to Victor Frankenstein to Frankenstein’s monster, then back to Walton, with a few digressions in the form of letters from Elizabeth Lavenza and Alphonse Frankenstein. falling action · After the murder of Elizabeth Lavenza, when Victor Frankenstein chases the monster to the northern ice, is rescued by Robert Walton, narrates his story, and dies tense · Past foreshadowing · Ubiquitous—throughout...
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...In Frankenstein Mary Shelley gives a small glimpse into the mind of Victor Frankenstein. To encourage movement the gothic genre is intensely used throughout the novel. To set the mood, a gothic setting is used to give specific details of weather, sounds, and the environment. Mary Shelley also uses irrational fear to keep the tone of a gothic novel. Without the gothic tone, Frankenstein would not be as impactful of a novel. First, one use of how gothic genre sets the mood is the setting. Use of certain time periods, weather, sounds, and environments keep the gothic tone consistent throughout the novel. “As soon as I was convinced that no assistance could save any part of the habitation, I quitted the scene and sought refuge in the woods” (124) meeting with the family the monster had been observing, it burned their house down. This is important because the monster felt that its place was in the ‘dark and scary forest’, it finally thought of itself as a monster that everyone else saw it as. Another example is when Frankenstein finds out that his brother has been murdered, the use of a gothic ‘scary’ setting is apparent. "I quitted my seat and walked on, although the darkness and storm increased every minute and the thunder burst with a terrific burst with a terrific crash over my head" (59). During this journey Frankenstein is very angry at his creation who he knows is to blame. Without the thunderstorm in the background, Frankenstein’s inner thoughts would not have been as easy...
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...Elvis Dizdarevic Interpretation of Lit 11/17/2011 Frankenstein: The Pursuit of Dangerous Knowledge By: Elvis Dizdarevic Aristotle once said, “All men by nature desire knowledge” and I tend to agree with him. Every human being strives to be more knowledgeable. It is something we all want. In society, it puts people above one another and gives a certain power to the ones who are intelligent. It is revered to be only a good thing to have and to seek but in some situations pursuing more knowledge is, in fact, dangerous. In Mary Shelley’s novel Frankenstein, two main characters have this obsessive pursuit of knowledge; Robert Walton and Victor Frankenstein. Walton, an Englishman, is on a quest to be the first to reach the North Pole. His story is the frame for Frankenstein and the monster’s stories. He is a determined man who wants to possess a knowledge that no one else has. Walton desires to explore uncharted lands and to discover new particulars unbeknownst to the average man. Victor Frankenstein parallels Walton in his obsessive pursuit of knowledge. Most would say Frankenstein is even more obsessive. Frankenstein is a man who is purely driven to learn more. While attending the University of Ingolstadt, Frankenstein learns all that his professors have to teach him. After mastering the sciences he becomes fascinated with life and its creation. So much that he neglects his family and stays in his apartment for months at a time to research. He believes that there is...
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...The True Monster of Mary Shelley’s Frankenstein The True Monster of Mary Shelley’s Frankenstein Science reaches its long tangles tentacles into our everyday life and existence, area’s that reach into such studies as the universe, the environment, animals, insects, and even the prehistoric dinosaurs. Victor Frankenstein is a young scientist in Mary Shelley’s Frankenstein, who unwittingly creates a “monster” that counteracts with man and god’s view and control over the human condition. Victor’s monster becomes a constant threat to his way of life, the woman and family he so dearly treasures. Created as an experiment, only to be thrown into the human world like a day old sandwich is discarded into the trash. Never being taught the difference between right and wrong; the same as a mother snake would lay and keep an egg warm, only to leave it once it has hatched. The question is can the “monster” that is never given a name really be held accountable for his actions, or should the blame fall to his creator. It seems that Shelly is trying to display through her writings that when science is followed merely on the bases of discovery without thought to the affect that the experimentation can have we risk endangering everything that we hold dear. Frankenstein becomes totally enveloped by a sinister passion that fuels his intense desire to create life; an innocent curiosity that leads him to discover what he feels is his life’s purpose. He is so over taken by his quest that...
