...French I 1. Some Basic Phrases 2. Pronunciation 3. Alphabet 4. Nouns, Articles and Demonstratives 5. Useful Words and General Vocabulary 6. Subject Pronouns 7. To Be and to Have 8. Question Words 9. Numbers / Ordinals 10. Days of the Week 11. Months of the Year 12. Seasons 13. Directions 14. Color and Shapes 15. Weather 16. Time 17. Family and Animals 18. To Know People and Facts 19. Formation of Plural Nouns 20. Possessive Adjectives 21. To Do or Make 22. Work and School 23. Prepositions and Contractions 24. Countries and Nationalities 25. Negative Sentences 26. To / In and From places 27. To Come and to Go 28. Conjugating Regular Verbs 29. Pronominal (Reflexive) Verbs 30. Irregularities in Regular Verbs 31. Past Indefinite Tense 32. Irregular Past Participles 33. Etre Verbs 34. Food and Meals 35. Fruits, Vegetables, Meats 36. To Take, Eat or Drink 37. Quantities 38. Commands 39. More Negatives 40. Holiday Phrases French National Anthem Canadian National Anthem French II 41. Imperfect Tense 42. Places 43. Transportation 44. To Want, to Be Able to, to Have to 45. House 46. Furniture 47. Comparative and Superlative 48. Irregular Forms 49. Clothing 50. To Wear 51. Future Tenses 52. Preceding and Plural Adjectives 53. Adjectives: Feminine 54. Adjectives: Plurals 55. More Adjectives 56. Rendre plus Adjective 57. C'est vs. Il est 58. Sports and Hobbies 59. Nature 60. To Live 61. Object Pronouns 62. Parts of the Body 63. Asking Questions 64. Interrogative Pronouns 65. Forms...
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...France Divided On Oct. 27, 7:00 p.m., I was present for a film review involving an aspect of the Holocaust that took place in France. The Film was comprised of individual interviews with survivors of the holocaust as well as noted historians with great knowledge of the deportation of Jews in France. The creators of this film are Doctors in their own right. The speaker this night, Dr. Angelini, collaborated with Dr. P. Barnett. Dr. Angelina has a PhD in twentieth century French Literature and is a language professor as well. This film can be taken in a historical context as well as in a context of language. As the lights dimmed and the film began, I couldn’t help but feel a sense of history. It was presented in a way that gave us the feel of the past. It was not in high-definition, but rather a kind of older film I remember watching in high school in the past. This film included very old clips of France during the deportation years, as well as prominent German officials such as Heinrich Himmler and Adolph Hitler. As well as clips from the past, the multiple interviews (which were shortened from two hours to roughly seven minutes) unmask the true story of Jews in France which had been covered up for nearly 40 years. The film gives us a first-hand account of the atrocities from people that were there. The overall theme from the “hidden children” is that the French Government and police were working hand-in-hand with the German Government to round up the Jews and deport...
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...(Serra), who compose the songs. While he is working on his project, Héléna's powerful husband pressures the police to find Fred. One of Fred's sidekicks, The Rollerskater, who had been targeted by the police from a long time, is captured by Commissioner Gesberg (Galabru). Another one, The Florist, robs a train carrying money alongside Fred, and then escapes. At a performance in the subway with the newly formed band -which was possible because Fred paid off the actual performers of an announced concert, with money from the train robbery, and put his band in their place- Fred is searched by the police and a henchman of Héléna's husband. The henchman shoots Fred just when Héléna was about to reach and warn him of the approaching danger. The film ends with Héléna kneeling beside Fred, who is lying on his back, looking content and singing along to the band, who are playing and being applauded by the audience in the background. The ending is left ambiguous as to what actually happens in the growing love relation between Fred and Helena, and to whether he survives. [edit]Cast Isabelle Adjani ... Héléna Christopher Lambert (as Christophe Lambert) ... Fred Richard Bohringer ... Le...
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...RUNNING HEAD: AVATAR AVATAR Film Review Directed by James Cameron Eric Anderly ARTS/100 Deborah Laws Review “Avatar is set in the Year 2154 on the distant planet Pandora.” (French, 2009) The planet has been inhabited by Humans and was targeted because it vast supply of unobtainium, which is an energy source that the Human desperately are in need of in order to sustain life on Earth. (French, 2009) The human have hired a mining crew that is responsible for the extraction of the inobtainium. An army of hired soldiers to ensure the safety and forcibility of the mission has also accompanied the mining crew. (French, 2009) Although the planet has gravity is does not have oxygen, so the Human must wear mask to supply them with air to breath. One of the obstacles that the miners and army must face is the Native tribe of the Na’vi who has inhabited the planet and is determined to protect it from the Humans. The Na’vi is a primitive tribe and do not rely on technology as the Humans do, but yet, the instincts and training they have used for a lifetime to fight. The Na’vi have a sacred place of worship within their jungle know as the “Tree of Souls”. This also to be the area that contains the largest amount of the unobtainium material and the Mining company is determined at an cost to get it, even if it means killing the Na’vi or destroying the forest. A recruit by the name of Jake Sully has been selected to work in the Avatar program as has signed on to regain...
