...The Power of the Cultural Globalization: Taiwanese Pop Music in China In recent years, much of the most popular music and artists in China and throughout the Chinese-speaking world (Singapore, Hong Kong, overseas Chinese, and, to a certain extent, Malaysia) have come from Taiwan. Even in non-Chinese-speaking countries throughout the Asia-Pacific region (such as Japan, Korea, and Indonesia), Taiwanese pop culture is becoming increasingly trendy and fashionable. This has happened despite significant challenges that Taiwan faces due to its unique political situation and is a testament that the pillar of cultural globalization has to the power to transcend national boundaries. In fact, Taiwan’s success in media and entertainment is bringing Taiwan and China far closer together than political and economic means have over the past six decades. Since China began opening up to the world in the 1980s, mainland Chinese have been more receptive to music from other parts of the Chinese-speaking world, in spite of cultural and political differences. Nowhere is this more obvious than the vociferous consumption of Taiwanese pop culture, particularly its music. According to Baidu, China’s top search engine, 12 of the Top 25 singles in China in December 2007 were from Taiwan, including seven songs in the Top 10. Another seven were by artists from Hong Kong and Singapore. Only eight songs on the list were from mainland artists. One potential reason for this success is Taiwan’s relative...
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...Case study Korean Pop, which is widely known as k-pop is gaining its popularity globally, and the word K-Pop is now recognizable among the global music industry. Many Korean pop singers are known, not only in Korea, or even Asia, but all around the world, such as BigBang, Wondergirls, SNSD, TVXQ, Psy and many more. They are the Korean bands that have been attracting followers from Asia, Europe and America, since the early years. The popularity of Korean contents, also known as ‘Hallyu’, are partly supported by the Korean cultural policy, that has many suggestion in regard to the cultural policy in outskirt countries under globalization. How, the popularity of Hallyu has cultural influence to its neighboring countries and attracted tourism and people to be interested in Korean’s language and culture. Academic Sources 1) Sterger, M.B. 2002. The Academic Debate over Globalization. In Globalism: The New Market Ideology, 17-41. Maryland: Rowman & Littlefield. In this article, Sterger talks about the different dimensions of globalization, which is globalization is an economic process, globalization is a Political process and Globalization is a cultural process. In relation to the case study that was chosen, figured that K-Pop was American cultural hegemony, Although music produced by American remain to still have a powerful presence of cultural in Korea’s music marketplace, its fans show themselves as rebels going further away from the mainstream culture, as foreigners who are...
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...exporter of popular culture.[89] K-pop has been embraced by the South Korean government as a tool for soft power abroad, particularly towards youth.[90] K-pop has come from humble beginnings to gain a huge fan base not just in Asia but also other parts of the world,[91] and is considered by some to be South Korea’s greatest export because of its popularity and growing influence.[73] As South Korea continues to develop its IT infrastructure, K-pop music is being shared over the internet and through mobile devices more rapidly than ever.[92] One of the biggest examples of the globalization of KPOP is the emergence of PSY's "Gangnam Style" on the market. In October 2012, Psy became the first South Korean artist to hit the number 1 spot on top UK charts. Best worldwide selling K-Pop artist is Super Junior, they came noticeable by their songs; Sorry Sorry, Bonamana and Mr.Simple.[93] US President Barack Obama has noted the rapid surge and spread of Korean pop culture. During an official visit to South Korea in March 2012, he praised South Korea’s youth for their tech-savviness and optimism, and remarked[94]: “ It’s no wonder so many people around the world have caught the Korean Wave -- hallyu ” Prior to the rise of social media networks, K-pop concerts and related events outside East and Southeast Asia were mostly unheard of. However, with the growing acceptance of Youtube during the late-2000s as a popular music sharing plattform, K-pop has since become increasingly well...
