...'LORD OF THE FLIES' by William Golding “Revision notes can never replace knowing the books thoroughly” J.W.Evans These notes should be used as pointers to the directions that your thoughts might take. They are not meant to replace your reading of the novel, you must still do that yourself.. CHARACTERISATION Never forget that we are talking about a group of boys whose maximum age is twelve. RALPH Does he represent all that is good in people? Tall, fair-skinned, blond hair, very athletic, natural leader although not that good a leader as many of his decisions are questionable, which ones?. He is middle-class, father a naval officer. Elected leader but not forceful enough to maintain position. Eventually he loses support and is reduced to the status of an outcast who must flee for his life. Ralph is an idealist and a dreamer. He needs Piggy to think for him. He finds the Conch but Piggy tells him how to use it. At the end of the book, he is a disillusioned realist who now sees his world and its inhabitants for what they are. JACK MERRIDEW Does he represent the worst in people? He is thin, tall, with red hair, light blue eyes and freckles. Leader of the choir, he becomes the leader of the hunters. Increasingly in conflict with Ralph and more particularly, Piggy, he breaks away, forms his own tribe and splits the group. He manages to get the support to do this by offering the boys the attraction of the hunting life and then by terrorising them. In the...
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...in a future time, where the conditions of life are extremely bad due to oppression, or terror. Science fiction (particularly post-apocalyptic science fiction and cyberpunk stories set in an imaginary future world controlled by technology and computers) often feature dystopias. Common traits of Dystopian fiction: The setting is the future, but often with contemporary social trends taken to extremes incorporated on purpose. A hierarchical society where there are unbending and definitive divisions between the upper, middle and lower class Society is conditioned to fear the outside world, and one of the methods for achieving this is the restriction of information and freedom. A corrupt authoritarian and totalitarian government creates or sustains the poor quality of life This government makes people believe that society is proper and just, even perfect. State propaganda makes citizens worship the state the leader of the state and the government. There is strict conformity among citizens and the general assumption that having opinions and individuality is bad The penal system often employs psychological or physical torture Violence, cruelty and aggressiveness are always present. Dystopias are frequently written as warnings, or as social satire, criticizing a current trend, norm or political system. In order for the dystopia to have an effect on the reader, the author uses characteristics of every day society so that the reader knows what he’s talking about...
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...By likening the group of boys to a creature, Golding is foreshadowing that the specific group of boys will become a force of savagery. The quote creates a mood of mysteriousness and suspense as the boys change from an unknown monster to a group of boys. Due to the boys walking and being dressed in an orderly fashion, the group contrasts with the setting of a savage island. The author chooses to emphasize the heat because it will be a continual challenge for the boys. Because the boys are British, the group is not used to excessive heat. By comparing the heat to a continual challenge, the author foreshadows the difficulties that the boys will face. The boys strip off their clothes to express their new freedom. Because no one is there to...
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...novels written for the purpose of individuals to identify with. The main character may be a hero or a villain, male or female, human or animal, but always an interesting character learning about themselves in a way that causes the reader to relate. The most intriguing part about reading is how individuals get lost in the fantasy of a characters role, and manage to finish the book; all while learning so much about one’s self. Changes might need to be made in their life, or acceptance should be attempted for heartache or sorrow; somehow readers find a way to compare themselves to these protagonists and mold the fantasy they are reading within their own reality. (Duke, 2010). There are two iconic novel characters who stand out in a way most individuals can relate to. Holden Caulfield and young Ralph. When we cannot hold onto our youth and we must watch it slip away, do we as humans embrace the changes or fight it every step of the way? The Catcher in the Rye, written by J.D. Salinger, was published in 1951. Holden Caulfield is a young male character who is obsessed with the loss of his youth. Similar to Caulfield is young Ralph, a character portrayed in the 1954 novel, as The Lord of the Flies iconic protagonist. Ralph is a twelve-year-old English boy who is elected leader of a group of boys marooned on an island. Holden Caulfield is four years his senior but finds himself being expelled from his fourth prep school and must travel home to admit his failures once again. Both novel...
