...your text to validate your discussion. Good morning teachers and classmates, the dramatic reading I will be doing today is of Gwen Harwood’s Poem, “Mother Who Gave Me Life” <Read “Mother Who Gave Me Life” (MWGML)> Throughout this poem I think Gwen Harwood explores a universal theme of loss as a distinctive feature throughout her poems, in particular loss of loved ones, which can be valued by contemporary audiences today due to it being an issue that is faced by everybody in their life at some point. When a loved one is no longer part of an individual’s life, one may experience grief and as a result realise the role and importance of that loved one. From my perspective, Harwood presents the concept of loss of loved ones through MWGML with the euphemism “You left the world so”, which highlights that her mother was not only a loss to her life but also a loss to the world, suggesting that she had great value and respect for her mother. There is a similar significance placed on her mother’s life that is stressed with the use of alliteration in “lived nearly thirty thousand days”. This presents the idea that she lived daily as a mother contributing to the lives of her children. Harwood also introduces a cloth motif in her poem, through the line “when she died she was folding a little towel” to highlight the importance of her day to day life. Harwood then sustains this motif later in her poem with “a fabric of marvels”. This motif, combined with “lived nearly thirty thousand...
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...‘Barn Owl’ is a narrative poem written by Gwen Harwood that describes the feelings and emotions a young girl’s experiences while making risky ‘grown up’ decisions. The poem portrays her false layer of maturity slowly peeling away to reveal her innocence as the young girl realises that what she has done was against the will of both the owl and her father and that she now must cope with the punishment of both. Gwen uses multiple poetic devices and uses a narrative writing style to portray the seriousness of the situation and the eventual uncovering of her innocent mind. The poem describes the feeling of life and death and how age and maturity affect the way we deal with it. The poem tells the story of a small child who is transformed from ‘innocent’...
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...Na, na, na, na, na, na, na, na, na, na, na, na Na, na, na, na, na, na, na, na, na, na, na, na Na, na, na, na, na, na, na, na, na, na, na, na Na, na, na, na, na, na, na, na, na, na, na, na If I was a rich girl (na, na) See, I'd have all the money in the world, if I was a wealthy girl No man could test me, impress me, my cash flow would never ever end Cause I'd have all the money in the world, if I was a wealthy girl Think what that money could bring I'd buy everything Clean out Vivienne Westwood In my Galliano gown No, wouldn't just have one hood A Hollywood mansion if I could Please book me first-class to my fancy house in London town All the riches baby, won't mean anything All the riches baby, won't bring what your love can bring All the riches baby, won't mean anything Don't need no other baby Your lovin' is better than gold, and I know If I was rich girl (na, na) See, I'd have all the money in the world, if I was a wealthy girl No man could test me, impress me, my cash flow would never ever end Cause I'd have all the money in the world, if I was a wealthy girl I'd get me four Harajuku girls to (uh huh) Inspire me and they'd come to my rescue I'd dress them wicked, I'd give them names (yeah) Love, angel, music, baby Hurry up and come and save me All the riches baby, won't mean anything All the riches baby, won't bring what your love can bring All the riches baby, won't mean anything Don't need no other baby Your lovin' is better than gold, and...
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...Bob Fosse was born in Chicago, Illinois, United States on September 23, 1987. Fosse began his unusual career as a dancer in the late 1940s, touring with companies of Call Me Mister and Make Mine Manhattan. After playing the lead in a summer-stock production of Pal Joey, then choreographing a showcase called Talent 52, Fosse was given a screen test by M-G-M and went on to appear in the film Kiss Me Kate. This appearance, in a highly original dance number, led to Fosse's first job as a choreographer, the Jerome Robbins-directed Broadway hit The Pajama Game. Soon after, he met the talented dancer Gwen Verdon, and the two proceeded to collaborate on several hit shows, including Damn Yankees, New Girl in Town , and Redhead. He was also frequently sought out as the "doctor" on shows in trouble, especially How to Succeed in Business Without Really Trying and Little Me. Fosse's best collaboration with Verdon, Sweet Charity, demonstrated their perfect compatibility as a creative team and also flaunted his trademark style as a choreographer. Strongly influenced by choreographer Jack Cole, Fosse staged dance numbers that were highly stylized, using staccato movements and erotic suggestion. The "Steam Heat" number from The Pajama Game and "Hey Big Spender" from Sweet Charity were trademark Fosse numbers--jazzy, machinelike motion and cocky, angular, even grotesque poses. He favored style over substance (his patented knee slides and spread-finger hands), and minimalistic costuming (all black...
