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I Want You

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Submitted By Jackaroo
Words 572
Pages 3
Brooklyn Cop

Stanza 1: picture – time / place / person (setting)
Stanza 2 / 3/ 4 – conjecture (thoughts / assumptions based on a loose idea)
Latter stanzas are fragments / not whole & complete ideas like the opening. progression from picture of person – reflection on self / society.
Themes: proximity of violence. Fear. Love. Danger. Isolation. Society vs. Chaos. Anonymity.
Brooklyn Cop Setting, tough area, control, law & order, foreign
Built like a gorilla but less timid simile: size (huge) intelligence (pure wee) territorial, uncivilised, scary & intimidating, brooding menace, mysterious. provides contrast – can’t be so easily summed up. He will challenge you. thick-fleshed, steak-coloured hard-working, tough, tolerance, dark emotionally & literally – frightening & unknown. with two / hieroglyphs in his face that mean / trouble. Metaphor (which Nicolle said, like, ten minutes ago) puzzling / difficult to read / foreign & ancient language – interpreting signs / pictures / images. Poet analysing someone else’s symbols. Strange idea of cop – someone that is frightening.

he walks the sidewalk and the / thin tissue over violence contrast: hard, tough cop & delicate tissue. white tissue vs. dark cop. antithesis of light and dark. enjambment – literal on one line / metaphorical on next. Seeming impossibility of the metaphor – speaker fears that chaos is inevitable (cop will fall).

MacCaig employs enjambment in order to highlight the fragility of society. He tells us, “he walks the sidewalk and the / thin tissue over violence.” The literal, concrete sidewalk is balanced against the figurative, metaphorical “tissue”. On one line is an image we can see and understand, on the other is a notion – a philosophical concept. The sidewalk is tough, hard (like the cop) whereas the tissue (made more prominent by running it onto a new line) is delicate and hints at the fragility of society.

“See you, babe” cliché, worn-out statement bereft of meaning. Tired. Suggests lack of true emotions – almost like a 2D figure.

he hoped it, he truly hoped it suggests true emotion behind façade. humanity is concealed. Cop is unable (or unwilling) to express emotions.

He is a gorilla metaphor – definite and certain (“like” earlier on). No personality, no true emotion, therefore not human. Dark heart of society – no self. structurally – develops from uncertain to definite. Speaker has established a clear picture. by implication, he will now explore the ideas this throws up.
“should… should…” repetition - conjecture / uncertainty.

Should the tissue tear, should he plunge through / into violence. speaker is a worrier / darkly reflective – pessimistic. Seems drawn towards negativity. violence… clubbings… gunshots aggressive vocabulary – fear of destruction.
Should he plunge through / into violence negativity – cop (public protector) seems doomed to violence – what, then, happens to us?
Who would be him who would be without personality or feeling? Rhetorical question.
Gorilla with a nightstick inhuman/ animalistic / aggressive – forcing order.
Whose home is a place / he might […] never get back to home as metaphor for self / personality. Self gradually disappears – emotionally empty. Far from society, self & belonging.

And who would be who have to be / his victims? unusual word order (syntax) causes you to think / reflect upon meaning. Who are his victims? Who would want to be his victims? TONE: hopeless, fearful.

The unusual syntax on this line causes us to pause and consider its meaning.
MacCaig’s use of unusual syntax is effective as it makes us consider what he is saying.

STRUCTURE (2, 3 & 4) stanzas becoming shorter / much more condensed. Reflecting speaker grasping at different ideas / becoming lost. Speaker becoming fragmented and uncertain. Hope is disappearing the more he thinks about.

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