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...Literature Review -- The Trend of American Pop Music From 1990s to 2000s As the development of globalization, we are getting more and more things from abroad, music, especially American music is a part of which. The United States has produced many popular musicians and composers in the modern world. Beginning with the birth of recorded music, American performers have continued to lead the field of popular music.This article is meant to give you an introduction and explanation of how the American pop music has been developing from 1990s to 2000s and why there is a trend like this. 1. Blues and Jazz Due to the immigration and population movements in history from 18th century to the peak time 1940s, millions of black man was moved or moved out of Africa to American to be cheap labours. During the movement, black music was brought into America and originated jazz and blue genres. 1.1 Blues Black slaves and their descendents created blues while they can adapt chasing and field shouters, turning on their passionate, because of which, blues has a free form as call-and-response vocal music, without the accompany of rhythm music. Led by Robert Johnson, Johnny Winter and many seniors, Bob Dylan is no doubt a representative. His works embodied folk, rock, Blues Retro and many factors. The narrative lyrics and sincere emotion made him popular till now. Moreover, in 1990s,Ben Harper's folk blues style,which actually brought people on the dance floor in small bars, was expressed...
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...339 What Is the K in K-pop? South Korean Popular Music, the Culture Industry, and National Identity John Lie* In the early 2010’s, the expansion of South Korean popular culture around the world is led by popular music, usually known as Kpop. In this paper I seek to answer two questions. First, what are the sources of its success beyond the South Korean national border? Secondly, what does it say about contemporary South Korean society and culture? Key Words: K-pop, Korean Wave, Hallyu, South Korean Popular Culture, Popular Music I. Introduction T he phenomenal success of the Korean Wave has generated collective celebration in South Korea.1 In the early 2010s, the national self* John Lie is C.K. Cho Professor of Sociology at the University of California, Berkeley, U.S.A. He received his Ph.D. in Sociology from Harvard University. His forthcoming books include The Global University and The Consolation of Social Theory. E-mail: johnlie@berkeley.edu. 1. The Korean Wave is the literal translation of the term which originated in China ( ; Hánliú). The first character refers to “Korea” and the second usually evokes “flow” or “current,” signifying “style.” The same Chinese characters KOREA OBSERVER, Vol. 43, No. 3, Autumn 2012, pp. 339-363. © 2012 by THE INSTITUTE OF KOREAN STUDIES. 340 John Lie congratulation is especially manifest for the popularity of South Korean popular music (K-pop), which has spread from neighboring Asian countries, such as Japan and...
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...From dubstep to disco, electronic music is a general class of forefront music that sets a wide mixture of styles. While the greater part consider electronic music as a delayed consequence of the 21st century, in all truth electronic music has been around for fundamentally 50 years. From the undeniable Moog synthesizers of section rock to the driving tunes of commitment of Kraftwerk and Giorgio Moroder, the genuine setting of electronic music, from the mid 1970s to the dubstep, stupor, and house virtuosos of today. Yet electronic music didn't persuade the chance to be unmistakable until the mid 1970s, pros were utilizing electronic instruments as right on time as the 1960s. Component rock get-togethers like Pink Floyd made the extraordinary...
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...Music in western civilization in 20th century Music is defined as sounds that are arranged in a particular pattern in which when played are exciting to hear or listen to. Music is commonly used as a form or relaxation and entertainment. The chronology of music started way back in the period of the medieval times when the chanting was introduced into most of the catholic churches. Music then had moved through the following stages up to until the modern day music (Burkholder, Grout & Palisca 2010, p. 276). It originated in the medieval era then moved to the renaissance, baroque, classical music which ushered in the romantic music which in turn paved way to the modern music and hence the contemporary music of the 20th century. Medieval music traces back to times when music was only done to kings and queens or generally the royal people. It later found its way to liturgical platforms where the music was introduced to the Roman Catholic churches as this time Christianity was real emerging. During this time many musical artists were priests or members of the clergy. As the music entered the renaissance era the printing media had already been established. There emerged a class of composers from the western nations of for instance France Belgium Netherlands etc. Music in this era had become strong with especially the use of instruments. This included the a cappella. As the music moved on to the baroque era it had started to be used to bring a certain mood. The music composers used...
