...Asian Social Science May, 2009 An Analysis of the Adolescent Problems in The Catcher in the Rye Lingdi Chen Dept. of Foreign Languages, Dezhou University Daxue xi Road, Dezhou 253023, China E-mail: chld1973@126.com Abstract The Catcher in the Rye was written by famous American writer J.D.Salinger. This paper mainly analyzes the adolescent problems Holden Caulfield confronts on the journey from childhood to adulthood. These adolescent problems include Holden’s protection of innocence, his disgust for the phoniness of the adult world, and his alienation from society. This paper concludes that these adolescent problems produce great impact on him. Holden behaves almost erratically and impulsively and has negative attitudes towards almost everything and everyone he meets. Keywords: Adolescent problems, Innocence, Phoniness, Alienation 1. Introduction The Catcher in the Rye, Salinger’s masterpiece, tells the painful story of a high-school boy growing up in the world of decadent New York. Young Holden Caulfield is expelled from school because of his poor academic performance. He is afraid to meet his parents earlier than they should expect him, so he decides to stay in a New York City hotel. There he meets pimps, prostitutes and “queers.” Soon he becomes aware that the world of adults is a “phony” one. After his meeting with a friend, Holden sneaks back home to see his kid sister Phoebe. She is a loving kid, but her talk about their father “killing” him sickens...
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...Jacob Stelmach ENG4U Stelmach: 1 October 30th, 2015 Struggles With Change in The Catcher in the Rye: New Literary Criticism Approach Time and time again it has been proven that resisting change is impossible. The famous saying of “the only constant in life is change” is true in society and is shown in The Catcher in the Rye. For instance, in the novel the protagonist (Holden Caulfield) is clinging onto childhood, but despite his fears, change is inevitable . After reading the novel through a new literary criticism lens it is argued that author J.D. Salinger is informing his readers to avoid being overly attached to childhood because growing up is natural. Salinger engraves this message in his audience’s minds through the use of stylistic devices such as hyperbole, symbolism as well as indirect characterization. Salinger’s message of clinging onto childhood and resisting change is enforced on many occasions throughout the novel. Using hyperbole, in the first chapter of the novel, Holden emphasizes how tall he is and how he has gray hair, yet he admits that he still acts young for his age. “It’s really ironical, because I’m six foot two and half and have gray hair...The one side of my head...is full of millions of gray hairs...And yet I still act sometimes like I was only twelve.” (Salinger, 9) Salinger uses this hyperbole to really highlight to his readers that even though Holden might look like he is getting older on the outside, on the inside he...
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...The Catcher in the Rye by J.D. Salinger, like many other great works, was met by scornful criticism and unyielding admiration. However, many literary critics also admired Salinger's use of language, which is used to make Holden Caulfield, the protagonist, extremely realistic. Such language includes repetition of phrases, blatant cursing, and bold statements in order to capture the informal speech of the average, northern American adolescent. Through Holden's thoughts and dialogues, Salinger successfully created a teenage boy that changed the literary world. The language used in The Catcher in the Rye has long been a topic of controversy to literary critics. Holden Caulfield's thoughts and comments serve to deepen his personality and to provide entertainment. Salinger wants to create a typical teenager while keeping Holden as an individual at the same time. Like most teenagers, Holden speaks in trite sentences. However, he also uses words in places that were then uncommon. Holden often leaves his sentences dangling with words like "and all" and "or anything." Salinger intentionally used such speech repetition to individualize Holden, and, at the same time, make him a believable teenager of the early 1950s. Moreover, Holden has other expressions that appear consistently throughout the novel. In some places, the expressions only serve to make Holden more realistic, while in other places Holden is trying to reinforce his values. Holden repeatedly comments on his hatred towards...
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...There are two Holden's in this play. One is the character and the other is the narrator. His honesty is entirely internalized. He admits his faults and lies in narration, but can't do the same with other people. I personally like reading stories where the main character is telling the story. In this way, I have noticed some contradictions in Holden's personality. He criticizes everyone in society because they are being phonies when he lies all the time leading him to be a phony himself. Right from the beginning of the story he starts to "shoot the bull" with his history teacher, Mr. Spencer, who had flunked him. In chapter 3, his first line is "I'm the most terrific liar you ever saw in your life." Even as he's leaving Pency Prep, he gives a fake name to the mother of one of his classmates. It seems to me, his criticism of the world first lies within himself. He has shut himself out from the world, which makes him an outcast. And by criticizing everything around him, it seems to be a way for Holden to justify how the world is a bad place and to grow up and leave adolescents behind is just something that no one should do. Holden's journey takes him though a cross section of American society. From school, to bars, to the city, to his family, I think Salinger wants to portray how widespread phoniness has become. His relationship with his brother D.B. used to be something he respected until he moved out to Hollywood. Hollywood was a good place for Salinger to use because it's a...
