...Jan van Eyck was a leading Flemish painter in the Netherland Renaissance in the 15th century. Van Eyck is known primarily for his realistic portrait paintings, usually of religious subjects. At this point in time, oil painting was a new invention and not many artists knew just how to work with it. His work with oils is what made him such a talented artist in the 15th century. One work of his in particular that interests me is Giovanni Arnolfini and His Wife Giovanna Cenami, painted in 1434. This painting, made with oils on an oak panel, depicts a man and woman holding hands in what seems to be the bedroom area of their home. The man, wearing a long, fur-lined coat, is raising his right hand as if he is taking an oath or vow. The woman, dressed in a long, expensive looking green dress, has one hand resting on her stomach, as if she were pregnant, but according to historians, the swelling of a women’s stomach was just a sign of woman’s beauty. On the back wall of the room, van Eyck painted a mirror in the center of the wall, and above the mirror he wrote Jan de Eyck fuit hic, translating into “Jan van Eyck was here.” In the mirror, the reflection is that of two figures, one of these a man in a...
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...Jan Van Eyck was one of the most popular and important artist during the Renaissance. He born sometime before the year of 1395 in Maaseik, Belgium and died on July 9, 1441 in Bruges, Netherlands. He introduced the idea of oil painting. Most of his paintings consisted of undercover religious signs within portraits and religious subjects. Jan Van Eyck has a high social standing due to working in court. He worked for two courts, one was for John of Bavaria and the other was for the duke of Burgundy. Jan Van Eyck had numerous famous paintings such as the Ghent Altarpiece, Arnolfini Portrait and much more. Another one of his famous art pieces that was essential in the Renaissance period was the Virgin of canon van der Paele. This painting was...
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...of classical learning and in the interest of ancient Greece and Rome. From this came the discovery of new technologies, new continents through exploration, and the emergence of the arts of philosophy, literature, and art. From this time came some of the most world renowned pieces of art, many of which are still on display today, with two such pieces being “The Arnolfini Portrait” by Jan Van Eyck and “Giorgione” by Giorgio da Castelfranco. Renaissance Art From roughly 1400 to 1600 Europe experienced a rediscovery of ancient Greek and Roman culture and with this rediscovery came wealth, both in the monetary fashion and in the art sense. With increasing trade, the discovery of new continents, and new inventions such as the printing press, there was also an increase in the arts. This increase brought about some of the most well known literature, philosophy, and art that is still studied and admired today. Although there are more well known names in the field of art such as DaVinci and Michelangelo there were many more that still have their art on display today such as Jan Van Eyck and Giorgio da Castelfranco. Giorgio da Castelfranco created a painted entitled “Judith” in the year 1504 and is one of many portraits that depicts the scene of Judith of Holofernes from the Biblical legend of Judith. The tale states that the widow Judith makes herself appealing to an army general, Holofernes, and in the end beheads him with his own sword while he lies inebriated...
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...Samantha Franklin February 23, 2015 ART 104 – 1001 Professor Florence Quideau Jan van Eyck, The Ghent Altarpiece (open), 1432 The Ghent altarpiece houses 12 panels on the inside. It was created in 1432 it was conceived in the saint Bavo’s Cathedral. The medium used in this painting is oil paint. There are many deep bright colors in this piece. The three pieces in the top center, which shows the hierarchy of God, Mary The middle portion displays God the father dressed in a royal red robe embellished with precious stones. In his right hand he holds a gold staff and he has his two finger gesture that is seen in many other paintings and depictions of god where he is approving the affairs happening on earth, it also a sign of his benediction. There is a crown at his feet which looks very three dimensional with the use of light and shadow. All the elements in this painting are carefully rendered showing immense detail. God is sided by both Mary and john the Baptist, who are also cloaked in royal blue and emerald robes. This portion of the altarpiece drew my attention because of the interesting composition and the details. I found most interesting because of the intricate use of jewels that show the importance of god. The colors are rich and deep and the crown at his feet show his power. There is a tapestry behind him that has a high contrast between the gold and navy blue pattern giving God a very interesting...