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...(François Cluzet) is a quadriplegic millionaire that is interviewing candidates for the position of his caretaker. Out of the blue, Driss (Omar Sy) cuts the line of candidates and brings a document from the Social Security and asks Philippe to sign it to prove that he is seeking a job position to receive his unemployment insurance. Philippe challenges Driss and offers a period of adaptation of one week to him to gain experience helping him. Then Driss would decide whether he would like to stay with him or not. Driss accepts the bet and moves to the mansion, changing the boring life of Philippe and his employees. The two develop a remarkable friendship. Driss is a poor black man from the French ghettos in Paris, the Banlieux. Philippe is a very rich, quadriplegic man fond of classical music and art. This film has humor, sadness, and ultimately great inspiration. The film’s credibility is boosted by it being based on a true story. It is the story of friendship that goes beyond race or class. The man in the chair becomes a muse and means of escape, an emotional and spiritual home for a foreigner who instantly resumes the role of immigrant once he steps back beyond the threshold of Cluzet’s luxurious apartment and back onto the streets of Paris. The two men desperately need each other, in completely different ways. The theme of “difference”...
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...Languages and Cultures, Department of French Syllabus Confirmation Form Date: Name: Course: FR By signing below, I confirm that I have read the Syllabus for my French course this semester and am responsible for knowing its contents, policies, and dates. Signed _____________________________________________________________________ Please return signed form to your instructor. FRANÇAIS 101 – Printemps 2013 COURSE POLICIES AND GRADING PROCEDURES Professeur : _______________________________________ Email : ______________________________________ Bureau : ________________ Heures de Permanence : __________________________ Please contact your instructor about course related issues. If you have further concerns, contact the Language Program Director, Dr. Jessica Sturm, SC 186 (jsturm@purdue.edu), or the Program Assistant, Mrs. Mary Eddy, SC 111 (meddy@purdue.edu). Required Texts: HORIZONS Manley, Smith, McMinn, Prévost (5th ed.) [printed copy required for classroom use] HORIZONS iLrn Heinle Learning Center Access (includes access to on-line Student Activities Manual) Required Equip: headphones for use in computer lab; you will also need a microphone in order to complete certain homework activities. Recommended: Larousse Concise English-French, French-English Dictionary (Larousse, Paris) or another dictionary of your choice A copy of the textbook is available on reserve in the Undergraduate Library. COURSE GOALS AND OBJECTIVES: French 101 is a beginning-level course designed...
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...------------------------------------------------- The Last of the Mohicans (1992 film) From Wikipedia, the free encyclopedia The Last of the Mohicans | Theatrical Poster | Directed by | Michael Mann | Produced by | Michael Mann Hunt Lowry James G. Robinson | Written by | Michael Mann Christopher Crowe | Starring | Daniel Day-Lewis Madeleine Stowe Jodhi May | Music by | Trevor Jones Randy Edelman | Cinematography | Dante Spinotti | Editing by | Dov Hoenig Arthur Schmidt | Studio | Morgan Creek Productions | Distributed by | 20th Century Fox (USA & Canada) Warner Bros. (International) | Release date(s) | * September 25, 1992 | Running time | 117 minutes | Country | United States | Language | English French Mohawk Huron | Budget | $40 million | Box office | $75,505,856 (United States)[1] | The Last of the Mohicans is a 1992 historical epic film set in 1757 during the French and Indian War and produced by Morgan Creek Pictures. It was directed by Michael Mann and based on James Fenimore Cooper's novel of the same name and George B. Seitz's 1936 film adaptation, owing more to the latter than the novel. The film stars Daniel Day-Lewis, Madeleine Stowe, and Jodhi May, with Russell Means, Wes Studi, Eric Schweig, and Steven Waddington in supporting roles. The soundtrack features music by Trevor Jones and Randy Edelman, and the song "I Will Find You" by Clannad. The main theme of the film is taken from the tune "The Gael" by Scottishsinger-songwriter Dougie...
