...I recently read the article “Black culture beyond hip hop,” by Thomas Chatterton Williams. Reading this article confirms that the theme is blacks tend to rely heavy on hip hop and it is destroying the youth. Hip hop dictates how most carry themselves. Many people focus on how real they want to be or trying to be cool which hip hop has major influences on children and teens. After reading this article, a problem that I seen developing was how they are believing hip hop only has an impact on African American culture. Not only does it impact African American culture, it also has an impact on American culture in general. Normally we see how hip hop stars are living and how they rap about the fancy houses and cars. Some rap about the strippers,...
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...Hip-hop culture is everywhere. The culture, which encompasses rapping, deejaying, break-dancing and graffiti-writing, has become so popular that it has entered mainstream fashion and modern language. It doesn't stop there. The culture permeates everything from TV commercials to toys to video games. Currently, there is even a hip-hop exhibit at the Brooklyn Museum of Art. You name it, and hip hop is there representing. However, hip hop's most potent form is its rap music--embraced by urban Blacks and suburban Whites alike. It is raw self-expression that sometimes features profane lyrics, misogyny and violence. The music, along with rap videos that often present a disturbing mix of rap, hip-hop dance styles, fashion and language, leave many people asking: Is hip-hop culture harming our youth" "The hip-hop culture is just like electricity," civil rights leader the Rev. Al Sharpton told JET. "It can be used negatively or positively. The same electric current that lights up your house can also electrocute you. It is the misuse of hip-hop culture to attack our women and promote violence. We must encourage the proper use of hip-hop culture. We are all influenced by the hip-hop generation." Sharpton, who recently hosted a special summit on social responsibility in the hip-hop industry, labeled gangsta rappers "well-paid slaves." Advertisement "Don't let some record executive tell you that cursing out your mama is in style. Anytime...
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...Hip-Hop and Its Impact on America Erick Acosta U.S History II Honors Period 4 Mr. Pannone May 4, 2009 Hip Hop and Its Impact on America Hip-Hop is one of the genres most criticized by America. Many people thought that Hip-Hop would fade away soon after it was introduced in the late 70s. These people were wrong because over 25 years have passed and Hip-Hop is now very popular in American culture. Hip-Hop has grown a great deal since its beginnings in south Bronx. Now Hip-Hop and rap music can be found anywhere from CDs, television shows, advertisements, and the internet. This shows how big of an impact it has on America and American music. A brief history shows Hip-Hop’s achievements and milestones. Hip-Hop is divided into two: the DJ and the MC. The DJ: Hip Hop began in South Bronx during the late 1970s. It arose when block parties were common in New York City. Deejays would use a technique to isolate the percussion breaks in songs. They did this because they knew that these percussion breaks would be easier to dance to (Hip-Hop music, par 5). This technique was very much seen in Jamaica and was brought to New York by DJ Kool Herc. DJ Kool Herc from Jamaica was known as the father of Hip-Hop. There were other Deejays that contributed to the expansion of Hip-Hop. These Deejays were DJ Hollywood, who invented the term Hip-Hop, and Grand Wizard Theodore, who invented scratching. Scratching is a technique used by deejays to produce distinctive sounds by moving a vinyl...
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...The Transformation of Hip-Hop African American playwrights are writing about difficult topics that affect the hip-hop generation. In this paper, I will focus on the transformation of hip –hop through theatre in the work of Robert Alexander, A Preface to the Alien Garden, and the work of Kamilla Forbes, A Rhyme Deferred. These playwrights reflect the evolution and different elements of the hip-hop culture. There are many similarities and differences between them regarding themes, intent, definition of hip hop generation and black theatre, the impact each play has on the hip-hop generation, and the historical context of each play. Both playwrights do an amazing reflecting an accurate depiction of the hip-hop generation, which embodies gangster rap, regular hip-hop music, dance, and music. Kamilla Forbes is an actress, director, and playwright who wrote and directed Rhyme Deferred. She is the Founding Artistic Director of the Hip Hop Theatre Junction where she focuses on producing and creating works reflecting the hip-hop generation. Her thoughts and passion for hip hop and theatre and the idea that the new hip hop generation was not reflected through theatre, sparked her to began her story and write the play Rhyme Deferred. This highly energetic play engages the audience through dance and breaking down the “third wall” between the actors and the audience. Rhyme Deferred is the story of two brothers, both rappers. The older brother, Kain, is a mainstream rapper and becomes successful...
