...Throughout Song of Solomon, readers are treated to a vast array of experiences, which reflect Toni Morrison’s themes of bearing witness to the disturbed past of black people, exploring divisions within a family that has lived through that past, and chronicling personal quests to reconstruct splintered identity at the personal, family and community levels. To create the conscious experience that brings so much of Morrison’s work to life, she imbues Song of Solomon not only with vibrant, directly encountered realism, but also magical themes and experiences. Magical Realism—in essence—is a way of telling a story with two sides. One based on a so-called rational view of reality and the other on the acceptance of the supernatural as everyday reality. Song of Solomon features many instances of the image of flight as it plays a major role in the narrative. Flight signifies true life and the living of it, as well as a sense of freedom and release for the main characters in the book. Of all the characters in the novel, one seems the most affected and that persona is Milkman—someone whom embarks on a journey of self-discovery and discovers the true meaning of flight. Milkman experiences flight in many different ways—through song, imagery and literal experiences. The onus is on us, the reader, to distinguish what is “real” and what is pure mysticism. The first instance of Morrison's use of the image of flight is at the very beginning of the book. "At 3:00 p.m. on Wednesday the 18th...
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...Great Narrative Literature Dr. Kelso 2/10/2014 The Role of the Myth of the Flying Africans in Song of Solomon The central myth in Toni Morrison’s Song of Solomon is that of flight. This myth ties directly into the Exodus story of the Bible, where flight is understood as escape from the oppression of slavery. The main purpose of this myth of flight in the novel is to give hope to African Americans during a time where racial tensions are very much a part of their everyday lives. In this essay, I will argue that the myth of flight plays both a positive and negative role throughout this novel. It plays a positive role in that it seems to give Milkman a sort of pride in his ancestors that he did not have before he learned of the myth of Solomon’s Leap. Milkman, after learning about his parents’ marriage from both his mother and father, seems to shun his family and lose interest in his people that came before him, but after hearing about his great grandfather, he becomes proud of his lineage and gains a sense of liberation from the life he has led up to this point. However, while this myth of flight enables Morrison’s male protagonist to thrive, there are also negative consequences that Morrison asks us to consider, namely the effects of this myth on the ones left behind, the women and children. The Exodus story tells of the Israelites, who were being held as slaves in Egypt until they were liberated from their oppression by Moses, who was sent by God. The story tells of their...
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...Chapter 3’s passage, from Toni Morrison’s Song of Solomon, describes Milkman as he drifts down the streets of Michigan. In addition to being distressed about his parent’s relationship, Milkman also begins to piece back together displeasing memories from his family’s past and his childhood. Morrison initiates Milkman’s liminal journey to understand his true identity by exposing Milkman’s internal separation from society through the use of figurative langue as he walks down the crowded city street in utter loneliness. In the passage from Chapter 3, Morrison uses metaphors and characterization to emphasize how Milkman’s immaturity and egoistical viewpoint isolates him from society. Chapter 3’s passage of Milkman walking down the street introduces the larger metaphor that...
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...In Toni Morrison’s Song of Solomon, Milkman Dead is on a constant search for his identity. Through learning about his family’s past and gaining insight of how his family came to who they really are, Milkman gains a better understanding of where he comes from. Milkman’s father, Macon Dead, and his mother, Ruth Dead, do not set the best grounds to follow. It is tough for Milkman to find his identity because he does not have meaningful parental guidance. At an early age, Milkman did not know any better but to try to be like his parents and to use what they taught him and translate that into the real world. Unfortunately, Macon, Milkman’s father, does not set the ideal example to follow. Most of Milkman’s problems come from his parent’s mistakes. For example, his father has a hard time sticking with one woman for a long duration of time, and as the reader could guess, so does...
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...Jessica Schaub 12/1/14 Eng. 232/Section 03 Song of Solomon: A Bildungsroman of Milkman Song of Solomon by Toni Morrison, is a brilliant synthesis of a mythic journey, family drama and story of origin. This is the story of Macon Milkman Dead, heir to the richest black family in a Midwestern town, as he makes a voyage of rediscovery, travelling southwards geographically and inwards spiritually. Morrison’s narrative rendering of the black community along with her protagonist problematic relationship with himself, his family, and that community all lend them-selves to the very definition of a classic bildungsroman tale; though it is so much richer and fuller than anything that word could connote. A bildungsroman can be defined as “a class of novel that deals with the coming-of-age or formative years of an individual”. Furthermore, in a bildungsroman, a main protagonist usually undergoes some transformation after seeking truth or philosophical enlightenment. In Morrison’s novel, the plot follows the main protagonist Milkman as he matures within his community while developing relationships with others and discovering his individual identity. The symbolism of flying is very relevant to issues of identity. Milkman struggles to break away from dependence of Macon II is really the main struggle throughout the novel on an individual level. As he tries to break away and reach his full potential, he is able to fly at Guitar. He does not do this alone however, through all of the differing...
