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Identity In Fahrenheit 451

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In Fahrenheit 451, independent thoughts of individuals is restricted throughout the novel. Following his perplexing encounter with Clarisse, Guy Montag enters his house, dazed from his strange conversation with Clarisse. He portrays his residence to be similar to a tomb, interpreting it as cold and devoid of life. Subsequently, Montag introduces his wife, Mildred, and describes her as a lifeless entity. Montag dreadfully continues to describe her as “And in her ears the little Seashells, the thimble radios tamped tight, and an electronic ocean of sound, of music and talk and music and talk coming in, coming in on the shore of her unsleeping mind.[...] There had been no night in the last two years that Mildred had not swim that sea, had not gladly gone down in it for the third time” …show more content…
“Shore” depicts a clash between two distinct objects, in this case, the clash between cognition of an individual and the data spewed by the Seashell. The phrases, “Mildred had not swim that sea, had not gladly gone down in it for the third time” facilitate the creation of the idea of technological dependency, and wide acceptance of these elements throughout the society through Bradbury’s employment of abstract diction. Bradbury’s use of figurative and abstract diction simultaneously illustrates the concept of the Seashells and their impact on Mildred, which demonstrates the lack of individual thought. The depiction of the Seashells as a forceful and manipulative object and its purpose to constantly gush irrelevant, monotonous information at the individual also clarifies its purpose as a restrictive device for the suppression of independent thought. The absorption of the irrelevant information deprives the individuals of their ability to perform cognitive actions and maintain awareness of their

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