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...Critical Review: Patriot or Traitor Essentials of Canadian History February 9, 2016 Jacques Godbout is a Quebecois historian, author, and filmmaker as well as the great-nephew of Adelard Godbout. He sets out to create a documentary to explore the work of his great-uncle who was once the Premier of Quebec, who has somehow been lost in the history books. This documentary is titled “Patriot or Traitor”, because Jacques openly provides the information on his great-uncle that allows the viewer to ultimately make the decision on how we wish to view this great Canadian. With slight bias, Jacques realizes his fascination with Adelard’s politics may be caused because his childhood was influenced by him, since he and his family were framed as outcasts due to the connection. This documentary covers the important role Adelard played in World War II, mainly concerning conscription and Canada’s relationship with Britain, the Nazi’s, and the political conflicts within Canada caused by diversity. It is evident that regardless of Canada’s view of Adelard, he should be more prominent in the teaching of our history. Firstly, most evidence points to why Adelard is not a traitor, and is only seen that way by some. Adelard did what was best for Canada, in his opinion. Ultimately every politician does what is best in their opinion, but the problem arises when their opinion differs from the rest of the country. Adelard had to balance his beliefs between; what was best for his relationship with...
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...Review: The Battle of Algiers Gillo Pontecorvo was a director way ahead of his time. He directed two anti-colonialism in the 1960, when most of the movie-going audience was probably comfortably numb to the plight of the Third World. He created a film genre (anti-colonialism) that while at first controversial would eventually become a mainstream source for modern classics. He was one of the first directors to take on the challenging subjects of terrorism and torture, in an era where the preferred treatment of the historical film was sterilization, not realism. Pontecorvo portrayed women realistically, not as an idealized pieces of scenery. Most important, Pontecorvo achieved the admirable feat of creating films that accurately reflected historical accuracy and cinematic excellence. And he did all this while advancing a political thesis. In The Battle of Algiers (1966) Gillo Ponetcorvo uses factual content extrapolated from the history of the Algerian War to demonstrate a historical lesson: to defeat an ideologically entrenched, locally supported underground nationalist movement, you must employ measures (suppression of civil liberties, police brutality, military aggression, and eventually torture) that while crucial to winning battles against underground networks (like the FLN in Algiers) in the short run, these counter-insurgency actions will ultimately serve to bolster the opposition to authority in the long run. Eventually, as Pontecorvo's coda suggests, the tactics of the...
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...HomeArts & Entertainment Movie Review: Tensions run sky high in "The Walk" Story Comments Print Create a hardcopy of this page Font Size: Default font size Larger font size The Walk Photo courtesy of TriStar Productions The Walk Kaw Yearbook 2015 Posted: Friday, October 16, 2015 5:00 pm | Updated: 5:01 pm, Fri Oct 16, 2015. Colleen Kelly WASHBURN REVIEW Colleen Kelly Posted on Oct 16, 2015by Colleen Kelly Vertigo is a very real thing while watching “The Walk.” Set in 1970s Paris and New York, this film follows the true story of Philippe Petit, the famed French street performer, as he conspired to walk a high-wire between the twin towers of the World Trade Center. This venture being highly illegal, the stakes were high for Petit and his...
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...An artistic movement whose influence on film has been as profound and enduring as that of surrealism or cubism on painting, the French New Wave (or Le Nouvelle Vague) made its first splashes as a movement shot through with youthful exuberance and a brisk reinvigoration of the filmmaking process. Most agree that the French New Wave was at its peak between 1958 and 1964, but it continued to ripple on afterwards, with many of the tendencies and styles introduced by the movement still in practice today… French New Wave The New Wave (French: La Nouvelle Vague) was a blanket term coined by critics for a group of French filmmakers of the late 1950s and 1960s, influenced by Italian Neorealism and classical Hollywood cinema. Although never a formally organized movement, the New Wave filmmakers were linked by their self-conscious rejection of classical cinematic form and their spirit of youthful iconoclasm. "New Wave" is an example of European art cinema. Many also engaged in their work with the social and political upheavals of the era, making their radical experiments with editing, visual style and narrative part of a general break with the conservative paradigm. Using portable equipment and requiring little or no set up time, the New Wave way of filmmaking presented a documentary type style. The films exhibited direct sounds on film stock that required less light. Filming techniques included fragmented, discontinuous editing, and long takes. The combination of objective realism...