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...movement. For the music genre, see Hip hop music. For other uses, see Hip hop (disambiguation). Graffiti of "hip hop" in Eugene, Oregon Hip hop is a form of musical expression and artistic subculture that originated in African-American and Hispanic-American communities during the 1970s in New York City, specifically the Bronx.[1][2][3] DJ Afrika Bambaataa outlined the four pillars of hip hop culture: MCing, DJing, B-boying and graffiti writing.[4][5][6][7] [8] Since its emergence in the South Bronx, hip hop culture has spread to both urban and suburban communities throughout the world.[9] Hip hop music first emerged with disc jockeys creating rhythmic beats by looping breaks (small portions of songs emphasizing a percussive pattern) on two turntables, more commonly referred to as sampling. This was later accompanied by "rap", a rhythmic style of chanting or poetry presented in 16 bar measures or time frames, and beatboxing, a vocal technique mainly used to imitate percussive elements of the music and various technical effects of hip hop DJ's. An original form of dancing and particular styles of dress arose among fans of this new music. These elements experienced considerable refinement and development over the course of the history of the culture. The relationship between graffiti and hip hop culture arises from the appearance of new and increasingly elaborate and pervasive forms of the practice in areas where other elements of hip hop were evolving as art forms, with a...
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...Music 407 23 June 2014 Hip-Hop Music This research paper will be discussing the origins and development of hip-hop music, some of the characteristics that define hip-hop as a musical genre, and the social significance of hip-hop from its creation up until current day. The purpose of this paper is to inform and enhance the understanding of hip-hop music, drawing connections between musical stylistic origins and social influence throughout history on hip-hop music to create an unbiased, accurate account of how hip-hop music came to be what it is today. The genre of hip-hop music formed in the 1970s amongst African American Groups in urban New York City, during a time when “block parties” and it’s associated music started to become extremely popular. Credited with founding hip-hop music, DJ Kool Herc, an immigrant from Jamaica, started to extend the percussive breaks in popular funk and soul music (Dyson). This new sound became so popular that DJs needed to start using two turntables to lengthen percussive breaks, effectively creating an entire new sound and new genre of music (Bekman). Hip-hop music is characterized by four main elements: rapping, scratching (DJing), break dancing, and graffiti (Chang). Because music is dynamic and constantly changing, hip-hop started to develop sub-genres within hip-hop, such as southern trap music or west coast gangsta rap. Hip-hop music in different regions started to develop their own unique style of hip-hop, and although all of these...
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...The Rise of The Culture: How New Wave Rappers and Producers are Impacting the Genre of Hip-Hop From Atlanta, to all corners of the country, the new wave of hip-hop is apparent and it’s here to stay. Coming from a small town in the southern part of Ohio, it may be a bit puzzling to put together how I’ve come to appreciate and find the ability to analyze a genre of music as profound and bodacious, as well as braggadocious and culture centric, as Hip-Hop is. The answer lies within what makes the genre so great, passion. I have been unendingly passionate about the lyrical schemes and powerful sounds of Hip-Hop since I was first introduced to the music around age ten. Fast-forward ten years later and my appreciation has grown exponentially....