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...Don Malarkey 2-9-12 Significance of the Lamb The Adoration of the Lamb is Jan Van Eyck’s greatest accomplishments of a Renaissance painter. It was painted with oils in the third decade of the 15th century (Glover). This painting definitely has a lot going on in it. The painting is consisted of twelve panels where the outside panels can either be closed or open. There are many spiritual aspects in the painting; from the Holy family, Mary, Joseph, and Jesus; to Adam, Eve, and plenty of saints. The representation of these earthly and otherworldly figures shows the aspects of this world and the next. The lower middle piece physically reflects this with the horizon as the divider between the worlds. The saints and other peoples on the ground represent the present and our actual life, the dove in the sky and the rays from the sun represent the heavens and the afterlife (Glover). The lower middle panel is the most intricate piece in this painting. The Lamb, located on top of the altar, carries a large amount of significance which this paper will go into detail. Christ is represented twice in this painting. Christ is shown as the Celebrating Priest in the upper level seated on the throne with his crown (Philip 61). The second representation of Christ is the Lamb of God being sacrificed on the altar. Its position on the hill indicates how the Host is elevated at the consecration. It serves a double purpose in that it shows the importance of the lamb being above everyone else (Philip...
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...Jean Fouquet: Etienne Chevalier Presented by St. Stephen Van Eyck's realism soon enjoyed international renown. In Italy, Bartolomco Fazio extolled the Flemish artist in 1455/56 as the "prince of our century's painters". In France, too, where Burgundian art was already well known, the new style quickly won favour, becoming known as "la nou-velle pratique". Traces of its influence can be felt in the work of Enguerrand Charonton, and in the celebrated Pieta of Villeneuve-les-Avignon, painted c. 1470 by an anonymous master of southern France. The donor, whose face is realistically represented, is shown kneeling in an attitude of prayer at the bottom left of the Pieta. His white robe, as well as the attribute of oriental architecture (the Church of the Holy Sepulchre in Jerusalem) against a gold background, suggest he has travelled as a pilgrim to Jerusalem. The artist has given powerful dramatic expression to the grief of the mourners, and the intention to introduce the donor into their company seems obvious enough. Nevertheless, the gaze and gestures of the donor have not (yet) made any impression on the holy figures themselves, so that he remains outside their gestural narrative. Although part of the painting, the donor thus seems somewhat isolated within it. His gaze is intended to be directed towards the events taking place, but in order meet his patron's demands, the artist has painted him looking less into the centre of the painting than diagonally out of it. Etienne Chevalier's...
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...T. McDonald HUMA205 –Art Appreciation October 23, 2011 Comparison of Renaissance Art Website selection - Judtih (Giorgio da Castelfranco) circa 1504 The painting, ‘Judith’ by Giorgio da Castelfranco done around 1504, is one of many portraits depicting the scene of Judith and Holofernes from the Biblical Book of Judith. The legend states that the widow Judith endears herself to an enemy general, Holofernes, and subsequently beheads him as he lies drunk in his bed (Artlex, 2010). The death of their leader overwhelms the Assyrians and they disband leading many to the conclusion that the widow’s actions save Israel (Artlex, 2010). This representational piece is a two dimensional oil on canvas painting that exhibits soft tones in most of the image. The deeper or more vibrant shades of red near the bottom of the dress worn by the heroin stand out against the earthy browns and greens of the landscape of the scene. The pale pink of the skin of her bare foot which she has propped atop decapitated head of the general emphasizes the grayed and dying body part. The minimum contrast, or gray of the general’s head devalues it and makes it a part of the background while the viewer’s eye is drawn more to Judith and the light to dark shading of red or chiaroscuro of her dress. The landscape behind the courtyard is soft and almost appears monochromatic; it nearly blends into the horizon. There are natural shapes that are prominent in the painting but the sword at Judith’s side...
