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Nothing Was The Same

Tuscan Leather Furthest Thing Started From The Bottom Wu-Tang Forever Own It Worst Behavior From Time Hold On, We’re Going Home Connect The Language 305 To My City Too Much Pound Cake/Paris Morton Music 2 Come Thru All Me The Motion

1.Tuscan Leather
(A. Graham, A. Palman, N. Shebib, D. W. Foster, L. Thompson-Jenner)
Sandra Gale / EMI Music Publishing (ASCAP), Sandra Gale / EMI Music Publishing (ASCAP), Mavor & Moses Inc. / Kobalt (ASCAP), Warner-Tamerlane Publishing Corp (BMI), Songs Of Universal. Produced by Noah “40” Shebib for Evdon Music Inc. Recorded by Noah Shebib and Noel Cadastre for Evdon Music Inc. Assisted by Luke Leveille, Jeff Crake, Miguel Scott and John Nettlesbey. Recorded at Noble Street Studios, Toronto, ON. Metalworks Studios, Mississauga, ON. Tree Sound Studios, Atlanta GA and Marvins Room, Hollywood, CA. Mixed by Noel “Gadget” Campbell for T.O. Music Group / Evdon Music Inc. at Studio 306, Toronto, ON. Assisted by Lindsey Warner. Background vocals performed by Cappadonna. All instruments by Noah Shebib, Guitars by Adrian “X” Eccleston. Additional drum programming by Matthew “Boi-1da” Samuels and Nineteen85. “Tuscan Leather” contains interpolations from “Serious” written by W. Mcglone & L. Parker. Published by Pop Art Music Div. / Universal Music – Z Tunes LLC (ASCAP). Contains a sample from “I Have Nothing” (David Foster, Linda Thompson) Peermusic III, Ltd. (BMI) by Warner-Barham Music LLC / Songs of Universal, Inc. (BMI) / Warner-Tamerlane Pub. (BMI). Used by permission. All rights reserved. “Tuscan Leather” contains excerpts from “I Have Nothing” as performed by Whitney Houston courtesy of Sony Music Entertainment. Used by permission. Featuring samples from the Curtis Mayfield recording “When Seasons Change (Live)” Produced under license from Rhino Entertainment Company, A Warner Music Group Company.

2.Furthest Thing
(A. Graham, A. Palman, N. Shebib, M. Thomas, A. Eccleston)
Sandra Gale / EMI Music Publishing (ASCAP), Sandra Gale / EMI Music Publishing (ASCAP), Mavor & Moses Inc. / Kobalt (ASCAP), Mavor & Moses Inc. (ASCAP), (SOCAN). Produced by Noah “40” Shebib and Marvin “Hagler” Thomas for Evdon Music Inc. Co-Produced by Jake One for White Van Music LLC. Recorded by Noah Shebib and Noel Cadastre for Evdon Music Inc. Recorded at Metalworks Studios, Mississauga, ON. Mixed by Noel “Gadget” Campbell for T.O. Music Group / Evdon Music Inc. at Studio 306, Toronto, ON. Contains excerpts from Kenza Samir, used by permission. Drum Programming by Marvin Thomas and Jake One, Pianos by Noah Shebib, Guitar by Adrian “X” Eccleston. Replay Musicians: Dalton Tennant, Adrian Bent, G Koop. Background Vocals by Brian Hamilton, Omar Richards, Owen Lee, Deborah Vernal, Jennifer Tulloch, Patricia Shirley and Rachel Craig.

3.Started From The Bottom
(A. Graham, W. Coleman, N. Shebib)
Sandra Gale / EMI Music Publishing (ASCAP), Sandra Gale / EMI Music Publishing (ASCAP), Mavor & Moses Inc. / Kobalt (ASCAP). Produced by Mike Zombie. Additional Production by Noah “40” Shebib for Evdon Music Inc. Recorded by Noah Shebib for Evdon Music Inc. Assisted by Luke Leveille and Noel Cadastre. Recorded at Noble Street Studios, Toronto, ON. Mixed by Noel “Gadget” Campbell for T.O. Music Group / Evdon Music Inc. at Studio 306, Toronto, ON. Assisted by Michael Kalin. All instruments by Mike Zombie. Additional keys by Noah Shebib. Contains samples from the sound recording and composition “Ambessence Piano & Drones” written and performed by Bruno Sanfilippo used under kind permission from Bruno Sanfilippo and ad21music.

