...Indian classical music and jazz. Though these two styles of music seem completely dissimilar, they share many of the same influence and roots. Indian classical music dates back to thousands of years ago, where it was first played in the King’s court. It is now played in large concert halls all over the world. Jazz has its roots in the black churches of New Orleans in the beginning of the 20th century. It is now played in large concert halls around the world as well. When examined closely, it is astoning to see how many similarities these two styles of music have. It is safe to say that Indian classical music has had a strong influence on jazz. Both styles of music rely heavily on human expression, paths for spiritual advancement, and improvisation. Indian music’s influence on jazz can date back to the early 1960s. With the modifications of the United States Immigration and Nationality Act of 1965, a new flood of Southeast Asian immigrants entered the country. Coincidentally, the 1960s was a decade of political turmoil with the free jazz and civil rights movement. This was a major factor in the influence of carnatic music on jazz. Many of the improvisation techniques jazz musicians use today came from the roots of Carnatic music. To understand how Indian Classical music influenced jazz, one needs to understand the varying styles of classical music. There are two styles of classical music--Hindustani and Carnatic. Hindustani music is played primarily in North...
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...Indian Music - Indian music is based on traditional airs that are religious in origin. The Vedic chant that came from sacred literature of Arians that was written in 100 B.C. consists of four books known as Vedas believed to be created by the goddess of knowledge. This is accompanied with string instruments and drums. At times, dances and appropriate movements are used to depict the meaning of the text. They believe that these have the power to melt stones, create fire, rain and cure sick. Giving emphasis to the mood of particular period of time is the goal of music. Indian Classical Music The music of India can be divided into two unique traditions, the Karnatic (folk) and the Hindustani Vedic (religious). The Hindustani tradition which dominates the northern half of the Indian subcontinent largely developed in the courts of the major centers for Indian music such as Delhi, Lucknow, Benares, Calcutta, Varanasi and Farrukhabad. This tradition has been heavily influenced by Aryan peoples from the middle east and neighboring countries such as Pakistan and Afghanistan. The Karnatic tradition with its main musical center located in Chennai (previously named Madras) can be found in the southern part of the country. It is considered by many to be a more pure form of Indian music with less influence from the migrating peoples the north, however it has integrated many European musical concepts and instruments into its practice largely due to the British occupation of India for...
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...1. Why does the Indian classical tradition dominate the musical image of South Asia in the West? The classical music of India has gained most of the attention of outsiders probably due to the colonization era that has brought Indo-European invaders (Aryan Civilization) into their territory between 2000 and 1500 BCE due to the presence of rich resources. However, Indian music, unlike the communal music of Africa and Southeast Asia, is individual and often virtuosic and can be both vocal and instrumental. The Hindustani one (North) is more appealing to the Western society as it is more instrumental based, whereas the Carnatic (south) one is more vocally oriented. Another factor that attracts the Western attention to Indian Classical Music is the presence of virtuosic improvisation 2. Discuss the following terms important to a Hindustani classical music performance: Raga, Alap, Gat, Tala, Rasa. Raga: long Hindustani instrumental improvisations. Several things stand out to the first-time listeners: twangy buzz of introductory instruments, constant ornamentation and pitch bending of main melodic part, and tension changes. The word raga (color, atmosphere) denotes a comprehensive system for the simultaneous composition and performance struggle. Alap: the opening section of a raga performance in which the performer “explores” the raga. It can last for a mere minute or so or even be extended for an hour or more. Gat: the skeletal melody used as a basis for improvisation in a raga...
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...1) Online auctions: We believe it’s high time that we embrace the technology and make a transition to internet auctions. Develop an online platform through which growers can sell their products and buyers can purchase them. Both of them will be charged a 0.1 % of transaction amount. This will not only bring in additional revenue but also make the whole process of buying and selling a lot easier. These are the financials involved. We estimate that online portal will cost us around $3 million. With the revenue that we will generate from it, cost of portal will be covered in 341 days. 2) Service Customization As per the recent trend, many clients don’t want full range of auction services. Hence sometimes they bypass auctions and directly contact growers. Taking this into account, we have decided to offer clients what they want. Auctioneers will offer services in the form of bundles. Clients can customize their bundles as per their needs. 3. Situational Analysis 3.1. SWOT Analysis Strengths: * Rich heritage ( Considered America’s original motorcycle company) * Strong brand equity because of snowmobiles and off-road vehicles * Strong supply chain and distribution channel of parent company (Polaris): Polaris' marketing activities are designed to promote and communicate directly with consumers as well as to assist the selling and marketing efforts of its dealers and distributors. The company provides and advertises discount or rebate programs...
