...“Here There Be Tygers” By Stephen King “Logic will get you from A to Z, imagination will get you everywhere.” (Albert Einstein). This is just one out of Albert Einstein’s many famous quotes about imagination. Einstein was against society and its way to learn and educate children. Now at days society has high expectation that we follow the rules and focus on getting good grades. Yes, knowledge is off cause a good thing and we need that to learn and evolve to be mature adults. Knowledge will get you from A to Z, but imagination can take you wherever you like to go. Off cause we have to follow the set of rules society makes, but that doesn’t give them the right to tell us what to do or interfere in our naturally evolvement. ”Here there be tygers”(1968), is a short story written by Stephen King. The short story is about how a boy’s imagination and free will, can lead a rebellious strike against modern society. The story is narrated from Charles’ perspective and the narrator is a third person, nom-omniscient narrator. The story takes place in the Acorn Street Grammar School. We can’t be sure about the historical time, but two posters on the bulletin board in the hall within the school indicate that the historical time might take place around the 1970’s in USA. The woodsy owl made its first appearance in 1971 and officer friendly was an officer in the U.S Marine Corps who travelled around to schools in the 1960’s to the 1980’s. Within the school, the story especially takes...
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...The poem begins with the speaker asking a fearsome tiger what kind of divine being could have created it: “What immortal hand or eye/ Could frame they fearful symmetry?” Each subsequent stanza contains further questions, all of which refine this first one. From what part of the cosmos could the tiger’s fiery eyes have come, and who would have dared to handle that fire? What sort of physical presence, and what kind of dark craftsmanship, would have been required to “twist the sinews” of the tiger’s heart? The speaker wonders how, once that horrible heart “began to beat,” its creator would have had the courage to continue the job. Comparing the creator to a blacksmith, he ponders about the anvil and the furnace that the project would have required and the smith who could have wielded them. And when the job was done, the speaker wonders, how would the creator have felt? “Did he smile his work to see?” Could this possibly be the same being who made the lamb? The poem begins with the speaker asking a fearsome tiger what kind of divine being could have created it: “What immortal hand or eye/ Could frame they fearful symmetry?” Each subsequent stanza contains further questions, all of which refine this first one. From what part of the cosmos could the tiger’s fiery eyes have come, and who would have dared to handle that fire? What sort of physical presence, and what kind of dark craftsmanship, would have been required to “twist the sinews” of the tiger’s heart? The speaker wonders how...
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...“The Tyger” by William Blake is a lyric poem that depicts the nature of the creator and his creations. The poem is more about the creator of the tyger than it is about the tyger. In contemplating the terrible ferocity and awe-inspiring symmetry of the tyger, the speaker is at a loss to explain how the same God who made the meek, innocent lamb could create a horrifying creature such as the tyger. This essay will provide a detailed analysis of William Blake’s “The Tyger” paying particular attention, firstly to the extended metaphor in stanza’s 2, 3 and 4, secondly, to the poetic significance of repetition, in particular to the phrase “fearful symmetry”, thirdly, to the role that the rhythm and metre play in creating an urgent need to address the succession of the questions and lastly, the evocation of the sublime emotion of terror in Blake’s depiction of the Tyger. Firstly, the extended metaphor in stanza’s 2, 3 and 4, is comparing the creator and his creation of the Tyger to a blacksmith and his creations. A blacksmith that makes use of tools, such as the “Hammer,” “chain,” ”furnace,” and “anvil” in creating objects out of hot metal. The blacksmith represents a conventional image of artistic creation; here Blake applies it to the divine creation of the natural world. This is evident in L5:”In what distant deeps or skies”, refers to an otherworldly (“distant”) place, perhaps a kind of hell (“deeps”) or Heaven (“skies”). The “distant deeps or skies” bring to mind the concept...
