...Gian Lorenzo Bernini is considered as a major figure in the Italian architecture and art due to his works that shaped the modern view of sculpturing and architecture. Gian Lorenzo Bernini was the founder of Roman Baroque (Bernini et al. 3). He was an architect, painter, playwright and the most influential artists of the seventeenth century. Bernini is also considered as one of the most creative artists that existed in Europe during that century. Gian Lorenzo Bernini was the father of the most popular and celebrated Roman Baroque style in art that shaped the modern art in many parts of Europe (Bernini et al. 3). The Roman Baroque style quickly spread across Europe after its introduction by the celebrated artist and ended up as the most popular...
Words: 1684 - Pages: 7
...Gian Lorenzo Bernini was widely considered not only one of Europe’s greatest artists, but one of its greatest men. He was a sensational Italian architect and exceptional sculptor and had an eye for great design, this caused him to be a big shot of the art world, with no shortage of commissions or projects. Because of this, he had a large impact on the European culture and other successful artists felt intimidated by his astounding works. These European artists suddenly started to paint amazing things to outperform each other. This impacted the culture because France, England, Italy, Switzerland, Germany and all other European countries’ culture and art consequently started to flourish and grow into something amazing. He was...
Words: 390 - Pages: 2
...Gian Lorenzo Bernini, (born December 7, 1598, Naples, Kingdom of Naples [Italy]—died November 28, 1680, Rome, Papal States), Italian artist who was perhaps the greatest sculptor of the 17th century and an outstanding architect as well. Bernini created the Baroque style of sculpture and developed it to such an extent that other artists are of only minor importance in a discussion of that style. Bernini’s career began under his father, Pietro Bernini, a Florentine sculptor of some talent who ultimately moved to Rome. The young prodigy worked so diligently that he earned the praise of the painter Annibale Carracci and the patronage of Pope Paul V and soon established himself as a wholly independent sculptor. He was strongly influenced by his close study of the antique Greek and Roman marbles in the Vatican, and he also had an intimate knowledge of High Renaissance painting of the early 16th century. His study of Michelangelo is revealed in the St. Sebastian (c. 1617), carved for Maffeo Cardinal Barberini, who was later Pope Urban VIII and Bernini’s greatest patron. A major figure in the world of architecture, he was the leading sculptor of his age, credited with creating the Baroque style of sculpture. As one scholar has commented, 'What Shakespeare is to drama, Bernini may be to sculpture: the first pan-European sculptor whose name is instantaneously identifiable with a particular manner and vision, and whose influence was inordinately powerful...' In addition, he was a painter...
Words: 1522 - Pages: 7
...The Human Figure in Art Student Name University The human figure in art, sculpture and other art forms involves the study and appreciation of the beauty of the human body (Human figure (aesthetics) , 2013). It can involve the body shape, including different postures, such as sitting, standing, sleeping, or even while in motion, walking or running. I think that the human figure is one of the most interesting and beautiful to look at, and it absolutely amazing to look at how much the human figure in art has changed over time. Different cultures believed that the human body was beautiful in different ways. Some show humans in the art as perfect and almost God like, while others show them in a more realistic form. Another amazing part about the human figure is not only are we observing the way a body looks, but also we are feeling the emotions that these characters are portraying. This is what makes human figure so fascinating. In the following essay I will be selecting fifteen examples of the human body in art. One of the oldest sculptures discovered to date, was carved using simple stone tools. It is a tiny limestone figurine of a woman named the Venus of Willendorf. This sculpture was named after its find spot in Willendorf Austria. It is said that the Venus of Willendorf was made anywhere between 28,000 and 25,000 BCE, and the artist is unknown. The sculpture is tiny, and features anatomical exaggeration. It typifies Paleolithic representations of women, whose...
Words: 2590 - Pages: 11
...Gian Lorenzo Bernini and Michelangelo Buonarroti : Compare and Contrast David This paper will focus on Bernini’s and Michelangelo’s work of art called David. The works of both artists are incredible, beautiful, and breathtaking. The works have interpretations of mythologies and Old Testament stories that originated millenniums ago. Both artists had the ability to produce such rich and poignant emotional content; their works are still able to invoke a deeply affecting response in viewers today. Michelangelo was born on March 6, 1475, at Caprese, in Tuscany (Michelangelo). He was the second of five brothers. Michelangelo lost his mother at the early age of 6. After his mothers passing Michelangelo had a neglected childhood. Throughout his childhood he managed to remain quiet and keep to himself. However, the boy was very intelligent and his father recognized this and sent him off to school (Michelangelo). Michelangelo is known as one of the greatest artists of all time. Gian Lorenzo Bernini was born on November 7, 1598 in Naples and thrived as a Baroque sculptor from the approximate age of eight until his death in 1680. The Baroque style Bernini encompassed was an artistic movement inspired by the Catholic Church after the Counter-Reformation. Baroque sculptures provide a range of viewpoints. Bernini’s Borghese works were similar to performances rather than a sculpture frozen in time (Bernini’s Borghese Sculptures: Another View). His influences included Renaissance masters...
