...1. How does Shakespeare present the world of Venice in the first act, and how does he construct the interactions of his central characters (Iago, Othello, and Desdemona) with that Venetian world and with each other?How are these interactions complicated by the fact that Othello is a Moor, (and we'll have to puzzle out what exactly that means) and that Desdemona is a young woman? 2. What sort of person is Iago, as he appears in act 1? Are you satisfied by the reasons he gives for hating Othello? What is Iago's relationship with Roderigo? 3. What sort of language does Iago use? What sort of language does Othello use? What might be the significance of this difference? Act 2 1. What sort of person is Cassio? What happens to him, and how does Iago plan to use the situation in his plan against Othello? 2. What more do we learn about the nature of Iago in act 2? What is the effect of having him share his thoughts and plans with us through his soliloquies? Pay attention to the language used in Iago's soliloquies. What sorts of descriptive language does he use? How does it contribute to the picture of Iago that Shakespeare is drawing? Act 3 1. At the beginning of 3.3 Othello is completely in love with Desdemona. By the end of that scene, 480 lines later, Othello is ready to murder her for having an affair with Cassio. How have we gone from the first position to the second position so quickly? How does Iago plant the idea of Desdemona's infidelity in Othello's mind, and how does...
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...Bloom’s Classic Critical Views W i l l ia m Sha k e Sp e a r e Bloom's Classic Critical Views alfred, lord Tennyson Benjamin Franklin The Brontës Charles Dickens edgar allan poe Geoffrey Chaucer George eliot George Gordon, lord Byron henry David Thoreau herman melville Jane austen John Donne and the metaphysical poets John milton Jonathan Swift mark Twain mary Shelley Nathaniel hawthorne Oscar Wilde percy Shelley ralph Waldo emerson robert Browning Samuel Taylor Coleridge Stephen Crane Walt Whitman William Blake William Shakespeare William Wordsworth Bloom’s Classic Critical Views W i l l ia m Sha k e Sp e a r e Edited and with an Introduction by Sterling professor of the humanities Yale University harold Bloom Bloom’s Classic Critical Views: William Shakespeare Copyright © 2010 Infobase Publishing Introduction © 2010 by Harold Bloom All rights reserved. No part of this publication may be reproduced or utilized in any form or by any means, electronic or mechanical, including photocopying, recording, or by any information storage or retrieval systems, without permission in writing from the publisher. For more information contact: Bloom’s Literary Criticism An imprint of Infobase Publishing 132 West 31st Street New York NY 10001 Library of Congress Cataloging-in-Publication Data William Shakespeare / edited and with an introduction by Harold Bloom : Neil Heims, volume editor. p. cm. — (Bloom’s classic critical views) Includes bibliographical references...
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