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Impressionism vs. Post Impressionism

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Both Impressionism and Post-Impressionism came about in the late 19th century in France. During this time, the French government controlled the salons and academies of paintings in the early 19th century. It was the controlling by the French government that the Impressionist artists rejected for independent exhibitions. The Anonymous Society of Painters, Engravers, Sculptors, etc.; not only organized, but also participated in the first independent art exhibition that was held in 1874 ("Impressionism and Post-Impressionism," 2007-2015). This group included more than twenty famous artists and included Claude Monet and Auguste Renior. These artists didn't like to be restricted to painting in studios and drawing inspiration from past art, history, or mythology; as artists of the past were, they painted scenes from modern life and/or landscapes. Impressionist artists had a great understanding of nature of light and color theory. They were very literal with their paintings, they didn't vary from the scene in front of them. Take Monet's work, 'Impression, Sunrise' for example; he created this painting exactly as he saw it. He used visible brushstrokes to show exactly how the sunrise looked over the water that morning (Voorhies, October 2004).

By 1886, however there were younger artists that felt the Impressionists didn't put the concentration on the subject matter like they should, instead focusing more on their technique and the effects of the natural light ("Post-Impressionism," n.d.). These artists became known as Post-Impressionists, a term coined by English artist Roger Fry in 1910 for an exhibition that he organized showing the different styles and interests of all of the artists featured in the exhibition. These artists wanted to break free of the naturalism approach to art that was traditional for the Impressionist artists, and instead wanted to use

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