...“anonymous” author, Frankenstein, or, The Modern Prometheus has inspired numerous adaptations, remakes and parodies across different literary genres. Reprinted again in 1831, this time with an introduction written by Mary Shelley acknowledging her authorship, Frankenstein through its discrediting of science and the omnipotence of nature, confirms ands challenges our own habitual understandings of the world around us. The habitual understanding I will be focusing on is western hegemonic rationalism and the dominance of science as the ruler and explainer of my universe in comparison to the earlier more romantic ideology of Shelley’s time. Frankenstein also carries a warning about ambition. In a society that believes ambition to be a good thing, Shelley attempts to revel catastrophic consequences for humans over come with the quest for glory and science’s obsessive and overly ambitious nature. Western hegemonic ideal is the cultural identity that has conditioned me, becoming habitual, normal and routine. However, Shelley was privileged as she was writing at the beginning of the scientific enlightenment era, and could therefore identify what would be lost if science and technology were to usurp the position of God, nature and fate. Art, emotions, passion, suffering, humility etc were to be restricted into liminal spaces, creating a world not unlike Aldous Huxley’s A Brave New World. Romantic philosophies have been endorsed in Frankenstein through the downfall of Victor due to scientific...
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...Frankenstein was written by Mary Shelley and published in 1818. This novel contains notions about the roles of nature and nurture in the upbringing of living things. Is someone condemned by their DNA, or are they forced to reap the ideas their parents sowed in them when they were young? In Frankenstein, nurture, or lack of nurture plays a larger role than the nature of the creature; this idea can be seen by the relationship of Victor Frankenstein and his creation, and is also evident in the life of Mary Shelley and her child. In Frankenstein, Victor Frankenstein creates a creature who isn't human but resembles one; he is very large and an alarming sight to most people. After Victor creates this thing out of dead body parts, he brings it to...
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...lens becomes a necessity. But then how does Frankenstein by Mary Shelley written over two centuries ago, still manage to have a lasting impression on today’s society? Even though 250 years on, Frankenstein still manages to be relevant and pertinent to this very day. The reason being is that Frankenstein becomes more than synonymous with “monster” and “crazy inventor” but is in fact a cautionary tale of the monstrosity capable by man. It’s the universal themes of Frankenstein such as what it means to be human, medical ethics and the darker natured tendency of man to achieve ultimate glory. The events that occur in the text stem from Victor Frankenstein’s want and desire for glory. Dr Victor Frankenstein embarks on a futile quest to create and sustain life where he constructs his nameless monster from various dead matter. Here is where the nameless monster comes to life through being electrified into a conscious being. However, when the experiment is finished, Frankenstein is petrified by what he sees and flees the scene. However, for Frankenstein, time and space are unable to separate himself from his creation where the text delves into a cold and thrilling...
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...The story itself is something from the darker side of the mind, playing into just how terrible a human is capable of being without the restraint of ethics, morals or true human compassion. The monster epitomizes the darkest sides of our nature in his simple lack of morality or concern for human life. Perhaps Frankenstein has remained so popular for the many pieces of human nature that it shows...
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...pinnacle of writing, the gothic horror novel Frankenstein, Mary Shelley explores various themes and motifs among them nature versus nurture. She does so through a man attempting to create life named Victor Frankenstein and the Creature he creates. In Frankenstein, Shelley gives examples of the consequences of a spoiled upbringing, the effect on people of their surroundings, the idea of innate goodness, and the idea that people are blank slates upon which their experiences are etched. In the debate of nature versus nature over why people are good or bad, nurture is by far the more influential. A privileged and unrestrained upbringing by overly indulgent parents...
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... The constant attention and focus on physical appearances are apparent not only in our society but in Mary Shelly’s novel, Frankenstein. Victor Frankenstein, a modern scientist unleashes a creature constructed of dead body parts. The creature’s social acceptance relies heavily on its hideous features, starting with his own creator, Victor Frankenstein. Throughout the novel Frankenstein, Victor Frankenstein’s lack of ethics spurs problematic situations which are the consequences of his...
