...Literary Analysis of “A Rose for Emily” In the story “A Rose for Emily,” by William Faulkner, Emily Grierson is well known for her sorrowful background due to the loss of her governing father and status of isolation. In addition to Faulkner’s one-of-a-kind narration, he constructs a complex chronology that allows the reader to gradually become aware of facts, motivations, events, and emotions. Though Faulkner’s technique in “A Rose for Emily” may initially be a bit confusing, it reminds the reader this story is not one that can necessarily be told with simplicity, for there can be many answers to one question and many questions to one remark. One may think that the townspeople could easily be considered the antagonist, and while this may be true, Faulkner provides perspectives of all characters allowing the readers to perhaps question if there could be more than one. The townspeople made Miss Emily the talk of the town, making sure she was constantly being secluded. They eventually stopped sending their children to her China painting lessons, and pressured her to the point where she killed her lover in order to feel she had not lost her dignity. Essentially, they played a significant role in the death of Homer Barron, ruining their relationship with talk of disapproval. The townspeople could have possibly been well informed of their action, which can lead the to fact that it was not chosen to investigate Homer’s disappearance or prosecute Emily for that matter. The town antagonizes...
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...The Power of Symbolism Used in Faulkner's A Rose for Emily In 1897, William Faulkner was brought up in Oxford, Mississippi. To be wealthy in those days of the south (or not), meant the difference between whether one was worthy of praise, or not. Faulkner's family was no longer high on the wealth "berth," but it was still respected due to the honor it possessed. Southerners placed a wealth of stock in big positions in life, as well as being a war hero. Faulkner's father and grandfather fit the bill perfectly. His father was treasurer of the university of Mississippi, in oxford. Before this, his grandfather had acquitted himself admirably by becoming a hero of the civil war. The point is made that even though the family no longer occupied...
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...|A Rose For Emily | | Like so many American writers, Faulkner found himself again and again writing short stories, some of which are considered| |as equally important as his best novels. Good as his short stories are, they seem always at the threshold of being absorbed into| |the Yoknapatawpha saga — that legendary matrix which is Faulkner’s real achievement. However, for a beginner of Faulkner | |scholarship, his short stories may well be an easy start. “A Rose for Emily” is Faulkner’s first short story published in 1930. | |Set in the town of Jefferson in Yoknopatawpha, the story focuses on Emily Grierson, an eccentric spinster who refuses to accept | |the passage of time, or the inevitable change and loss that accompanies it. Simple as it is in plot, the story is pregnant with | |meaning. As a descendent of the Southern aristocracy, Emily is typical of those in Faulkner’s Yoknapatwapha stories who are the | |symbols of the Old South but the prisoners of the past. In this story, Faulkner makes best use of the Gothic devices in | |narration, and, the deformed personality and abnormality Emily demonstrates in her relationship with her sweetheart is | |dramatized in such a way that we feel shocked and thrilled as we read along. | |In this story, Faulkner’s strong condemnation of...
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...|A Rose For Emily | | Like so many American writers, Faulkner found himself again and again writing short stories, some of which are considered| |as equally important as his best novels. Good as his short stories are, they seem always at the threshold of being absorbed into| |the Yoknapatawpha saga — that legendary matrix which is Faulkner’s real achievement. However, for a beginner of Faulkner | |scholarship, his short stories may well be an easy start. “A Rose for Emily” is Faulkner’s first short story published in 1930. | |Set in the town of Jefferson in Yoknopatawpha, the story focuses on Emily Grierson, an eccentric spinster who refuses to accept | |the passage of time, or the inevitable change and loss that accompanies it. Simple as it is in plot, the story is pregnant with | |meaning. As a descendent of the Southern aristocracy, Emily is typical of those in Faulkner’s Yoknapatwapha stories who are the | |symbols of the Old South but the prisoners of the past. In this story, Faulkner makes best use of the Gothic devices in | |narration, and, the deformed personality and abnormality Emily demonstrates in her relationship with her sweetheart is | |dramatized in such a way that we feel shocked and thrilled as we read along. | |In this story, Faulkner’s strong condemnation of...
