...Synopsis Grave of Fireflies is the animated movie between two orphaned children, fourteen year old Seita and his young four year old sister Setsuko who managed to survive during the Kobe fire bombings in the end of the World War two. Themes Every movie is based on some or the other real life instances and movies mainly focuses on a particular point similarly this movie reflects about the result of war or effects on the people due to war, lot of people were dead and many people lost their families. The relationship between Seita and Setsuko is the key theme of the movie. This tells us about how brother Seita took responsibility of his sister Setsuko in spite of the way his aunt treated them after they lost their mother who was badly injured during the fire bombings. The sacred love between brother and sister continues. Characters Seita: The responsibility taken by Seita at a very young age towards his little sister was apparent throughout the movie. His commitments towards his sister even more increased after his mother’s death and the way they were treated by their distant aunt. The caring love he showed to his sister was ultimate; he even carried her on his shoulders when she was unhealthy in spite of fire bombings and difficulties he faced during the bombings. He always tried to give his best to her. He lonely took his sister to the doctor for the treatment but he could not keep her alive as he was not having enough money and the doctor was also not so kind. If he...
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...GRAVE OF THE FIREFLIES Japanese 火垂るの墓 Hepburn Hotaru no haka Directed by Isao Takahata Produced by Toru Hara Written by Isao Takahata Based on Grave of the Fireflies by Akiyuki Nosaka Starring Tsutomu Tatsumi Ayano Shiraishi Yoshiko Shinohara Akemi Yamaguchi Music by Michio Mamiya Cinematography Nobuo Koyama Edited by Takeshi Seyama Production company Studio Ghibli Distributed by Toho Release dates 17 April 1988 Running time 89 minutes Country Japan Language Japanese REVIEW The movie told about world war II. During world war II, Japan and America were enemies. The people were poor and hungry. During events like planes were bombing, the Japanese go to safe houses called shelter that secure them. After bombing there was “black rain”. In the movie the characters Seita and his younger sister Setsuko, must go to the shelter before the planes with bombs will arrived. This gave me knowledge about the happenings during world war II. I only thought before that only our country, Philippines was affected. After the bombing, His mom died because of too much injuries and burns. I felt sad because the main character Seita, saw his mother wearing bandage all over her body and saw her death. Because he wanted to not hurt his sister’s feelings, he kept his mother’s death as a secret. He was such a caring brother. If I was on his feet, I will do the same. Setsuko was such an innocent child. On the other hand his father was a soldier and can’t take care of them. That’s why they went to their...
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...Throughout Isao Takahata’s 1988 Grave of the Fireflies, the audience is exposed to life in Japan during the end of World War II. During the heartbreaking film, the viewers are placed directly in a chaotic environment consisting primarily of cities engulfed in flames or leveled off due to the constant bombardment from American warplanes. Interestingly, the entire film revolves around the physical and mental hardships of Seita and his younger sister, Setsuko. Seita suddenly swaps roles with his father and becomes the sole provider for his new ‘small family’ which only consists of Setsuko and himself. While Seita takes care of Setsuko during these difficult times, he is forced to make certain moral decisions that influence their own survival. These decisions, according to John Stuart Mill, are morally justified as the action creates more pleasure than pain Even though Setsuko is not old enough to take care of herself, Seita treats her as an equal which ultimately adds meaning to his own life. As both of his...
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...“Duck Soup” Critical Analysis: Music and Mirrors What makes an action funny? Is it because there is a major consequence if a person messes up? Is it because the person has been hurt and not seriously? Or is it just the ridiculousness of the situation? These are questions that come up when anyone discusses humor. What exactly makes a situation funny is actually a combination of many factors. The truth is always easily mocked, which is why some comedy acts are so amusing. The Marx Brothers are very capable of doing Everyone has seen the big fuss that is put together whenever a visiting dignitary visits the United States. It is always so formal and stiff. The Marx Brothers turn this whole affair on its head. First, they mock the entrance of the man of honor. In real life the person is on time and makes a stately entrance. Although there is fanfare to welcome Groucho, the man himself is late. He enters, via fireman's pole, and asks what's going on. Then he proceeds to insult everyone there. Usually a real president makes some long-winded speech about how he is going to turn the country around, and rattles off a list of everything he's going to do. Groucho breaks into song about how he's going to completely make everyone's lives miserable. Everyone agrees to what Groucho's planning to do by singing back the lines he just said. This is a great way of poking fun at the government, since half the time it really can't keep every...
