...ultimate control. In the Greek tragedy Oedipus the King, Sophocles writes about a man who was the victim of such unfortunate fate. Some may argue that as a result of irrational anger and impulsiveness, Oedipus’ tragic flaws, in addition to other decisions he makes throughout the course of his life, Oedipus is a victim of his own hand. However, there are a number of other characters and situations that prove this theory wrong and demonstrate that Oedipus’ tragedy is ultimately a result of fate. Fate...
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...Hamartia in Oedipus the King According to the Aristotelian characteristics of good tragedy, the tragic character should not fall due to either excessive virtue or excessive wickedness, but due to what Aristotle called hamartia. Hamartia may be interpreted as either a flaw in character or an error in judgement. Oedipus, the tragic character in Sophocles’ Oedipus the King, certainly makes several such mistakes; however, the pervasive pattern of his judgemental errors seems to indicate a basic character flaw that precipitates them. Oedipus’ character flaw is ego. This is made evident in the opening lines of the prologue when he states "Here I am myself--you all know me, the world knows my fame: I am Oedipus." (ll. 7-9) His conceit is the root cause of a number of related problems. Among these are recklessness, disrespect, and stubbornness. Oedipus displays an attitude of recklessness and disrespect throughout the play. When he makes his proclamation and no one confesses to the murder of Laius, Oedipus loses patience immediately and rushes into his curse. Later, he displays a short temper to Tiresias: "You, you scum of the earth . . . out with it, once and for all!," (ll. 381, 383) and "Enough! Such filth from him? Insufferable--what, still alive? Get out--faster, back where you came from--vanish!" (ll. 490-492) If an unwillingness to listen may be considered stubbornness, certainly Oedipus would take advice from no one who would tell him to drop the matter of his...
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...make the characters in them tragic heroes. In one of the “earliest surviving works of dramatic theory” of the ancient Greek philosopher Aristotle, he laid out his rules for what is the foundation of a tragedy and a tragic hero. In the play by Sophocles, Oedipus stands out as a classic representation of what a tragedy hero is. Oedipus the book has key aspects that Aristotle said to make a tragedy and a tragic hero. One of the requirements for being a tragic hero according to Aristotle is "a [great] man who is neither a paragon of virtue and justice nor undergoes the change to misfortune through any real badness or wickedness but because of some mistake." There must be some mistake made by the character flaw that causes the great man’s fortunes to turn for the worst. Aristotle felt that there were certain plot devices that needed to take place in order for it to qualify as a tragedy and for the character to really be a tragic hero. Without a tragic hero there cannot be a tragedy happening, plot is a very important point. The plot of a true tragedy should be complex and consist of reversal and recognition. Both of these plot elements are contained within the play Oedipus the King. The play starts out highlighting Oedipus’ character by showing him talking to the grieving citizens in front of his palace. They are praying to the gods to stop the plague that is destroying Thebes. He mourns with his people over the hardships that have befallen the land of Thebes. He tells them...
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...The audience knows the outcome of the story already, but the hero does not, making his actions seem ignorant or inappropriate in the face of what is to come. Dramatic irony plays an important part in Oedipus the King. Its story revolves around two different attempts to change the course of fate: Jocasta and Laius's killing of Oedipus at birth and Oedipus's flight from Corinth later on. In both cases, an oracle's prophecy comes true regardless of the characters' actions. Jocasta kills her son only to find him restored to life and married to her. Oedipus leaves Corinth only to find that in so doing he has found his real parents and carried out the oracle's words. Both Oedipus and Jocasta prematurely exult over the failure of oracles, only to find that the oracles were right after all. Each time a character tries to avert the future predicted by the oracles, the audience knows their attempt is futile, creating the sense of irony that permeates the play. Another feature of a good tragic story is one in which the protagonist is an intelligent person and a good thinker so he may learn from his mistakes. In his search for the truth, Oedipus shows himself to be a thinker, a man good at unraveling mysteries. This is the same characteristic that brought him to Thebes; he was the only man capable of solving the Sphinx's riddle. His intelligence is what makes him great, yet it is also what makes him tragic; his problem-solver's...