Words: 2030 - Pages: 9
...Artists and Artworks from the Baroque Period Nathan Hale American Intercontinental University Abstract The author of this paper examines three works of art from three different artists from the Baroque Period. He compares the different works of art and discusses similarities, differences, and the techniques that were used. The Baroque period ran from 1600 to 1770, Artist of that time used different techniques that were used during the renaissance period to bring drama to art. An immense amount of art in that period shows fantastic energy and emotion. These pieces of art that were designed and created during the Baroque period brought out emotion in the onlookers of the paintings and sculptures. Some of the ways the artist conveyed emotions in their pieces or works is they used dramatic use of light, scale and composition and the curves and the counter curves. The pieces usually hit the onlooker first, by the emotions that were portrayed by the way the artist conveyed his image in his pieces. Michelangelo Merisi da Caravaggios is said to have lived the most dangerous and darkest life of most painters, it is said that he lived his life without any restraints. He painted ordinary people as models and painted them with unforgiving realism. His feeling against tradition gave new meaning to traditional themes in religious painting. In his early painting you can see his full revolt against both mannerism and classicism...
Words: 1099 - Pages: 5
...The Renaissance & Baroque Arts The Renaissance, also known as the period of “rebirth”, directly followed the Middle Ages. Some considered the Renaissance period as a bridge from the “Dark Ages” to the modern era or the “light”. This period in history lasted about four centuries—late 13th century to the early 17th century— featuring “a revival of classical art, literature, philosophy, architecture, and learning” and introduced some of “the finest artists and intellectual achievements in the history of the Western humanities” such as Leonardo da Vinci, Raphael, and Michelangelo Buonarroti (MindEdge, 2013). Renaissance art is traced back to Italy where artists and scholars looked to the ancient Greco-Roman culture for inspiration by reviving the language, values, and traditions that were lost after “the fall of the Roman Empire in the sixth century” (A&E Television Networks, LLC, 2013). Furthermore, Renaissance artists added individuality to their works through portraying “beauty and mystery of the natural world” (A&E Television Networks, LLC, 2013). Most of the art produced during this time showcased religious imagery, completed mostly as Catholic Mass altarpieces. Artists around these times were sponsored by patrons of the arts such as The Catholic Church and affluent families such as the Medici family in Florence. Political permanence, growing wealth, and technological advancements are some of the social conditions that may have contributed to the arts of the Renaissance...
Words: 1100 - Pages: 5
...Jennifer Keefe Professor Mark Moak Art History 1 December 2011 The Life and Times of the Four David Artists Through out the years there were many great artists who created many great works of art, but only four Italian artists really stick out for creating the same piece all with different points of views. These artists were Donatello, Verrocchio, Michelangelo, and Bernini, all of who created a David sculpture. Each one very unique and different. These four artists all stand out in there own individual ways. David who was supposed to be the second king of Israel, killed Goliath with just a sling and a single stone. The story of David and Goliath goes something like this, according to the bible in 1 Samuel 17. “The Philistine army gathered for war against the Israelites. The two armies faced each other on opposite sides of a valley. A Philistine giant named Goliath, would come out in armor and challenge the Israelites to war. The King of Israel who at that time was Saul, and his whole army were scared of Goliath. David who was the youngest son of Jesse, was sent to battle for one simple task, to bring his father back news of his brothers. While there, David heard Goliath shouting and saw the fear that had began to show in the men of Israel. David volunteered himself to fight Goliath, it took sometime for Saul to agree, but finally he gave in. Dressed in his simple tunic, carrying only his staff, slingshot and a pouch full of stones, David approached Goliath...