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...4141- 4141--- Cherished and Cursed:Towarda Social History of The Catcher in the Rye STEPHEN J. WHITFIELD THE plot is brief:in 1949 or perhaps 1950, over the course of three days during the Christmas season, a sixteen-yearold takes a picaresque journey to his New YorkCity home from the third private school to expel him. The narratorrecounts his experiences and opinions from a sanitarium in California. A heavy smoker, Holden Caulfield claims to be already six feet, two inches tall and to have wisps of grey hair; and he wonders what happens to the ducks when the ponds freeze in winter. The novel was published on 16 July 1951, sold for $3.00, and was a Book-of-the-Month Club selection. Within two weeks, it had been reprinted five times, the next month three more times-though by the third edition the jacket photographof the author had quietly disappeared. His book stayed on the bestseller list for thirty weeks, though never above fourth place.' Costing 75?, the Bantam paperback edition appeared in 1964. By 1981, when the same edition went for $2.50, sales still held steady, between twenty and thirty thousand copies per month, about a quarter of a million copies annually. In paperback the novel sold over three million copies between 1953 and 1964, climbed even higher by the 1980s, and continues to attract about as many buyers as it did in 1951. The durabilityof The author appreciates the invitationof Professors Marc Lee Raphaeland Robert A. Gross to present an early version...
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...J. D. Salinger's notable and esteemed novel, Catcher in the Rye, reflects the hypercritical views of a troubled teenager, Holden Caulfield, towards everyone around him and society itself. This character has a distinguished vision of a world where morality, principles, intelligence, purity, and naivety should override money, sex, and power, but clearly in the world he inhabits these qualities have been exiled. Holder desperately clings to and regards innocence as one of the most important virtues a person can have. However, he son becomes a misfit since society is corrupted and he yearns for companionship, any kind of connection with another to feel whole and understood again. Ironically, despite his persistent belittling and denouncing of others, he does not apply the same critical and harsh views on himself. In Holden's eyes, society has influenced people to lose themselves. He is outraged by how easily citizens would bend to the ways of society to fit and prevail in it. He claims his own brother, D.B.--a talented writersold out his potential to Hollywood. In his mind, D.B. could be viewed as a prostitute that would sell himself, or his services, to whoever was the highest bidder. Ernie is too portrayed in such a way as D.B. is, as the accomplished and gifted pianist was depicted as using his talent to gain fame and money. Holden found himself disgusted by Ernie's corniness and the way of showing off his talent when passionately playing the piano to entertain as well as amazing...
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...Holden Caulfield and Mental Illness Holden Caulfield is a 16-year-old rebellious teenager on the outside. He doesn’t seem to care about anything or anyone, and he certainly doesn’t seem to care about his future. If you dig a little deeper however, it isn’t that he doesn’t care, it is that he is suffering from several mental illnesses. At the end of the book you learn that Holden has told you this story from a Mental Hospital. He has displayed many symptoms of PTSD, Depression and Dissociative identity disorder throughout the book. Post Traumatic Stress Disorder or PTSD is hyper anxiety disorder brought about after a shocking or traumatic event. Holden has had at least two events in his life that would bring about this disorder: When he was 13 and his brother Allie died of Leukemia, and when he witnessed the suicide of his classmate James Castle. A symptom of PTSD is reliving the past. The book itself is a flashback and there are many instances where Holden flashes back to a memory. One instance is when he flashes back to after Allie died “ I slept in the garage the night he died, and I broke all the goddamn windows with my fist, just for the hell of it. I even tried to break all the windows on the station wagon we had that summer, but my hand was already broken and everything by that time, and I couldn't do it. It was a very stupid thing to do, I'll admit, but I hardly didn't even know I was doing it, and you didn't know Allie.” (Salinger 1945) Another relevant...
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...Дневник читателя READER’S JOURNAL Ernest Hemingway. The Old Man and the Sea (1952). Joseph Heller. Catch-22 (1961). Tennessee Williams. A Streetcar Named Desire (1959). Iris Murdoch. The Black Prince (1973). Jerome David Salinger. The Catcher in the Rye (1951). Michael Ondaatje. The English Patient (1992). Ray Bradbury. Fahrenheit 451 (1953). Ken Kesey. One Flew Over the Cuckoo’s Nest (1962). Edward Albee. Who’s Afraid of Virginia Woolf? (1962). Arthur Miller. Death of a Salesman (1949). ------------------------------------------------- ------------------------------------------------- Ernest Hemingway. The Old Man and the Sea (1952). ------------------------------------------------- ------------------------------------------------- FULL TITLE · The Old Man and the Sea ------------------------------------------------- ------------------------------------------------- AUTHOR · Ernest Hemingway ------------------------------------------------- ------------------------------------------------- TYPE OF WORK · Novella ------------------------------------------------- ------------------------------------------------- GENRE · Parable; tragedy ------------------------------------------------- ------------------------------------------------- LANGUAGE · English ------------------------------------------------- ------------------------------------------------- TIME AND PLACE WRITTEN · 1951, Cuba ------------------------------------------------- ...
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