...The Catcher in the Rye “Among other things, you’ll find that you’re not the first person who was ever confused and frightened and even sickened by human behavior.... Many, many men have been just as troubled morally and spiritually as you are right now... And it isn’t education. It’s history. It’s poetry” (Salinger, 246). These humorous lines from J.D. Salinger’s classic, The Catcher in the Rye refer to the monolog by Holden Caulfield. Holden defies the societal standards for the young adult at the time. Collectively, the 1950s evokes visions of nostalgia. The Nuclear family model thrived and men scurried between desk jobs and houses with picket fences. But for the newly coined “teenagers”, this time was very different for them. This generation was right after the baby boomers. There was a lot of rules and guideline that the new generation didn’t want to be part of, thus, a period of experimentation. Throughout this turbulent account of Holden terrible year, Salinger underscores...
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...In the beginning, Holden can be seen acting younger because he had no self control when he released his anger at Stradlater. Later on in the book, Holden breaks down and cries at the hotel after being mugged as if a child who was afraid. However, he also acts like an adult by faking his age when he tries to talk and get a drink. 2) “It’s a phony.” (14) This is one of the most common phrases that Holden uses to describe people or things in the book. When something seems fake or out of the order, it is considered phony to Holden. It almost seems as if Holden views and separates the world as either a fake or real and never considers the other possibilities that may both be real and fake. 3) “I’M THE MOST TERRIFIC LIAR you ever saw in your life.” (22) Holden directly states that he is a terrific liar, which display a part of his personality. His lies are always nonsensical and never correlate with what he’s really trying to mean. 4) “I’m quite illiterate, but I read a lot.” (24)...
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...references, or attempt to vaguely hint at the time’s culture and events. The Catcher in the Rye by J.D. Salinger is set in the late 1940s, early 1950s. Salinger paints an image for the readers, giving hints to let them figure out the time setting on their own. He mentions events just a few years past, references things that only would make sense in such a time, and goes even deeper, writing characters that most plausibly would have existed in such a culture, in such a time. When examining the historical aspects of The Catcher in the Rye, a reader can see how J. D. Salinger conveys the essence of the late 1940s; he does this through basic, obvious references to forms of entertainment, as well as through the more complex depths of the time period’s social constructs and the impending counterculture revolt of the 1960s. In the novel, many references are made to things that limit the possible time period for this novel. Many of these references dealt with forms of entertainment, from bar pianists to old-timey movies. Holden talks about his visit to a night club called Ernie’s which “was jam-packed…[but] it was pretty quiet, though, because Ernie was playing the piano” (Salinger 83). Compared to the nightclubs of today, this is pretty bland. Modern night clubs are overflowing with sweaty bodies dancing suggestively on top of one another. Today’s clubs are beaten with the loud sounds of DJs blasting music. Holden’s descriptions of Ernie’s show a nice, calm scene, everyone hushed as they...
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...Asian Social Science May, 2009 An Analysis of the Adolescent Problems in The Catcher in the Rye Lingdi Chen Dept. of Foreign Languages, Dezhou University Daxue xi Road, Dezhou 253023, China E-mail: chld1973@126.com Abstract The Catcher in the Rye was written by famous American writer J.D.Salinger. This paper mainly analyzes the adolescent problems Holden Caulfield confronts on the journey from childhood to adulthood. These adolescent problems include Holden’s protection of innocence, his disgust for the phoniness of the adult world, and his alienation from society. This paper concludes that these adolescent problems produce great impact on him. Holden behaves almost erratically and impulsively and has negative attitudes towards almost everything and everyone he meets. Keywords: Adolescent problems, Innocence, Phoniness, Alienation 1. Introduction The Catcher in the Rye, Salinger’s masterpiece, tells the painful story of a high-school boy growing up in the world of decadent New York. Young Holden Caulfield is expelled from school because of his poor academic performance. He is afraid to meet his parents earlier than they should expect him, so he decides to stay in a New York City hotel. There he meets pimps, prostitutes and “queers.” Soon he becomes aware that the world of adults is a “phony” one. After his meeting with a friend, Holden sneaks back home to see his kid sister Phoebe. She is a loving kid, but her talk about their father “killing” him sickens...