Words: 2554 - Pages: 11
...Gianlorenzo Bernini was an Italian artist born December 7,1598 in Naples he is considered the greatest sculptor and architect of the 17th century.Bernini created the Baroque style of sculpture and in my opinion definitely mastered this style above any one who may have even attempted before or after his era. Bernini's career began under his father, Pietro Bernini, a Florentine sculptor with some talent nothing in comaparison to Gianlorenzo who moved to Rome.Bernini, “a young prodigy“, soon established himself as a independent sculptor. He was strongly influenced by his studies of antique greek and roman marbles in the Vatican, and he waa also very knowledgable of High Renaissance paintings of the early 16th century. The early works of Gianlorenzo caught the attention of Annibale Carracci, Pope Paul V, Scipione Cardinal Borghese, a member of the reigning papal family, and Pope Urban VIII who turned out to be his greatest patron. While Bernini was under Scipione Cardinal Borghese patronage he carved what is known as his first important life-size sculptural which was in groups like a series that showcased his work in levels of progression. The series begins with Bernini scupltures at a single view of Aeneas, Anchises, and Ascanius Fleeing Troy in 1619 next is Pluto and Proserpina 1621 to 1622 which was a bit more adavnced than the previous sculpture then the hallucinatory vision of Apollo and Daphne which had taken him two years to complete 1622 to 1624 it was created to only be...
Words: 1350 - Pages: 6
...ART 101 ART HISTORY Module 1- CASE The ideology and culture of the Renaissance and Baroque Eras are reflected in artwork from the eras. Renaissance art seems to the moment before an event took place and the Baroque art is characterized by great drama, rich deep color, and intense light and dark shadows. Baroque artists chose the most dramatic point, the moment when the action was occurring. For example Michelangelo designed his David composed and still before he fights against Goliath. In Bernini's David in the Baroque era is caught in the motion of hurling the stone at Goliath. “Baroque art was meant to evoke emotion and passion instead of the calm rationality that had been prized during the Renaissance.” During the Renaissance Era, painters began to enhance the realism of their work by using new techniques in perspective. Their artwork represented three dimensions more realistically. Michelangelo's David was noted to be one of the greatest pieces of art to come from the Renaissance era. The 17 foot statue took Michelangelo almost five years to complete and now stands in the Galeria dell'Academia in Firenze, Italy. Michelangelo's five year of labor and hard work is now considered to be the "poster-child" of the Renaissance Art movement that started in the 14th century and lasted for a couple hundred years. The word Renaissance when used to describe the development of Western Civilization is defined as “rebirth or revival”. The era of Renaissance is considered to be...
Words: 1115 - Pages: 5
...The Baroque Period was the age of reason when minds and imaginations opened up new worlds of scientific knowledge as well as artistic creativity. (Fleming, 75) The Baroque era was a period of opulence and magnificence that gave off a powerful awe inspiring style that was full of flamboyant concepts and overall dramatic quality. From Venice, as well as from Rome and the centers where international mannerism flourished, the roads to Baroque art fanned out in all directions. The style of Baroque art was so diverse that it’s difficult to determine what classifies it as being art of the Baroque era. Although Baroque art has many diverse artistic manifestations there are certain general characteristics that appear in all three types of Baroque art. The Counter Reformation Baroque style focuses on astonishing and overpowering its audience. Art of this time was also enlisted in serving the purposes of the church militant. The Aristocratic Baroque style focuses on glorifying the position and asserting national power and prestige. The last style of the Baroque age, Bourgeois Baroque, was marked by the concentration on down-to-earth common people of the middle class. The individuality of each style of the Baroque period is visibly distinctive, yet similar in their own exclusive approaches. The Counter Reformation art, which focused on the command of the church, was created by the Jesuits in 154. It was also dynamic and religious due to the influence of the church. In Artemisia Gentileschi’s...
Words: 652 - Pages: 3
...SCULPTURE GROUP 5 Renzo Beaver Balberona Dinese Isabel Besa Jean Cheng Mae Anne Dumdumaya Greline Fermiza Katchry Evan Galleto AB POLITICAL SCIENCE 2A JEFFREY BALLARET INTRODUCTION TO HUMANITIES 101 September 19, 2013 Table of Contents Objectives of the Study - - - - - - - 2 SCUPLTURE - - - - - - - 3 MATERIALS AND TECHNIQUES- - - - - - - 3 Carving - - - - - - - 3 Modelling - - - - - - - Objectives of the Study * To further understand the importance of sculpture. * To know more about the different kinds of sculpture. * SCUPLTURE Sculpture (Latin sculpere, “to carve”), three-dimensional art concerned with the organization of masses and volumes. The two principal types have traditionally been freestanding sculpture in the round and relief sculpture. MATERIALS AND TECHNIQUES Sculpture can be made from almost any organic or inorganic substance. It puts together into a beautiful, meaningful shape such materials as wood, stone, metal and other hard materials. The processes specific to making sculpture date from antiquity and, up to the 20th century, underwent only minor variations. These processes can be classified according to materials—stone, metal, clay, and wood; the methods used are carving, modelling, and casting. Carving A procedure dating from prehistoric times, carving is a time-consuming and painstaking process in which the artist subtracts, or cuts away, superfluous material until the desired...