4.Wu-Tang Forever
(A. Graham, A. Palman, N. Shebib, J. Rose, D. Coles, R.Diggs, L. Hawkins, J. Hunter, C. Woods, T. Baldursson, M. Bjoerklyn, J. Koduletsch)
Sandra Gale / EMI Music Publishing (ASCAP), Sandra Gale / EMI Music Publishing (ASCAP), Mavor & Moses Inc. / Kobalt (ASCAP), Wolf Tone Publishing (PRS), Universal Music-Careers (BMI), Wu-Tang Publishing Inc. (BMI), VGM Salaoul (ASCAP). Produced by Noah “40” Shebib for Evdon Music Inc. Recorded by Noah Shebib for Evdon Music Inc. Assisted by Luke Leveille and Noel Cadastre. Recorded at Noble Street Studios, Toronto, ON. Mixed by Noel “Gadget” Campbell for T.O. Music Group / Evdon Music Inc. at Studio 306, Toronto, ON. All instruments by Noah Shebib. Contains elements of “Loss Config” performed by Zodiac Beats. Used by Permission. Contains elements of “It’s Yours” written by Coles, Diggs, Hawkins, Hunter, Woods, Baldursson, Bjoerklyn, Koduletsch and published by Universal Music-Careers (BMI), Wu-Tang Publishing Inc. (BMI), VGM Salaoul (ASCAP). Used by permission.

5.Own It
(A. Graham, A. Palman, N. Fisher, A. Proctor, N. Shebib)
Sandra Gale / EMI Music Publishing (ASCAP), Sandra Gale / EMI Music Publishing (ASCAP), EMI Blackwood Music o/b/o Itself If You Need Me, Don’t Leave Me (BMI), The Order Of Music Publishing / Warner Tamerlane Publishing Corp. (BMI), Mavor & Moses Inc. / Kobalt (ASCAP). Composed by Detail. Additional Production by Noah “40” Shebib for Evdon Music Inc. Recorded by Detail, Noah Shebib and Noel Cadastre. Assisted by Gregg Moffet and Travis Sewchan. Recorded at Metalworks Studios, Mississagua, ON. The G.O Studio, Sante Clarita, CA. Mixed by Noel “Gadget” Campbell for T.O. Music Group / Evdon Music Inc. at Studio 306, Toronto, ON. Background Vocals by PARTYNEXTDOOR. Additional keys by Noah Shebib. Contains excerpts from Kenza Samir, used by permission. PARTYNEXTDOOR appears courtesy of OVO Sound / Warner.

6.Worst Behavior
(A. Graham, A. Palman, D. Natche, N. Fisher)
Sandra Gale / EMI Music Publishing (ASCAP), Sandra Gale / EMI Music Publishing (ASCAP), Dahi Productions / Sony / ATV Publishing (SESAC). Produced by DJ Dahi for Dahi Productions. Recorded by Noel Cadastre for Evdon Music Inc. Assisted by Travis Sewchan and Gregg Moffett. Recorded at Metalworks Studios, Mississauga, ON. Mixed by Noel “Gadget” Campbell for T.O. Music Group / Evdon Music Inc. at Studio 306, Toronto, ON. All instruments by Dacoury Natche.

7.From Time (Feat. Jhene Aiko)
(A. Graham, J. Chilombo, N. Shebib, J. Beck)
Sandra Gale / EMI Music Publishing (ASCAP), Universal Music Corp. / Blue Dream Publishing (ASCAP), Mavor & Moses Inc. / Kobalt (ASCAP), EMI Blackwood Music Inc. o/b/o Delabel Editions SARL. Produced by Noah “40” Shebib for Evdon Music Inc. Recorded by Noah Shebib and Noel Cadastre for Evdon Music Inc. Assisted by Travis Sewchan. Recorded at Metalworks Studios, Mississauga, ON and The Yolo Estate, Hidden Hills, CA. Jhene recorded by Brian Warfield and Christian Plata at Fisticuffs Gym, Culver City, CA. Mixed by Noel “Gadget” Campbell for T.O. Music Group / Evdon Music Inc. at Studio 306, Toronto, ON. Background Vocals by Travis Savoury Baka AKA “Not Nice”. All instruments by Noah Shebib, Piano by Chilly Gonzales.