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...Reading the Novel in English 1950–2000 i RTNA01 1 13/6/05, 5:28 PM READING THE NOVEL General Editor: Daniel R. Schwarz The aim of this series is to provide practical introductions to reading the novel in both the British and Irish, and the American traditions. Published Reading the Modern British and Irish Novel 1890–1930 Reading the Novel in English 1950–2000 Daniel R. Schwarz Brian W. Shaffer Forthcoming Reading the Eighteenth-Century Novel Paula R. Backscheider Reading the Nineteenth-Century Novel Harry E. Shaw and Alison Case Reading the American Novel 1780–1865 Shirley Samuels Reading the American Novel 1865–1914 G. R. Thompson Reading the Twentieth-Century American Novel James Phelan ii RTNA01 2 13/6/05, 5:28 PM Reading the Novel in English 1950–2000 Brian W. Shaffer iii RTNA01 3 13/6/05, 5:28 PM © 2006 by Brian W. Shaffer BLACKWELL PUBLISHING 350 Main Street, Malden, MA 02148-5020, USA 9600 Garsington Road, Oxford OX4 2DQ, UK 550 Swanston Street, Carlton, Victoria 3053, Australia The right of Brian W. Shaffer to be identified as the Author of this Work has been asserted in accordance with the UK Copyright, Designs, and Patents Act 1988. All rights reserved. No part of this publication may be reproduced, stored in a retrieval system, or transmitted, in any form or by any means, electronic, mechanical, photocopying, recording or otherwise, except as permitted by the UK Copyright, Designs, and...
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...other book we read had a main character named “Mary.” I do not believe that was a coincidence. Names hold meaning and, therefore, purpose. In this paper, I will investigate the connection between the meaning of the name “Mary” and the fate of the characters that we have encountered this semester. I seek to determine which meaning suits each character and whether the meaning was indicative of the resolution of their stories. When looking at the origins of the name Mary, it is important to balance the religious connotations with the meaning of the name and how that relates to the characters. It is important to understand the etymology of the name “Mary” and its many variants that depend on different interpretations of Hebrew. According to the Catholic Encyclopedia: The Name of Mary, Mary derives from the name Miryam. The dispute of Miryam’s meaning grounds itself in the disagreement of what the exact root of Miryam is, which creates varying possibilities. In one translation, Miryam is the compound of the noun meri and the pronominal suffix am (a pronominal suffix is possessive or objective like me or my) meaning “their Rebellion” (Maas). In a different translation, Miryam means “bitter sea” which bases itself in the idea that Miryam is based upon the Hebrew words mar (bitter) and yam (sea). There are...
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...guilt before trying to act. Claudius - The King of Denmark, Hamlet’s uncle, and the play’s antagonist. The villain of the play, Claudius is a calculating, ambitious politician, driven by his sexual appetites and his lust for power, but he occasionally shows signs of guilt and human feeling—his love for Gertrude, for instance, seems sincere. Gertrude - The Queen of Denmark, Hamlet’s mother, recently married to Claudius. Gertrude loves Hamlet deeply, but she is a shallow, weak woman who seeks affection and status more urgently than moral rectitude or truth. Polonius - The Lord Chamberlain of Claudius’s court, a pompous, conniving old man. Polonius is the father of Laertes and Ophelia. Ophelia - Polonius’s daughter, a beautiful young woman with whom Hamlet has been in love. Ophelia is a sweet and innocent young girl, who obeys her father and her brother, Laertes. Dependent on men to tell her how to behave, she gives in to Polonius’s schemes to spy on Hamlet....
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...the main theories in international relations. It explains and analyzes each theory, allowing students to understand and critically engage with the myths and assumptions behind each theory. Key features of this textbook include: • discussion of all of the main theories: realism and (neo)realism, idealism and (neo)idealism, liberalism, constructivism, postmodernism, gender, and globalization two new chapters on the “clash of civilizations” and Hardt and Negri’s Empire innovative use of narratives from films that students will be familiar with: Lord of the Flies, Independence Day, Wag the Dog, Fatal Attraction, The Truman Show, East is East, and Memento an accessible and exciting writing style which is well-illustrated with boxed key concepts and guides to further reading. • • • This breakthrough textbook has been designed to unravel the complexities of international relations theory in a way that allows students a clearer idea of how the theories work and the myths that are associated with them. Cynthia Weber is Professor of International Studies at the University of Lancaster. She is the author of several books and numerous articles in the field of international relations. International Relations Theory A critical introduction Second edition Cynthia Weber First published 2001 by Routledge Second edition published 2005 by Routledge 2 Park Square, Milton Park, Abingdon, Oxon OX14 4RN Simultaneously published in the USA and Canada by Routledge 270 Madison Ave,...