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...realm of creation, from monuments of belief to the passing of belief through the written word. Christianity grew out of Judaism with the coming of Jesus Christ. Four Gospels were written as tribute to his life as the New Testament, and, with the combination of the Torah as the Old Testament, the Bible was crafted. The distinction between the Old and New Testaments create very different images of God. In the Old Testament, there is a God a vengeance and power. In the New Testament, God is merciful and full of love. Poets, such as William Blake, Countee Cullen, and Robert Frost have commented on this duality, inscribing their own beliefs onto paper. William Blake shows the contrast in God’s creations through two poems, The Lamb and The Tyger. The Lamb opens with a question: “Little Lamb, who made thee?” The speaker questions the lamb on how it was made, how it obtained its “clothing” of wool and its “tender voice.” In the next stanza, the speaker answers his own question: the lamb’s maker “calls himself a Lamb” and who resembles both the lamb and the speaker, a child. While the child’s question is an innocent one, it resounds as the constant philosophical question of creation that religion tries to explain. In the first stanza where the child poses the question, he approaches a literal lamb that by no means can answer. But by answering his own question, the child expresses a bold and joyful confidence in Jesus Christ as his creator. The lamb is a traditional metaphor for Jesus...
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...Everyone, at some point in their life has asked, “Why am I here? Who made me?” It can even be considered the most controversial question of all time. Existentialism has been a subject of debate and analyzation for as long as people have been able to communicate, and it has been up to literary artists and experts to explore this fascinating topic. At the forefront of the Romantic Period, poet and painter William Blake took it upon himself to apply his philosophical beliefs and religious values in taking on this vast and broad matter. Through his utilization of symbolism and questioning, Blake examines the mysteries of human existence. Before diving into Blake’s works revolving around existentialism, it is of value to take an initial glance at...
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...Literature rarely shows power being used well’ Both Blake’s poetry and Webster’s The White Devil seem to offer only warnings against the immorality of power whenever used. However the term ‘well’ can also be taken to mean effectively, and when interpreted as such it could equally be concluded that the opposite of the statement is in fact true; whilst the powerful often use their position at the cost of others well being, as the statement claims, their effectiveness in doing so; in suppressing those below them, runs parallel. This immoral usage of power to oppress can be seen in Blake’s poetry, specifically in Holy Thursday, both in Songs of Innocence and in Songs of Experience. Here, Blake contrasts the descriptions of orphan’s beneficiaries when, in the Songs of Innocence version, he calls them, “wise guardians of the poor”, to having, “cold and usurious hand”, in the Songs of Experience version. Not only does the language in these sister poems offer a bleak insight into how experience brings an awareness as to the immorality of power, so too does the poem’s opposing structures; whilst the Songs of Innocence version contains regular rhyming couplets throughout its three equal stanzas, the Songs of Experience version contains three irregularly placed rhyming couplets on alternate lines. The effect of the first poem’s structure is that it gives a song-like feel to the reader, whilst the second poem’s broken rhyme scheme reflects the corrupt nature Blake sees and is criticising...
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...Christmas Eve Amera Andersen O Christmas Eve is such a treat Forget the malls and things I dread With Candy dreams and you my sweet The time has come to go to bed Forget the malls and things I dread As we lay down and close our eyes The time has come to go to bed Tomorrow brings a bright surprise As we lay down and close our eyes I reach for you and hold your hand Tomorrow brings a bright surprise It’s perfect now just as we planned I reach for you and hold your hand With Candy dreams and you my sweet It’s perfect now just as we planned O Christmas Eve is such a treat Too Much Love Got too much love, it's bursting out Never have felt so much passion Every woman that I pass on the street I ask if they're looking for action Got bruises all over my face and body Coz some don't find it amusing Thought all the girlies found me stunning Answer's no, you can tell by the bruising The wounds will heal in time, I know But the damage it's done to my psyche Can't be measured, it's crushed my ego A severe disappointment, by crikey Well, I've still got a bunch of P-Soup friends My avatar is some Hollywood dude It gives me a fighting chance with the ladies I'd never post one of me in the nude That surely would chase them away for sure Got bumps in all the wrong places But a heart that's really as big a a pumpkin Sadly I still must wear my braces Creator’s Canvas Felsep The colors caressing each other up high Mixing...