8.Hold On, We’re Going Home (Feat. Majid Jordan)
(A. Graham, M. Maskati, J. Ullman, P. Jefferies, N. Shebib)
Sandra Gale / EMI Music Publishing (ASCAP), Nyan King Music / EMI Music (ASCAP), Mavor & Moses Inc. / Kobalt (ASCAP). Produced by Majid Jordan & Nineteen85, Co-Produced by Noah “40” Shebib for Evdon Music Inc. Recorded at Metalworks Studios, Mississauga ON. Engineered by Noah “40” Shebib & Travis Sewchan for Evdon Music Inc. Assisted by Noel Cadastre & Jeff Crake. Mixed by Noel “Gadget” Campbell for T.O. Music Group / Evdon Music Inc. & Noah “40” Shebib for Evdon Music Inc. All instruments by Jordan Ullman and Paul Jefferies. Additional Keys by Noah Shebib. Background Vocals by Brian Hamilton, Omar Richards, Deborah Vernal, Grace Gayle, Dionne Wilson, Patricia Shirley and Rachel Craig. Majid Jordan appears courtesy of OVO Sound / Warner.

9.Connect
(A. Graham, A. Palman, N. Shebib, R. Brichard, K. Samir)
Sandra Gale / EMI Music Publishing (ASCAP), Sandra Gale / EMI Music Publishing (ASCAP), Mavor & Moses Inc. / Kobalt (ASCAP), WARP, Sandra Gale / EMI Music Publishing (ASCAP). Produced by Noah “40” Shebib for Evdon Music Inc. Co-Produced by Hudson Mohawke Recorded by Noah Shebib for Evdon Music Inc. Assisted by Luke Leveille and Noel Cadastre. Recorded at Noble Street Studios, Toronto, ON. Mixed by Noel “Gadget” Campbell for T.O. Music Group / Evdon Music Inc. at Studio 306, Toronto, ON. Assisted by Lindsey Warner. Background Vocals by Shawn Lawrence and Trae The Truth. All instruments by Noah Shebib. Additional instruments by Hudson Mohawke.

10.The Language
(A. Graham, A. Palman, M. Samuels, A. Ritter, A. Hernandez, B. Williams)
Sandra Gale / EMI Music Publishing (ASCAP), Sandra Gale / EMI Music Publishing (ASCAP), 1damentional Publishing LLC / Sony ATV Tunes LLC (ASCAP), Allen Ritter Publishing (ASCAP), (BMI), Money Mack Music (BMI). Produced by Boi-1da for 1da Boi Productions Inc. Additional production by Allen Ritter & Vinylz for Vinylz Music Group. Recorded by Noel Cadastre and Noah Shebib for Evdon Music Inc. Assisted by Travis Sewchan and David “Gordo” Strickland. Recorded at Metalworks Studios, Mississauga, ON. Mixed by Noel “Gadget” Campbell for T.O. Music Group / Evdon Music Inc. at Studio 306, Toronto, ON.

11.305 To My City (Feat. Detail)(A. Graham, N. Fisher, A. Proctor)
Sandra Gale / EMI Music Publishing (ASCAP), EMI Blackwood Music o/b/o Itself If You Need Me, Don’t Leave Me (BMI), The Order Of Music Publishing / Warner Tamerlane Publishing Corp. (BMI). Composed by Detail. Recorded by Noah Shebib and Noel Cadastre for Evdon Music Inc. and Detail. Assisted by Travis Sewchan and Jeff Crake. Recorded at Metalworks Studios, Mississauga, ON. Mixed by Noel “Gadget” Campbell for T.O. Music Group / Evdon Music Inc. at Studio 306, Toronto, ON.

12.Too Much
(A. Graham, S. Sisay, P. Jefferies, E. Haynie)
Sandra Gale / EMI Music Publishing (ASCAP), Young Turks Music/ Beggars Music (PRS), Nyan King Music / EMI Music (ASCAP), Heavycrate Publishing / Universal Music Corp. (ASCAP). Produced by Nineteen85 and Sampha. Recorded by Noel Cadastre for Evdon Music Inc. Assisted by Travis Sewchan and Gregg Moffett. Recorded at Metalworks Studios, Mississauga, ON. Mixed by Noel “Gadget” Campbell for T.O. Music Group / Evdon Music Inc. at Studio 306, Toronto, ON. All instruments by Sampha and Nineteen85. Contains a sample of “Too Much” by Sampha, originally written & produced by Sampha & Emile Haynie. Engineered & Recorded by Emile Haynie at AKEH, New York, August 2013.