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...All in all, William Faulkner paints this picture in our minds through a relationship. Not just any ordinary couple, but a couple with two power who symbolize the North and South. Miss Emily the South and Homer Barron the North. Two strong willed characters that be painted as them in a story where everyone can understand. The North stripped the South of all of it’s glory. Just like Homer Barron stripped Miss Emily of her pure innocence she once held. Faulkner clarifies the South no longer has it’s honor, like it used too. “A Rose For Emily” by William Faulkner, indicates more than a story of an old women of the south. Faulkner’s interpretation illustrates how the Southern culture has disappeared, in other words, died. Due to the fact that the South was defeated by the North, the South is no longer prosperous after the Civil War. Faulkner develops the...
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...versions have been made of several of his works: Sanctuary (1961), Intruder in the Dust (1949), The Sound and the Fury(1959), The Reivers (1969), and Pylon (1957; or Tarnished Angels). Others (Requiem for a Nun, 1951, and "Barn Burning") have been filmed for television. (Pierce, Constance, and Heller) Faulkner received the 1949 Nobel Prize for Literature for "his powerful and artistically unique contribution to the modern American novel" (Nobel Prize Literature).Faulkner also won two Pulitzer Prizes for his 1954 novel A Fable, which took the Pulitzer in 1955, and the 1962 novel, The Reivers, which was awarded the Pulitzer in 1963 after he died. On August 3, 1987, the United States Postal Service issued a 22-cent postage stamp in his honor. (Scott...
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...------------------------------------------------- William Faulkner William Faulkner (September 25, 1897 – July 6, 1962) was a Nobel Prize-winning American author. One of the most influential writers of the20th century, his reputation is based on his novels, novellas and short stories. He was also a published poet and an occasional screenwriter. Most of Faulkner's works are set in his native state of Mississippi. He is considered one of the most important Southern writers along withMark Twain, Robert Penn Warren, Flannery O'Connor, Truman Capote, Eudora Welty, and Tennessee Williams. While his work was published regularly starting in the mid 1920s, Faulkner was relatively unknown before receiving the 1949 Nobel Prize in Literature. Since then, he has often been cited as one of the most important writers in the history of American literature. ------------------------------------------------- ------------------------------------------------- Biography Born William Cuthbert Falkner in New Albany, Mississippi, he was the eldest son of Murry Cuthbert Falkner (August 17, 1870 – August 7, 1932) and Maud Butler (November 27, 1871 – October 16, 1960). He later changed the spelling of his name to Faulkner. His brothers were Murry Charles "Jack" Falkner (June 26, 1899 – December 24, 1975), author John Falkner (later Faulkner) (September 24, 1901 – March 28, 1963) and Dean Swift Falkner (August 15, 1907 – November 10, 1935). Faulkner was raised in and heavily influenced by the state...
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...Blake Hobbs American Literature 2 Mrs. Stephens 4/28/15 Decay of the Old South The old south was a time when people used manors, were polite, men acted as gentlemen and blacks were slaves that worked to death, known as the Old South. Throughout the readings done in American literature one begins to see the old south decaying. Traditions began to fade away and what used to be the norm is evolving into a new era where men are abusive to women, and blacks began to fit into the society slowly gaining the rights other races have had all along. This is described as the New South where people are always intermingling in a diverse manner. People in the Old South speak exceptionally formal and precise, as opposed to the slang that has been picked up in the New South. There are many reasons that contrast just how different these two eras became. The decay of the old south is present in A Streetcar Named Desire, written by Tennessee Williams. Blanche and Stella’s ancestors were wealthy plantation owners. In the old south majority of people were farmers. Although Blanche and Stella inherited everything from their ancestors, they didn’t have enough income to keep it all. They ended up selling all of it besides a small portion in which their ancestor’s graves laid. During the 1940’s in New Orleans, there is a constant theme of how society and class effects Americans in this era. A Streetcar Named Desire deals with these class differences in an abnormal way. At one point of view...
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...1. W. Shakespeare « Hamlet» (Renaissance) Character List Hamlet - The Prince of Denmark, the title character, and the protagonist. About thirty years old at the start of the play, Hamlet is the son of Queen Gertrude and the late King Hamlet, and the nephew of the present king, Claudius. Hamlet is melancholy, bitter, and cynical, full of hatred for his uncle’s scheming and disgust for his mother’s sexuality. A reflective and thoughtful young man who has studied at the University of Wittenberg, Hamlet is often indecisive and hesitant, but at other times prone to rash and impulsive acts. Hamlet is extremely philosophical and contemplative. He is particularly drawn to difficult questions or questions that cannot be answered with any certainty. Faced with evidence that his uncle murdered his father, evidence that any other character in a play would believe, Hamlet becomes obsessed with proving his uncle’s guilt before trying to act. Claudius - The King of Denmark, Hamlet’s uncle, and the play’s antagonist. The villain of the play, Claudius is a calculating, ambitious politician, driven by his sexual appetites and his lust for power, but he occasionally shows signs of guilt and human feeling—his love for Gertrude, for instance, seems sincere. Gertrude - The Queen of Denmark, Hamlet’s mother, recently married to Claudius. Gertrude loves Hamlet deeply, but she is a shallow, weak woman who seeks affection and status more urgently than moral rectitude or truth. Polonius - The...
