...envision how a script will be acted out, and the diligence to see a long-lasting project through to the end. One of the most reputable directors in the world is the late Alfred Hitchcock. He is well known in every part of the world because of his impressive directing skills. He is also one of those directors who have a trademark when it comes to their works. Alfred Hitchcock is a very phenomenal director who has a unique and remarkable style when it comes to his film creations. Alfred Hitchcock has his own unique trademarks that can be grasped on his films. These trademarks can be seen by viewers in many ways; for instance, theme, place, and selection of characters. Alfred Hitchcock showed a lot of these unique trademarks on his films particularly in Psycho, released in 1960 and the Birds, released in 1963. Although they are two different films with two different plots, these films have a lot of similarities when it comes to the usage of technique of Alfred Hitchcock. First, Psycho started by centering the viewers’ attention on a blonde woman, Marion Crane. She is on the bed only wearing her bra. The hotel room is dim and her underclothes are white, making a contrast that carries the focus on her. Just like Psycho, the Birds emphases the viewers’ attention on its blonde female lead, Melanie Daniels. This is actually the very first visible stamp of Alfred Hitchcock on both his films. Both movies portray strong blonde haired women lead characters. Alfred Hitchcock has also...
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...How far can Alfred Hithcock’s unique styles and themes classify him as the ‘perfect auteur’? Alfred Hitchcock is frequently acknowledged as an ultimate example of an auteur from the themes and techniques displayed by his films. The film master is a father of mystery, suspense, and nerve shaking scenes as well as other themes like sexuality, roles of women and voyeurism. His work is highly stamped by thematic and stylistic devices and their consistency, personal aesthetic vision, inveterate themes and a defined view of the real world which attracts his audience. In his structure and content of the screenplay he is able to create moods which are sustained and shifted manipulate audience desires and fears; apply economy and wit and many other characteristics that make him a special auteur to be dealt on. Amazingly he is able to transcend the artistic challenges of studios and make highly personalized films that bear the stamp of his art personality rather than just sitting as a director. Hitchcock can be defined as an auteur through his films which is marked by his mastery of cinema techniques which is very unique and an exception from other film makers which is displayed in his use of camera viewpoints, elaborate editing and soundtrack to build some thematic instances such as suspense. Example of...
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...Hitchcock’s Mothers In watching a collection of Hitchcock’s works, we can begin to see that the mother role is an important factor in most of Hitchcock’s work. In retrospect, we can see that the mother is a convention used by Hitchcock to enhance embedded meanings in his work. The mother figure becomes salient in his works Notorious, Psycho, The Man Who Knew Too Much, and Shadow of a Doubt. Many critics argue that the image of the mother that Hitchcock creates in Psycho and Notorious are representations of his own upbringing. However, Hitchcock remained a somewhat private person and it is impossible to depict these statements as true. The mother figures may actually be a projection of Hitchcock’s world and the times that he lived in. In this paper I investigate the meanings behind the maternal characters in some of his most successful films as they are hardly the same, but they do function as a way to advance the plot and add depth to the complexities of the characters’ minds Alfred Hitchcock never said anything negative about his mother. In fact, most quotes of Hitchcock regarding his mother have been nothing but positive. There is a story that claims Hitchcock having to report to the foot of his mother’s bed, confessing his daily activities to his mother. This would seem a little twisted in the eyes of today’s society - being forced to list off his sins to his mother’s ears. Nonetheless, the period in which his mother brought up Hitch retained a very common Catholic tradition...
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...Essay ukessays.com /essays/film-studies/psychoanalytic-theory-and-reading-of-cultural-products-filmstudies-essay.php The main concept of this essay is to point out how psychoanalytic theory could be used as a method of understanding and analyzing cultural products. The most valid approach for this is to observe how the cinema integrates psychoanalytical theories into specific film concepts. For this reason a Hitchcock film is used as an example, for it a common fact that there are many Freudian aspects in his movies. Specifically, Psycho is regarded by many film theorists and historians as the first “psychoanalytic thriller” (Kaganski as cited in Boulton, 2010). As implied by the title of the film, it is a movie whose plot is based on the Freudian Oedipus complex theory. First of all, it is noteworthy how the cinema developed a strong connection to psychoanalytic theories over the years. What is also interesting is the way in which a movie could be interpreted as a desire or a dreaming process. Moreover, in the second part of the essay, the correlation which Psycho has with psychoanalytical procedure is explored, in an effort to discover its kind and if it is actually the first psychoanalytic movie. Following a short presentation of the main plot, it is necessary to examine the nature of the Oedipus complex and how it is applied to the movie. Despite the fact that it remains the central psychoanalytic idea in the film, is not the only Freudian reference; the movie could also be...
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...they're led to sacrifice their most valuable possessions to find Christmas gifts for each other. The warm home they make together contrasts with the drabness of their poverty and the dreary world outside. Their love seems to know no bounds, though Della (the wife) worries about how her sacrifice will affect her husband because of how it affects her looks. If ever there were a story with the message that all you need to be happy is love, this is it. Sacrifice The two main characters in "Gift of the Magi" are a husband and wife who give up their most precious possessions to be able to afford gifts for each other on Christmas Eve. The story seems to be all about sacrifice. We watch Della go through the process of deciding to make the sacrifice and going through with it, only to discover that her husband has made the same sacrifice. The story's narrator assures us that in their willingness to give up all they have, they have proven themselves the wisest of all gift-givers. It might remain unclear, though, exactly what their sacrifice has accomplished, or how it has affected them. Wealth In many ways, "Gift of the Magi" is a story about what it means for something to be valuable. Does something's value lie in how much money it is worth? Or are other things more valuable than money? The main characters are very poor – this is repeatedly emphasized – and yet the story suggests that their love for each other makes them very rich. It is that love, which motivates them to give up the only...