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...T he Catcher in the Rye is set around the 1950s and is narrated by a young man named Holden Caulfield. Holden is not specific about his location while he’s telling the story, but he makes it clear that he is undergoing treatment in a mental hospital or sanatorium. The events he narrates take place in the few days between the end of the fall school term and Christmas, when Holden is sixteen years old.As Holden goes out to the lobby, he starts to think about Jane Gallagher and, in a flashback, recounts how he got to know her. They met while spending a summer vacation in Maine, played golf and checkers, and held hands at the movies. One afternoon, during a game of checkers, her stepfather came onto the porch where they were playing, and when he left Jane began to cry. Holden had moved to sit beside her and kissed her all over her face, but she wouldn’t let him kiss her on the mouth. That was the closest they came to “necking.” Holden leaves the Edmont and takes a cab to Ernie’s jazz club in Greenwich Village. Again, he asks the cab driver where the ducks in Central Park go in the winter, and this cabbie is even more irritable than the first one. Holden sits alone at a table in Ernie’s and observes the other patrons with distaste. He runs into Lillian Simmons, one of his older brother’s former girlfriends, who invites him to sit with her and her date. Holden says he has to meet someone, leaves, and walks back to the Edmont. Maurice, the elevator operator at the Edmont, offers to...
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...In The Catcher in the Rye, Holden has been kicked out of Pencey Prep; he then proceeds to visit Mr. Spencer whom he talks to for a while. Mr. Spencer leaves Holden more depressed than he was beforehand. Holden leaves Pencey Prep and goes into New York City where he debates calling Jane, searches for Phoebe, and tries to cheer himself up before having to go back home. Holden goes back home during the night to talk to Phoebe and she gives Holden some money she had been saving, Holden cries and goes back out. Holden returns home at the end of the novel and we don’t know what happens, but he tells us that everything is okay. Throughout the novel three main literary elements are present: Holden’s tone, Holden’s point of view, and Phoebe’s point of view. The tone and word choice Holden uses reveals what’s going on inside his head. Holden uses negative and hostile language which shows his despair and isolation (Miller). “‘That’s exactly my goddam point,” I said. “I don’t get hardly anything out of anything. I’m in bad shape. I’m in lousy shape’” (Salinger 146). The novel is packed with religious profanity that Holden emits all throughout the novel and because of it, religion is kept fresh in one’s mind and can infer that Holden wants it but doesn't want to go through with getting what he wants (Evans). Though the religious profanity is so prevalent in...
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...Дневник читателя READER’S JOURNAL Ernest Hemingway. The Old Man and the Sea (1952). Joseph Heller. Catch-22 (1961). Tennessee Williams. A Streetcar Named Desire (1959). Iris Murdoch. The Black Prince (1973). Jerome David Salinger. The Catcher in the Rye (1951). Michael Ondaatje. The English Patient (1992). Ray Bradbury. Fahrenheit 451 (1953). Ken Kesey. One Flew Over the Cuckoo’s Nest (1962). Edward Albee. Who’s Afraid of Virginia Woolf? (1962). Arthur Miller. Death of a Salesman (1949). ------------------------------------------------- ------------------------------------------------- Ernest Hemingway. The Old Man and the Sea (1952). ------------------------------------------------- ------------------------------------------------- FULL TITLE · The Old Man and the Sea ------------------------------------------------- ------------------------------------------------- AUTHOR · Ernest Hemingway ------------------------------------------------- ------------------------------------------------- TYPE OF WORK · Novella ------------------------------------------------- ------------------------------------------------- GENRE · Parable; tragedy ------------------------------------------------- ------------------------------------------------- LANGUAGE · English ------------------------------------------------- ------------------------------------------------- TIME AND PLACE WRITTEN · 1951, Cuba ------------------------------------------------- ...
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