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...hero is defined as many things. One who is selfless, one who shows compassion, one who not only leads others into battle but fights alongside them. In the greek parables, The Odyssey, by Homer and in Oedipus Rex, by Sophocles a hero is described as someone who perseveres on even when burdened by the weight of the unknown. The hero of The Odyssey is named Odysseus, a young man who overcame many trials to get back to his home in Ithaca, and the hero of Oedipus Rex is King Oedipus, a ruler who has his people's best interest at heart. The protagonists in these tales are both reputed to have heroic qualities and yet how they dealt with being receptive to new ideas, their humility, and their relationship with a higher power was what led each to...
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...Mike Bozzo Professor Katie Robinson English 102 5 October 2014 The Blame Game The Downfall of Oedipus and Othello Both Othello and Oedipus are dramatic plays of tragic circumstances. Although written at different times and by different types of writers, each play has some of the same elements. Deceit, violence and self-destruction reign throughout. Each features men of great power reduced to nothing. However, the downfall of Oedipus is the work of the gods; the downfall of Othello is self-inflicted. Little is known of Shakespeare’s early life, but by 1592 he was well-established and successful in his vocation.(Folger, xxiii) By the time Othello was first performed, the author was already one of the most popular playwrights of his day and many of his best plays were already behind him.(Folger, xvi) His career spanned about 20 years. (New Folger, xxvi) Othello was composed between 1601 and 1604, with its first performance being in 1604. (Folger, x) The play was very popular and records indicate it remained popular through the seventeenth century. The source of the play was a short story from the Hecatommitchi, a collection of short stories by an Italian named Giovanni Battista Giraldi, published in 1565. (Folger, xi) The specific story is from a section of the collection titled “The Unfaithfulness of Husbands and Wives.”(Folger,xi) The main type of imagery used in Othello is that of animals in action, preying on one another. (Shakespeare’s Imagery, 335) In the play...
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...hero definition and how that applies to the play IV. The big revaltion in the play that Oedipus sees V. Talk about Apollos power and the meaning of that and conclude to paper with that. The first criterion of a Greek tragedy is that the protagonist be a good person; doubly blessed with a good heart and noble intention. Sophocles reveals immediately at the start of the play that Oedipus is such a man. As is common in the Greek tragedy Oedipus is also an aristocrat. Born of the King and Queen of Thebes he is of true nobility. Oedipus on the other-hand believes his parents are the King and Queen of Corinth. Oedipus was abandoned as a baby and adopted by them. Because that information is known to the audience and not to Oedipus prior to the start of the play, it is a perfect example of tragic irony because when he declares that he will find the murderer he is the man that he pursues. Here he is told by Tiresias,” I say you are the murderer you hunt” (1235). The theme of Oedipus the King is not clear-cut. The theme in this tragic play seems to be you can‘t escape your fate. Contentment leads to ignorance as Oedipus lends fate a hand in his bitter end. This trait is touched-on in these lines spoken by Creon. “Look at you, sullen in yielding, brutal in your rage- you’ll go too far. It’s perfect justice: natures like yours are hardest on themselves” (Sophocles 1242-1243). Oedipus is a true hero in the Greek tragedy. He has the fate of the community in his hands along with...
