...Journal Prompts for Their Eyes Were Watching God Directions: Choose ONE of the following prompts to complete for the selected chapter. Please type your response in MLA format. Use as much detail as possible. Chapter 1 Questions: Select quotations from the text that support your answers. 1. Hurston begins the book with an extended metaphor. What are the dreams of men? How are they different from the dreams of women? Who doesn’t get disappointed? 2. Janie has come back to town after doing what and to whom? (Pay attention to and remember their description.) 3. What are the porch-sitters compared to? How are they characterized? What can you infer from that description? 4. The first two pages are loaded with figurative language, as though Hurston was writing poetry in book form. What is the effect of this? Is it hard to understand? What is the effect of having to work a little harder to understand all the layers of her opening pages? 5. Pay attention to porches. What is the function of the porch in this chapter? 6. The author makes a big deal about Janie’s black rope of hair. This metaphor is a central image in the book. What might Janie’s hair symbolize? Follow it through the book. 7. Hurston is careful to give us many of the particulars of Janie’s life since she left this town. What do we know about her? 8. In the last line of the first chapter, Hurston uses a metaphor. What is it and what is its effect on the mood of the story? 9. Briefly discuss the voice...
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...It seems that it takes money to be happy and economic stature to be accepted; however, many people who fall into this trap out of ignorance will never achieve "The American Dream" they strive towards. The cliché, "In America, you can be whatever you want," always brings a smirk to my face. I am not a cynical person, but this just isn't true. If I decided I wanted to be the star of the next Academy Award winning hit, no matter how much I "want" it, it is not guaranteed to happen. In defense, many people will argue that one shouldn't take the remark so literally, that it just means that the avenue's and highways to success exist, it is the person's choice weather they take them or not; unfortunately, that is not the case. In the Great Gatsby Nick Carroway explains his love as, “…it was full of money-that was the inexhaustible charm that rose and fell in it, the jingle of it, the cymbal’s song of it…”(127) Hundred's of people start off with the Idea of becoming someone, and as their life progresses, they must completely adapt to a change of pace and ideas. How many people have gone out, and achieved the correct degrees, met the right people, been hired at the perfect job-only to be let go for a reason they could not have controlled. This is the Idea that I discussed on the first day of class. The idea of the Mesa being like the American dream, “You climb and climb, only to reach a plateau, that you will eventually fall over the other side of.”(first day notes) To me the...
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...critical theory today critical theory today A Us e r - F r i e n d l y G u i d e S E C O N D E D I T I O N L O I S T Y S O N New York London Routledge is an imprint of the Taylor & Francis Group, an informa business Routledge Taylor & Francis Group 270 Madison Avenue New York, NY 10016 Routledge Taylor & Francis Group 2 Park Square Milton Park, Abingdon Oxon OX14 4RN © 2006 by Lois Tyson Routledge is an imprint of Taylor & Francis Group, an Informa business Printed in the United States of America on acid‑free paper 10 9 8 7 6 5 4 3 2 1 International Standard Book Number‑10: 0‑415‑97410‑0 (Softcover) 0‑415‑97409‑7 (Hardcover) International Standard Book Number‑13: 978‑0‑415‑97410‑3 (Softcover) 978‑0‑415‑97409‑7 (Hardcover) No part of this book may be reprinted, reproduced, transmitted, or utilized in any form by any electronic, mechanical, or other means, now known or hereafter invented, including photocopying, microfilming, and recording, or in any information storage or retrieval system, without written permission from the publishers. Trademark Notice: Product or corporate names may be trademarks or registered trademarks, and are used only for identification and explanation without intent to infringe. Library of Congress Cataloging‑in‑Publication Data Tyson, Lois, 1950‑ Critical theory today : a user‑friendly guide / Lois Tyson.‑‑ 2nd ed. p. cm. Includes bibliographical references and index. ISBN 0‑415‑97409‑7 (hb) ‑‑ ISBN 0‑415‑97410‑0 (pb) 1. Criticism...
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