...own history as well. The Ancient art period started before 500 B.C with its characteristics were about God, Goddess and Heroes. Women, in ancient Greek and Roman societies, did not have high status and they were considered as properties of men. During that time, woman was just being a wife and being a mother and stayed at home to take care of the house for her man. Women did not have any role in politics therefore they could not vote and they did not have any right for themselves. The roles of women could be learned by reviewing how female figures were created through the ancient Greek and Roman art works. Most of the female figures, in any art work during this period, were either goddess; such as statue of Athena goddess of wisdom,warfare and women's craft, or monsters; such as Sphixn in Greek mythology. Therefore, during the ancient...
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...Vredenburg Myths of the Greek World #3 Assignment In our society the roles and equality of men and women are treated as equal. The norms of men and women have changed through history in the U.S. and in countries around the world. Particularly in the eyes of Greek culture, there are many differences in how they portray men and women. They express their views through their stories of Greek mythology. This is best expressed in the Greek plays and stories such as Sophocles’ Antigone and Oedipus the King. In the story of Antigone and Oedipus theKing, male are predominantly superior to women, yet some of the women in the stories transgressed their roles in society to their own. The roles of women in Greek society were very similar to the roles of women all around the world. Their role in society was to be the care takers and was known as nothing more than a child bearer and object of sex. They were portrayed as weaker and obedient to men. In Sophocles play of Antigone, Antigone’s sister says, "We who are women should not contend with men; we who are weak are ruled by the stronger. . . Pardon me if I obey our rulers since I must" (Sophocles, Antigone 61-66). This shows us how typical women act and believe in Greek society. In Oedipus the King, the inferiority of women is shown through the portrayal of Jocasta, being shown as the weaker sex. As we have learned from history, in these Greek plays, the women were played by men, showing that they did not trust women because of the presumed...
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...undeniable that societies and cultures have structures and roles that are intended to apply to men and women. These gender roles and structures also seem to transcend into the literature of that society and time period respectively. There is a particularly stark contrast in the roles of women between cultures in specific stories. European-centric stories tend to have inverted roles of women in comparison to Native American stories. For example, Theseus, a tale of greek mythology, has strikingly contrastive roles of women when juxtaposed to a book such as Land of the Spotted Eagle that emphasizes women’s roles in Native American stories and culture. These examples, among others highlight differences and make note of similarities. The...
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...disappeared, only leaving fragments of their existence for the rest of modern society to ponder. Only separated by the Mediterranean Sea, approximately 1,599km or 994mi, both the countries of Egypt and Greece were once the heavyweight champions of their era. Although they reside on different continents, these civilizations are more similar than what history may portray them to be. Each civilization holds similar foundations. Egypt and Greece were ahead of their time by giving birth to an evolving society that represented greater gender equality and independence, in a time where it was uncommon in...
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...Power Structures in Greco-Roman Mythology: The Power and the Powerless of Women Introduction Greco-Roman mythology is rich in names, characters, and events. Dozens of gods, goddesses, and mortal women and men participate in a variety of activities that reflect or exemplify behaviors and power relations in Greek and Roman societies. A wealth of literature was written about the relationships between mortals and immortals in Greco-Roman mythology. Much was written and said about the place humans occupy in the complex mythical hierarchies. However, the role and place of women remain the topic of the hot literary debate. In Greco-Roman mythology, the image of woman is always accompanied by the image of slave. Slavery connotations reflect the basic norms of patriarchy that dominated Greek and Roman societies. Like slaves, women were often excluded from the public life and were destined to carry the burden of male discrimination on their shoulders. It would be fair to say, that in Greco-Roman mythology, women (both mortal and immortal) reflect and exemplify the two radical sides of femininity – female subordination and submissiveness to male power, and female rage and monstrousness as a rebel against the existing power and social order in their society. Greco-Roman mythology is an excellent source of knowledge about power relations between men and women. Greek and Roman myths provide abundant information about the place women occupied in their society and the methods they used to...
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... a college graduate, writes, “It is neatly overlooked that myths remain at the center of the bloody stage of modern religious, national, economic or ideological dynamics, not to mention our personal and everyday lives.” (Weaponized.net) Many fail to realize just how large an influence mythology had on peoples everyday lives even when it is right in front of someone’s face in the form of monuments, famous sayings and even brand names many are familiar with. Only a few have seen such connections but that only proves how ingrained such things are into modern society that people don’t even notice them. While some consider mythology quite arcane when in all reality it is quite understandable...