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...Research Project ‘Does Hip-Hop have a negative influence on young people?’ Introduction This research project will explore the impact that hip-hop culture has on young people in society today. From examining current literature and conducting a quantitative study the project will aim to answer the question ‘does hip hop have a negative influence on young people?’ There has been lots of controversy surrounding this subject in recent years. Some say hip-hop is responsible for the rise in youth violence whilst others say hip-hop is just an accurate representation of a violent society. This paper will give an insight into what young people in the Teesside area who live and breathe this popular culture think. Action Plan Project Management Plan Research Project | | Timeline | Start | Finish | Weeks Needed | Task number | Task detail | | 1 | Agree Topic with supervisor | On-going | 2 | Literature review | 15/01/2015 | 05/02/2015 | 3 weeks | 3 | Decide on research design | 20/01/2015 | 27/01/2015 | 1 week | 4 | Develop Data Collection Tools | 06/02/2015 | 20/02/2015 | 2 weeks | 5 | Distribute/Conduct Data Collection Tools | 23/02/2015 | 02/03/2015 | 2 weeks | 6 | Collect and Analyse Data | 02/03/2015 | 16/03/2015 | 2 weeks | 7 | Draw conclusions | 16/03/2015 | 30/03/2015 | 2 weeks | 8 | Write Report | 20/03/2015 | 15/04/2015 | 3 weeks | Sources Both primary and secondary sources of research will be undertaken throughout this project. The...
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...cultural artifact played the part in the culture we live today. This paper will present a detailed description of this artifact. This paper will analyze how this artifact relates to the values, beliefs of the culture. We will discuss the deep cultural root of this artifact. What historical roots allowed this artifact to come into being? This paper will discuss the cultural periods that might have influenced its development. This paper will discuss how this artifact will be passed to future generations. This paper will discuss what evolutions might this artifact undergo. | | Introduction It’s 1980 and in the park in New City there is a crowd gathered. They are a mix of music that is both somewhat offensive and exciting. The music embodies the rhythm of the African Diasporas as well as added beats of artist of a bygone era. The people are both drown to this strangely intoxication music as well as the troop of dancers that are a kind of visual representation of the music that exist alongside the dancers. You see the dancers but you just barely saw this square box sitting on the small bench. You can just make out the lights flashing in the midday sun. It has two oversized speakers that seem to reproduce a sound that is far greater than its size. What is this strange new device? Where did it come from? And where can I get one? Select the single cultural artifact that you believe best represents the culture in which you live today. Its 1980 and...
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...United States by African Americans, hip hop culture and music is now global in scope. Youth culture and opinion is meted out in both Israeli hip hop and Palestinian hip hop, while Canada, France, Germany, the U.K., Poland, Brazil, Japan, Africa, Australia and the Caribbean have long-established hip hop followings. According to the U.S. Department of State, hip hop is "now the center of a mega music and fashion industry around the world," that crosses social barriers and cuts across racial lines. National Geographic recognizes hip hop as "the world's favorite youth culture" in which "just about every country on the planet seems to have developed its own local rap scene." Through its international travels, hip hop is now considered a “global musical epidemic,” and has diverged from its ethnic roots by way of globalization and localization. Although some non-American rappers may still relate with young black Americans, hip hop now transcends its original culture, and is appealing because it is “custommade to combat the anomie that preys on adolescents wherever nobody knows their name.” Hip hop is attractive in its ability to give a voice to disenfranchised youth in any country, and as music with a message it is a form available to all societies worldwide. From its early spread to Europe and Japan to an almost worldwide acceptance through Asia and South American countries such as Brazil, the musical influence has been global. Hip hop sounds and styles differ from region...
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...Hip-hop influenced American culture by taking a political stance, forcing Government officials to address controversial topics. Hip-hop is more than just stereotypes, this type of music style goes beyond a new form of art communication and bares the souls of those who express the struggles and experience of their everyday life. On the same note, hip-hop artists realize that those who did not grow up around the vast culture of hip-hop they tend to portray the music as chaos and never truly understanding the message behind the music. For others to understand and connect with hip-hop we have defended the use of typical stereotypes and believe that hip-hop is a culture inspiration and a global influence. Without the innovation of hip-hop and the artists’ hard work that drives the creativity of poetic justice, there would be not hip-hop....