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...The Lamb The poem begins with the question, “Little Lamb, who made thee?” The speaker, a child, asks the lamb about its origins: how it came into being, how it acquired its particular manner of feeding, its “clothing” of wool, its “tender voice.” In the next stanza, the speaker attempts a riddling answer to his own question: the lamb was made by one who “calls himself a Lamb,” one who resembles in his gentleness both the child and the lamb. The poem ends with the child bestowing a blessing on the lamb. The poem is a child’s song, in the form of a question and answer. The first stanza is rural and descriptive, while the second focuses on abstract spiritual matters and contains explanation and analogy. The child’s question is both naive and profound. The question (“who made thee?”) is a simple one, and yet the child is also tapping into the deep and timeless questions that all human beings have, about their own origins and the nature of creation. Yet by answering his own question, the child converts it into a rhetorical one, thus counteracting the initial spontaneous sense of the poem. The answer is presented as a puzzle or riddle, and even though it is an easy one child’s play, this also contributes to an underlying sense of ironic knowingness in the poem. The child’s answer, however, reveals his confidence in his simple Christian faith and his innocent acceptance of its teachings. The lamb of course symbolizes Jesus. The traditional image of Jesus as a lamb underscores...
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...Romancing the Heart The Romantic period was a time when not only the world was changing but also the way people were thinking the writers of the period started writing from a different approach than authors of the past. Romantic period writers took notice of the importance of the individual and the many forms of these experiences connection with nature, embrace of pride, and a rejection of social standards. This essay will focus on connections with nature and the authors of the times who emphasized glory, beauty, and power of the natural world. In the poets of this era there is a development in the works, the celebration of nature for its own sake in doing so the authors have broken with their predecessors. Although writers, such as Dante or Chaucer would have viewed nature as part of God’s creation and a reflection of divine power in the world in regard to its beauty and a reflection of evil in the world in regard to its dangers. As man moves into the modern romantic age the natural world of Europe has changed dangerous border regions and highways have been put under control, making travel safer and easier than ever before leading to new recreational sports such as hiking. Urban cities have grown larger, and that leads many people to desire a return to nature in all its simplicity, it is nostalgia for an old Europe. The perfect example of an author who mixed a desire for simplicity with nostalgia for the past is Williams Wordsworth in Tintern Abbey both these impulses can...
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...Her Fearful Symmetry by Audrey Niffenegger Reading guide About the Book Julia and Valentina Poole are normal American teenagers – normal, at least, for identical ‘mirror’ twins who have no interest in college or jobs or possibly anything outside their cosy suburban home. But everything changes when they receive notice that an aunt whom they didn’t know existed has died and left them her flat in an apartment block overlooking Highgate Cemetery in London. They feel that at last their own lives can begin ... but have no idea that they’ve been summoned into a tangle of fraying lives, from the obsessive-compulsive crossword setter who lives above them to their aunt’s mysterious and elusive lover who lives below them, and even to their aunt herself, who never got over her estrangement from the twins’ mother – and who can’t seem to quite leave her flat.... With Highgate Cemetery itself a character and echoes of Henry James and Charles Dickens, Her Fearful Symmetry is a delicious and deadly twenty-first-century ghost story about Niffenegger’s familiar themes of love, loss and identity. Reviews for The Time Traveler’s Wife ‘The Time Traveler’s Wife is one of those books where you read the first paragraph and you’re hooked – unmissable’ Irish Independent ‘Henry’s journeys back and forth are by turns slapstick noir and unbearably poignant, and Clare’s child and teen narrations disturbingly pitch-perfect. Philosophical speculation occurs in the most unlikely devices and...
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...Tiger, tiger, burning bright In the forests of the night, What immortal hand or eye Could frame thy fearful symmetry? Stanza 1 Summary What immortal being created this terrifying creature which, with its perfect proportions (symmetry), is an awesome killing machine? [pic] 2 In what distant deeps or skies Burnt the fire of thine eyes? On what wings dare he aspire? What the hand dare seize the fire? Stanza 2 Summary Was it created in hell (distant deeps) or in heaven (skies)? If the creator had wings, how could he get so close to the fire in which the tiger was created? How could he work with so blazing a fire? [pic] 3 And what shoulder and what art Could twist the sinews of thy heart? And when thy heart began to beat, What dread hand and what dread feet? Stanza 3 Summary What strength (shoulder) and craftsmanship (art) could make the tiger's heart? What being could then stand before it (feet) and shape it further (hand)? [pic] 4 What the hammer? what the chain? In what furnace was thy brain? What the anvil? What dread grasp Dare its deadly terrors clasp? Stanza 4 Summary What kind of tool (hammer) did he use to fashion the tiger in the forge fire? What about the chain connected to the pedal which the maker used to pump the bellows? What of the heat in the furnace and the anvil on which the maker hammered out his creation? How did the maker muster the courage to grasp the tiger? [pic] 5 When the stars threw down their spears...