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...A Brief History of Indian Motorcycle America's love for the motorcycle began in 1900 with bicycle racer George M. Hendee and engineering wizard Carl Oscar Hedstrom. In 1901, the partners unveiled their first creation, the 1901 Single. The trade name chosen for their innovative machine would signify "a wholly American product in pioneering tradition". The name was Indian. 1910-1919 By 1911, Indian riders hold every American speed and distance record. In 1914, over 3,000 employees work on a 7-mile long assembly line in Indian's 1-million square foot Springfield, Massachusetts plant. Racing activities are suspended in 1916 as the company supplies the war effort with 41,000 machines. 1920-1929 In 1923 the company is renamed Indian Motocycle Company, dropping the "r" in "motorcycle". It's a decade of growth for the Indian model line, starting with the revolutionary 1920 Scout and followed by the 95-mph Chief, the even more powerful Big Chief, the lightweight Prince, the awesome 4-cylinder Four. The 1928 101 Scout becomes the machine of choice for "wall of death" stunt riders. 1930-1939 The Art Deco era hits the Indians adorned in a full range of Duco colors, two-tone designs, pinstriping, and decals. Two new lightweight models debut in 1932, the Motoplane and the Pony Scout. "Iron Man" Ed Kretz, aboard a Sport Scout, laps the entire field in his win at the 1937 inaugural Daytona 200. With the onset of World War II in 1939, the focus again shifts to providing the...
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...mangers and policy makers of motorbike industry,helping them to analyzing the factors which are affecting while driving their industry to different countries of the world. Throughout the last few year,the acronym PESTLE has been suffering a numbers of changes,but it seem to be the most important factor which is helpful for decision-makers of royal-Enfield to analysis the current situation of the that country where industry expands.There are six factors which are influencing PESTLE analysis. Political factors include areas such as taxation policy, law labor of law,transportation problems and stable political environment. Furthermore, governments have great influence proposal that limit number of motorcycles being sold in the country because Indian currency changes everyday with the comparison of UK pounds.The changes of currency means the changes of price of products and demand of product like royal Enfield are also changes which means recession are enter into the market so UK government take some steps to solved the this problem.Royal Enfield sales would affect by this issue.Furthermore UK consumers pay higher pre-tax prices for Motorbikes than anyone else in the Europe.Government is keen to attract foreign firms to invest in UK. Economical factors include economical stability,rate of interest,currency rate[market Recerch report{2013}] . These are factors which puts impacts on the operation of business and accrucul decisions. This is because the rate of interest and the currency...
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...RESEARCH PAKISTANI SINGER’S EYE ON INDIAN MUSIC INDUSTRY (IMI) FOR EXPOSURE (-research by MADHU VIJHANI) TABLE OF CONTENTS SNo. | Particulars | Page no. | 1. | Introduction | 6-8 | 2. | Problem | 89-10 | 3. | Significance of the research | 11-14 | 4. | Objectives of the research | 15 | 5. | Hypothesis | 16 | 6. | Review of literature | 17-33 | 7. | Methodology | 34-36 | 8. | Data processing and analysis | 37-38 | 9. | Data representation | 39-48 | 10 | Conclusion | 49 | 11. | Bibliography | 50 | 11. | Annexures | 51-55 | Table of Data Analysis& Reppresentation SNo. | Particulars | Page no. | `1. | Number of people inclined towards music | 39-40 | 2. | Preference of music by people for different genre | 41-42 | 3.(i) | Number of people preferring Indian singers/music | 43-44 | (ii) | Number of people preferring Pakistani singers | 45-46 | 4. | Number of people favouring Pakistani singers in IMI | 47-48 | Introduction The term 'mass' denotes great volume, range or extent (of people or production) and reception of messages. The term 'mass' suggests that the recipients of media products constitute a vast sea of passive, undifferentiated individuals. With the advancement in Media Technology, people are no longer receiving gratification without questioning the grounds on which it is based. Instead, people are engaging themselves more with media products such as computers, cell phones and Internet. These have...