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...critical theory today critical theory today A Us e r - F r i e n d l y G u i d e S E C O N D E D I T I O N L O I S T Y S O N New York London Routledge is an imprint of the Taylor & Francis Group, an informa business Routledge Taylor & Francis Group 270 Madison Avenue New York, NY 10016 Routledge Taylor & Francis Group 2 Park Square Milton Park, Abingdon Oxon OX14 4RN © 2006 by Lois Tyson Routledge is an imprint of Taylor & Francis Group, an Informa business Printed in the United States of America on acid‑free paper 10 9 8 7 6 5 4 3 2 1 International Standard Book Number‑10: 0‑415‑97410‑0 (Softcover) 0‑415‑97409‑7 (Hardcover) International Standard Book Number‑13: 978‑0‑415‑97410‑3 (Softcover) 978‑0‑415‑97409‑7 (Hardcover) No part of this book may be reprinted, reproduced, transmitted, or utilized in any form by any electronic, mechanical, or other means, now known or hereafter invented, including photocopying, microfilming, and recording, or in any information storage or retrieval system, without written permission from the publishers. Trademark Notice: Product or corporate names may be trademarks or registered trademarks, and are used only for identification and explanation without intent to infringe. Library of Congress Cataloging‑in‑Publication Data Tyson, Lois, 1950‑ Critical theory today : a user‑friendly guide / Lois Tyson.‑‑ 2nd ed. p. cm. Includes bibliographical references and index. ISBN 0‑415‑97409‑7 (hb) ‑‑ ISBN 0‑415‑97410‑0 (pb) 1. Criticism...
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...Instructor’s Manual and Test Bank to accompany A First Look at Communication Theory Sixth Edition Em Griffin Wheaton College prepared by Glen McClish San Diego State University and Emily J. Langan Wheaton College Published by McGrawHill, an imprint of The McGrawHill Companies, Inc., 1221 Avenue of the Americas, New York, NY 10020. Copyright Ó 2006, 2003, 2000, 1997, 1994, 1991 by The McGrawHill Companies, Inc. All rights reserved. The contents, or parts thereof, may be reproduced in print form solely for classroom use with A First Look At Communication Theory provided such reproductions bear copyright notice, but may not be reproduced in any other form or for any other purpose without the prior written consent of The McGrawHill Companies, Inc., including, but not limited to, in any network or other electronic storage or transmission, or broadcast for distance learning. PREFACE Rationale We agreed to produce the instructor’s manual for the sixth edition of A First Look at Communication Theory because it’s a first-rate book and because we enjoy talking and writing about pedagogy. Yet when we recall the discussions we’ve had with colleagues about instructor’s manuals over the years, two unnerving comments stick with us: “I don’t find them much help”; and (even worse) “I never look at them.” And, if the truth be told, we were often the people making such points! With these statements in mind, we have done some serious soul-searching about the texts that so many teachers—ourselves...
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...SECOND DRAFT Contents Preamble Chapter 1 1.1 1.2 1.3 1.4 1.5 Background Rationale Aims Interface with the Junior Secondary Curriculum Principles of Curriculum Design Chapter 2 2.1 2.2 2.3 2.4 2.5 1 Introduction Literature in English Curriculum Framework Strands and Learning Targets Learning Objectives Generic Skills Values and Attitudes Broad Learning Outcomes Chapter 3 5 7 9 10 11 11 13 Curriculum Planning 3.1 Planning a Balanced and Flexible Curriculum 3.2 Central Curriculum and School-based Curriculum Development 3.2.1 Integrating Classroom Learning and Independent Learning 3.2.2 Maximizing Learning Opportunities 3.2.3 Cross-curricular Planning 3.2.4 Building a Learning Community through Flexible Class Organization 3.3 Collaboration within the English Language Education KLA and Cross KLA Links 3.4 Time Allocation 3.5 Progression of Studies 3.6 Managing the Curriculum – Role of Curriculum Leaders Chapter 4 1 2 2 3 3 13 14 14 15 15 16 16 17 17 18 21 Learning and Teaching 4.1 Approaches to Learning and Teaching 4.1.1 Introductory Comments 4.1.2 Prose Fiction 4.1.3 Poetry i 21 21 23 32 SECOND DRAFT 4.1.4 Drama 4.1.5 Films 4.1.6 Literary Appreciation 4.1.7 Schools of Literary Criticism 4.2 Catering for Learner Diversity 4.3 Meaningful Homework 4.4 Role of Learners Chapter 5 41 45 52 69 71 72 73 74 Assessment 5.1 Guiding Principles 5.2 Internal Assessment 5.2.1 Formative Assessment 5.2.2 Summative Assessment 5.3 Public Assessment 5.3.1 Standards-referenced...
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...Instructor’s Manual to Accompany The Longman Writer Rhetoric, Reader, Handbook Fifth Edition and The Longman Writer Rhetoric and Reader Fifth Edition Brief Edition Judith Nadell Linda McMeniman Rowan University John Langan Atlantic Cape Community College Prepared by: Eliza A. Comodromos Rutgers, The State University of New Jersey New York San Francisco Boston London Toronto Sydney Tokyo Singapore Madrid Mexico City Munich Paris Cape Town Hong Kong Montreal NOTE REGARDING WEBSITES AND PASSWORDS: If you need a password to access instructor supplements on a Longman book-specific website, please use the following information: Username: Password: awlbook adopt Senior Acquisitions Editor: Joseph Opiela Senior Supplements Editor: Donna Campion Electronic Page Makeup: Big Color Systems, Inc. Instructor’s Manual to accompany The Longman Writer: Rhetoric, Reader, Handbook, 5e and The Longman Writer: Rhetoric and Reader, Brief Edition, 5e, by Nadell/McMeniman/Langan and Comodromos Copyright ©2003 Pearson Education, Inc. All rights reserved. Printed in the United States of America. Instructors may reproduce portions of this book for classroom use only. All other reproductions are strictly prohibited without prior permission of the publisher, except in the case of brief quotations embodied in critical articles and reviews. Please visit our website at: http://www.ablongman.com ISBN: 0-321-13157-6 1 2 3 4 5 6 7 8 9 10 - D O H - 05 04 03 02 CONTENTS ...
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