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...Film Comparison The power and intrigue of a story is determined by the subject matter, and how that subject matter is presented. People who make films have the freedom to manipulate any story, or subject matter. Films which portray real historical, and personal events need to be viewed with the understanding that the form of the film needs to coincide with the content in order for it to be credible. The film Tarnation is a documentary film about a man’s life. John Caouette combines hours of filmed footage from his life. Home movies, photographs from before he was born, answering machine tapes, snippets of short films, and 1980’s pop culture come together to create a fast paced, unsettling, tragic, and dramatic story. This part documentary, part narrative tells the story of his life, and how every aspect of it was affected by the mental instability that his mother experienced from a very young age. Tarnation deals with the themes of family, rape, child abuse, drug addiction, promiscuity, abandonment, and psychosis. The form of the film takes on a very dramatic, and anxious feel. A lot of the footage is shown in fast and short clips. There are times when videos cut in and out at a speed that relates to which part of John’s life is being portrayed. This diary in the form of a movie is raw and emotional. The chaos, and aggressiveness is portrayed not only through the events in John’s life, but the form of the film. The editing of the footage shown in this movie...
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...World Society in Literature and Film-Japan Asian Studies 0868 Temple University Fall Semester 2015 Dr. P.B. Reagan Class meets Tuesday and Thursday 9:30.A.M.-10:50 P.M. in Ritter Hall 107 Office: 830 Anderson Hall Office Hours: TR 11:00-1:50 P.M. and by appointment E-mail: paul.reagan@temple.edu Course Description and Objective “Learn about a particular national culture-Japanese-by taking a guided tour of its literature and film. Knowledge of Japanese language is not required to take this course. The student will gain the fresh, subtle understanding that comes from integrating across different forms of human expression. Some of the issues that will be illuminated by looking at culture through the lens of literature and film: family structures and how they are changing, national self-perceptions, pivotal moments in history,, economic issues,, social change and diversity…” NOTE: This course fulfills the World Society (GG)requirement for students under GenEd and International Studies (IS)for students under Core. Attributes: Gen ED Global World Society GenEd World Society courses explore societies and cultures outside the United States. These courses take one of two approaches. Some concentrate on a single nation or region, examining in depth its political, social, historical, cultural, artistic, literary, geographic, and economic landscape. Another approach is to investigate globalization and its effects across nations and regions. Goals and Expected...
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...Glory. Three men are sentenced to an execution because their company did not follow orders on a suicide mission. Colonel Dax is horrified at the idea of men being chosen at random for not wanting to die. Dax is in a higher position than the men who were killed and yet does everything in his power to allow justice for the men. Dax’s defiance against the war and the act of him resigning falsifies the idea of trivialization so insistent within the film. This idea of war being manageable was especially difficult for children during the time. During an American firebombing in World War Two, siblings Seita and Setsuko are forced to steal and give up everything they have to keep the other alive. The wholehearted love and sacrifice shown in Grave Of The Fireflies proves above anything war can not deprive people of their humanness. Man, woman, and child love easy. They must rely on one another for everything and therefore their lives become intertwined. People are born in that manner and it is difficult to tear away this basis of humanity. When pain and sorrow strike there is no better example of the hurt than war. Conflict is a time when humans need bonded compassion most so it is no surprise when this is how humans are built to react. ...
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...research http://web.ebscohost.com/ehost/detail?sid=cafb39b7-be23-4f8c-b773-2be0302b56e4%40sessionmgr104&vid=1&hid=117&bdata=JnNpdGU9ZWhvc3QtbGl2ZQ%3d%3d#db=tfh&AN=53475373 ANIME GOES MAINSTREAM. Princess Mononoke, Akira, and Cowboy Bebop may not be household names here. But in the world of anime, or Japanese animation, they're among the top 10 films ever made. You've seen it-colorful cartoon characters with big eyes, spiky hair, and small mouths. And you've probably heard about it-Hayao Miyazaki's latest film, Ponyo, was the ninth highest-grossing film in this country on its opening weekend last summer. With its complex plots and moral messages, anime is as intelligent as some of the best feature films. Take Grave of the Fireflies, written and directed by Isao Takahata. According to film critic Roger Ebert, it's one of the most powerful anti-war movies of all time. Or Paprika, directed by Satoshi Kon and animated by Madhouse Studios, a visual masterpiece where reality and dreams collide. From the epic fantasy Ninja Scroll and the cyberpunk Ghost in the Shell to the sci-fi romance The Girl Who Leapt Through Time, anime has something for everyone, whether it's romance, action, fantasy, adventure, or mystery. No wonder its gone mainstream, with thousands of young fans flocking to anime conventions across the country and teens from all socioeconomic and racial backgrounds trading cards, collecting art, and, of course, watching it on TV, DVDs, and the big screen...
