...Once there was a girl named Maria Treewood, she was a total dork. She had acne, glasses that were too big for her face, and wore baggy clothes. She didn’t care about people making of her, Oh who am I kidding she hated it. She just moved from Arkansa, and had to leave all of her friends behind. She hated her new house. It was an old house, rusty, vines growing all over it. The light’s would go out at 3:00, and I mean EXACTLY at 3:00. Her parents just thought it was some kind of glitch or something, but no it wasn’t. Before they bought this house, there was a huge mansion built in the exact same spot. It was called the Bliss Mansion. This house was blue and very old. This was in 1870, the address was 710 West Robinson Street. Diana Bliss bought the land and built the house. Many warned her not...
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... To begin this process of self-discovery and what unites us C. Wright Mills first aims to help us develop our sociological imagination. This is described as the “ability...
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...Inter-Cultural Translatability Of Ring Ashimova Aitolkyn East Asian Cinema, Fall 2015 December 18, 2015 Introduction The effect of 1998's Japanese film Ring can be compared to a big tsunami wave that not only became highest grossing horror film in the country, but also shuddered Taiwanese, Korean, Hong Kong film markets. Following years many publications included it to the numerous symbolic "top 10 most scary films" lists. And when Steven Spielberg bought the rights to make the Hollywood remake it was seen as official evidence that Japanese horror cinema became new trendsetter in this genre and gained cult status in the West. Nowadays with numerous follow-ups within the Ring franchise and triggered a trend of Western remakes "Ring" is viewed as exemplary illustrative Asian horror movie. I will argue that the wide success of the movie is caused not by its deep cultural ties with Japanese cinema and Japanese horror movies in particular, but because on the contrary "Ring" has little to do with its traditional background. Hideo Nakata deliberately cut off all the cultural traces in order to make cinematic language of the movie universal and cosmopolitan thus giving a way for its intercultural translation and to be easily replicated. In order to do it first I will analyze different Japanese merchandizing strategies and study the film as a media product. Second, I will briefly overlook history and main stylistic traits of Japanese horror movie genre. In my general overlook...
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...The short story “Where Are You Going, Where Have You Been?” was published in nineteen ninety-three. The author Joyce Oates dialogues a young girl named Connie and her uncomfortable encounter with a man named Arnold Friend. Many critics believe that the short story had almost a dreamlike impression. In the story, Oates incorporates several binaries and repetitions to underscore the theme of reality versus fantasy. First and foremost, Oates begins the story with an internal/external binary. Oates describes the protagonist, Connie, as a young fifteen-year-old girl who spends most of her time thinking about her appearance Oats writes, “habit of craning her neck to glance into mirrors or checking other people's faces to make sure her own was...
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...injustices, she became the face of 20th century feminism. Sylvia Plath’s poetry is mainly about 20th century feminism and women’s social injustices. "The poem Daddy criticizes the male aggression and depicts men being responsible for all the social injustices" (Hunt). In Sylvia Plath's versification Daddy, she illustrates how men are dominant over women, by comparing herself to Jews, and men to the Nazis. “I may be a bit of a Jew. I have always been scared of you” (Plath, "Daddy"). She outlines how women are a minority, and don’t have a voice in society by describing the sense of suffocation that women feel towards men. “Lord of the mirrors! It is himself he guides” (Plath, "Purdah"). In Purdah, the message, she conveys is that woman always hide in the shadows of their husbands, meaning they are afraid of them, reflecting their shadows thus acting like a mirror which is like a Purdah or a veil. In Jailer, Plath...