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...As life goes on I’m starting to learn more and more about responsibility And I realize everything I do is affecting the people around me So I want to take this time out to apologize for things that I've done And things that haven't occurred yet And things that they don’t want to take responsibility for I’m sorry for the times that I left you home I was on the road and you were alone I’m sorry for the times that I had to go I’m sorry for the fact that I did not know That you were sitting home just wishing we Could go back to when it was just you and me I’m sorry for the times I would neglect I’m sorry for the times I disrespect I’m sorry for the wrong things that I’ve done I’m sorry I’m not always there for my sons I’m sorry for the fact that I am not aware That you can’t sleep at night when I am not there Because I'm in the streets like every day I'm sorry for the things that I did not say Like how you are the best thing in my world And how I am so proud to call you my girl I understand that there are some problems And I am not too blind to know All the pain you kept inside you Even though you might not show If I can't apologize for being wrong Then it’s just a shame on me I’ll be the reason for your pain And you can put the blame on me You can put the blame on me You can put the blame on me You can put the blame on me You can put the blame on me Said you can put the blame on me Said you can put the blame on me Said you can put...
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...Response to Harajuku Lovers Ad Most people would describe Stefani having a superb sense of personal style. Although this is true, Stefani has a history of borrowing from other cultures to make up her own style. In the 90’s when her band No Doubt was beginning to be popular on a national level she would sport Bindi’s in music videos and at red carpet events. She was inspired by her bandmate Tony Kanal’s mother who is Indian and would wear them. It’s likely that in the 90’s if you said, “Bindi” one would think of Gwen Stefani before they would think of the Bindi’s symbolism and history. Now when someone says, “Harajuku” you think of Stefani before you think of the Japanese street fashion. Stefani may be appreciative of Harajuku culture (Harajuku Lovers) but she is ignoring how her representation and repackaging of Harajuku style will skew people’s understanding of it. People will understand Harajuku as Stefani presents it not how it actually is. Presenting artifacts of style skews its understanding in the same way that displays of cultural artifacts in museums do. Fusco explores how institutions collections are an expression of Westerners nature as global consumers of the exotic. Through globalization it is not only institutions that are interested in collecting and repurposing artifacts from other cultures, it is artists, companies or anyone looking for an “edge”. Stefani’s use of a subculture as inspiration for a companies identity marginalizes the subculture and makes...
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...which adds to the concept of eventually being the one-stop-shop for customers. They make sure all of their owned and exclusive brands—brands like C9 by Champion, Archer Farms and Cherokee—are priced lower but rival the quality of established national brands (Target Corporation 2012). During 2012, Target continued to embrace the title “purveyor of cheap chic”. Fashion designer Jason Wu offered an affordable limited edition collection of apparel, handbags and scarves. Interior designer Nate Berkus teamed up with Target to offer his exclusive collection of bedding, bathroom and decorative accessories, window treatments and rugs. They also continue to nurture their existing relationships with Liz Lange (maternity wear), Harajuku Mini and Gwen Stefani (children’s clothing) and art supply designer Todd Oldham (Target Corporation 2012). Place: Target has 1,778 stores all across the United States that provide for a diverse group of people (Target Corporation 2012)....
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...Road Not Taken” by Robert Frost and “In the Park” by Gwen Harwood, articulate the feelings associated with either losing an opportunity or one-self. Frost exposes his narrator’s melancholy resignation at the loss of an opportunity while Harwood, on the other hand, reveals the turmoil of a mother as she succumbs to the demands of motherhood. While both poems focus upon the idea of loss they differ in form, circumstance and consequence. The idea of loss is initiated in the opening stanza of “The Road Not Taken” when the narrator expresses sadness at the inability to decide which of the “two roads diverged in a yellow wood,” he should take. Comprehending that he “could not travel both” and metaphorically be “one traveller”, he...