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...The Gift of the Magi Themes Love "Gift of the Magi" is the story of a poor, young couple whose love for each other is the most important thing in their lives. Such is their love that they're led to sacrifice their most valuable possessions to find Christmas gifts for each other. The warm home they make together contrasts with the drabness of their poverty and the dreary world outside. Their love seems to know no bounds, though Della (the wife) worries about how her sacrifice will affect her husband because of how it affects her looks. If ever there were a story with the message that all you need to be happy is love, this is it. Sacrifice The two main characters in "Gift of the Magi" are a husband and wife who give up their most precious possessions to be able to afford gifts for each other on Christmas Eve. The story seems to be all about sacrifice. We watch Della go through the process of deciding to make the sacrifice and going through with it, only to discover that her husband has made the same sacrifice. The story's narrator assures us that in their willingness to give up all they have, they have proven themselves the wisest of all gift-givers. It might remain unclear, though, exactly what their sacrifice has accomplished, or how it has affected them. Wealth In many ways, "Gift of the Magi" is a story about what it means for something to be valuable. Does something's value lie in how much money it is worth? Or are other things more valuable than money? The main characters...
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...Reading the Novel in English 1950–2000 i RTNA01 1 13/6/05, 5:28 PM READING THE NOVEL General Editor: Daniel R. Schwarz The aim of this series is to provide practical introductions to reading the novel in both the British and Irish, and the American traditions. Published Reading the Modern British and Irish Novel 1890–1930 Reading the Novel in English 1950–2000 Daniel R. Schwarz Brian W. Shaffer Forthcoming Reading the Eighteenth-Century Novel Paula R. Backscheider Reading the Nineteenth-Century Novel Harry E. Shaw and Alison Case Reading the American Novel 1780–1865 Shirley Samuels Reading the American Novel 1865–1914 G. R. Thompson Reading the Twentieth-Century American Novel James Phelan ii RTNA01 2 13/6/05, 5:28 PM Reading the Novel in English 1950–2000 Brian W. Shaffer iii RTNA01 3 13/6/05, 5:28 PM © 2006 by Brian W. Shaffer BLACKWELL PUBLISHING 350 Main Street, Malden, MA 02148-5020, USA 9600 Garsington Road, Oxford OX4 2DQ, UK 550 Swanston Street, Carlton, Victoria 3053, Australia The right of Brian W. Shaffer to be identified as the Author of this Work has been asserted in accordance with the UK Copyright, Designs, and Patents Act 1988. All rights reserved. No part of this publication may be reproduced, stored in a retrieval system, or transmitted, in any form or by any means, electronic, mechanical, photocopying, recording or otherwise, except as permitted by the UK Copyright, Designs, and...
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...Narrative A narrative is a sequence of events that a narrator tells in story form. A narrator is a storyteller of any kind, whether the authorial voice in a novel or a friend telling you about last night’s party. Point of View The point of view is the perspective that a narrative takes toward the events it describes. First-person narration: A narrative in which the narrator tells the story from his/her own point of view and refers to him/herself as “I.” The narrator may be an active participant in the story or just an observer. When the point of view represented is specifically the author’s, and not a fictional narrator’s, the story is autobiographical and may be nonfictional (see Common Literary Forms and Genres below). Third-person narration: The narrator remains outside the story and describes the characters in the story using proper names and the third-person pronouns “he,” “she,” “it,” and “they.” • Omniscient narration: The narrator knows all of the actions, feelings, and motivations of all of the characters. For example, the narrator of Leo Tolstoy’s Anna Karenina seems to know everything about all the characters and events in the story. • Limited omniscient narration: The narrator knows the actions, feelings, and motivations of only one or a handful of characters. For example, the narrator of Lewis Carroll’s Alice’s Adventures in Wonderland has full knowledge of only Alice. • Free indirect discourse: The narrator conveys a character’s inner thoughts...