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...In the Beginning There Was Frankenstein Many have said that love makes the world go around but we are left with the question of who creates love? What would life be like if we had not experienced love and, ultimately, what would each of us be like without experiencing love? The Holy Bible provides numerous examples of a perfect love from the Creator and explains that people have been created to love. Mary Shelley’s novel, Frankenstein, or the Modern Prometheus, creates questions about the responsibility of a creator, and what can happen when some basic responsibilities of a creator are ignored. The novel describes a monster and his actions due to his creator abandoning him. Throughout Mary Shelley’s novel, there is the question of who really is the monster? Victor Frankenstein, the creator of the monster, can easily be compared to the Judeo-Christian God and the story of creation found in the book of Genesis. The God referred to as the creator of all mankind is driven by love for his creation, but Victor Frankenstein is driven to create by his own personal ideas of grandiosity and ego. The Holy Bible is the account of the Judeo-Christian God’s action in the world and his purpose for all creation. The writing of the Holy Bible took place over sixteen centuries, and is the work of over forty human authors. There are sixty-six books that provide various lessons for living and moral conduct, examples of love from a Creator, and a starting point for creation. In Genesis, the...
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...The True Monster of Mary Shelley’s Frankenstein The True Monster of Mary Shelley’s Frankenstein Science reaches its long tangles tentacles into our everyday life and existence, area’s that reach into such studies as the universe, the environment, animals, insects, and even the prehistoric dinosaurs. Victor Frankenstein is a young scientist in Mary Shelley’s Frankenstein, who unwittingly creates a “monster” that counteracts with man and god’s view and control over the human condition. Victor’s monster becomes a constant threat to his way of life, the woman and family he so dearly treasures. Created as an experiment, only to be thrown into the human world like a day old sandwich is discarded into the trash. Never being taught the difference between right and wrong; the same as a mother snake would lay and keep an egg warm, only to leave it once it has hatched. The question is can the “monster” that is never given a name really be held accountable for his actions, or should the blame fall to his creator. It seems that Shelly is trying to display through her writings that when science is followed merely on the bases of discovery without thought to the affect that the experimentation can have we risk endangering everything that we hold dear. Frankenstein becomes totally enveloped by a sinister passion that fuels his intense desire to create life; an innocent curiosity that leads him to discover what he feels is his life’s purpose. He is so over taken by his quest that...
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...Throughout history, pride has blinded even the most brilliant people, leading to extreme anguish for themselves and others. A classic example is the main character, Victor, in the novel Frankenstein, by Mary Shelley. Through Shelley’s development of Victor Frankenstein, an intelligent man who is driven by hopes of achieving, she demonstrates how excessive pride and hopes of success can ruin a person and lead them into a path of despair. Throughout the story Shelley continues to develop the character of Victor Frankenstein, unveiling the intensity and vastness of Victor’s pride. During the beginning of the story, Victor indulges in his success at the University of Ingolstadt and becomes overcome by his knowledge, as he states that he “succeeded...
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...Texts can transcend the time in which they are written and evolve to be applicable to a new time and a new social content by facing everlasting human concerns. Human concerns that transcend the decay of time include the influence of science, the influence of consumerism and what it means to be human. Mary Shelleys’ 1818 epistolary novel, “Frankenstein” show the early 19th century fears of the advances of both science and technology as well as what makes someone human. Ridley Scott also faces these issues as well as the influence of consumerism in a modern context in his 1991 Film “Blade Runner” These composers lived centuries apart and both critique these humans concerns. Mary Shelleys’ “Frankenstein” introduces us to the ideas of Galvanism,...
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... Date: How could Victor Frankenstein have helped the creature he created so it could acclimate and be accepted into society? What would you do? Victor Frankenstein is a man who comes from an affluent family and is obsessed in undertaking scientific advancements. Finally, he is able to create a living creature that does not conform to the human nature. The creature hence is excluded from the society due to its nature and tries to learn the language used in communication so that it can fit in the society. However, the creature is met with violent rejection. In order for victor to diffuse this rejection, he should not refer to the creature as a lifeless thing. This is because the phrase is extremely inhuman as it could refer to anything from a chair to any form of garbage in the house. This does not help in anyways the acceptance of the creature in the society. Therefore, Victor should give the creature a human name so that the society might view the creature differently. Victor begins the exclusion of the creature by referring to the creature as ambiguous, therefore Victor should give the creature a purpose in life and not just a successful experiment. Consequently, people can view the creature differently. Another important aspect to note is when the creature is lying at Victor’s feet. This means that Victor believes that the creature is physically below him. Victor feels superior to the creature both figuratively and literally. Victor should not...