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...An Ethics of Reading At the age of nine, Edith Wharton fell ill with typhoid. The local doctor told her parents nothing could be done and that their daughter would soon die. Only the ministrations of another physician, who happened to be passing through town and was prevailed upon to examine the girl, saved her life. Her fever fell, and the young Wharton began to recover. During her convalescence, she read voraciously. One of the books she was given contained a “super-natural” tale — a story which turned out to be, in Wharton’s own phrase, “perilous reading” (Wharton, p.275). In the original manuscript of her autobiography, Edith Wharton describes how reading this uncanny story occasioned a relapse, which brought her, once again, “on the point of death”: This one [book] brought on a serious relapse, and again my life was in danger and when I came to myself, it was to enter a world haunted by formless horrors. I had been a naturally fearless child; now I lived in a state of chronic fear. Fear of what? I cannot say — and even at the time, I was never able to formulate my terror. It was like some dark undefinable menace forever dogging my steps, lurking, threatening; (pp.275‑6).[1] According to Wharton, an act of reading plunged her body back into fatal illness. The young Edith Wharton did recover from the relapse, but its uncanny effects continued to haunt her well into adulthood. In “Women and Madness: the Critical Phallacy” (1975), Shoshana Felman tells another uncanny...
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...Book report – Angelfall Title: Angelfall Author: Susan Ee Pages: 326 Series: Penryn & the End of Days Genre: Paranormal, fantasy.. Summary: The books is about a seventeen year old girl named Penryn. She is living with her mother and little sister, Paige. They are living in a difficult setting, because they're living in a post-apocalyptic world. Though, the apocalypse is kind of still on-going. Just six weeks ago, the angels attacked and demolished the modern world. One night, Penryn, her mother and sister are on the move. They come across a pack of angels. The angels fight, it's everyone against one angel. They cut off the wings of the angel, and after that they spot Penryn and her sister. And the angels take Paige and then they leave. Penryn was going to do everything to find her sister, and she did. She kidnapped the injured angel, she learned that the angel's name is Raffe. Her plan was to first take care of him, because he was in a very bad state, and then blackmail him into helping her find Paige, because she kept his wings. When Raffe was in a better state, he agreed to help her, because he had to get back to where Paige was held to get his wings sewn back on. He was going to take Penryn to the angels' aerie. He also told Penryn that he has no idea why he, and the other angels were attacking the earth. He said that Gabriel, God's messenger, had told them that God had wanted them to do it. So they did, and Gabriel was killed during the apocalypse too. ...
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...The Ambiguity of Weeping. Baroque and Mannerist Discourses in Haynes’ Far from Heaven and Sirk’s All That Heaven Allows. Jack Post Abstract Although Douglas Sirk’ All That Heaven Allows (1954) and Todd Haynes’ Far from Heaven (2002) are both characterized as melodramas, they address their spectators differently. The divergent (emotional) reactions towards both films are the effect of different rhetorical strategies: the first can be seen a typical example of baroque discourse and the latter as a specimen of mannerist discourse. The reference to the terms melodrama, mannerism and baroque does not imply that these films are just formal repetitions of historical periods or that they thematically and structurally refer to historical styles, but that they are characterized by opposing discursive strategies which came to the foreground in a specific historical time and constellation. Because these discursive strategies return in other historical periods and socialpolitical circumstances in different guises and with different aims, they can be compared to what Aby Warburg calls Pathosformeln (pathos formula). The expressive forms, gestures and discursive modes of melodrama, baroque and mannerism can thus be understood as transhistorical (gestural) languages of pathos that recur in history. Résumé Bien que All that heaven allows (1954) par Douglas Sirk et Far from heaven (2002) par Todd Haynes se caractérisent nettement comme un mélodrame, les deux films adressent...
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...Fear is an unpleasant emotion created by out imaginations, it is a vital response to any physical or emotional danger and if not taken care of, can lead to self-harm and become self- detrimental. That same fear can begin to hold us back and build a barricade between ourselves and the ambition within us leading to a sense of detachment from our environment. This interpretation of fear is portrayed all throughout The House on Mango Street by Sandra C and demonstrated through the innumerable symbols and settings which Esperanza faces throughout her journey such as the trees and houses. Through those settings and symbols, Sandra shows us that when we begin to let our fears of being misconceived for our flaws and phobias take over, we begin seeing...
