High Noon’s Political Ideology It is now lucid that the classic cinematic High Noon, written by Carl Foreman, was intended to underscore the popular political culture of the Cold War. Will Kane, the protagonist, had an issue that mirrored the predicament of American citizens were compelled to testify before The House Un-American Activities Committee (HUAC). The provoking screenplay consisted of themes that directly linked to certain political aspects of the Cold War. Such themes were the characters themselves, the threatening of individual liberty, and the fear that deeply encompassed the characters. The characters in High Moon are a theme due to the fact that they depict real aspects that were profoundly evolved in the bitter years of the Cold War. For instance, Will Kane represented the righteous man who was willing to stand up to transgressors. In this sense, Kane depicted the role of United States during the Cold War. The United States primary enemy during the Cold War was communism, no matter who pursued it. Kane did all that he could in order to defeat Miller and his gang. Consequently, it could be reasonably deducted that the gang in this case represents communism. Also, given the previous roles assigned, the townspeople of Hadleyville play the role of the United Nations that is too coward to take action against the evils of communism. So basically, the townspeople abandon Kane on his journey to defeat the gang is the same ideology as the UN refused demolish communism. The reason the Hadleyville townspeople strongly refuted Kane’s proposal to fight the gang is their overwhelming fear. The people were scared of standing up to such skilled gang members who had guns and warlike astute. This phenomenon illustrated the United Nations position when communism was expanding across many countries and imposing its undemocratic policies. Fear what this