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...Romanticism Unshackled: a Study of the Modern Prometheus The most remarkable aspect about Mary Shelley’s Frankenstein is the ability to label the novel in so many different ways amongst many genres, ranging from science fiction, to fantasy, to horror, and have all of them be correct. At such a young age, Mary Shelley constructed a narrative so revolutionary, intricate, and involved that it is still pertinent to be written about in college essays almost 200 years after it was written. As the author, Shelley is often attributed with vast creative intellect, and rightly so, as is evidenced while reading through her novel. It is imperative to recognize, however, just how much influence her colleagues—the Romantic poets—had on the ideas that became manifested in her writing. Frankenstein should bear the title of Romantic literature because the novel embodies trademark Romantic ideas, situations, and characteristics throughout the text. In an attempt to categorize any novel as Romantic, however, one must first attempt to identify what, exactly, makes a work Romantic. A group of poets, including the likes of William Blake, Samuel Coleridge, William Wordsworth, John Keats, Lord Byron and—Mary’s husband—Percy Shelley, who are commonly credited as being the ground-breaking authors of the Romantic movement (Ferguson). A prime example of this method of poetry was introduced in the 1798 collection, Lyrical Ballads. This work, written by Wordsworth and Coleridge, is a compilation...
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...Figures of Speech (Stylistic Devices) What are stylistic devices? In literature and writing, a figure of speech (also called stylistic device or rhetorical device) is the use of any of a variety of techniques to give an auxiliary meaning, idea, or feeling. Sometimes a word diverges from its normal meaning, or a phrase has a specialized meaning not based on the literal meaning of the words in it. Examples are metaphor, simile, or personification. Stylistic devices often provide emphasis, freshness of expression, or clarity. A simile is a figure of speech comparing two unlike things, often introduced with the word "like" or "as". It takes the form of: * X is (not) like Y * X is (not) as Y * X is (not) similar to Y Examples of simile: * He fights like a lion. * He swims as fast as a fish. * He slithers like a snake. * "My dad was a mechanic by trade when he was in the Army, When he got the tools out, he was like a surgeon." What is a metaphor? Unlike simile, metaphor (from the Greek language: meaning "transfer") is language that directly compares seemingly unrelated subjects. It is a figure of speech that compares two or more things not using like or as. In the simplest case, this takes the form: X - is - Y Examples of metaphor: All the world's a stage, And all the men and women merely players; They have their exits and their entrances; (William Shakespeare, As You Like It, 2/7) Example: “Henry was a lion on the battlefield”. This...
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...| ------------------------------------------------- Top of FormQuotation Search by keyword or author: Bottom of Form | * Home * Weblog * Quotes of the Day * Motivational * Author Index * Subject Index * Search * Random Quotes * Word of the Day * Book Reviews * Forums * Links * Your Page * Contribute Quotes * Articles * Mailing Lists * Use our Quotes * About this Site * FAQ * Advertise Here * Contact UsRead books online at our other site: The Literature Page | Quotations by Author Sir Winston Churchill (1874 - 1965) British politician [more author details] | | Showing quotations 1 to 30 of 51 total | Next Page -> | - We have 2 book reviews related to Sir Winston Churchill.A fanatic is one who can't change his mind and won't change the subject. Sir Winston ChurchillA love for tradition has never weakened a nation, indeed it has strengthened nations in their hour of peril. Sir Winston ChurchillAll great things are simple, and many can be expressed in single words: freedom, justice, honor, duty, mercy, hope. Sir Winston ChurchillAlthough prepared for martyrdom, I preferred that it be postponed. Sir Winston ChurchillAn appeaser is one who feeds a crocodile, hoping it will eat him last. Sir Winston ChurchillBroadly speaking, the short words are the best, and the old words best of all. Sir Winston Churchill- More quotations on: [Language] Every day you may make progress. Every step may be fruitful. Yet there...
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