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...CHAPTER 15 – Northern Europe, 1400 to 1500 The art of Northern Europe in the 15th century is typified by precision in rendering surfaces and a wealth of tiny details that came from a tradition of manuscript painting and a belief in the importance of every tiny creation of God's world. The technical development of oil paint provided a paint that dried slowly and was transparent so made possible rich, jewel-like colors and illusionistic textures through a build-up of layers of paint. Works to identify and know in depth: Artist Title Date Jan van Eyck Arnolfini Double Portrait 1400s (15-1) This painting is believed to be a portrait of the Italian merchant Giovanni Arnolfini and his wife, presumably in their home in the Flemish city of Bruges. It is considered one of the most original and complex paintings in Western art history. Both signed and dated by Van Eyck in 1434, it is, with the Ghent Altarpiece by the same artist and his brother Hubert, the oldest very famous panel painting to have been executed in oils rather than in tempera. The painting was bought by the National Gallery in London in 1842. Claus Sluter Well of Moses 1400s (15-2) The work was executed for Philip’s son, John the Fearless (1371-1419), in a style combining the elegance of International Gothic with a northern realism, but with a monumental quality unusual in either. It was carved from stone quarried in Asnières, France and consisted of a large crucifixion...
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...I am Jan Van Eyck. I am a painter and have painted many different art pieces. I have worked for various nobles in the past, including John of Bavaria, and Philip the good. Working with John of Bavaria I worked on several pieces and assembled my own workshop. During this period i started using oil paints as not just a medium of painting but rather over the course of the following several years developed multitudes of painting techniques for which i am internationally known. I am known for my use of realism and illusionism in my paintings. Examples of this can be seen in all my painting especially in the arnolfini portrait. i have used oil paints to find a near perfect way to mimic the effects of light on a subject. From bringing in just the...
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...Over 60 years ago in Poland, there was a large work camp. A lot of people lost their lives because of a horrible event. Today this concentration camp is fading away, caused by the yearly visitors and its natural surroundings. This concentration camp is specifically called Auschwitz. Auschwitz should not be saved. The concentration camp could be preserved as an interesting piece of history. It could be kept open to represent all of the people who had suffered and died in Auschwitz. They could make it into a memorial so no one would ever forget what had happened in that exact place. Some people that survived the concentration camp might want it to be saved. Then they could share their journey with people who want to learn more about Auschwitz. A lot of people are very interested in learning about the concentration camp. According to the article “Can Auschwitz Be Saved?” by Andrew Curry, public interest in the camp has never been higher. Visits have doubled this decade, from 492,500 to more than $1 million in 2009. Some people say Auschwitz shouldn’t be saved. Well there are some valid reasons for that. They should tear down Auschwitz for people who do not want to remember all the horrible things that took place there, and also for people who get emotional when they see it. A lot of people might get scared when they see the concentration camp. They could have lost someone in the camp that meant a lot to them. If someone that survived the concentration camp would want it tore...
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...art produced in separate time frames are likely to vary from one another. Upon first glance, Jan Van Eyck’s Arnolfini Double Portrait made in 1434 and Diego Velazquez’s Las Meninas made in 1656 do not look similar. Although the two paintings have more than two centuries between them, Velazquez makes many references to Van Eyck’s painting and therefore creates a relationship between the two. This relationship is visible when directly comparing the two works of art side by side and similarities begin to emerge. Arnolfini Double Portrait and Las Meninas share many characteristics including foreground composition, mirror reflections, and background references that can be seen after careful analysis despite the initial difference in time, location, and influence of the two artists. With two centuries separating Jan Van Eyck and Diego Velazquez, the primary differences between the two artists are time, location, and influence of their own specific lives. Arnolfini Double Portrait was painted during the middle of the Renaissance when naturalism was highly favored in art. In this naturalistic view, van Eyck painted what he saw in a lifelike manner; his subjects are brightly colored, physiologically accurate, and their faces are detailed with shadow, which depict structure. All these characteristics paved the way for future naturalism and eventually the evolution of Baroque art was born. Van Eyck was located in the Netherlands, which gave him a different perspective on painting than Velazquez...