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...Name: Instructor: Course: Date: Arthur, Miller, “Tragedy and Common man” & Aristotle Poetics A tragic hero according Aristotle’s Poetics, is an ideal noble man with a flaw. Oedipus fits into the context of a flawed man, a man with given stature, and catharsis that propel him into a tragic hero. Oedipus as a tragic hero is caring concerned king whom the people trusted and loved. However, his impulsive temper caused him to make mistakes. On, the other, hand, Willie Lowman was a tragic hero as he was ready to lay down his love for the love of his family. Miller gives the flawed sense of a tragic hero in the sense of personal dignity that Lowman is willing to fulfill even in his death. The characteristics that Miller offers in terms catharsis and stature fits Lowman, he involved himself in a car accident so that his son Biff could use the insurance money to start a business and become a successful person in the society. This paper will discuss Willie Lowman, and Oedipus, as tragic heroes based on the stature, tragic flaw, and catharsis in their respective stories. A tragic hero according to Miller is a common person as opposed to the belief that a tragic hero must be a form of a king. He says, “we are often held to be below tragedy or tragedy below us……… that tragedy fits only for the highly placed… where this admission is not made in so many words it is often implied.” A tragic hero, therefore, is a common and both a highly placed person in the society. The belief that...
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...Odeipus “The moment we want to believe something, we suddenly see all the arguments for it, and become blind to the arguments against it”, quoted by George Bernard Shaw illustrates the symbolic use of “eyes”, in the book of Odeipus the King and establishes the irony of clear slight, on how people over look the facts for their well being. The quote explains the overall conflict within the plot. Odeipus refuses to see the wronging of his actions and shoots against it. On several occasions the truth was reveled to Odeipus but yet he continues to stand his ground on his belief. I Odeipus whom all men call the Great (7). This was said from Odeipus himself and the question poses as, what exactly makes him so great and such a leader figure? The people of the town immediately gave Odeipus the role of ruler because of one simple answer from the Sphinx that terrorized the town of Thebes. The symbolic symbol of eyes comes into play in this situation, the town sees Oedipus as a great hero that can never do anything wrong and could fix any problem that set upon their town, but what the town fails to see is the qualifications of what is takes to be a king. They over look the fact that Odeipus simply answered a question that anyone could have answered if they took the time to think about it. The town puts too much thought on the current situation to pass a clear judgment for the future. Another situation that occurred is that the town of Thebes is under going pledge that is killing...
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...but it is important to make connections to something that is. Find meaning in what is taught and interpret the idea, thinking deeply and meaningful about ideas helps discover new learning and interest. Intellect performance shows what we know what we are trying to portray. During the highest peak of the Greek era the society valued body and mind intellect; creating some of the most famous philosophers known to time. Main Ideas and Values of Ancient Greek Civilization Ancient Greek civilization has contributed too many parts of today's society. The teachings and doings of Ancient Greeks have contributed important lessons that many societies still use to base their own laws and ethics on. The Ancient Greeks realized values of loyalty, glory, intelligence and hospitality were important to incorporate into everyday life. Ancient Greek civilization valued dualism, truth and “good society”. Helping your fellow man was an important aspect of ancient Greek society. They offered food, shelter and protection to travelers without question. Loyalty was also embedded in everything the Greeks did. Implementing simple values of loyalty, intelligence, and hospitality into everyday life helped create a strong “good society”; which the Greek valued very much. It is not known why the Greeks felt this way, but with the strong beliefs Ancient Greek had with their gods, it is easy to believe that they did this in practice of...
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...Throughout all of history people have been writing about the temptations of mankind and their rise to glory and honour, which can ultimately lead to their demise. Through the three plays Agamemnon by Aeschylus, Oedipus the King by Sophocles and Hippolytus by Euripides, there are three prevalent themes. These are the role of the gods, the difference between good and evil and human responsibilities. All three of these tragedies reveal the importance of the role the gods play to mankind. The gods have control over mankind and sometimes use them as pawns to achieve their ambitions; the gods also ensure that each individual’s fate is secured. The tragedies also reveal to the audience the difference between good and evil; quite often the individual’s good intentions are misconstrued and in turn cause them to do evil. Another common theme in the tragedies is the responsibility of humanity; although often tempted or controlled by the gods individuals need to learn to control their emotions and take responsibility for their own actions. The role the gods play is an essential part of the Greek tragedies and without them the stories would be drastically different. The role of the gods is to watch over the people and ensure that they fulfill their destiny. In the ancient times, they believed that each person’s life was determined by destiny or fate, which they could not escape; no matter what a person does to avoid their fate, the gods made sure that their destiny was fulfilled. An individual’s...