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...GLENCOE LANGUAGE ARTS Grammar and Language Workbook G RADE 9 Glencoe/McGraw-Hill Copyright © by The McGraw-Hill Companies, Inc. All rights reserved. Except as permitted under the United States Copyright Act of 1976, no part of this publication may be reproduced or distributed in any form or means, or stored in a database or retrieval system, without the prior written permission of the publisher. Send all inquiries to: Glencoe/McGraw-Hill 936 Eastwind Drive Westerville, Ohio 43081 ISBN 0-02-818294-4 Printed in the United States of America 1 2 3 4 5 6 7 8 9 10 024 03 02 01 00 99 Contents Handbook of Definitions and Rules .........................1 Troubleshooter ........................................................21 Part 1 Grammar ......................................................45 Unit 1 Parts of Speech 1.1 Nouns: Singular, Plural, and Collective ....47 1.2 Nouns: Proper and Common; Concrete and Abstract.................................49 1.3 Pronouns: Personal and Possessive; Reflexive and Intensive...............................51 1.4 Pronouns: Interrogative and Relative; Demonstrative and Indefinite .....................53 1.5 Verbs: Action (Transitive/Intransitive) ......55 1.6 Verbs: Linking .............................................57 1.7 Verb Phrases ................................................59 1.8 Adjectives ....................................................61 1.9 Adverbs........................................................63 1.10 Prepositions...
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...critical theory today critical theory today A Us e r - F r i e n d l y G u i d e S E C O N D E D I T I O N L O I S T Y S O N New York London Routledge is an imprint of the Taylor & Francis Group, an informa business Routledge Taylor & Francis Group 270 Madison Avenue New York, NY 10016 Routledge Taylor & Francis Group 2 Park Square Milton Park, Abingdon Oxon OX14 4RN © 2006 by Lois Tyson Routledge is an imprint of Taylor & Francis Group, an Informa business Printed in the United States of America on acid‑free paper 10 9 8 7 6 5 4 3 2 1 International Standard Book Number‑10: 0‑415‑97410‑0 (Softcover) 0‑415‑97409‑7 (Hardcover) International Standard Book Number‑13: 978‑0‑415‑97410‑3 (Softcover) 978‑0‑415‑97409‑7 (Hardcover) No part of this book may be reprinted, reproduced, transmitted, or utilized in any form by any electronic, mechanical, or other means, now known or hereafter invented, including photocopying, microfilming, and recording, or in any information storage or retrieval system, without written permission from the publishers. Trademark Notice: Product or corporate names may be trademarks or registered trademarks, and are used only for identification and explanation without intent to infringe. Library of Congress Cataloging‑in‑Publication Data Tyson, Lois, 1950‑ Critical theory today : a user‑friendly guide / Lois Tyson.‑‑ 2nd ed. p. cm. Includes bibliographical references and index. ISBN 0‑415‑97409‑7 (hb) ‑‑ ISBN 0‑415‑97410‑0 (pb) 1. Criticism...
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...Ivy League Admission: 180 Successful Business School (MBA) Essays Nancy L. Nolan, Ph.D. Ivy League Admission: 180 Successful Business School (MBA) Essays Nancy L. Nolan, Ph.D. First Edition Magnificent Milestones, Inc., Florida Copyright 2006. Nancy L. Nolan, Ph.D. All rights reserved. No part of this book may be reproduced or transmitted in any form or by any means, electronic or mechanical, including photocopying, recording or by any information storage and retrieval system without written permission from the author, except for the inclusion of brief quotations in a review. Electronic and CD-ROM versions published by: Magnificent Milestones, Inc. Post Office Box 100582 Palm Bay, Florida 32910 www.ivyleagueadmission.com CD ROM Edition 10-digit ISBN 0977376443 13-digit ISBN 9780977376445 PDF Version 10-digit ISBN 0977376494 13-digit ISBN 9780977376490 Printed in the United States of America Disclaimers: (1) This book is a compilation of successful admission essays; it does not claim to be the definitive word on the subject of MBA admission. The opinions expressed are the personal observations of the author based on her own experiences. They are not intended to prejudice any party. Accordingly, the author and publisher do not accept any liability or responsibility for any loss or damage that have been caused, or alleged to have been caused, through the use of information in this book. (2) Admission to business school depends on several factors in...
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