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...Critical Perspective Paper 2 What is Art? ¬ Dutton believes art philosophy should change their approach by treating art as a field of activities, objects, and experiences that appears naturally in human life. It depends on identified patterns of intrinsic human behavior that is cross-culturally constant. Staniszewski explains that art not just made for thematic representation or an instrument for that moment in time. Modern art in today’s world encompasses psychological, social, and economic charged basis. She is aiming for a stronger understanding of canonical ideals and to dispel out of date mythology in art, culture, and modern subjectivity. The two authors have completely different perspectives in translating what is art. They also have different aims. Staniszewski describes how art in a modern context is created and given power in various institutions, where as Dutton believes the philosophy of art needs to find a different perspective, ‘by treating art as a field of activities, objects, and experience that appears naturally in human life (50).’ The authors’ opinions are sharp in contrast. Dutton stands with a humanistic perspective of art and Staniszewski reflects in terms of the institution. Dutton believes critics are stuck on defining specific concepts such as the readymade. Staniszewski describes our modern conventions of art made Marcel Duchamp’s Fountain a sculpture because its contextual input was given a voice by submitting it into an art exhibition...
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...A portrait is a painting that shows and focuses on one or two people that often shows many things about who they are. Portraiture is a very interesting type of artwork because you can often make many observations from the little details in the painting that represent who the person is. From these small details, we can infer information about someone who lived hundreds of years ago. The piece that I am analyzing is a double portrait by Jan van Eyck called Giovanni Arnolfini and his Wife that was painted in the year 1434. This piece is oil on wood panel and can be found on page 562 in the textbook. I chose this piece because I feel that there are a lot of different details that are available to analyze and that this piece really represented many of the key aspects of 15th century art in Northern Europe. Van Eyck was extremely detailed and incorporated a lot of symbolism in the portrait that helps to be able to identify who the people in the painting are....
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...dimensional surface. And the way that the artists portrayed the human body, with elegance, detail and sensuality was something unheard of and a very bold move on their part. Linear perspective, to give a technical definition, is when all parallel lines and surface edges converge on one, two or three vantage points, located with reference to the eye level of the viewer and associated objects are rendered smaller the farther away they become to the viewer, giving the picture depth. One example is Giotto’s “Lamentation of Christ”. In this picture he uses the linear perspective and also uses increased volume of his characters, giving them life like size, and also real human emotion. Another example is “The Holy Trinity” by Massaccio. Jan Van Eyck was one of the many artist in this period. Some of his works were Portrait of Giovanni Arnolfin and Jean Cenami, and Ghent Altarpiece. Another famous artist was Simone Martini. Some of his art was the Annunciation. Another artist was Botticelli. He made the Birth of Venus. Primavera da Vinci made Adoration of the Magi and Annunciation, and Michelangelo made the Tondo Family (hisfirst Renaissance...
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... Winning the lottery would be a dream come true, no worries ever again. The lottery dates back as far as the days of Moses. There is contention among Biblical scholars about this. Certainly, it would not be all that seemly if a great religious character should profit from gambling. But in the Book of Numbers of the Old Testament it is written that Moses was awarded land near the River Jordan after playing a local lottery. No wonder so many people today still pray before picking their numbers. Renaissance Lotteries It is likely that forms of lotteries and raffles existed in the intervening ages, but very little was written about the subject. The first recorded lottery in Europe was actually a raffle held by the Flemish painter Jan Van Eyck in 1446. He gave away his paintings as prizes. In 1465, lotteries were regularly held in Belgium to raise money to build houses for the poor, chapels and canal systems. This way of raising funds did not have a name until 1515, when an election gone wrong in Genoa, Italy used numbers instead of names on its ballots. This left the choosing of the official up to fate. The word lottery in Italian actually means a predestination or unchangeable fate. Fifteen years later, the Italian city of Florence held a “Number Lottery” and gave away cash prizes. The idea soon caught on in France, too. In 1539 King Francis I of France ran a lottery to get his kingdom's treasury out of debt. In 1567, Queen Elizabeth I established the first English lottery...
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