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...Frankenstein and Blade Runner Although written more than 150 years apart from each other, and with very different mediums of production both Mary Shelley’s Frankenstein and Ridley Scotts Blade Runner reflect upon the societal concerns of their times in order to warn us of the consequences of overstepping our boundaries and unbridled technological advancement. Subsequently, it becomes evident that despite their temporal and contextual differences, both texts are in fact linked through their common concerns and concepts. Frankenstein was written in 1818 at the height of the industrial revolution. Frankenstein is infused with some elements of the Gothic novel and the Romantic movement and is also considered to be one of the earliest examples of science fiction. The story is partially based on Giovanni Aldini's electrical experiments on dead animals and was also a warning against the expansion of modern humans in the Industrial Revolution. Blade Runner, on the other hand was written in 1982 at the beginning of the age of computers. The movie is set in Los Angeles in 2019 inside a post-modern, post-industrial and post-apocalyptic city. The world is devoid not only of nature, but children, sunlight and “real” animals. In the opening scene, film noir characteristics, such as disoriented visual schemes and heavy reliance of shadows and rain are used to show the vast yet dwarfed city. This leads us to believe that this city is a result of past consequences where nature has not just...
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...monstrous within the National Theatre’s 2011 production of Frankenstein. How? Dear’s narrative approach will be explored in relation to the problematizing and redefining of the monstrous; the shifting of the perspective to the created creature rather than that of the creator and the subsequent effects this has on an audience’s perception. The impact of the performance approach taken will also be considered: how the actors shared body of Frankenstein and his creature, the result of their alternating both roles, raises further questions creating various and yet carbon copies of the monstrous. The focus of this analysis...
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...Reading Between the Lines: An analysis of Mary Shelley’s Frankenstein, or, the Modern Prometheus, using Horace Walpole’s The Castle of Otranto as an example of male discourse about women Louise Othello Knudsen English Almen, 10th semester Master’s Thesis 31-07-2012 Tabel of Contents Abstract ................................................................................................................................................ 3 Introduction .......................................................................................................................................... 5 Historical Context .............................................................................................................................. 10 The View on Women and Their Expected Roles in the late 18th and 19th Century ....................... 11 - Mary Shelley disowns herself .................................................................................................. 11 - Mary Shelley’s Background .................................................................................................... 12 Women’s Role in Frankenstein ..................................................................................................... 13 Men’s Role in Frankenstein ........................................................................................................... 13 - Women in Society and Women as Writers .........................................................
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...Frankenstein by Mary Shelley Key facts full title · Frankenstein: or, The Modern Prometheus author · Mary Wollstonecraft Shelley type of work · Novel genre · Gothic science fiction language · English time and place written · Switzerland, 1816, and London, 1816–1817 date of first publication · January 1, 1818 publisher · Lackington, Hughes, Harding, Mavor, & Jones narrator · The primary narrator is Robert Walton, who, in his letters, quotes Victor Frankenstein’s first-person narrative at length; Victor, in turn, quotes the monster’s first-person narrative; in addition, the lesser characters Elizabeth Lavenza and Alphonse Frankenstein narrate parts of the story through their letters to Victor. climax · The murder of Elizabeth Lavenza on the night of her wedding to Victor Frankenstein in Chapter 23 protagonist · Victor Frankenstein antagonist · Frankenstein’s monster setting (time) · Eighteenth century setting (place) · Geneva; the Swiss Alps; Ingolstadt; England and Scotland; the northern ice point of view · The point of view shifts with the narration, from Robert Walton to Victor Frankenstein to Frankenstein’s monster, then back to Walton, with a few digressions in the form of letters from Elizabeth Lavenza and Alphonse Frankenstein. falling action · After the murder of Elizabeth Lavenza, when Victor Frankenstein chases the monster to the northern ice, is rescued by Robert Walton, narrates his story, and dies tense · Past foreshadowing · Ubiquitous—throughout...
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