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...Projective processes: gangs, bullying, and racism Groups and gangs When does a group become a gang? Hamish Canham (2002) defines a gang mentality as one in which de- structive forces have taken over. It is paranoid-schizoid functioning where there is no thinking, only a need to rid oneself of parts of the personality that might expose the individual (or group) to feelings of neediness, ignorance, or weakness. Within the personality, this is achieved by imposing a reign of terror on the vulnerable parts. In gang behaviour, the reign of terror is directed towards other groups. A gang is anti-thought, anti-parents, and anti-life. Hamish offers a commentary on William Golding’s The Lord of the Flies and tracks the way in which the boys lose touch with an idea of parental function and give way to the lure of the gang. He draws attention to the way in which Ralph and Piggy manage to impose some structure by making the rule about the conch: in community meetings, boys cannot speak unless they are holding the conch. At the beginning of their time on the island, the older boys are in touch with the idea of rules (which Hamish suggests are a representation of parental function), and they agree to this arrangement. Later, the rule is cast aside, the conch smashed, and order is overthrown in an outpouring of paranoid-schizoid behaviour. Jack, the leader of the choir, represents the pull in the group away from feeling lonely, afraid and dependent on each other ...
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...specific, deliberate constructions of language which an author uses to convey meaning. An author’s use of a literary technique usually occurs with a single word or phrase, or a particular group of words or phrases, at one single point in a text. Unlike literary elements, literary techniques are not necessarily present in every text. Literary terms refers to the words themselves with which we identify and describe literary elements and techniques. They are not found in literature and they are not “used” by authors. Allegory: Where every aspect of a story is representative, usually symbolic, of something else, usually a larger abstract concept or important historical/geopolitical event. Lord of the Flies provides a compelling allegory of human nature, illustrating the three sides of the psyche through its sharply-defined main characters. Antagonist: Counterpart to the main character...
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...A TEACHER’S GUIDE TO THE SIGNET CLASSIC EDITION OF WILLIAM SHAKESPEARE’S MACBETH LINDA NEAL UNDERWOOD S E R I E S E D I T O R S : W. GEIGER ELLIS, ED.D., ARTHEA J. S. REED, PH.D., UNIVERSITY OF GEORGIA, EMERITUS and UNIVERSITY OF NORTH CAROLINA, RETIRED A Teacher’s Guide to the Signet Classic Edition of William Shakespeare’s Macbeth 2 INTRODUCTION William Shakespeare developed many stories into excellent dramatizations for the Elizabethan stage. Shakespeare knew how to entertain and involve an audience with fast-paced plots, creative imagery, and multi-faceted characters. Macbeth is an action-packed, psychological thriller that has not lost its impact in nearly four hundred years. The politically ambitious character of Macbeth is as timely today as he was to Shakespeare's audience. Mary McCarthy says in her essay about Macbeth, "It is a troubling thought that Macbeth, of all Shakespeare's characters, should seem the most 'modern,' the only one you could transpose into contemporary battle dress or a sport shirt and slacks." (Signet Classic Macbeth) Audiences today quickly become interested in the plot of a blindly ambitious general with a strong-willed wife who must try to cope with the guilt engendered by their murder of an innocent king in order to further their power. The elements of superstition, ghosts, and witchcraft, though more readily a part of everyday life for the Renaissance audience, remain intriguing to modern teenagers. The action-packed...
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...G U I D E T E A C H E R’S A TEACHER’S GUIDE TO TWELVE YEARS A SLAVE BY SOLOMON NORTHUP bY Jeanne M. McGlInn anD JaMes e. McGlInn 2 A Teacher’s Guide to Twelve Years a Slave by Solomon Northup Table of Contents SYNOPSIS......................................................................................................................................3 ABOUT THE AUTHOR...............................................................................................................3 INTRODUCTION TO THE STUDY GUIDE............................................................................3 MEETING COMMON CORE STANDARDS.............................................................3 THE SLAVE NARRATIVE GENRE...............................................................................3 HISTORICAL OVERVIEW..........................................................................................................4 DURING READING.....................................................................................................................6 SYNTHESIZING DISCUSSION QUESTIONS.......................................................................9 ENRICHMENT ACTIVITIES.......................................................................................................9 ACTIVITIES FOR USING THE FILM ADAPTATION........................................................ 11 ADDITIONAL RESOURCES.....................................................................................