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...The birth of hip hop was one of the most important cultural movements that continue to impact the lives of those who hear the music. With its history deeply rooted in the music styles of West African griots, the elements of hip hop represent the suffering and painful journey slaves faced. The culture of DJing, rapping, graffiti and breakdancing was later integrated into this new music genre. As a result, many stereotyped hip hop as music that was particularly popular among blacks, which could be affiliated with radical black groups and gangs. Even today, many hip hop songs are negatively known for their message about drug use, sexual desires, and violence. REACH is a dance team affiliated with Rutgers University that focuses on the glorification...
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...Imagine living in a Puritan society 330 years ago. Religious zeal and devotion are the basis of the community. Ministers and pastors promote male supremacy and women are looked down upon. The fundamental rule in society is to follow God’s law and obey His commandments. Harsh, remorseless punishment is inflicted on those who stray from God’s laws. Now compare the Puritan society to today’s society. The American culture is ruled by momentary yet popular trends. Colored skinny jeans, snap-backs, unnecessary fashion glasses and neon clothing can be seen almost anywhere on the street (Lutz). Also modern culture has astronomically altered social norms. Women used to be the ideal caretaker of innocence and purity, but now women dress in revealing clothing and are preyed on by the indecent society. Proper mannerisms have vanished and young people have become straightforward and sometimes even rude. Respect for elders and wisdom has dwindled (The Revolution in Manners and Morals). What is the cause of this cultural shift? In Boston during 1684, a group of strict Puritan religious leaders wrote a letter to the community addressing the issue of dancing. Men could dance together and women could dance together, which was viewed as a natural expression of joy. Also children could dance with their parents’ permission. However if a male and female danced together it was seen as an inexcusable sin before God (An Arrow Against Profane and Promiscuous Dancing). Puritan religious leaders warned...
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...Phan 10/23/2015 Arts 152 Final Research Paper Capitalism and Women’s Role in Modern Hip Hop Music has always had a huge impact on society; it serves as a means of expression and as a way of communicating and connecting with others. While there are positive aspects to music as it uplifts society during times of hardship it also serves as a means of reinforcing gender norms as well as upholding capitalist ideals. Since its inception, hip hop has remained one of the most popular genres with today’s youth, but it is clear that women play a different role in the genre than men. Through a study of several hip hop and rap songs it becomes apparent that hip hop glamorizes brand names, “fast money”, and women. When women are objectified they are no longer encouraged to amass wealth, instead they are encouraged to simply be with men who have money. By reviewing popular song lyrics of famous hip hop such as Iggy Azalea’s, “I’m so Fancy” and Kanye’s “Mercy”, it is clear that there is a common theme of the obsession of wealth and beautiful women. Hip hop often dehumanizes women as they are perceived as plentiful and a luxury “item”. The modern woman, and women of the working class have no representation in hip hop. Women are further oppressed through hip hop as the average life style of those who cannot afford to spend lavishly are often left out and depicted as envious. Understanding how hip hop and capitalism is related is important to understanding why modern women are oppressed...
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...INTRODUCTION Culture of Hip-hop was born in 1970 and it keeps developing until today. Hip-hop basically has four kinds of forms which are DJing, Rapping, Graffiti, Break-dancing, and Beatboxing. However why music, in this case is Rapping, can build great influence to the listeners. Music is form of cultural expression that does not necessary experience race and other identity relationships. This aspect appeals to youth experiences because racial identities do not mean only simply one thing for them. Since identities of race are combination of multiple identities, such as national context, class, and even gender. This turns up in Hip-hop music which focuses on mixed identities to find local’s expression. Hip-hop music is no longer seen only as song to listen but has become a lifestyle to youth in modern era. They feel this music can represent them who are struggling to find meaning and identities in their society which most of them do, regardless of they are White, Black, Asian, etc. However, other kinds of Hip-hop culture like graffiti art and break dancing also have same influence like Hip-hop music. This condition makes business players who are outside of Hip-hop industry find opportunity to contract famous and successful Hip-hop music artist to commercialize their products. These companies use the mindset that has been built by the artist and indirectly put that image in the commodities which appeal to young consumers. The thesis of this paper is how Hip-hop cultures specifically...
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