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...powerful, that they take on human form and walk right into our lives?” – Chand ♣ “Better hell than a heaven with no dignity” – Papaji ♣ “Who were you talking to?”- Rocky “Surely not you...” - Chand ¬ Insight – Deepa Mehta is a renowned Canadian Director working on social issues surrounding the women from different eras. She has given many noticeable works like Earth, Water and Fire. The movie Heaven on Earth was premiered at various film festivals such as Grand Toronto International Film Festival (TIFF), the Edmonton International Film Festival and the Kingston Canadian Film Festival. ¬ Awards – Best Actress (Silver Hugo) award for Preity Zinta (Chand) at the Chicago International Film Festival. ¬ Underlying Concept – The Power of Imagination. ¬ Genre – Family Drama ¬ Inspiration – Nagamandala, a Kannada play. Heaven on Earth (Deepa Mehta, 2008) is family drama of an untold and dark promise of a better tomorrow and dynamics of family change. It is the story of a dysfunctional Punjabi family which depends on the son, a taxi driver and the sole bread earner to feed seven members of the family and somehow bring his extended family to Canada. It is a depiction of a woman’s optimism and positivity for a better tomorrow amidst of all the chaos. It is a tale which takes the audience...
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...lifetime but his most famous for his children's “nonsense” novels: Alice's Adventures in Wonderland and the sequel Through the Looking Glass. His works, especially the two mentioned, have influenced countless readers over the years, and references to his writings can be found in every type of media from the song “White Rabbit” by Jefferson Airplane to the the Matrix trilogy. While both books are intended for a child's entertainment, they are full of symbolism and hidden critique. His clever wordplay, use of logic and reasoning, and incredible imagination are all trademarks of his style of writing, which is often referred to as “literary nonsense.” To readers with little experience with Carroll's work, this term seems to perfectly describe Carroll's confusing and often rambling style, but when more thoroughly inspected, it becomes obvious that this “nonsense” has a far deeper meaning. Alice's Adventures in Wonderland is about a young girl, Alice, who gets bored doing her multiplication tables one day and follows a white rabbit into a hole. Through this hole, she ends up falling into Wonderland, a place where there are potions and foods that can change the drinker's size, a tea party thrown by a Mad Hatter and a March Hare, and a Caucus-race that everybody wins. As Alice journeys through Wonderland she meets stranger and stranger, or, as she says, “'Curiouser and curiouser!'” (15), characters such as a hookah-smoking caterpillar sitting on a mushroom and a grinning Cheshire...
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...wind” ”_ written by Margaret Mitchell, has been one of the famous literary classics of all time when it first published in 1936. The famousness of the novel mostly come from the way Margaret Mitchell created the characters, creating haunting scenes and thrilling portraits of characters so vivid that we remember their words and feel their fear and hunger for the rest of our lives, especially Scarlett O’Hara_ the protagonist and the remarkable meaning hidden within it. Literature, an invisible world created by the infinite imagination of the writers, is where you can meet all kinds of people that could make your heart quivers intensely. Those characters reflect life in a truthful way, and they also show us the deep experiences and the desperate desires in life. “Gone with the wind”_ the famous literary classics, poytrayed excellently the pictures of the contemporary society and the women in the 19th century in a way that no one had ever done before through the charming and frenetic Scarlett O’Hara. Scarlett O’Hara is highlighted character of the whole story, although she was a character who embodies all of the negative stereotypes attributed to women throughout history. She is narcissistic, shallow, dishonest, manipulative, amoral. At the beginning of the story, Scarlett was described to be self-centered, and spoiled by her wealthy parents. Scarlett is very intelligent, despite her fashionable Southern-belle pretense at ignorance and helplessness around men. She is somewhat...