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...Mythological and Biblical Characters The Titans According to Greek mythology, the Titans were a race of primordial, powerful deities that ruled during the legendary Golden Age. The Titans were created by Gaea and her surrounding Uranus (Heaven), who embraced her strongly with his starry mantle and they became the first divine couple of the World. The Titans were first dwelling in Mount Olympus in Ancient Greece, but were overthrown expelled to the lower basement of Hades, the Tartarus, after their defeat in a huge battle with the Olympian Gods. The Superior Titans are Gaea, Mother Earth, and Uranus, Ruler of the Heaven and the Sky. The Main Titans are Atlas, the Titan of Astronomy, and Prometheus, the Titan of Wisdom and Forethought. There are also several Titan Couples. These include Cronus and Rhea, the mother and father of the Olympian Gods, Coeus and Phoebe, the Titan of Intelligence and the Titaness of Brilliance and the Moon, Hyperion and Theia, Titan of Life and Sun and Titaness of Sight, and Oceanus and Tethys, Ruler of the Waters and the Seas, and Titaness of the Wet Element and the Oceans. Other Titans of Ancient Greece include Crius, Titan of Leadership and Domestic Animals, Iapetus, Titan of Morality, Mnemosyne, Titaness of Memory, and Themis, Titaness of Law, Justice and Order. The Twelve Olympians The Olympian gods were the main deities in Ancient Greece. All gods were associated with birth myths, but they were unaging. After overthrowing their ancestors...
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...SECOND DRAFT Contents Preamble Chapter 1 1.1 1.2 1.3 1.4 1.5 Background Rationale Aims Interface with the Junior Secondary Curriculum Principles of Curriculum Design Chapter 2 2.1 2.2 2.3 2.4 2.5 1 Introduction Literature in English Curriculum Framework Strands and Learning Targets Learning Objectives Generic Skills Values and Attitudes Broad Learning Outcomes Chapter 3 5 7 9 10 11 11 13 Curriculum Planning 3.1 Planning a Balanced and Flexible Curriculum 3.2 Central Curriculum and School-based Curriculum Development 3.2.1 Integrating Classroom Learning and Independent Learning 3.2.2 Maximizing Learning Opportunities 3.2.3 Cross-curricular Planning 3.2.4 Building a Learning Community through Flexible Class Organization 3.3 Collaboration within the English Language Education KLA and Cross KLA Links 3.4 Time Allocation 3.5 Progression of Studies 3.6 Managing the Curriculum – Role of Curriculum Leaders Chapter 4 1 2 2 3 3 13 14 14 15 15 16 16 17 17 18 21 Learning and Teaching 4.1 Approaches to Learning and Teaching 4.1.1 Introductory Comments 4.1.2 Prose Fiction 4.1.3 Poetry i 21 21 23 32 SECOND DRAFT 4.1.4 Drama 4.1.5 Films 4.1.6 Literary Appreciation 4.1.7 Schools of Literary Criticism 4.2 Catering for Learner Diversity 4.3 Meaningful Homework 4.4 Role of Learners Chapter 5 41 45 52 69 71 72 73 74 Assessment 5.1 Guiding Principles 5.2 Internal Assessment 5.2.1 Formative Assessment 5.2.2 Summative Assessment 5.3 Public Assessment 5.3.1 Standards-referenced...
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...BATMAN AND PHILOSOPHY THE DARK KNIGHT OF THE SOUL Edited by Mark D. White and Robert Arp @ WILEY John Wiley & Sons, Inc. To the memory of Heath Ledger (1979-2008) Copyright © 2008 by john Wiley & Sons, Inc. All rights reserved Published by john Wiley & Sons, Inc., Hoboken, New jerney Published simultaneously in Canada No part of this publication may be reproduced, stored in a reaieval system, or transmit ted in any fonn or by any means. electronic, mechanical, photocopying, recording, scan ning, or otherwise, except as pennitted under Section 107 or 108 of the 1976 United States Copyright Act, without either the prior written pennission of the Publisher, Clearance Center, 222 Rosewood Drive, Danvern, MA 01923, (978) 750-8400, fax (978) sion should be addressed to the Pennissions Department,john Wiley & Sons,Inc., III or authorization through payment of the appropriate per-copy fee to the Copyright 646-8600, or on the web at www.copyright.com. Requests to the Publisher for pennis River Street, Hoboken, NJ 07030, (201) 748-6011, fax (201) 748-6008, or online at http://www.wiley.comlgo/pennissions. Limit ofLiabilirylDisclaimer ofWarranry:While the publisher and the author have used their best efforts in preparing this book., they make no representations or warranties with respect to the accuracy or completeness of the contents of this hook and specifically disclaim any implied warranties of merchantability or fitness for a particular purpose. No warranty...
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