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...Powerful moments of stillness can lead us to a true understanding of self, but to understand who we are we must look at what makes us unique as an individual human being. In Gwen Harwood’s “Alter Ego” she is at peace with the world and lives and breathes music. Her views are often overlooked in modern day society, but she remains true to the fact that she believes that we never really have a full understanding of our identity. Opposing this in Tim Winton’s “Land’s Edge” his true self resides in the ocean, a place where he feels most at home, his Australian coastal background, his main influence of his sense of identity. Both composers examine the moments of stillness in our lives and how it is only then that we truly get a glimpse or a sense of who we are. In “Alter ego” Harwood describes the alter ego as a part of herself...
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...M A G A Z I N E FA L L 2 0 0 2 Volume 20 Number 2 SPANNING THE GLOBE Duke Leads the Way in International Law Teaching and Scholarship inside plus Duke admits smaller, exceptionally well-qualified class Duke’s Global Capital Markets Center to launch new Directors’ Education Institute from the dean Dear Alumni and Friends, It is not possible, these days, for a top law school to be anything other than an international one. At Duke Law, we no longer think of “international” as a separate category. Virtually everything we do has some international dimension, whether it concerns international treaties and protocols, commercial transactions across national borders, international child custody disputes, criminal behavior that violates international human rights law, international sports competitions, global environmental regulation, international terrorism, or any number of other topics. And, of course, there is little that we do at Duke that does not involve scholars and students from other countries, who are entirely integrated with U.S. scholars and students. Students enrolled in our joint JD/LLM program in international and comparative law receive an in-depth education in both the public and private aspects of international and comparative law, enriched by the ubiquitous presence of foreign students; likewise, the foreign lawyers who enroll in our one-year LLM program in American law enroll in the same courses, attend the same conferences...
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...M A G A Z I N E FA L L 2 0 0 2 Volume 20 Number 2 SPANNING THE GLOBE Duke Leads the Way in International Law Teaching and Scholarship inside plus Duke admits smaller, exceptionally well-qualified class Duke’s Global Capital Markets Center to launch new Directors’ Education Institute from the dean Dear Alumni and Friends, It is not possible, these days, for a top law school to be anything other than an international one. At Duke Law, we no longer think of “international” as a separate category. Virtually everything we do has some international dimension, whether it concerns international treaties and protocols, commercial transactions across national borders, international child custody disputes, criminal behavior that violates international human rights law, international sports competitions, global environmental regulation, international terrorism, or any number of other topics. And, of course, there is little that we do at Duke that does not involve scholars and students from other countries, who are entirely integrated with U.S. scholars and students. Students enrolled in our joint JD/LLM program in international and comparative law receive an in-depth education in both the public and private aspects of international and comparative law, enriched by the ubiquitous presence of foreign students; likewise, the foreign lawyers who enroll in our one-year LLM program in American law enroll in the same courses, attend the same conferences...
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...Educational Psychology: Developing Learners This is a protected document. Please enter your ANGEL username and password. Username: Password: Login Need assistance logging in? Click here! If you experience any technical difficulty or have any technical questions, please contact technical support during the following hours: M-F, 6am-12am MST or Sat-Sun, 7am-12am MST by phone at (800) 800-9776 ext. 7200 or submit a ticket online by visiting http://help.gcu.edu. Doc ID: 1009-0001-158C-0000158D Jeanne Ellis Ormrod Professor Emerita, University of Northern Colorado University of New Hampshire ISBN 0-558-65860-1 Boston ● Columbus ● Indianapolis ● New York ● San Francisco ● Upper Saddle River Amsterdam ● Cape Town ● Dubai ● London ● Madrid ● Milan ● Munich ● Paris ● Montreal ● Toronto Delhi ● Mexico City ● Sao Paula ● Sydney ● Hong Kong ● Seoul ● Singapore ● Taipei ● Tokyo Educational Psychology: Developing Learners, Seventh Edition, by Jeanne Ellis Ormrod. Published by Allyn & Bacon. Copyright © 2011 by Pearson Education, Inc. Editor-in-Chief: Paul A. Smith Development Editor: Christina Robb Editorial Assistant: Matthew Buchholz Vice President, Director of Marketing: Quinn Perkson Marketing Manager: Jared Brueckner Production Editor: Annette Joseph Editorial Production Service: Marty Tenney, Modern Graphics, Inc. Manufacturing Buyer: Megan Cochran Electronic Composition: Modern Graphics, Inc. Interior Design: Denise Hoffman, Glenview Studios Photo...