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...Imperialism and Globalization in Pepsi Marketing by Justin Grandinetti The increased speed and flow of information brought about by technology has influenced a massive global culture shift. Two consequences of this increased information exchange are cultural imperialism and globalization. Cultural imperialism is a heavily debated concept that “refers to how an ideology, a politics, or a way of life is exported into other territories through the export of cultural products” (Struken and Cartwright 397). The related concept of globalization “describes the progression of forces that have accelerated the interdependence of peoples to the point at which we can speak of a true world community” (Struken and Cartwright 405). A driving force of both cultural imperialism and globalization are major corporations, many of which are based in the United States. Brands like Pepsi are now known worldwide and not simply confined to one particular country or the western sphere. These global brands can be viewed “as homogenizing forces, selling the same tastes and styles throughout diverse cultures” (Stuken and Cartwright 402). Conversely, viewers in other countries are free to “appropriate what they see to make new meanings, meanings that may be not just different from but even oppositional to the ideologies” of these global advertising campaigns. By analyzing three recent aspects of Pepsi’s “Live for Now” global campaign, I will examine their relationship to cultural imperialism and globalization, as well...
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...the Music Industry As Albert Moran puts it, “film is an economic commodity as well as a cultural good” (Albert Moran, 1996) and therefore, the struggle to dominate the market for films and music has continued for such a long time. These cultural products because of the industrial processes they follow of production, distribution and consumption fall into the category of an industry and are immensely affected by the forces of the market. Distribution is the key factor in determining who would rule the industry as it forms the link between the production of the media goods and their exposure to the target audience. Over the years the cultural industry has evolved imbibing newer technologies and making space for newer companies to make their mark. This process of evolution has been intercepted with changes in its economic and sociological structure owing to the external economic, social and political factors and also technological advancements. Ownership of the media forces to a great extent amounts to a huge control over the global economy and also means greater political and cultural power. Hesmondhalgh, in his book, The Cultural Industries, points out that there has been an "interweaving of change and continuity" in the cultural industry since the 1970s (Hesmondhalgh, 2007). However, this hasn’t ever been a smooth process for the older and established companies who had to face challenges from the new market players. The music industry had to grow from the sheet music days...
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...Brazilian Music’s Influence Around the Globe Music has the ability to influence the lives of so many. This form of popular culture is very underestimated for how impactful it has become. Music has such a big influence on pop culture that it has the ability to break down the invisible boundaries between different cultures. Music acts like an intermediary that brings people together and offers a different way of communicating around the world. Music acts as a symbol and common ground for everyone to turn towards. Brazil has emerged as a country that holds music very highly. Although critiqued a lot of their way of living, Brazilian music has made a direct impact on its nation. Perrone and Dunne state, “Such critiques are part of a process that has generated models for engaging critically and creatively with the musical cultures of other nations, especially those that have exercised disproportionate influence in Brazil during the twentieth century,” (ix). Music has evaded many parts of Brazil’s culture, giving more meaning to national celebrations as well as dances. Most obvious is the nationalization of Brazilian samba, Brazil’s unification through music, and globalization of Brazilian music as a whole. I believe that samba is the greatest type of Brazilian music that has the ability to bring the world together. Samba is a specific type of music that is innovative in such a way no other type of music can. Its way to connect with so many different types of cultures is...
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...Weiqian Li Music 1801W Music, Society, and Culture 12/09/2014 “Little Apple” A Earworm Song in China In this summer, one viral song, “Little Apple,” written by the Chopstick Brothers, become more and more popular overnight in China. Currently, this song has received more than 900 million views, has over 83 million search results, and 280,000 related videos on Youku, which is the China’s largest online Youtube. Some people argue that it is Chinese “Gangnam Style” (Sun). One related video it shows that Chinese paramilitary soldiers are performing a dance of the song “Little Apple” during a show by the local government. On November 24, the South Korea girl pop group T-ara released a remake of the music video of “Little Apple,” and translated most of the words to Korean. On the same day, the Chopstick Brothers performed “Little Apple” at the American Music Awards, where they were awarded the “Best International Music.” “Little Apple” is but one example of a new style of Chinese pop music that has appeared in the last few years. Other examples include “The Most Dazzling Folk Style,” by Phoenix Legend (2012), “So Cool,” by Da Zhang Wei in 2014, CCTV Spring Festival Gala (which is the premier mainland Chinese television event of the Chinese new year), and “Chick Chick,” composed and sung by Rong Wang (2014). These pieces represent a new style of Chinese pop music: “earworm songs.” As Chinese pop music industry, the new trend the style of an earworm song became immensely popular...