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...Monophonic Chordal Style For my western culture I chose Medieval and my non-western culture was Indian classical music. The two cultures may be different but they have some similarities. One musical like between the two cultures would be monophonic. In both cultures, the songs are played without harmony. The notes may be played at different times of the octave of the note may be different. For instance, when women and men are singing together they sing the same note but they are in different octaves. To show the musical link between the two cultures I will use these two songs; Cantiga 166 (western) and Ravi Shankar- Tarana (Indian classical). In Indian classical culture the music is based around a single melody line called ragas which makes it monophonic. The song I chose to represent Indian classical is Tarana. Tarana is made by Ravi Shankar who plays Carnatic music which is one of two main sub-genres of Indian classical music. The song Tarana is a duet between a man and a woman. The song starts out with an instrument solo but as the solo progresses the music becomes monophonic. Then the singers join with their monophonic style singing which lasts throughout the song. There are also points in the song where the singers and the instruments interact in a monophonic battle. In the medieval culture music was very scared and secular but also monophonic. The song I chose was Cantiga 166. This song is singed in both the duplication of the octave and the note is sung in unison...
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...include the fact that each person has a different opinion on what genre a certain type of music fits into; especially people from different cultures and areas of the world. People in North America may hear music and put it into the popular genre, whereas people in Africa may put that same sound into a totally different genre. We all perceive music in a different way. There will be miscommunication in music when the artist and listener are from different cultural backgrounds. 2. A pitch is actually a tone we hear in music based on frequency levels such as high pitch or low pitch. A tuning system includes several types of pitches to tune an instrument. With a tuning system the pitches are used to be common with a musical tradition and a musical scale is an arrangement of pitches used in a specific performance. Range is completely separate from scale in music definitions. Range is not an arrangement of separate pitches but is all the pitches that a voice or instrument can produce. 3. Graphic notations are only representations of music so it is limiting other cultures, as they do not perceive the word music in the same way. We are limited on being able to distinguish the difference in music and noise when it is in notation since music is the sound and vibrations we hear rather than what is written on a sheet. Other cultures will not be able to feel the emotion and personality in the music if it is on paper because that is not what they are used to. 4. You have to become...
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...Music can mean a multitude of things which is why there isn’t a set definition that is used to define the nature of what it is. However, it is important to realize the ways in which music always seems to complement the art of dance. Since the prehistoric era, the creation of music as well as the use of musical instruments has not only played a vital role in our society, but has also played a big part in the realm of dance specifically because the beat and rhythm or even the lyrical content of a song directly encourages the style of dance. The relationship between music and dance also plays a prominent role in a country’s culture, and therefore, is a significant role of cultural expression all across the globe. Furthermore, many dancers see...
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...in the national integration song was an outstanding piece. Bhimsen was admitted to the hospital following a severe bout of diarrhoea. He was put on respiratory support for about a week. The last of the titans of Hindustani classical music, Pandit Bhimsen Joshi was a rare genius who could transcend the mundane and transport his audience to the sublime with his gifted voice that captured both anguish and ecstasy. What made him arguably the most popular Hindustani music vocalist of the current times was his impassioned renditions with a powerful and penetrating voice that showcased the aesthetic majesty of the 'Kirana' gharana of which he was the celebrated exponent, as also the eloquent expression of light classical, devotional and the popular variety. It was an awe-inspiring fusion of intelligence and passion that perhaps separated Joshi from other classical vocalists who dogmatically stuck to their 'Gharana' culture with a rigidity that possibly inhibited creativity. Born on February 4, 1922 at Gadag in Dharwad district of Karnataka, his journey to the stardom in the world of Hindustani music was just as dramatic as it was arduous for one who decided to run away from home at a tender age of 11, in quest of finding a 'Guru' to learn music. A man of many parts, car driving was a passion...