Words: 1065 - Pages: 5
... The Argument 1. Where does this story take place? The story “The Argument” took place on Mars. 2. Why do Blip and Dit-dit argue with each other? Blip and Dit-dit get into an argument because Blip said that there were Earthings on Earth and Dit-dit said that they weren’t any Earthlings which lead to the argument. 3. How do Blip and Dit-dit resolve their conflict? The argument is resolved when they apologized to each other, realizing that their different beliefs should not create conflict amongst their relationship. 4. Do you think that there are really Martians? Why or why not? Martians are not real, we have seen many pictures of Mars and none show sign of life. J.F. Kennedy: Why the Moon? 1. Explain the metaphor in the speech that compares the sea to space. The metaphor that explains the sea to space in J.F.K.’s speech is that this exploration is much like an the sea, they were going into an unknown place the spaceship was the vessel into space as a ship is the vessel to go to sea. 2. Find one example of alliteration in the speech. In JFK’s speech he used alliteration, one example is “feeding the fires of war”. 3. Based on this speech passage, how does President Kennedy view space? JFK views space as a place for knowledge, not war. A place that must be explored and used for the right purpose. 4. Explain what he means when he says, “For space science, like nuclear science and all technology, has no conscience of its own.” When JFK says “For space science...
Words: 557 - Pages: 3
...1. Lorenzo Bernini (1598-1680), a. Rome Apollo and Daphne, 1622-25 i. made for Cardinal Scipio Borghese, (Marble) ii. Palazzo Borghese in Rome. 1. She’s exhausted (looking back) 2. Shows fright in her face 3. In Mid action (run) 4. Detail is shown by the strands of the hair. 5. Smoothness of the flesh (soft polished marble) 6. Her head you can see the individual leaves 7. Pay attention to open & closed space. (where marble is cut out and where it touches) b. Ovid’s Metamorphoses written c. 8 CE c. David iii. (1623-24) 8. In contrast with michaelangelo’s, a. Bernini looks older b. Bernini looks more focused. c. d. Portrait Bust of Cardinal Scipio Borghese iv. 1625, Borghese Rome v. Statue of a man, facial hair mustache and goatee. e. Ecstasy of St. Theresa of Avila vi. (1515-82, canonized 1622) Cornaro Chapel, S Maria dell vittoria, Rome 2. Rembrandt f. Self Portrait vii. 1628-29 9. Can’t see his face due to lighting 10. Can’t read his expression g. Self Portrait with Saskia (Story of the Prodigal Son) viii. 1636 ix. She seems amused, not jovial x. Man looks happy h. Bathsheba xi. 1654 11. Nude Body ...
Words: 266 - Pages: 2
...CHAPTER 19 – Italy and Spain, 1600 to 1700 In the Catholic countries of Europe, the style which started to emerge around 1580 and prevailed to the mid 18th century is known as Baroque. The baroque style is characterized by a return to naturalism accompanied by a theatrical presentation involving intense emotion and an expansion of scale and complexity. Art works often capture a moment in time. Paintings and sculptures break into the space of the viewer. This occurs partly in response to the demands of the Counter-Reformation, the Catholic Church's attempt to stem the impact of the Protestant Reformation. Catholic religious images aimed to ignite the fervor of the people for the Church and its beliefs. Some artists during this period, however, retain a more classical style. Works to identify and know in depth: Artist Title Date Bernini David 1600s (19-7) [pic] Bernini Ecstasy of Saint Theresa 1600s (19-1, 19-8) [pic] Bernini Saint Peter's, Vatican City, Rome 1600s (19-4, 19-5) Caravaggio Conversion of Saint Paul 1600s (19-17) [pic] Artemisia Gentileschi Judith Slaying Holofernes 1600s (19-20) [pic] Velázquez Surrender of Breda 1600s (19-29) [pic] Velázquez Las Meninas (The Maids of Honor) 1600s (19-30) [pic] Questions to prepare for Exam 2 (as well as the 5 numbered questions on study sheet for Ch 14): Which city was the major center for artistic development in the 1600s? Why? Why was the...
Words: 402 - Pages: 2