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...The Witch By Edilberto K. Tiempo When I was twelve years old, I used to go to Libas, about nine kilometers from the town, to visit my favorite uncle, Tio Sabelo, the head teacher of the barrio school there. I like going to Libas because of the many things to eat at my uncle’s house: cane sugar syrup, candied meat of young coconut, corn and rice cakes, ripe jackfruit, guavas from trees growing wild on a hill not far from Tio Sabelo’s house. It was through these visits that I heard many strange stories about Minggay Awok. Awok is the word for witch in southern Leyte. Minggay was known as a witch even beyond Libas, in five outlying sitios, and considering that not uncommonly a man’s nearest neighbor was two or three hills away, her notoriety was wide. Minggay lived in a small, low hut as the back of the creek separating the barrios of Libas and Sinit-an. It squatted like a soaked hen on a steep incline and below it, six or seven meters away, two trails forked, one going to Libas and the other to Mahangin, a mountain sitio. The hut leaned dangerously to the side where the creek water ate away large chunks of earth during the rainy season. It had two small openings, a small door through which Minggay probably had to stoop to pass, and a window about two feet square facing the creek. The window was screened by a frayed jute sacking which fluttered eerily even in the daytime. What she had in the hut nobody seemed to know definitely. One daring fellow who boasted of having gone...
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...*DEMONS When the days are cold And the cards all fold And the saints we see Are all made of gold When your dreams all fail And the ones we hail Are the worst of all And the blood's run stale I wanna hide the truth I wanna shelter you But with the beast inside There's nowhere we can hide No matter what we breed We still are made of greed This is my kingdom come This is my kingdom come When you feel my heat Look into my eyes It's where my demons hide It's where my demons hide Don't get too close It's dark inside It's where my demons hide It's where my demons hide At the curtains call It's the last of all When the lights fade out All the sinners crawl So they dug your grave And the masquerade Will come calling out At the mess you've made Don't wanna let you down But I am, hell bound Though this is all for you Don't wanna hide the truth No matter what we breed We still are made of greed This is my kingdom come This is my kingdom come When you feel my heat Look into my eyes It's where my demons hide It's where my demons hide Don't get too close It's dark inside It's where my demons hide It's where my demons hide They say it's what you make I say it's up to fate It's woven in my soul I need to let you go Your eyes, they shine so bright I wanna save that light I can't escape this now Unless you show me how When you feel my heat Look into my eyes It's where my demons hide It's where my demons hide Don't get too close It's light...
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...Running Head: JAPANESE ANIMATION 1 LIBERAL ARTS JAPANESE ANIMATION 2 Probably all have ever seen or just heard about the anime. Everyone remembers the characters that differ colored hair and big round eyes. Works such as Sailor Moon, Dragonball Z, Gundam Wing, and of course Pokémon are a cult of its genre. I'm sure many have seen these cartoons, but never thought about what they are and who made them. I remember when I was a kid watching Pokémon after school and could not have imagined that the same Looney Tunes are completely different things. In my mind there was only one question: "Why their eyes so big?" Where did all these cartoons come from? To find the answer one must look no further than in Japan, the birthplace of Japanese animation, and the main source for all of this madness. Japanese animation, also known as anime (pronounced "ani-may"), is a popular form of animation in Japan, which is quickly spreading in the world. The major difference between anime and American cartoons is that unlike American cartoons, which are only watched by children, anime is popular among the Japanese adults and is watched by millions. The audience is not merely directed to children but to teens and adults as well. The same applies to Japanese comics known as manga. The origins of Japanese animation art are in the cultural traditions of this nation. Despite the nearly century-long period when the animation as an element of contemporary...