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...Project Management Institute A Guide to the Project Management Body of Knowledge (PMBOK® Guide) – Fifth Edition Licensed To: Jorge Diego Fuentes Sanchez PMI MemberID: 2399412 This copy is a PMI Member benefit, not for distribution, sale, or reproduction. Library of Congress Cataloging-in-Publication Data A guide to the project management body of knowledge (PMBOK® guide). -- Fifth edition. pages cm Includes bibliographical references and index. ISBN 978-1-935589-67-9 (pbk. : alk. paper) 1. Project management. I. Project Management Institute. II. Title: PMBOK guide. HD69.P75G845 2013 658.4’04--dc23 2012046112 ISBN: 978-1-935589-67-9 Published by: Project Management Institute, Inc. 14 Campus Boulevard Newtown Square, Pennsylvania 19073-3299 USA Phone: +610-356-4600 Fax: +610-356-4647 Email: customercare@pmi.org Internet: www.PMI.org ©2013 Project Management Institute, Inc. All rights reserved. “PMI”, the PMI logo, “PMP”, the PMP logo, “PMBOK”, “PgMP”, “Project Management Journal”, “PM Network”, and the PMI Today logo are registered marks of Project Management Institute, Inc. The Quarter Globe Design is a trademark of the Project Management Institute, Inc. For a comprehensive list of PMI marks, contact the PMI Legal Department. PMI Publications welcomes corrections and comments on its books. Please feel free to send comments on typographical, formatting, or other errors. Simply make a copy of the relevant page of the book, mark the error, and...
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...2012 Doing business in a more transparent world C O M PA R I N G R E G U L AT I O N F O R D O M E S T I C F I R M S I N 1 8 3 E C O N O M I E S © 2012 The International Bank for Reconstruction and Development / The World Bank 1818 H Street NW Washington, DC 20433 Telephone 202-473-1000 Internet www.worldbank.org All rights reserved. 1 2 3 4 08 07 06 05 A copublication of The World Bank and the International Finance Corporation. This volume is a product of the staff of the World Bank Group. The findings, interpretations and conclusions expressed in this volume do not necessarily reflect the views of the Executive Directors of The World Bank or the governments they represent. The World Bank does not guarantee the accuracy of the data included in this work. Rights and Permissions The material in this publication is copyrighted. Copying and/or transmitting portions or all of this work without permission may be a violation of applicable law. The World Bank encourages dissemination of its work and will normally grant permission to reproduce portions of the work promptly. For permission to photocopy or reprint any part of this work, please send a request with complete information to the Copyright Clearance Center, Inc., 222 Rosewood Drive, Danvers, MA 01923, USA; telephone: 978-750-8400; fax: 978-750-4470; Internet: www.copyright.com. All other queries on rights and licenses, including subsidiary rights, should be addressed to the Office of the Publisher, The World Bank, 1818...
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...Educational Psychology: Developing Learners This is a protected document. Please enter your ANGEL username and password. Username: Password: Login Need assistance logging in? Click here! If you experience any technical difficulty or have any technical questions, please contact technical support during the following hours: M-F, 6am-12am MST or Sat-Sun, 7am-12am MST by phone at (800) 800-9776 ext. 7200 or submit a ticket online by visiting http://help.gcu.edu. Doc ID: 1009-0001-191D-0000191E DEVELOPING LEARNERS JEANNE ELLIS ORMROD Professor Emerita, University of Northern Colorado EIGHTH EDITION ISBN 1-256-96292-9 Boston Columbus Indianapolis New York San Francisco Upper Saddle River Amsterdam Cape Town Dubai London Madrid Milan Munich Paris Montreal Toronto Delhi Mexico City São Paulo Sydney Hong Kong Seoul Singapore Taipei Tokyo Educational Psychology: Developing Learners, Eighth Edition, by Jeanne Ellis Ormrod. Published by Pearson. Copyright © 2014 by Pearson Education, Inc. Vice President and Editorial Director: Jeffery W. Johnston Vice President and Publisher: Kevin Davis Editorial Assistant: Lauren Carlson Development Editor: Christina Robb Vice President, Director of Marketing: Margaret Waples Marketing Manager: Joanna Sabella Senior Managing Editor: Pamela D. Bennett Project Manager: Kerry Rubadue Senior Operations Supervisor: Matthew Ottenweller Senior Art Director: Diane Lorenzo Text Designer: Candace Rowley Cover Designer:...
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