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Identity

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Submitted By mikeyzuks
Words 1827
Pages 8
Mike Zukswert
EN 101
Professor Valone
3 November 2014
Muscle Car I am an independent filmmaker. I have been for about four years. In that time, I have begun and maintained two youtube channels, one for strictly film, and one for showcasing special effects. My main focus is the art and design of film, however. Camera movements, lighting techniques, mood settings, and post-production editing all appeals to me in a way that no other concept or activity can. This past year, I was awarded over seventeen hundred dollars in scholarship money for my accomplishments. Film is clearly a very important, very key aspect of my life. When people ask me what I do, I say I make films. This already says a lot about my character. It shows ambition, curiosity, and distinction. However, as much of a role as I think it plays in my identity, it is not singularly consumed by filmmaking. It’s consumed by many ingredients. Identity is compiled of endless traits, qualities, concepts, and morals that describe who you truly are as an individual and completely set you apart from the social norm. “My identity is what prevents me from being identical to anybody else” (Reader, pg. 40). A basic concept this is, but with a very specific message. Amin Maalouf, writer of In the Name of Identity, describes his identity as being a way to set himself apart. Maalouf writes heavily on religion and heritage. This relates to the concept of vertical and horizontal heritage. Your vertical heritage is your religious beliefs and morals passed down from your parents. On the opposite, your horizontal heritage is linked by your influences from your environment―the area in which you were raised and grew up in. Maalouf identifies himself as both Lebanese and French. One of Maalouf’s main focus is to praise the human ability to identify oneself in many ways. “...through each one of my affiliations, taken

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