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...lifetime but his most famous for his children's “nonsense” novels: Alice's Adventures in Wonderland and the sequel Through the Looking Glass. His works, especially the two mentioned, have influenced countless readers over the years, and references to his writings can be found in every type of media from the song “White Rabbit” by Jefferson Airplane to the the Matrix trilogy. While both books are intended for a child's entertainment, they are full of symbolism and hidden critique. His clever wordplay, use of logic and reasoning, and incredible imagination are all trademarks of his style of writing, which is often referred to as “literary nonsense.” To readers with little experience with Carroll's work, this term seems to perfectly describe Carroll's confusing and often rambling style, but when more thoroughly inspected, it becomes obvious that this “nonsense” has a far deeper meaning. Alice's Adventures in Wonderland is about a young girl, Alice, who gets bored doing her multiplication tables one day and follows a white rabbit into a hole. Through this hole, she ends up falling into Wonderland, a place where there are potions and foods that can change the drinker's size, a tea party thrown by a Mad Hatter and a March Hare, and a Caucus-race that everybody wins. As Alice journeys through Wonderland she meets stranger and stranger, or, as she says, “'Curiouser and curiouser!'” (15), characters such as a hookah-smoking caterpillar sitting on a mushroom and a grinning Cheshire...
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... and short stories in his lifetime but his most famous for his children's “nonsense” novels: Alice's Adventures in Wonderland and the sequel Through the Looking Glass. His works, especially the two mentioned, have influenced countless readers over the years, and references to his writings can be found in every type of media from the song “White Rabbit” by Jefferson Airplane to the the Matrix trilogy. While both books are intended for a child's entertainment, they are full of symbolism and hidden critique. His clever wordplay, use of logic and reasoning, and incredible imagination are all trademarks of his style of writing, which is often referred to as “literary nonsense.” To readers with little experience with Carroll's work, this term seems to perfectly describe Carroll's confusing and often rambling style, but when more thoroughly inspected, it becomes obvious that this “nonsense” has a far deeper meaning. Alice's Adventures in Wonderland is about a young girl, Alice, who gets bored doing her multiplication tables one day and follows a white rabbit into a hole. Through this hole, she ends up falling into Wonderland, a place where there are potions and foods that can change the drinker's size, a tea party thrown by a Mad Hatter and a March Hare, and a Caucusrace that everybody wins. As Alice journeys through Wonderland she meets stranger and stranger, or, as she says, “'Curiouser and curiouser!'” (15), characters such as a hookahsmoking caterpillar sitting on a mushroom and a grinning Ches...
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...Bienvenido Santos: The Day The Dancers Came AS soon as Fil woke up, he noticed a whiteness outside, quite unusual for the November mornings they had been having. That fall, Chicago was sandman's town, sleepy valley, drowsy gray, slumberous mistiness from sunup till noon when the clouds drifted away in cauliflower clusters and suddenly it was evening. The lights shone on the avenues like soiled lamps centuries old and the skyscrapers became monsters with a thousand sore eyes. Now there was a brightness in the air land Fil knew what it was and he shouted, "Snow! It's snowing!" Tony, who slept in the adjoining room, was awakened. "What's that?" he asked. "It's snowing," Fil said, smiling to himself as if he had ordered this and was satisfied with the prompt delivery. "Oh, they'll love this, they'll love this." "Who'll love that?" Tony asked, his voice raised in annoyance. "The dancers, of course," Fil answered. "They're arriving today. Maybe they've already arrived. They'll walk in the snow and love it. Their first snow, I'm sure." "How do you know it wasn't snowing in New York while they were there?" Tony asked. "Snow in New York in early November?" Fil said. "Are you crazy?" "Who's crazy?" Tony replied. "Ever since you heard of those dancers from the Philippines, you've been acting nuts. Loco. As if they're coming here just for you. Tony chuckled. Hearing him, Fil blushed, realizing that he had, indeed, been acting too eager, but Tony had said it. It felt that way--as...
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