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...Singing in the rain…. By Vimla Patil September 2009 Though rain has inspired joyous dances and music all over the world, India has a unique heritage of Monsoon Ragas which were composed and sung by legendary masters like Mia Tansen to initiate welcome showers to India’s parched forests and fields so that the land would be blessed with plenty…The music they composed has inspired painters, dancers and writers for generations…… ‘A lifetime of showers moistens the soul’, says an ancient proverb. And the shimmering, crystal-clear nuances of these beautiful words apply more to India’s colourful Monsoon culture than to any other art movement in the world. Rain and the magical season of Monsoon have always been the throbbing heart of Indian life and culture. Whether we are talking about music – classical, folk as well as devotional – dance, painting or sculpture, rains and their incessant music are a recurring theme in India’s many-splendoured art treasure, and not without excellent reason! It is well-known that India’s entire economy depends upon the timely coming of the Monsoons. Vignettes of farmers looking longingly at the skies for the first signs of fleecy black water-bearing clouds are familiar in our daily life. Folk songs welcoming the first thunder showers and streaks of lightning are sung in every village even today. The diverse dialects of India’s far flung villages are replete with songs welcoming the rains and their message of bounty. Indeed, the ancient...
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...Running Head: IMPACT OF TECHNOLOGY ON MUSIC INDUSTRY The Cultural and Economic Impact of Technology on Music Industry [Name of Author] [Name of the Institution] Abstract Technology has played a pivotal role in evolving every industry at global scale, music industry is also influenced by technology. The impact of technology on the music industry has a mix reaction from the cultural and the economic domain. In this paper I will critically analyze the research on impact of technology mentioned in different journals, books, articles and papers. In order to compile this report a simple hierarchy has been followed. The impact in the cultural domain will be examined, its proposed solutions will be highlighted and alternative research methodologies will be defined. Then impact on the economic sector of the music industry will be critically reviewed in the evidence of different papers. Role of governing authorities will be examined and then proposed solutions will be defined. Table of Contents Abstract 2 Introduction 4 Discussion 5 Cultural Impact of Technology on Music Industry 5 Negative Impact 6 Economical Impact of Technology on Music Industry 7 Positive Impact 7 Negative Impact 7 Conclusion 8 References 10 Cultural and Economical Impact of Technology on Music Industry Introduction Music is a form of art essentially created for the purpose of entertainment. It has now evolved as a resource of expression for multiple human activities ranging...
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...Music history, sometimes called historical musicology, is the highly diverse subfield of the broader discipline of musicology that studies the composition, performance, reception, and criticism of music over time. Historical studies of music are for example concerned with a composer's life and works, the developments of styles and genres (such as baroque concertos), the social function of music for a particular group of people (such as music at the court), or the modes of performance at a particular place and time (such as the performance forces of Johann Sebastian Bach's choir in Leipzig). In theory, "music history" could refer to the study of the history of any type or genre of music (e.g., the history of Indian music or the history of rock). In practice, these research topics are nearly always categorized as part of ethnomusicology or cultural studies, whether or not they are ethnographically based. The methods of music history include source studies (esp. manuscript studies), paleography, philology (especially textual criticism), style criticism, historiography (the choice of historical method), musical analysis, and iconography. The application of musical analysis to further these goals is often a part of music history, though pure analysis or the development of new tools of music analysis is more likely to be seen in the field of music theory. (For a more detailed discussion of the methods see the section on "Research in Music History" below) Some of the intellectual products...
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...countries like India, parents worried about the influence of an American based pop culture, more specifically music television, on their children. An India born professor conducted research on this topic, analyzed the data, and wrote Becoming a Global Audience: Longing and Belonging in Indian Music Television, an analysis of the impact of music television on the people of India. Three years of research by a University of San Francisco academic, Vamsee Juluri, was conducted to assess the influence of an American based pop culture music television, mainly MTV and Channel V, on the traditional culture of the people of India. Juluri interviewed nine groups of Indian teenagers to adults in their early thirty’s who watched music television. In the early 1990’s, MTV and Channel V realized that when they entered Indian living rooms, the rebellious, anti-parent youth which succeeded in the West will not work in India. However, there are differences between the American household and Indian household that contribute to the initial failure of MTV and Channel V in the foreign country of India. According to the Juluri’s article, two thirds of American teenagers own their own TV sets, while in India there is usually one TV set per household. This means that it would be difficult for Indian teenagers to isolate themselves from the rest of the family, unlike American teenagers. The music channels...
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