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...A Brief History of Anime Michael O'Connell Source: Otakon 1999 program book Early Days At the beginning of the 20th century, Japanese graphic artists began to feel the influence of two very powerful Western inventions: the newspaper comic strip and the motion picture. With its word balloons and linear story-line, the comic strip provided Japanese story-tellers with a structure that was readily accessible to the masses. Soon, popular cartoonists like Rakiten Kitazawa and Ippei Okamoto were producing their own serialized newspaper prints. These would eventually contribute to the development of the modern Japanese comic book or "manga" In 1914, cartoonists were among the first Japanese artists to experiment with animated motion pictures. Japan's first world-wide success was Kitayama Seitaro's short film Momotaro(1918). Although the Japanese animation industry continued to grow slowly, its one, last pre-war milestone was Chikara To Onna No Yononaka. Appearing in 1932, the short film was the first animated "talkie" in Japanese. Elswhere in the world, the animation industry was not only thriving but breaking new ground. The undisputed leaders in the field were Walt Disney and the Fleisher Brothers. People now forgot what a shock it was for Disney to even consider producing a full-length animated feature. But, when Snow White and the Seven Dwarfs appeared in 1937 to overwhelming popular acclaim, Disney demonstrated that animation could be just as expressive and viable a medium...
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...The history of anime began at the start of the 20th century, when Japanese filmmakers experimented with the animation techniques that were being explored in the West. During the 1970s, anime developed further, separating itself from its Western roots, and developing distinct genres such asmecha and its Super Robot sub-genre. Typical shows from this period include Lupin III and Mazinger Z. During this period several filmmakers became famous, especially Hayao Miyazaki and Mamoru Oshii. In the 1980s, anime was accepted in the mainstream in Japan, and experienced a boom in production. The rise of Gundam, Macross, Dragon Ball, and the Real Robot and space opera genres set a boom as well. The film Akira set records in 1988 for the production costs of an anime film and went on to become a success worldwide. Later, in 2004, the same creators produced Steamboy, which took over as the most expensive anime film. The Super Dimension Fortress Macross also became a worldwide success after being adapted as part of Robotech, and Megazone 23 also gained recognition in the West after it was adapted as Robotech: The Movie.[citation needed] The internet also led to the rise of fansub anime. Spirited Away shared the first prize at the 2002 Berlin Film Festival and won the 2003 Academy Award for Best Animated Feature, while Innocence: Ghost in the Shell was featured at the 2004 Cannes Film Festival. Contents [hide] * 1 First generation of Japanese animators * 2 Second generation of Japanese...
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...Classic Poetry Series Robert Frost - poems - Publication Date: 2004 Publisher: PoemHunter.Com - The World's Poetry Archive "In White": Frost's Early Version Of Design A dented spider like a snow drop white On a white Heal-all, holding up a moth Like a white piece of lifeless satin cloth Saw ever curious eye so strange a sight? Portent in little, assorted death and blight Like the ingredients of a witches' broth? The beady spider, the flower like a froth, And the moth carried like a paper kite. What had that flower to do with being white, The blue prunella every child's delight. What brought the kindred spider to that height? (Make we no thesis of the miller's plight.) What but design of darkness and of night? Design, design! Do I use the word aright? Anonymous submission. Robert Frost www.PoemHunter.com - The World's Poetry Archive 2 A Boundless Moment He halted in the wind, and -- what was that Far in the maples, pale, but not a ghost? He stood there bringing March against his thought, And yet too ready to believe the most. "Oh, that's the Paradise-in-bloom," I said; And truly it was fair enough for flowers had we but in us to assume in march Such white luxuriance of May for ours. We stood a moment so in a strange world, Myself as one his own pretense deceives; And then I said the truth (and we moved on). A young beech clinging to its last year's leaves. Robert Frost www.PoemHunter.com - The World's Poetry Archive ...
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...AS English Language [pic] [pic] [pic] Fiction style models and tasks – 2012/2013 Style Model Workbook Style models are examples of a type of writing used to give you an idea of the features used when adapting a particular style and form. As you will be required to include a fiction and non-fiction annotated style model as part of your coursework folder we have compiled a selection of materials to give you a head start. The two booklets (one fiction, one non-fiction) will contain the type of extracts you should be looking for and the questions that accompany them will help you to annotate the materials appropriately. You will be given some of the extracts to study in class and some to complete as homework tasks. There may be some materials that you haven’t been directed to by your teachers, these will make very good additional preparation and you should look at these in your own time. All the resources, and some additional style models, can be found in the AS Language section of Moodle. AS LANGUAGE COURSEWORK You must keep all work during the production of the coursework in your folder. You will need all drafts and style models for part of your final grade. Criteria • Two pieces of your own writing • Each piece must have a different audience and purpose • You should write with a specific genre in mind • Pieces should be designed with a real publication in mind • Two...
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