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...The Restorative Power of Nature Throughout the entirety of Mary Wollstonecraft Shelley’s Frankenstein, tensions between the natural and unnatural were the ultimate driving forces as the story unfolded. The overarching theme most apparently found throughout the novel is Nature and its relationship with man. Shelley juxtaposes the revitalizing power of Mother Nature with the dreadful portrayal of the man-made creation of the monster. This harsh juxtaposition drives the reader to consider the effects of crossing boundaries of the natural world. Romantic writers, like Mary Shelley, often depicted Nature as the most unadulterated and pronounced force in our world. Mary Shelley uses a great deal of natural imagery in Frankenstein, which is apparent even at the very beginning of the story. Early on, she establishes that Nature and all of its grandeur will play a major role throughout the entirety of the novel, “the pole is the seat of frost and desolation; it ever presents itself to my imagination as the region of beauty and delight. There, Margaret, the sun is forever visible; its broad disk just skirting the horizon, and diffusing a perpetual splendour” (Shelley, 5). While Shelley attempts to convey the profound power of Nature, she also contrasts this central theme with the characterization of Victor. Nature and its relationship with man is the leading cause, and resolution, for almost every conflict found in this novel. In regards to Romanticism’s notion that Nature...
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...There Was Frankenstein Many have said that love makes the world go around but we are left with the question of who creates love? What would life be like if we had not experienced love and, ultimately, what would each of us be like without experiencing love? The Holy Bible provides numerous examples of a perfect love from the Creator and explains that people have been created to love. Mary Shelley’s novel, Frankenstein, or the Modern Prometheus, creates questions about the responsibility of a creator, and what can happen when some basic responsibilities of a creator are ignored. The novel describes a monster and his actions due to his creator abandoning him. Throughout Mary Shelley’s novel, there is the question of who really is the monster? Victor Frankenstein, the creator of the monster, can easily be compared to the Judeo-Christian God and the story of creation found in the book of Genesis. The God referred to as the creator of all mankind is driven by love for his creation, but Victor Frankenstein is driven to create by his own personal ideas of grandiosity and ego. The Holy Bible is the account of the Judeo-Christian God’s action in the world and his purpose for all creation. The writing of the Holy Bible took place over sixteen centuries, and is the work of over forty human authors. There are sixty-six books that provide various lessons for living and moral conduct, examples of love from a Creator, and a starting point for creation. In Genesis, the first book of the...
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...Warning: Beware of Creature On this, the night before Halloween, there are no more appropriate novels than Frankenstein to read. Although Mary Wollstonecraft Shelley’s original intent was simply to participate in a horror story contest with her friends (which she rightfully won), she ended up crafting a well-known, full-length masterpiece. Frankenstein is famous not only for being spooky, but also for its commentary on the themes of dangers of knowledge and hubris, and monstrosity via playing God and losing innocence. “‘I imagine you may deduce an apt moral from my tale...nor can I doubt but that my tale conveys in its series internal evidence of the truth of the events of which it is composed’” (19). Through Frankenstein’s voice Shelley describes the greatest moral she has to offer from the suffering depicted in her story: the dangers of discovery and knowledge, which is that sometimes, however well-meant and innocent the intent may be, the expected result of scientific pursuits can turn out completely different than expected. Shelley’s prime example of this is the Creature and all the destruction he brings in his wake. So much has been done, exclaimed the soul of Frankenstein -- more, far more, will I achieve; treading in the steps already marked, I will pioneer a new way, explore unknown powers, and unfold to the world the deepest mysteries of creation (33). This is the epiphany that leads to the creation of the Creature, undoubtedly a somewhat naive and enthusiastic motivation...
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...Victor Frankenstein and his “Monster;” an inspiration to Dr. Jekyll and Mr. Hyde When reading Mary Shelley’s Frankenstein, if one pays attention to the gaps and inconsistencies of Victor Frankenstein’s narration of the events, one may begin to question the existence of Frankenstein’s monster, and come to realize Victor Frankenstein is really the monster. This isn’t how most would interpret the events that transpired in the book, but the possibility of Victor Frankenstein being the monster he fears, is entirely plausible. This Dr. Jekyll and Mr. Hyde comparison is not as farfetched as one would initially think; there is enough evidence, contradiction of events, gaps, and inconsistencies in Victor Frankenstein’s narrative for an astute reader to connect the dots to reach such a conclusion. Victor Frankenstein, who is relating his tale to Captain Walton after being rescued in the Arctic, is sure that the creature he created actually existed. However, it is plausible to conclude that Victor never actually brought life to his creature, but had gone mad whilst attempting it. How did Victor become the monster he feared? Perhaps the exposure to hallucinatory chemicals he used while attempting to bring life to his creation, or because of overbearing stress, or his failure to succeed in his experiments. These elements, likely combined with Victor’s own awkward social failings, led Victor to experience a mental breakdown, go mad, or develop a split personality. In this scenario...
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