...“Harrison Bergeron” Kurt Vonnegut was born in Indianapolis, Indiana in 1922, and ten years later The Great Depression began. In this time, Vonnegut had to adapt to living in impoverished conditions because of his father’s lack of financial means. The Great Depression was a crucial period in his childhood development; Vonnegut’s literary pieces are a reflection of what he observed the world to be through his own life experiences. The majority of his works are science fiction used to “[help] lend form to the presentation of this world view without imposing a falsifying causality upon it (Reed),” as Peter Reed mentioned in an autobiography about Kurt Vonnegut. Vonnegut believed that science fiction offers a perception into an everyday society, rather than escaping it. The extraordinary events he experienced throughout his life served as motivation and influenced him to write stories about the world; as a result, Vonnegut showed an immense appreciation about life in his literary pieces. Kurt Vonnegut continued to pursue his goal of demonstrating to the world how wonderful life is through creations in the graphic arts. In 1950, Vonnegut published his first short story, “Report on the Barnhouse Effect” followed by “The Sirens of Titan” (1959), “Cat’s Cradle” (1963), “Slaughterhouse-Five” (1969), and “Breakfast of Champions” (1973). The society in which Kurt Vonnegut was a part of highly valued the ideal of equality; the short story “Harrison Bergeron” was written to foreshadow the...
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...A Reflection on Harrison Bergeron by Kurt Vonnegut Introduction Kurt Vonnegut Jr.’s short story, Harrison Bergeron, is about control. The setting is based in future America, where everyone is forced to be equal. Harrison, the main character, breaks the law as the country watches on TV. The story begins by mentioning Amendments 211 through 213, making the reader aware of limitations that could potentially be placed on their freedom. In this story of perception, government agents are the deciding factor of a person’s fate and they ensure that laws are enforced. Beautiful people must wear hideous masks to make them equal to the ugly, the brilliant wear ear devices that alter their thought process and make recollection near impossible and the strong wear weighted bags to make them equal to those who are weak (Vonnegut, 1961). Forced equality is questioned by the handicapped and the outcome is a controlled society. Harrison is used to represent the people who will protest against such laws and encourage others to support his cause. The central idea is that the government could never make a perfect world by enforcing total equality but they can place limitations on people. Discussion Vonnegut uses a satirical and humorous tone while presenting a serious topic to critique America in the 1960’s, both politically and socially. The political system in the story is egalitarianism; this is the belief that all people should be treated equally in every...
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...The New Astrology by SUZANNE WHITE Copyright © 1986 Suzanne White. All rights reserved. 2 Dedication book is dedicated to my mother, Elva Louise McMullen Hoskins, who is gone from this world, but who would have been happy to share this page with my courageous kids, April Daisy White and Autumn Lee White; my brothers, George, Peter and John Hoskins; my niece Pamela Potenza; and my loyal friends Kitti Weissberger, Val Paul Pierotti, Stan Albro, Nathaniel Webster, Jean Valère Pignal, Roselyne Viéllard, Michael Armani, Joseph Stoddart, Couquite Hoffenberg, Jean Louis Besson, Mary Lee Castellani, Paula Alba, Marguerite and Paulette Ratier, Ted and Joan Zimmermann, Scott Weiss, Miekle Blossom, Ina Dellera, Gloria Jones, Marina Vann, Richard and Shiela Lukins, Tony Lees-Johnson, Jane Russell, Jerry and Barbara Littlefield, Michele and Mark Princi, Molly Friedrich, Consuelo and Dick Baehr, Linda Grey, Clarissa and Ed Watson, Francine and John Pascal, Johnny Romero, Lawrence Grant, Irma Kurtz, Gene Dye, Phyllis and Dan Elstein, Richard Klein, Irma Pride Home, Sally Helgesen, Sylvie de la Rochefoucauld, Ann Kennerly, David Barclay, John Laupheimer, Yvon Lebihan, Bernard Aubin, Dédé Laqua, Wolfgang Paul, Maria José Desa, Juliette Boisriveaud, Anne Lavaur, and all the others who so dauntlessly stuck by me when I was at my baldest and most afraid. Thanks, of course, to my loving doctors: James Gaston, Richard Cooper, Yves Decroix, Jean-Claude Durand, Michel Soussaline and...
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