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...SECOND DRAFT Contents Preamble Chapter 1 1.1 1.2 1.3 1.4 1.5 Background Rationale Aims Interface with the Junior Secondary Curriculum Principles of Curriculum Design Chapter 2 2.1 2.2 2.3 2.4 2.5 1 Introduction Literature in English Curriculum Framework Strands and Learning Targets Learning Objectives Generic Skills Values and Attitudes Broad Learning Outcomes Chapter 3 5 7 9 10 11 11 13 Curriculum Planning 3.1 Planning a Balanced and Flexible Curriculum 3.2 Central Curriculum and School-based Curriculum Development 3.2.1 Integrating Classroom Learning and Independent Learning 3.2.2 Maximizing Learning Opportunities 3.2.3 Cross-curricular Planning 3.2.4 Building a Learning Community through Flexible Class Organization 3.3 Collaboration within the English Language Education KLA and Cross KLA Links 3.4 Time Allocation 3.5 Progression of Studies 3.6 Managing the Curriculum – Role of Curriculum Leaders Chapter 4 1 2 2 3 3 13 14 14 15 15 16 16 17 17 18 21 Learning and Teaching 4.1 Approaches to Learning and Teaching 4.1.1 Introductory Comments 4.1.2 Prose Fiction 4.1.3 Poetry i 21 21 23 32 SECOND DRAFT 4.1.4 Drama 4.1.5 Films 4.1.6 Literary Appreciation 4.1.7 Schools of Literary Criticism 4.2 Catering for Learner Diversity 4.3 Meaningful Homework 4.4 Role of Learners Chapter 5 41 45 52 69 71 72 73 74 Assessment 5.1 Guiding Principles 5.2 Internal Assessment 5.2.1 Formative Assessment 5.2.2 Summative Assessment 5.3 Public Assessment 5.3.1 Standards-referenced...
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...IMPRINT Imprint © 2013 Smashing Media GmbH, Freiburg, Germany ISBN: 978-3-94454016-0 Cover Design: Ricardo Gimenes PR & Press: Stephan Poppe eBook Strategy and Editing: Vitaly Friedman Technical Editing: Cosima Mielke Planning and Quality Control: Vitaly Friedman, Iris Lješnjanin Tools: Elja Friedman. Syntax Highlighting: Prism by Lea Verou. Idea & Concept: Smashing Media GmbH Preface Over the past few years, our eBook collection has grown steadily. With more than 50 eBooks already available and counting, we made the decision half a year ago to bundle all of this valuable content into one big lovely package: The Smashing Library1. As a humble gift to you, dear reader, we have now put together this Editor’s Choice eBook. It’s a little Smashing Library treat, featuring some of the most memorable and useful articles that have been published on Smashing Magazine in the last few years — all of them carefully selected and thoroughly edited. Ranging from heavily discussed topics such as responsive Web design, to ideas on UX, to trusty mainstays like nifty Photoshop tricks, to hands-on business advice and design inspiration, this eBook is a potpourri as diverse as your work as a Web designer. We hope you enjoy reading it as much as we do editing and creating each and every eBook page that finds a home in our Smashing Library. — Cosima Mielke, Smashing eBook Producer 1. http://smashed.by/library 2 TABLE OF CONTENTS Designing For The Reading Experience...
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...62118 0/nm 1/n1 2/nm 3/nm 4/nm 5/nm 6/nm 7/nm 8/nm 9/nm 1990s 0th/pt 1st/p 1th/tc 2nd/p 2th/tc 3rd/p 3th/tc 4th/pt 5th/pt 6th/pt 7th/pt 8th/pt 9th/pt 0s/pt a A AA AAA Aachen/M aardvark/SM Aaren/M Aarhus/M Aarika/M Aaron/M AB aback abacus/SM abaft Abagael/M Abagail/M abalone/SM abandoner/M abandon/LGDRS abandonment/SM abase/LGDSR abasement/S abaser/M abashed/UY abashment/MS abash/SDLG abate/DSRLG abated/U abatement/MS abater/M abattoir/SM Abba/M Abbe/M abbé/S abbess/SM Abbey/M abbey/MS Abbie/M Abbi/M Abbot/M abbot/MS Abbott/M abbr abbrev abbreviated/UA abbreviates/A abbreviate/XDSNG abbreviating/A abbreviation/M Abbye/M Abby/M ABC/M Abdel/M abdicate/NGDSX abdication/M abdomen/SM abdominal/YS abduct/DGS abduction/SM abductor/SM Abdul/M ab/DY abeam Abelard/M Abel/M Abelson/M Abe/M Aberdeen/M Abernathy/M aberrant/YS aberrational aberration/SM abet/S abetted abetting abettor/SM Abeu/M abeyance/MS abeyant Abey/M abhorred abhorrence/MS abhorrent/Y abhorrer/M abhorring abhor/S abidance/MS abide/JGSR abider/M abiding/Y Abidjan/M Abie/M Abigael/M Abigail/M Abigale/M Abilene/M ability/IMES abjection/MS abjectness/SM abject/SGPDY abjuration/SM abjuratory abjurer/M abjure/ZGSRD ablate/VGNSDX ablation/M ablative/SY ablaze abler/E ables/E ablest able/U abloom ablution/MS Ab/M ABM/S abnegate/NGSDX abnegation/M Abner/M abnormality/SM abnormal/SY aboard ...
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