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...The Patriarchal Whip of Religion on Society Stefan Colangelo 212275988 Richard Last HUMA 1110 A Thursday March 17, 2016 Colangelo 2 It is accurate to suggest that gender inequality is an ever present problem in today's society. But in taking a deeper look at the substantial issue, is one of its main sources of instigation from religion? There is imbalance in the way in which men and women are treated and respected in the Bible. And despite the blatancy of this concern, studies conducted on the disparity in religion, culture, and gender are still relatively new. In Mallory Nye's Religion: The Basics, Darlene Juschka comments, "it is evident that some fields of study are less receptive to feminist perspectives...The study of religion has been one of those disciplines." There is a lack of recognition and awareness for the issue, mostly due to androcentrism. Although this will be discussed in further detail later on, it is important to understand this concept as a point of reference. Androcentrism...
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... I browsed over several sections, like the Indian and Native American, but I spent most of my time in the Ancient Mediterranean area, chiefly the section displaying ancient Greek art. My task was to find several different items, each representing an aspect of Greek civilization. After a process of elimination, I chose four items that I felt best depicted the daily lives of Greeks in the past. In this paper I will attempt to briefly identify them. Part I- An item of custom The first item I chose was one that showcased Greek cultural norms. For this I chose a grave stele depicting a small child playing with his pets. According to the museum, this artifact was made sometime around 330 B.C.E., so it is from the transition time between the Classical and Hellenistic Periods. It was found in Athens and the museum identification number is 88.2012. It was donated anonymously (AI info). Relatively intact, the image on its front is very easy to interpret. It is very clearly a young Greek boy, playing with his pet dove and dog. He holds the dove outstretched in his right hand and the dog appears to be jumping towards it, perhaps out of excitement. This stele is about 3-4 feet high and maybe a foot and a half wide. At one point it was painted, because there is a very feint trace of the colors red and blue. In Greek culture, stele had several uses. Some like those of the god Herma, were used as marker points and had information on distances and where you were at the time. Others were decorated...
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...term "mythology" one needs to define the meaning of the word "myth". The word itself comes from the Greek "mythos" which originally meant "speech" or "discourse" but which later came to mean "fable" or "legend". So the word "myth" is defined as a story of forgotten or vague origin, basically religious or supernatural in nature, which seeks to explain or rationalize one or more aspects of the world or a society. Furthermore, all myths are, at some stage, actually believed to be true by the peoples of the societies that used or originated the myth. The definition is thus clearly distinguished from the use of the word myth in everyday speech which basically refers to any unreal or imaginary story. A myth is also distinctly different from an allegory or parable which is a story deliberately made up to illustrate some moral point but which has never been assumed to be true by anyone. Some myths describe some actual historical event, but have been embellished and refashioned by various story tellers over time so that it is impossible to tell what really happened. In this last aspect myths have a legendary and historical nature. Definitions of Mythology The word mythology has two related meanings. Firstly it refers to a collection of myths that together form a mythological system. Thus one can speak of "Egyptian Mythology", "Indian Mythology", "Maori Mythology" or "Greek Mythology". In this sense one is describing a system of myths which were used by a particular society at some...
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...The idealized naked male form that has become the standard for the majority of western art, was developed from Ancient Greeks and their cultural importance surrounding the human form. Based off of the assumption that the development of naturalism occurred with the emphasis on the body and bodily experience, the evolution of the figurative representations of human forms and the meaning behind each component can be traced with the cultural progression. Starting with their adoption from the Egyptians to the canon of Polykleitos, the Greeks centered their art work around the praising of life and the contemporary. Each stage of transition would be influenced by their religious beliefs, societal structure, and the maintaining of roles in society....
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...U MYTHOLOGY U GODS AND GODDESSES IN GREEK MYTHOLOGY Michelle M. Houle Copyright © 2001 by Michelle M. Houle All rights reserved. No part of this book may be reproduced by any means without the written permission of the publisher. Library of Congress Cataloging-in-Publication Data Houle, Michelle M. Gods and Goddesses in Greek Mythology / Michelle M. Houle. p. cm. — (Mythology) Includes bibliographical references and index. Summary: Discusses various Greek myths, including creation stories and tales of principal gods and goddesses. ISBN 0-7660-1408-8 1. Mythology, Greek—Juvenile literature. [1. Mythology, Greek.] I. Title. II. Mythology (Berkeley Heights, N.J.) BL782 .H68 2000 398.2’0938’01—dc21 00-028782 Printed in the United States of America 10 9 8 7 6 5 4 3 2 1 To Our Readers: All Internet Addresses in this book were active and appropriate when we went to press. Any comments or suggestions can be sent by e-mail to Comments@enslow.com or to the address on the back cover. Cover and illustrations by William Sauts Bock CONTENTS Chart of Major Gods and Goddesses . . . . . . . . . . . . . . . . . . . . Preface . . . . . . . . . . . . . . . . . . . . . . . . . . . Map . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 4 6 8 1 2 3 4 5 6 7 8 9 Creation . . . . . . . . . . . . . . . . . . . . . . . . . . 17 The War Between the Titans and the Olympians . . . . . . . . . . . . . . . . . 26 Prometheus and Earth’s First Inhabitants . . . . . . . . . . . ....