13.Pound Cake/Paris Morton Music 2 (Feat. Jay-Z)

(A. Graham, S. Carter, A. Palman, M. Samuels, N. Fisher, M. Burnett, J. Evans, A. Proctor, D. Coles, R. Diggs, G. Grice, L. Hawkins, Hayes, J. Hunter, R. Jones, Porter, C. Smith, and C. Woods)
Sandra Gale / EMI Music Publishing (ASCAP), Carter Boys / Warner Chappel (ASCAP), Sandra Gale / EMI Music Publishing (ASCAP), 1damentional Publishing LLC / Sony ATV Tunes LLC (ASCAP), EMI Blackwood Music o/b/o Itself If You Need Me, Don’t Leave Me (BMI), Robinson Heart Music Publishing (SOCAN), Reclusive Music Inc. (SOCAN), The Order Of Music Publishing / Warner Tamerlane Publishing Corp. (BMI), Irving Music Irving Music (BMI), Universal Music Careers (BMI) Universal Songs (ASCAP). Produced by Boi-1da for 1da Boi Productions Inc and Jordan Evans for Reclusive Music Inc. Recorded by Noah “40” Shebib and Noel Cadastre for Evdon Music Inc. and Chris Godbey for Side by Side / JVU ent. Assisted by Travis Sewchan and Les Schaeffer. Recorded at Metalworks Studios, Mississauga, ON and Jungle City Studios, New York, NY. Jay-Z appears courtesy of RocNation. Timbaland appears courtesy of Interscope Records. Contains interpolations from “C.R.E.A.M.” written by Coles, Diggs, Grice, Hawkins, Hayes, Hunter, Jones, Porter, Smith, and Woods and published by Irving Music Irving Music (BMI), Universal Music Careers (BMI) Universal Songs (ASCAP). Used by permission. All rights reserved. Contains elements of “Don’t Say A Word” written by Ellie Goulding and Jim Eliot and published by Sony / ATV Music Pub UK. Used by permission. All rights reserved. This track contains a sample of the recording “Don’t Say A Word” as performed by Ellie Goulding. Courtesy of Universal Records under license from Universal Music Enterprises. Used by permission. All rights reserved. Featuring samples from the Jimmy Smith recording “Jimmy Smith Rap” Produced under license from Atlantic Recording Corp., by arrangement with Rhino Entertainment Company, A Warner Music Group Company. Speech sample provided by Christian Rich & Utters.

14.Come Thru
(A. Graham, A. Palman, N. Shebib, N. Campbell)
Sandra Gale / EMI Music Publishing (ASCAP), Sandra Gale / EMI Music Publishing (ASCAP), Mavor & Moses Inc. / Kobalt (ASCAP), Noel Campbell (SOCAN). Produced by Noah “40” Shebib for Evdon Music Inc. Recorded by Noah Shebib for Evdon Music Inc. Assisted by Luke Leveille and Noel Cadastre. Recorded at Noble Street Studios, Toronto, ON and The Yolo Estate, Hidden Hills, CA. Mixed by Noel “Gadget” Campbell for T.O. Music Group / Evdon Music Inc. at Studio 306, Toronto, ON. Background Vocals by PARTYNEXTDOOR. All instruments by Noah Shebib. PARTYNEXTDOOR appears courtesy of OVO Sound / Warner.

15.All Me (Feat. 2 Chainz & Big Sean)
(A. Graham. A. Palman, S. Anderson, T. Epps, D. Weir, L. Willemetz, J. Charles, M. Yvaine)
Sandra Gale / EMI Music Publishing (ASCAP), Sandra Gale / EMI Music Publishing (ASCAP), Sean Michael Anderson Music LLC / Warner-Tamerlane Publishing Corp. (BMI), Ty Epps Music (ASCAP), Sean Michael Anderson Music LLC / Warner-Tamerlane Publishing Corp. (BMI), Universal Music-MGB Songs (SACEM). Produced by Key Wane for Sean Michael Anderson Music LLC. Additional Production by Noah “40” Shebib for Evdon Music Inc. Recorded by Noah Shebib for Evdon Music Inc, Finis “KY” White for KY Recordings LLC and Rob Kinelski. Recorded at Metalworks Studios, Mississauga, ON, Tree Sound Studios, Atlanta GA and 4220 Feng Shui Studios, Los Angeles, CA. Assisted by Noel Cadastre and Maximilian Jaeger. Mixed by Noel “Gadget” Campbell for T.O. Music Group / Evdon Music Inc. at Studio 306, Toronto, ON and Noah Shebib for Evdon Music Inc. at Metalworks Studios, Mississauga, ON. All instruments by Dwane Weir. Contains elements of “My Man” written by Albert Lucien Willemetz, Jacques Charles Maurice Yvain and published by Universal Music-MGB Songs SACEM. Used by permission. “All Me” contains samples from the recording “My Man” performed by Abbey Lincoln from the album “That’s Him !” (OJCCD-085-2) courtesy of Concord Music Group, Inc.