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...1) What three universal questions are touched upon in the Epic of Gilgamesh? Answer: History tells us that the Mesopotamian people believed that the afterlife held no joy or happiness, only eternal distraught. The story of Gilgamesh is one that touched questions that are still asked today. 1. Does everything a person has accomplished in their lifetime mean nothing once they are dead? 2. Is there an actual point or goal of a human’s life? 3. If there is, by what means can a person gain understanding as to why they are alive. 2) List the six characteristics of civilized societies and of civilizations. According to the text in order for a society to be considered civilized they have to possess certain characteristics such as: 1. They have to appear to have an urban lifestyle which includes the building of permanent housing. 2. A structure of government that has made conformities to political relations. 3. The development of diverse social classes that have different sets of standards from one another by two or more features and these features should be assets and profession. 4. Equipments as well as people with particular skills that allow this society to produce goods and all allow for an increase in manufacturing and trading. 5. Some type of written communication that would allow their society to distribute and maintain information so that it can be passed down to later generations. 6. A system of religious beliefs that is...
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...for political programs. The ancient Greeks valued loyalty, intelligence, family, and glory amongst many other...
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...The Cost of “Free” Will in Oedipus Rex (the King) Perhaps the Greek playwright Sophocles never had the concept of “free will” in mind when writing Oedipus Rex, but the play does allow for that interesting paradox we know today as free will. The paradox is: if Oedipus is told by the gods' oracles that he will kill his father and marry his mother, does he have any power to avoid this fate? That's a basic free will question. If Oedipus manages to avoid killing his father and marrying his mother, he will prove the gods wrong, and the oracle prediction turns out to be no prediction at all. How free can we truly be if created by an all knowing being? If God knows, even at the moment before our births, that we are already destined to ascend to Heaven or burn in Hell, can we move through life making truly free decisions? Or are we always to be viewed as puppets of destiny? Was Adam to be blamed for the fall? Or was that actually God's plan? So what is this idea of "original sin?" Shouldn't we celebrate Adam as a hero for freeing man from the state of unawareness that he lived in until he consumed the sacred pomegranate? Recall that the very first line following Adam and Eve's sin is "And they saw that they were naked." This nakedness is not so much of the body (though early Christians loved to view it that way), but rather a sense of viewing, as Joseph Campbell puts it, "duality," the basic difference between man and woman, right and wrong, and, ultimately, man...
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...Antigone Antigone is very much her father’s daughter, and she begins her play with the same swift decisiveness with which Oedipus began his. Within the first fifty lines, she is planning to defy Creon’s order and bury Polynices. Unlike her father, however, Antigone possesses a remarkable ability to remember the past. Whereas Oedipus defies Tiresias, the prophet who has helped him so many times, and whereas he seems almost to have forgotten his encounter with Laius at the three-way crossroads, Antigone begins her play by talking about the many griefs that her father handed down to his children. Because of her acute awareness of her own history, Antigone is much more dangerous than Oedipus, especially to Creon. Aware of the kind of fate her family has been allotted, Antigone feels she has nothing to lose. The thought of death at Creon’s hands that so terrifies Ismene does not even faze Antigone, who looks forward to the glory of dying for her brother. Yet even in her expression of this noble sentiment, we see the way in which Antigone continues to be haunted by the perversion that has destroyed her family. Speaking about being killed for burying Polynices, she says that she will lie with the one she loves, loved by him, and it is difficult not to hear at least the hint of sexual overtones, as though the self-destructive impulses of the Oedipus family always tend toward the incestuous. Antigone draws attention to the difference between divine law and human law. More than any...
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