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...Kendra Perkins Matt Fox Eng 112 14 December 2011 The Odyssey: Comparison of Genders in Greek Mythology The Odyssey by Homer may be seen by many as a heroic story of a man on his journey home; however, there is an underlying story of the trials in the roles of men and women and the relationships between them. Men and women are portrayed differently in Greece, as in other societies. Men are considered to be the more powerful of the two and are responsible for the protection of their home. Women, on the other hand, are thought to care for the children and are also responsible for the supervision of both the interior and exterior of the home while the men are away. As a man, Odysseus showed great leadership in the war at Troy and was considered the hero at the Trojan War. His wife Penelope, on the other hand, exemplified the role of a woman and leadership in her daily duties of caring for the home and all of their possessions within. In her attempts to do so, she was overcome by suitors and was unable to stop them from partaking of all of their meat and drinks. This essay will explain the underlying roles of men and women in ancient Greece as well as modern day. The beginning of the novel takes place in Ithaka at the home of Odysseus. Suitors have overrun his home in the pursuit of marrying his “widow” Penelope. Telemakhos, son of Odysseus, felt it was a shame that these men would come into their home and eat and drink their house empty. Athena, daughter of Zeus, came to Telemakhos...
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...Rites of Passage Your Name ANT 101 Instructor's Name Date In times we see many different cultures that evolved around the earth and throughout time as well. This paper will examine Native Americans, Greek and the Japanese rites of passage. Ceremonies that mark important transitional periods in a person's life, such as birth, puberty, marriage, having children, and death. Rites of passage usually involve ritual activities and teachings designed to strip individuals of their original roles and prepare them for new roles. The traditional American wedding ceremony is such a rite of passage. In many so-called primitive societies, some of the most complex rites of passage occur at puberty, when boys and girls are initiated into the adult world. In some ceremonies, the initiates are removed from their village and may undergo physical mutilation before returning as adults (Rites of passage,(n.d.). Rites of Passage have been a path of life throughout time and space. Anthropologists have found many differences between cultures but also many similatries. Rites of passage from boy to man or girl to woman are different in some and strange in others. The Native Americans and the Greeks were not the same as the Japanese, but yet believed in some of the same old blood ways. Rites are not taught but learned throughout one’s lifetime. Native Americans had a volatile version of passage. In the earlier years, the Native American boys would play as boys. They would follow fathers and...
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...matriarchal deity that was taken over and transformed by patriarchal culture. It was in “Old” Ancient Greece that Hera was the primary divinity of a matriarchal culture, until the “New” Ancient Greece was founded by the Indo-European Hellenes from the north. It was the Mediterranean pre-Hellenic Greeks that worshiped Hera, and their culture was based around women (Morgan, 2006). Hera was portrayed in the three stages that women experience: the maiden (youth without children or responsibility), the mother (women with children and families in the prime of their lives), and the crone (past mothers who live for themselves once again). There was actually a competitive festival that happened every four years (like a sort of female Olympics) in which women of all ages were divided into three age groups (representing the three stages of Hera) and participated in 160-yard races, bare-breasted and with their hair unbound. There were three winners (one for each age/life stage category) and each winner had the honour of placing a statuette of herself in Hera’s shrine, received an olive crown, and had a share of the cow sacrificed for the festival in the honour of Hera (Morgan, 2006). The pre-Hellenic Greeks worshiped Hera as the Queen of the Heavens, needing the support of no king. Even for the human throne, it was the queen that everyone looked up to, and one only became king by marrying the queen, and it would be their daughter who would be the next queen...
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...into existence. According to Leonard and McClure (2004), human societies began as goddess-oriented and matrifocal (women-centered). Human societies evolved from primitive beginnings to a superior culture system of patriarchy (Leonard & McClure, 2004, p. 104). Although myths may differ from culture to culture, common elements and roles exist in each myth. In today’s society, myths and legends are fantasy-filled tales from ancient societies long gone. Therefore, Team A will describe the elements and functions of goddess myths, and compare two myths of the female divine from different cultures. Second, the team will describe the elements and functions of god myths, and compare two myths of the male divine from different cultures. Last, the team will summarize the elements and functions shared by both divines. According to the euhemerist Gimbutus, goddesses have three basic roles life, death, and regeneration (Leonard & McClure, 2004, p. 114). The goddesses of life are Mother Earth, nature, sea, and universe. These goddesses are nurturers and overseers of security and contentment, prosperity and growth, and creativity and artistry. The mother earth goddesses are creators of earth and universe, such as Gaia of the ancient Greeks, and Tellus of the Romans. These two Earth goddesses gave birth to the sky, mountains, sea, moon, and stars. Some goddesses of life protect the institutions of family and marriage, such as Greek Hera (marriage) and Hestia (hearth), whereas other goddesses...
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