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...Christian Dior was a renowned French fashion designer who curated one of the world’s top fashion houses. Dior and I brings the viewer inside the magical world of the Christian Dior fashion empire which was looking for a new creative director in 2012. Raf Simons was tasked with putting together his first-ever haute couture show in just eight weeks, which usually requires five to six months. The film is also a homage to the seamstresses who make Raf s vision come to reality. In my paper, I am going to argue that the relationship between individual vision and collaborative labor was the reason behind the successful show. The veteran needle workers and specialists, some of whom have worked for Dior for a long time, feel a devotion to sustaining the legacy and an enthusiastic bond with the items they make. With the Introduction of Mr. Simons to the workers wearing white jackets with “Dior” embroidered above their pockets, his boss believed that the house is going to be “modernizing.” as Raf Simons had a reputation as a minimalist. ‘Dior and I’ gives its viewers an opportunity to enjoy the journey of hard-work and dedication of creating a Haute-Couture Dior show that is usually just talked about. Having to experience it is a feast to its audience along with appreciating the craftsmanship and the stages of production which includes - sketching, prototyping, modeling, to the final catwalk. Raf Simons had to prove himself with the pressure of a ticking clock. His...
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...Femininity in Disney film "Alice in Wonderland" Leanne Lo Does 'femininity' show what it means to be as a woman in Disney film? The issue of gender does not necessarily show the original meaning of femininity in the Disney film "Alice in Wonderland" in 2010. This film is an American computer-animated and live action film by director Tim Burton, which gets its ideas from the British novel "Alice's Adventures in Wonderland" by Lewis Carroll in 1865 and its 1871 sequel "Through the Looking-Glass". The story tells about the latest adventure of the main character Alice Kingsleigh to Underland, where she visited thirteen years ago when she was six. At that time the Underland (or Wonderland as Alice calls it) was the White Queen's reign, but now being controlled by her easily-irritated sister the Red Queen who hates animals and uses them as servants. Alice is foretold to be the only one who can slay the dragon-like creature Jabberwocky which is controlled by the Red Queen who terrorizes Underland's inhabitants, and finally with her courage restores the White Queen to power. The film Alice in Wonderland has showed different meaning of femininity by the three main characters Alice, the Red Queen , and the White Queen, who play other than traditional gender roles of women as expected by the society. Like Alice who is brave to confront the society's expectations of a young woman by being strong and courageous to choose her own life. Also, the Red Queen and the White Queen have shown...
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...Cinema of France From Wikipedia, the free encyclopedia See also: French comedy films Cinema of France | Gaumont palace in Paris, c.1914 | Number ofscreens | 5,653 (2014)[1] | Main distributors | Twentieth Century Fox(14.6%) Warner Bros. (9.8%) UGC (6.9%)[1] | Produced feature films (2014)[1][2] | Total | 258 | Animated | 9 (3.49%) | Documentary | 37 (14.34%) | Number of admissions (2014)[1][2] | Total | 208.9768 million | National films | 91.26 million (44.4%) | Gross box office (2014)[1][2] | Total | €1.33 billion | National films | €563.01 million (43.1%) | Cinema of France refers to the film industry based in France. The French cinema comprises the art of film and creative movies made within the nation of France or by French filmmakers abroad. France is the birthplace of cinema and was responsible for many of its significant contributions to the art form and the film-making process itself.[3] Several important cinematic movements, including the Nouvelle Vague, began in the country. It is noted for having a particularly strong film industry, due in part to protections afforded by the French government.[3] Apart from its strong and innovative film tradition, France has also been a gathering spot for artists from across Europe and the world. For this reason, French cinema is sometimes intertwined with the cinema of foreign nations. Directors from nations such as Poland (Roman Polanski, Krzysztof Kieślowski, and Andrzej Żuławski), Argentina(Gaspar...
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...The Unfairness and Vagueness of the MPAA Rating System Many people take notice of a film rating, whether in the theater or on the DVD case. The American culture, especially, relies very heavily on these ratings. Oftentimes, there is almost an incredible amount of trust put in them. But where did this trust come from, and is it really deserved? The Motion Picture Association of America (MPAA) determines the ratings on almost every film that is produced today. Although filmmakers are not required to have a rating attached to their films, the MPAA has great power in its ratings. After a close examination of the MPAA movie rating system, it is clear that there are many flaws both because of its unfair rating of different films and also because of its vague guidelines. Before the MPAA's rating system can be critiqued, it is important to understand society's need for censorship, the difficulty in rating, and the history and past critiques of not only the MPAA's rating system, but the other systems that came before it. It is impossible to look at the rating system without questioning the need for it in the first place. Media censorship is tricky, because it must “protect both free speech and children” (Jordan 235). There is a very tricky balance between these two sides. The American government recognizes the right to free speech. This means that, technically speaking, filmmakers are allowed to be able to express what they want to express in the way that they...
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