16.The Motion
(A. Graham, N. Shebib, S. Sisay)
Sandra Gale / EMI Music Publishing (ASCAP), Mavor & Moses Inc. / Kobalt (ASCAP), Young Turks Music / Beggars Music (PRS). Produced by Sampha and Noah ”40” Shebib for Evdon Music Inc. Recorded by Noah Shebib for Evdon Music Inc. Assisted by Luke Leveille. Recorded at Noble Street Studios, Toronto, ON. Mixed by Noah Shebib at Metalworks Studios, Mississauga, ON. Assisted by Noel Cadastre. All instruments by Sampha Sisay. Additional Keys and Drums by Noah Shebib.

Executive Producers: Aubrey Drake Graham & Dwayne “Lil Wayne” Carter Cash Money Executive Producers: Ronald “Slim Tha Don” Williams & Bryan “Baby Birdman” Williams October’s Very Own Executive Producers: Noah “40” Shebib & Oliver El-Khatib Young Empire Music Group Executive Producers: Jas Prince & J. Prince Album Producer: Noah “40” Shebib for Evdon Music Inc. A&R: Oliver El-Khatib and Noah “40” Shebib A&R co-ordination: Mr. Morgan for OVO Sound & Adel “Future” Nur Cash Money Records A&R Coordinator: Joshua Berkman DAW Systems Engineer: Les Bateman Album Mixer: Noel “Gadget” Campbell Mastered by: Chris Athens at Chris Athens Masters Management: Oliver El-Khatib & Adel “Future” Nur Legal: Chris Taylor for TKO Lawyers & Theo Sedlmayr for Sedlmayr & Associates Business Management: David Bolno for NKSF Sample Credits: Deborah Mannis-Gardner / DMG Clearances, Inc. Cover Art: Kadir Nelson Art Direction & Design: Isa Saalabi and Donald Hearn

“A lot of people get famous and then don’t want to be famous. You signed up for this you gotta pay for it. A lot of people just don’t know what the price is when they step up to the plate. The wear and tear is not physical. The wear and tear is a mental thing. You really just let go of a lot of relationships that require presence and constant nurturing. You say goodbye to people, people get sick and die when you’re gone, and a lot of things just go by the way side. Then there’s all the strife, and power, and money, and control.” - Ross Valory They'll never truly know but thank you to all who try to understand. Nothing was the same.

This album is dedicated to the memory of Evelyn Sher and Bruce Smith

P&C 2013 Cash Money Records, Inc. Manufactured and Marketed by Universal Republic Records, a Division of UMG Recordings, Inc. 1755 Broadway, New York, NY 10019. Distributed by Universal Music Distribution. All rights reserved.

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..."To His Coy Mistress" is divided into three stanzas or poetic paragraphs. It’s spoken by a nameless man, who doesn’t reveal any physical or biographical details about himself, to a nameless woman, who is also biography-less. During the first stanza, the speaker tells the mistress that if they had more time and space, her "coyness" (see our discussion on the word "coy" in "What’s Up With the Title?") wouldn’t be a "crime." He extends this discussion by describing how much he would compliment her and admire her, if only there was time. He would focus on "each part" of her body until he got to the heart (and "heart," here, is both a metaphor for sex, and a metaphor for love). In the second stanza he says, "BUT," we don’t have the time, we are about to die! He tells her that life is short, but death is forever. In a shocking moment, he warns her that, when she’s in the coffin, worms will try to take her "virginity" if she doesn’t have sex with him before they die. If she refuses to have sex with him, there will be repercussions for him, too. All his sexual desire will burn up, "ashes" for all time. In the third stanza he says, "NOW," I’ve told you what will happen when you die, so let’s have sex while we’re still young. Hey, look at those "birds of prey" mating. That’s how we should do it – but, before that, let’s have us a little wine and time (cheese is for sissies). Then, he wants to play a game – the turn ourselves into a "ball" game. (Hmmm.) He suggests, furthermore...