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...nations in the present era of globalization? When historians write of the world’s recent history, they are likely to reflect on two trends: the advance of globalization and the spread of democracy. Globalization has been the more contentious, because it has effects both good and bad, and democracy has opened space for people to protest the bad effects. So, controversies rage over the environmental, economic and social consequences of globalization. But there is another domain of globalization, that of culture and identity, which is just as controversial and even more divisive because it engages ordinary people, not just economists, government officials and political activists. Globalization has increased contacts between people and their values, ideas and ways of life in unprecedented ways. People are travelling more frequently and more widely. Television now reaches families in the deepest rural areas of China. From Brazilian music in Tokyo to African films in Bangkok, to Shakespeare in Croatia, to books on the history of the Arab world in Moscow, to the CNN world news in Amman, people revel in the diversity of the age of globalization. American coffeehouse chain Starbucks has begun selling its espresso and food items to ever-increasing number of countries and this way spreading American food habits. It is the first time in human history that virtually every individual at every level of society consciously or unconsciously feels the impact of globalization. He finds it in the media...
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...Culture and Globalization Table of Contents PREFACE ............................................................................................................................................................................... 2 INTRODUCTION ...................................................................................................................................................................... 2 GLOBALIZATION VS. LOCAL CULTURES .................................................................................................................................... 3 THE INFLUENCE OF U.S. CORPORATIONS ON LOCAL MORES ................................................................................................... 3 THE DOMINANCE OF THE AMERICAN MARKET .......................................................................................................................... 4 THE INTEGRATION OF CULTURES ............................................................................................................................................ 6 REAFFIRMATION OF LOCAL CULTURE ...................................................................................................................................... 6 A CLASH OF CIVILIZATIONS?.................................................................................................................................................. 7 CULTURAL IMPACTS OF GLOBALIZATION ....................................................
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...American Humanities Fall 2015 Professor Kim Codella PhD. Office Phone 916-691-7633 Office SOC #128 Office Hours MW 4:30PM-5:30PM TTH 4-5:30PM, online 11-12 pm Friday. codellk@crc.losrios.edu Required Text. The House made of Dawn by N. Scott Momaday. This book is available in the bookstore for you and there is also a copy in the library for your use. In addition there will be weekly online readings in D2L. You must do the required reading to pass the class. Students must attend lectures and take notes. Participation, i.e., your attention is required. Course description: This course examines the arts and ideas taken from the American experience in the 20th century and today. Material covered includes literature, art, music, philosophy and history of the twentieth century. The course draws upon the arts of African American, Native American, Asian American, Anglo and Latino cultures as avenues for understanding issues of ethnicity, class and gender as they intersect with mainstream American values. Course presentation: Lecture, discussion, audio-visual materials and readings from the text, online, and material to be supplied by the instructor. In addition an extra-credit will be offered. Attendance: Required, a student missing more than 5.4 class hours may be dropped from the course (this is four class sessions). Because of the recent budget situation instructors are encouraged to drop students who are not attending class. Basic Rules: Woody Allen...
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...Cultural Theory and Popular Culture Globalization, Mass Media and Culture Table of Contents Globalization, Mass Media and Culture 1 Table of Contents 2 Introduction 3 Modern culture, ideology 4 Globalization 5 Americanization 6 Mass Media and their Impact 7 Globalization, mass media and culture 8 Mass media and globalization 9 Globalization and culture 10 Conclusion 12 My opinion 13 Recommendations 14 List of references 15 Introduction A term globalization was used in 1983 for the first time in a history. Globalization as we know it today started at the beginning of the 20th century. It has an impact on everything and it has changed everything from its core. Economic environment, political environment and regarding to this subject – cultural environment. As everything, it brought both advantages and disadvantages. Looking back in time when this globalization started intensifies rapidly. It evokes a basic question: why did the globalization intensify rapidly? We can consider many reasons, for example lower travel cost, free movement of people, development of technologies, faster data exchange etc. These answers lead me to another possible answer - mass media. Globalization, Americanization or westernization are closely related to the popular culture. As stated in the book ‘There are two things we can say with some confidence about the United States and popular culture. First, as Andrew Ross (1989) has pointed out, ‘popular culture...
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