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Comparing To His Coy Mistress 'And Maarvell Noir'

...The comparison of the tone between two poems "To His Coy Mistress" by Andew Marvell and "Maarvell Noir" by Ann Lauinger. Tone of both poems is romantic because both speakers are talks about thier love and lust towards thier mistress,though, the difference is that in " To His Koy Mistress" the persona truely loves his Mrsstress and it is very romantic. However, in "Maverll Noir" the persona is kind of sarcastic, because at first he shows little romance and care for his wife, but later there is no romantic any longer. He doesnot care about her, while she is in prison, which he says in line 30 to 35, "But Irish bars are more my taste than Iron one: Strips ain't my style." in this point, he is kind of look down on his wife that he does not like...

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Passionate Shepherd to His Love

...Man’s Pursuit of Love “The Passionate Shepherd to His Love” is a pastoral poem that is simple yet idealized. This poem was written by Christopher Marlowe who was an English dramatist. Marlowe is considered to be the father of English tragedy. Christopher Marlowe was the eldest son of a shoemaker and was born on February 6, 1564. Through the entire poem the speaker, who is a shepherd, wants a woman character to come live with him. The speaker goes on to ask her to sit on rocks, and spend time with him. The speaker will make his love gifts and do anything to please her if she will just come live with him. The speaker, form, use of poetic elements, and theme of “The Passionate Shepherd to His Love” will be the main discussion in this analysis. Marlow writes this poem in first person. The speaker, which is the shepherd of “The Passionate Shepherd to His Love” conducts his poem in a very dreamlike way. The shepherd opens with the invitation: "Come live with me, and be my love." He is not asking her to marry him but only to live with him. The offer is simply put and the speaker suggests that the woman should just as easily agree. The shepherd obviously only wants her for a period of time. Knowing this, it may make the woman question whether or not she should get involved with this man. The speaker lives in an ideal society where everything is perfect. The shepherd does not really have a care in the world because he lives in his world of simplicity, beauty, and love. Everything...

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Jb Hi Fi 2013 Fin Report Analysis

...adjust to higher levels of inflation and commodity prices. 2. High market competition The market in which JB Hi-Fi (JBH) operates is a mature industry, thus severe competition exists, due to the high degree of similarity, between JBH and other retailers, such as Harvey Norman, Dick Smith and The Good Guys. Although, JBH has maintained its market leading position, its ability to gain may be limited when other competitors take actions to fight for market shares, for example, JBH experienced high level of unstable discounting in the 2012 financial year. 3. Over-reliance on certain suppliers or products Diversity and innovation are highly valued in JBH, which are embodied in the way that JBH doing business. Nevertheless, evidence shows that, during the financial year of 2013, there was over-reliance on certain suppliers or products, which is not vital for the business development if the company continues following this approach. 4. E-commerce JBH is taking the advent of e-commerce with a quality online offer. However, security issues has always been integrated with e-business such as identity theft, dissemination of confidential information and other forms of deception. Additionally, after-sales service can be an issue for all the online sales. Therefore, the e-commerce may involve potential business risk. Q2- Laws and Regulation applicable to JB Hi-Fi • Competition and...

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The Passionate Shepherd To His Love And The Nymph's Respond

...The two poems, The Passionate Shepherd to His Love and The Nymph’s Respond to the Shepherd are two poems that have to do with love, nature, time, and materialistic items, but they each have different views of the topic. The poem the Shepherd has a keen view of love that lasts forever, “The shepherds’ swains shall dance and sing, For thy delight each May morning” (v. 21-22). The shepherd believes that love is forever like the nature and the seasons. The shepherd also has a materialistic view on love, “A gown made of the finest wool, Which from our pretty lambs we pull; Fair lined slippers for the cold, With buckles of the purest gold” (v.13-16). Materials are used as tokens of love in the shepherd’s eyes. The shepherd wants to live in the moment and not think about the future when it comes to love and the way he feels, “For thy delight each May morning: If these delights thy mind may move, Then live with me and be my love” (v.22-24), this also shows that...

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Hi Hi Hi Hi

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